.¤¤¤¤.¤..¤ ¤...¤.....
¤...¤¤¤.¤. ¤..¤¤.....
¤..¤..¤¤¤¤ ¤.¤.¤....¤
¤.¤¤.¤.... ¤¤¤¤¤...¤.
¤¤.¤¤¤...¤ ....¤..¤¤¤
.¤¤..¤..¤¤ #### ##### ...¤¤.¤...
¤.¤.¤¤.¤.. TAPE DREAM ..¤.¤¤¤...
¤¤¤¤.¤¤¤.¤ #### ##### .¤¤¤..¤..¤
...¤¤..¤¤¤ ¤..¤.¤¤.¤.
..¤.¤.¤... FOR STORING MUSIC ON. ALSO DATA BUT ¤.¤¤¤.¤¤¤.
.¤¤¤¤¤¤... AT THIS POINT IN TIME THAT'S NOT ¤¤..¤¤..¤.
¤.....¤... REALLY IMPORTANT I THINK. .¤.¤.¤.¤¤.
¤....¤¤..¤ ¤¤¤¤¤¤¤.¤¤
¤...¤.¤.¤¤ ......¤¤..
¤..¤¤¤¤¤.¤ \\\\\\\\ TYPES OF TAPE \\\\\\\\ .....¤.¤.¤
¤.¤....¤¤. ....¤¤¤¤¤.
¤¤¤...¤.¤¤ CLASS I - "BAD" IRON ...¤....¤¤
..¤..¤¤¤.¤ CLASS II - GOOD CHROMIUM ..¤¤...¤..
.¤¤.¤..¤¤. CLASS III - BAD IRON PART TWO .¤.¤..¤¤..
¤.¤¤¤.¤.¤¤ CLASS IV - DANGEROUS METALS ¤¤¤¤.¤.¤..
¤¤..¤¤¤¤.. ...¤¤¤¤¤.¤
.¤.¤...¤.. RUMORS EXIST ABOUT A SECRET CLASS V TAPE ..¤....¤¤.
¤¤¤¤..¤¤.. THAT IS ACTUALLY USEFUL. .¤¤...¤.¤.
...¤.¤.¤.. ¤.¤..¤¤¤¤¤
..¤¤¤¤¤¤.. \\ BIAS \\ ¤¤¤.¤....¤
.¤.....¤.¤ ..¤¤¤...¤¤
¤¤....¤¤¤. CLASS I USES ONE HUNDRED AND TWENTY .¤..¤..¤.¤
.¤...¤..¤. MICRO-SOMETHING WHILE THE OTHERS ALL ¤¤.¤¤.¤¤¤.
¤¤..¤¤.¤¤¤ USE SEVENTY OF THE SAME UNIT. .¤¤.¤¤..¤.
.¤.¤.¤¤... ¤.¤¤.¤.¤¤¤
¤¤¤¤¤.¤..¤ ¤¤.¤¤¤¤..¤
....¤¤¤.¤¤ ††††††††† AHA AND ††††††††† .¤¤...¤.¤.
...¤..¤¤.. ¤.¤..¤¤¤¤.
..¤¤.¤.¤.¤ CLASS IV IS APPARENTLY TOO STRONG TO ¤¤¤.¤...¤.
.¤.¤¤¤¤¤¤. BE USED ON CLASS I PLAYERS. IT WILL ..¤¤¤..¤¤.
¤¤¤.....¤¤ SOUND TOO LOUND AND IT CANNOT BE .¤..¤.¤.¤.
..¤....¤.. COMPLETELY ERASED. THIS IS VERY WELL. ¤¤.¤¤¤¤¤¤¤
.¤¤...¤¤.. MAYBE SOME WONDERFUL BLENDING EFFECTS .¤¤......¤
¤.¤..¤.¤.. COULD BE ACHIEVED? ¤.¤.....¤¤
¤¤¤.¤¤¤¤.¤ ¤¤¤....¤..
..¤¤...¤¤. THEY ALSO GNAW AT THE TAPE HEADS A BIT ..¤...¤¤.¤
.¤.¤..¤.¤. BETTER THAN EARLIER TAPE TYPES. .¤¤..¤.¤¤¤
¤¤¤¤.¤¤¤¤. ¤.¤.¤¤¤..¤
...¤¤...¤. ¤¤¤¤..¤.¤.
..¤.¤..¤¤. \\\\\\\\ ARTIFACTS \\\\\\\\ ...¤.¤¤¤¤.
.¤¤¤¤.¤.¤¤ ..¤¤¤...¤.
¤...¤¤¤¤.. GOOD TAPES ARE DECENT AND HAVE A GOOD .¤..¤..¤¤.
¤..¤...¤.. HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤¤.¤¤.¤.¤¤
¤.¤¤..¤¤.. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .¤¤.¤¤¤¤..
¤¤.¤.¤.¤.. LIKE IT. ¤.¤¤...¤.¤
.¤¤¤¤¤¤¤.¤ ¤¤.¤..¤¤¤.
¤......¤¤. BIAS LOSS: IF YOU FORGET THE BIAS WHO .¤¤¤.¤..¤.
¤.....¤.¤¤ KNOWS WHATS EVEN ON THERE ANYMORE ¤..¤¤¤.¤¤¤
¤....¤¤¤.¤ ¤.¤..¤¤...
¤...¤..¤¤¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤¤¤.¤.¤..¤
¤..¤¤.¤... BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ..¤¤¤¤¤.¤.
¤.¤.¤¤¤... .¤....¤¤¤¤
¤¤¤¤..¤..¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ¤¤...¤....
...¤.¤¤.¤¤ SECONDS LONG. WHAT UP. BOTH OF THESE .¤..¤¤...¤
..¤¤¤.¤¤.¤ INCREASE WHEN TAPE SPEED DECREASES. ¤¤.¤.¤..¤¤
.¤..¤¤.¤¤¤ .¤¤¤¤¤.¤.¤
¤¤.¤.¤¤... PRINT THROUGH: TAPES RUB SOUND ON EACH ¤....¤¤¤¤¤
.¤¤¤¤.¤..¤ OTHER IF THEYRE ALONE FOR TOO LONG ¤...¤.....
¤...¤¤¤.¤. ¤..¤¤.....
¤..¤..¤¤¤¤ ¤.¤.¤....¤
¤.¤¤.¤.... ¤¤¤¤¤...¤.
¤¤.¤¤¤...¤ ....¤..¤¤¤
.¤¤..¤..¤¤ ...¤¤.¤...
¤.¤.¤¤.¤.. ..¤.¤¤¤...