¨¨¨-///%£& &£%///-¨¨¨
¨.-/%£@# #@#&£%/-.¨
¨.-/%£@# #@#&£%/-.¨
¨.-/%£@@ @@#&£%/-.¨
¨¨¨¨¨--%&& &&%--¨¨¨¨¨
¨.-/%£#@ delay delay d¨la@ & %a¨ . ¨# - . @##&£%/-.¨
¨.-/%£@@ @@#&£%/-.¨
¨¨¨¨-/%&&& &&&%/-¨¨¨¨
¨.-/%£@# #@#&£%/-.¨
¨¨¨¨¨¨-% #&%-¨¨¨¨¨¨
¨¨¨¨-//%&@ "delay" means repetiton or likewise, @&%//-¨¨¨¨
¨.-/%£@# but it's mainly useless without #@#&£%/-.¨
¨¨¨¨.//% feedback, #&%//.¨¨¨¨
¨¨¨¨-%£# to allow the delay to eat of it's own ##&£%-¨¨¨¨
¨¨¨¨¨--/£& tail, like one of those eaty serpents. &£/--¨¨¨¨¨
¨.-/%£@# thus: it's the serpent effect! #@#&£%/-.¨
¨¨¨¨./%%&@ @&%%/.¨¨¨¨
¨.-/%£@# it's to be revered as a creator of #@#&£%/-.¨
¨.-/%£## ambience and of space, if you treat it ###&£%/-.¨
¨¨¨.-/%%£# right. a somewhat more solid and #£%%/-.¨¨¨
¨.--//%££# slippery sibling of reverb. #££%//--.¨
¨.-/%£@# #@#&£%/-.¨
¨.-/%£## ###&£%/-.¨
¨.-/%£@# #@#&£%/-.¨
¨¨¨¨-%%& #&&%%-¨¨¨¨
¨...../%£& &£%/.....¨