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..........       .. PITTSBURGH ELECTRONICS ..       ..........
..........              -- LIFEFORMS --             ..........
..........               †† SV ONE ††               ..........
.........-                                          -.........
........-† THIS IS  A EURORACK MODULE BUT I  BOUGHT †-........
.......-†* THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. *†-.......
......-†*%                                          %*†-......
.....-†*%& IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. &%*†-.....
....-†*%&#                                          #&%*†-....
...-†*%&##             .*# CONTAINS #*.             ##&%*†-...
..-†*%&###           MIDI TO CV CONVERTER           ###&%*†-..
...-†*%&##                TWO VCO'S                 ##&%*†-...
....-†*%&# FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER #&%*†-....
.....-†*%&        TWO SUB OSCILLATORS I THINK       &%*†-.....
......-†*%         TWO ONE TO TWO SPLITTERS         %*†-......
.......-†*           WHITE NOISE GENERATOR          *†-.......
........-†              SAMPLE AND HOLD             †-........
.........-          LFO PLUS A DIGITAL LFO          -.........
..........   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ..........
..........              ADSR ENVELOPE               ..........
..........                  ONE VCA                 ..........
..........               HEADPHONE AMP              ..........
..........         FOURTY NINE PATCHPOINTS!         ..........
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.......-†*           -** SO WHAT NOW **-            *†-.......
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....-†*%&# CLOCK  IO GOES  TO ASDR  IN I  THINK AND #&%*†-....
...-†*%&## MAYBE  ALSO TO THE SAMPLE  AND HOLD. PUT ##&%*†-...
..-†*%&### SUBBASE AND NOISE  IN  CHANNEL THREE AND ###&%*†-..
...-†*%&## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##&%*†-...
....-†*%&# TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL #&%*†-....
.....-†*%& ONE.   SAMPLE   AND  HOLD  OUT   TO  THE &%*†-.....
......-†*%  FILTER... MAYBE... RESONANCE AT HALF.   %*†-......
.......-†* SOME  FREQUENCY IN  THE FIRST OSCILLATOR *†-.......
........-† AND THEN THE SECOND OSC  FOUR  SEMITONES †-........
.........-                  HIGHER.                 -.........
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..........          †%% DESKTOP SYNTH %%†           ..........
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