##£&*%*=,, ,,=*%*&£##
##£&*%*=,, ,,=*%*&£##
###£&**=,, ,,=**&£###
##£&*%*=,, ,,=*%*&£##
##£&*%*=,, ,,=*%*&£##
&%=,,,,,,, #### ##### ,,,,,,,=%&
&%%%*,,,,, tape dream ,,,,,*%%%&
##£&*%*=,, #### ##### ,,=*%*&£##
£££&*%*=,, ,,=*%*&£££
£**=,,,,,, for storing music on. also data but ,,,,,,=**£
&%***,,,,, at this point in time that's not ,,,,,***%&
£&***=,,,, really important i think. ,,,,=***&£
&&%%==,,,, ,,,,==%%&&
##£&*%*=,, ,,=*%*&£##
##£&*%*=,, ******** types of tape ******** ,,=*%*&£##
###£&**=,, ,,=**&£###
££&%=,,,,, class i - "bad" iron ,,,,,=%&££
##£&*%*=,, class ii - good chromium ,,=*%*&£##
&*%*=,,,,, class iii - bad iron part two ,,,,,=*%*&
##£&*%*=,, class iv - dangerous metals ,,=*%*&£##
#£***==,,, ,,,==***£#
##£&*%*=,, rumors exist about a secret class v tape ,,=*%*&£##
&&*%*=,,,, that is actually useful. ,,,,=*%*&&
##£&*%*=,, ,,=*%*&£##
##£&*%*=,, ** bias ** ,,=*%*&£##
£&&**,,,,, ,,,,,**&&£
#££&*%*=,, class i uses one hundred and twenty ,,=*%*&££#
&*%%***=,, micro-something while the others all ,,=***%%*&
&&&%*=,,,, use seventy of the same unit. ,,,,=*%&&&
##£&*%*=,, ,,=*%*&£##
##£&*%*=,, ,,=*%*&£##
£*%=,,,,,, %%%%%%%%% aha and %%%%%%%%% ,,,,,,=%*£
##£&*%*=,, ,,=*%*&£##
##£&*%*=,, class iv is apparently too strong to ,,=*%*&£##
##£&*%*=,, be used on class i players. it will ,,=*%*&£##
#££&*%*=,, sound too lound and it cannot be ,,=*%*&££#
£&&%*=,,,, completely erased. this is very well. ,,,,=*%&&£
£&%%*,,,,, maybe some wonderful blending effects ,,,,,*%%&£
##£&*%*=,, could be achieved? ,,=*%*&£##
£&**==,,,, ,,,,==**&£
&%**,,,,,, they also gnaw at the tape heads a bit ,,,,,,**%&
&*%*=,,,,, better than earlier tape types. ,,,,,=*%*&
&*%%***=,, ,,=***%%*&
##£&*%*=,, ,,=*%*&£##
&****=,,,, ******** artifacts ******** ,,,,=****&
##£&*%*=,, ,,=*%*&£##
###£&**=,, good tapes are decent and have a good ,,=**&£###
#£&%%**=,, high frequency presence, bad tapes are ,,=**%%&£#
£**=,,,,,, lofi if not outright bad. idk, i kinda ,,,,,,=**£
&%%%%*,,,, like it. ,,,,*%%%%&
##£&*%*=,, ,,=*%*&£##
&&%%=,,,,, bias loss: if you forget the bias who ,,,,,=%%&&
££&%=,,,,, knows whats even on there anymore ,,,,,=%&££
###£&%*=,, ,,=*%&£###
##£&*%*=,, flutter: kinda quick pitch variations. ,,=*%*&£##
&%%*,,,,,, beautiful, wonderful, extraordinary. ,,,,,,*%%&
##£&*%*=,, ,,=*%*&£##
&**=,,,,,, wow: a slower flutter, usually several ,,,,,,=**&
&*%=,,,,,, seconds long. what up. both of these ,,,,,,=%*&
##£&*%*=,, increase when tape speed decreases. ,,=*%*&£##
#&&**%*=,, ,,=*%**&&#
&%%==,,,,, print through: tapes rub sound on each ,,,,,==%%&
&&%===,,,, other if theyre alone for too long ,,,,===%&&
£&&**=,,,, ,,,,=**&&£
&**,,,,,,, ,,,,,,,**&
###£&**=,, ,,=**&£###
##£&*%*=,, ,,=*%*&£##
###£&**=,, ,,=**&£###
&&%%====,, ,,====%%&&