..^«/=@¤@# #@¤@=/«^..
...^«/=@¤@ @¤@=/«^...
....^«/=@¤ ¤@=/«^....
.....^«/=@ @=/«^.....
......^«/= =/«^......
.......^«/ A COOL ENOUGH SONY WALKMAN CALLED /«^.......
........^« «^........
.........^ # # # ^.........
.......... ### TCM ONEFIFTY ### ..........
.......... # # # ..........
.......... ..........
.........^ IT'S BATTERY POWERED (TWO AA BATTERIES) ^.........
........^« AND HAS A MICROPHONE. IT DOES FEATURE A «^........
.......^«/ SPEED HOLE BUT IT'S HIDDEN BENEATH ITS /«^.......
......^«/= SHELL. =/«^......
.....^«/=@ @=/«^.....
....^«/=@¤ A COOL THING IS THE SPEAKER ON THE ¤@=/«^....
...^«/=@¤@ FRONT. BUT ISN'T THAT A MAGNET CLOSE TO @¤@=/«^...
..^«/=@¤@# THE TAPE? YES #@¤@=/«^..
.^«/=@¤@## ##@¤@=/«^.
..^«/=@¤@# ## IS IT GOOD ## #@¤@=/«^..
...^«/=@¤@ @¤@=/«^...
....^«/=@¤ WELL. IT HAS SOME VERY REAL COMPRESSION ¤@=/«^....
.....^«/=@ GOING ON SO CLOSE VOX AND OTHER HIGH @=/«^.....
......^«/= VOLUME THINGS ARE VERY CRISP AND WITH =/«^......
.......^«/ KIND OF LOW NOISE. BUT WHEN THERE'S /«^.......
........^« MORE OF AN AMBIENCE, ALL YOU HEAR IS «^........
.........^ HISS AND MOTOR NOISE. ^.........
.......... ..........
.......... DENOISING TECHNIQUES ARE SIMPLE. ACTUAL ..........
.......... DENOISING FOR THE NOISE, AND MAYBE AN ..........
.........^ EQ FOR THE MOTOR. ^.........
........^« «^........
.......^«/ ## WHAT IS IT FOR ## /«^.......
......^«/= =/«^......
.....^«/=@ I USE IT FOR TALKING TO WHEN I'M DRUNK. @=/«^.....
....^«/=@¤ IT DOES THIS VERY GOOD. THE PAUSE ¤@=/«^....
...^«/=@¤@ BUTTON IS A SMALL STOP, THE STOP BUTTON @¤@=/«^...
..^«/=@¤@# IS A MAJOR STOP. #@¤@=/«^..
.^«/=@¤@## ##@¤@=/«^.
..^«/=@¤@# ## SOME QUIRKS ## #@¤@=/«^..
...^«/=@¤@ @¤@=/«^...
....^«/=@¤ WHEN UNPAUSING, RECORDING BEGINS BEFORE ¤@=/«^....
.....^«/=@ THE ENGINE IS FULLY SPUN UP, RESULTING @=/«^.....
......^«/= IN A NICE SWOOP BEING RECORDED. =/«^......
.......^«/ /«^.......
........^« IT MADE ME BUY A VHS CAM «^........
.........^ ^.........
.......... ..........
.......... # # # ..........
.......... ..........
.........^ REST IN PIECES, LITERALLY ^.........
........^« «^........
.......^«/ ^ MAY TWENTY FIFTEEN ^ /«^.......
......^«/= . TO . =/«^......
.....^«/=@ « JULY TWENTY EIGHTEEN « @=/«^.....
....^«/=@¤ ¤@=/«^....
...^«/=@¤@ SUPERSEDED BY THE TCM TWENTY @¤@=/«^...
..^«/=@¤@# #@¤@=/«^..
.^«/=@¤@## ##@¤@=/«^.
..^«/=@¤@# #@¤@=/«^..
...^«/=@¤@ @¤@=/«^...
....^«/=@¤ ¤@=/«^....