..~†%&§@##                                          ##@§&%†~..
..~†%&§@##                                          ##@§&%†~..
..~†%&§@##                                          ##@§&%†~..
......†&§#                                          #§&†......
..~†%&§@##                                          ##@§&%†~..
..~†%&§###                                          ###§&%†~..
..~†%&@###                 ..&###&..                ###@&%†~..
..~†%&§@##       .. pittsburgh electronics ..       ##@§&%†~..
..~†%§@###              ~~ lifeforms ~~             ###@§%†~..
..~†&§@###               †† sv one ††               ###@§&†~..
..~†%&§@##                                          ##@§&%†~..
....~††&§# this is  a eurorack module but  i bought #§&††~....
.....†%§§# the  blackbox  one  so  it's  also  not. #§§%†.....
..~†%&@###                                          ###@&%†~..
..~†%&§@## it  ships  with  too  few  patch cables. ##@§&%†~..
..~†%&§@##                                          ##@§&%†~..
..~†%&@###             .%@ contains @%.             ###@&%†~..
...~†%%§§@           midi to cv converter           @§§%%†~...
......†&§#                 two vco's                #§&†......
......~†&@ four channel or two  x two channel mixer @&†~......
..~†%&§@##        two sub oscillators i think       ##@§&%†~..
..~†%&§@@#         two one to two splitters         #@@§&%†~..
..~†%&§§@#           white noise generator          #@§§&%†~..
..~†%&§@##             sample and hold              ##@§&%†~..
......~%§#          lfo plus a digital lfo          #§%~......
...~~%%%§@   filter (lowpass, bandpass, highpass)   @§%%%~~...
.....~%&@@              adsr envelope               @@&%~.....
..~†%&§@##                  one vca                 ##@§&%†~..
..~†%&§@##              headphone amp               ##@§&%†~..
..~†%&§@##         fourty nine patchpoints!         ##@§&%†~..
.~†%&§@###                                          ###@§&%†~.
..~†%&§@##                 ..###..                  ##@§&%†~..
.......~%§            ~%% so what now %%~           §%~.......
..~†%&§@##                 ..###..                  ##@§&%†~..
.....†&§§§                                          §§§&†.....
.......†%§ clock io  goes to  asdr  in i think  and §%†.......
....~†%&&§ maybe also to the sample  and hold.  put §&&%†~....
..~†%&§@## subbase  and  noise in channel three and ##@§&%†~..
......~%§# four.  oscillator  one  saw  to  channel #§%~......
..~†%&§@## two, and oscillator  two saw  to channel ##@§&%†~..
....††%&§# one.  sample   and  hold   out  to   the #§&%††....
..~†%&§@##   filter... maybe... resonance at half.  ##@§&%†~..
..~†%&§@## some frequency in the  first  oscillator ##@§&%†~..
....~††%&§ and then the second osc  four  semitones §&%††~....
..~†&§@###                  higher.                 ###@§&†~..
..~†%%%§§§                                          §§§%%%†~..
...~~†††&@                 .~§@§~.                  @&†††~~...
..~~~†&&@@           †&& desktop synth &&†          @@&&†~~~..
......~†&§                 .~§@§~.                  §&†~......
...~††%&§§                                          §§&%††~...
..~†%&§@##                                          ##@§&%†~..
..~†%&§@##                                          ##@§&%†~..
..~††††%§@                                          @§%††††~..
..~†%%&§@#                                          #@§&%%†~..
..~†%&§@##                                          ##@§&%†~..