,~-\$%£@## ##@£%$\-~,
,,,,~\\%%£ £%%\\~,,,,
,,,~-\$$£@ @£$$\-~,,,
,~-\$%@### ###@%$\-~,
,~-\$%£@## ##@£%$\-~,
,,,,~-$%££ #### ##### ££%$-~,,,,
,~-\$%£### TAPE DREAM ###£%$\-~,
,~-\$%££££ #### ##### ££££%$\-~,
,~-\$%%£££ £££%%$\-~,
,,,,,~-$£@ FOR STORING MUSIC ON. ALSO DATA BUT @£$-~,,,,,
,~-\$%£@## AT THIS POINT IN TIME THAT'S NOT ##@£%$\-~,
,~-\$%£@## REALLY IMPORTANT I THINK. ##@£%$\-~,
,~-\$%£@@@ @@@£%$\-~,
,~-\$%£@@# #@@£%$\-~,
,,,,,-\\%£ \\\\\\\\ TYPES OF TAPE \\\\\\\\ £%\\-,,,,,
,~-\$%£££# #£££%$\-~,
,~-\$%£@## CLASS I - "BAD" IRON ##@£%$\-~,
,~-\$%@### CLASS II - GOOD CHROMIUM ###@%$\-~,
,~-\$%£@## CLASS III - BAD IRON PART TWO ##@£%$\-~,
,~-\$%£@## CLASS IV - DANGEROUS METALS ##@£%$\-~,
,~-\$%£@@# #@@£%$\-~,
,,,,,-\$$£ RUMORS EXIST ABOUT A SECRET CLASS V TAPE £$$\-,,,,,
,,,--\\$£# THAT IS ACTUALLY USEFUL. #£$\\--,,,
,~-\$%£@## ##@£%$\-~,
,,,~~~--$£ \\ BIAS \\ £$--~~~,,,
,-\$%£@### ###@£%$\-,
,~-\$%£@## CLASS I USES ONE HUNDRED AND TWENTY ##@£%$\-~,
,~-\%£@### MICRO-SOMETHING WHILE THE OTHERS ALL ###@£%\-~,
,,,,,,-$£# USE SEVENTY OF THE SAME UNIT. #£$-,,,,,,
,~-\$%£@## ##@£%$\-~,
,~-\$%£@## ##@£%$\-~,
,,,,~-$$%£ $$$$$$$$$ AHA AND $$$$$$$$$ £%$$-~,,,,
,~-\$%£@## ##@£%$\-~,
,,,,-\\$££ CLASS IV IS APPARENTLY TOO STRONG TO ££$\\-,,,,
,~-\$%£@## BE USED ON CLASS I PLAYERS. IT WILL ##@£%$\-~,
,~-\$%£@## SOUND TOO LOUND AND IT CANNOT BE ##@£%$\-~,
,~-\$%£@## COMPLETELY ERASED. THIS IS VERY WELL. ##@£%$\-~,
,,,,,,,-$£ MAYBE SOME WONDERFUL BLENDING EFFECTS £$-,,,,,,,
,~-\$%£@## COULD BE ACHIEVED? ##@£%$\-~,
,,,~-$%££# #££%$-~,,,
,~-\$%%££@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @££%%$\-~,
,~-\$%£@## BETTER THAN EARLIER TAPE TYPES. ##@£%$\-~,
,~-\$%£### ###£%$\-~,
,~-\$%£@## ##@£%$\-~,
,,,,-$%%@# \\\\\\\\ ARTIFACTS \\\\\\\\ #@%%$-,,,,
,~---\%%%£ £%%%\---~,
~-\$%£@### GOOD TAPES ARE DECENT AND HAVE A GOOD ###@£%$\-~
,,~~\\%£££ HIGH FREQUENCY PRESENCE, BAD TAPES ARE £££%\\~~,,
,,,,~-\%£@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @£%\-~,,,,
,~-\\\$%@@ LIKE IT. @@%$\\\-~,
,,~---$$%@ @%$$---~,,
,~-\$%£@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@£%$\-~,
,~-\$%£@## KNOWS WHATS EVEN ON THERE ANYMORE ##@£%$\-~,
,,,~~\$%££ ££%$\~~,,,
,,,,~~-\%@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @%\-~~,,,,
,~-\$%£@@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@@£%$\-~,
,~-\$%£@## ##@£%$\-~,
,,,,,,-$$£ WOW: A SLOWER FLUTTER, USUALLY SEVERAL £$$-,,,,,,
,,,,--\%@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@%\--,,,,
,~-\$$$$%@ INCREASE WHEN TAPE SPEED DECREASES. @%$$$$\-~,
,~-\$%£@## ##@£%$\-~,
,,,,~~\%%£ PRINT THROUGH: TAPES RUB SOUND ON EACH £%%\~~,,,,
,~\$%£@### OTHER IF THEYRE ALONE FOR TOO LONG ###@£%$\~,
,~-\$%£### ###£%$\-~,
,~-\$%%££# #££%%$\-~,
,~-\$%£@@# #@@£%$\-~,
,~-\$£@### ###@£$\-~,
,~-\$£@### ###@£$\-~,
,~-\$%£@## ##@£%$\-~,