,.»=*£@### ###@£*=».,
,,,,,.==*@ @*==.,,,,,
,.»=*£@### ###@£*=».,
,.»=*£#### ####£*=».,
,.»»»***@@ @@***»»».,
,.»=*£@### #### ##### ###@£*=».,
,.»=*£@### Tape Dream ###@£*=».,
,.»=*£@### #### ##### ###@£*=».,
,.»=*£@### ###@£*=».,
,,,,,,,»*@ For Storing Music On. Also Data But @*»,,,,,,,
,.»=*£@### At This Point In Time That'S Not ###@£*=».,
,.»=*£@### Really Important I Think. ###@£*=».,
,,,.=***£# #£***=.,,,
,,,,,.»**@ @**».,,,,,
,,,,,,»*@@ ======== Types Of Tape ======== @@*»,,,,,,
,.»=*£@### ###@£*=».,
,.»=*£@### Class I - "Bad" Iron ###@£*=».,
,,,,.»*£@# Class Ii - Good Chromium #@£*».,,,,
,,,,.==£## Class Iii - Bad Iron Part Two ##£==.,,,,
,.»=*£@### Class Iv - Dangerous Metals ###@£*=».,
,,,,,,»**@ @**»,,,,,,
,.»=*£@### Rumors Exist About A Secret Class V Tape ###@£*=».,
,.»=*£@### That Is Actually Useful. ###@£*=».,
,,,,,»*££# #££*»,,,,,
,,,,»»»*£# == Bias == #£*»»»,,,,
,,,,.=*£@# #@£*=.,,,,
,.»=*£@### Class I Uses One Hundred And Twenty ###@£*=».,
,,,,,.=**@ Micro-Something While The Others All @**=.,,,,,
,,,..=***@ Use Seventy Of The Same Unit. @***=..,,,
,,,..»=£## ##£=»..,,,
,.»=*£@### ###@£*=».,
,.»=*£@### ********* Aha And ********* ###@£*=».,
,,,,,.=£## ##£=.,,,,,
,,,,,.»=*@ Class Iv Is Apparently Too Strong To @*=».,,,,,
,,,,,.=££@ Be Used On Class I Players. It Will @££=.,,,,,
,,,,,»»*@# Sound Too Lound And It Cannot Be #@*»»,,,,,
,.»=*££@## Completely Erased. This Is Very Well. ##@££*=».,
,.»=*£@### Maybe Some Wonderful Blending Effects ###@£*=».,
,.»=*££@@@ Could Be Achieved? @@@££*=».,
,.»=***@@# #@@***=».,
,,..=**£## They Also Gnaw At The Tape Heads A Bit ##£**=..,,
,,,,,,.=*@ Better Than Earlier Tape Types. @*=.,,,,,,
,....»*££@ @££*»....,
,,,,,.»*£@ @£*».,,,,,
,.»==**£@# ======== Artifacts ======== #@£**==».,
,.»=*@#### ####@*=».,
,,,..»**@# Good Tapes Are Decent And Have A Good #@**»..,,,
,,,,,.=£@# High Frequency Presence, Bad Tapes Are #@£=.,,,,,
,,,,.=£@## Lofi If Not Outright Bad. Idk, I Kinda ##@£=.,,,,
,.»=*£@### Like It. ###@£*=».,
,,,»=**£@@ @@£**=»,,,
,.»=*£@### Bias Loss: If You Forget The Bias Who ###@£*=».,
,.»=***@@@ Knows Whats Even On There Anymore @@@***=».,
,.»=*£@### ###@£*=».,
,.»=*£@### Flutter: Kinda Quick Pitch Variations. ###@£*=».,
,,..»=**£@ Beautiful, Wonderful, Extraordinary. @£**=»..,,
,,,.=**££@ @££**=.,,,
,,,,»**£@# Wow: A Slower Flutter, Usually Several #@£**»,,,,
,.»=*£@### Seconds Long. What Up. Both Of These ###@£*=».,
,.»=*@#### Increase When Tape Speed Decreases. ####@*=».,
,,,,,»»=*@ @*=»»,,,,,
,.»=*£@### Print through: Tapes Rub Sound On Each ###@£*=».,
,.»=*£@### Other If Theyre Alone For Too Long ###@£*=».,
,,,.=**££# #££**=.,,,
,.»=*£@### ###@£*=».,
,,,,..=£@# #@£=..,,,,
,.»=*£@@@# #@@@£*=».,
,.»=*£@### ###@£*=».,
,,,»»»**£# #£**»»»,,,