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#@¶@$§†-^,                 ,,$@#@$,,                ,^-†§$@¶@#
@¶@$§†-^,,       ^^ PITTSBURGH ELECTRONICS ^^       ,,^-†§$@¶@
#@¶@$§†-^,             -- LIFEFORMS --              ,^-†§$@¶@#
@¶@$§†-^,,               †† SV ONE ††               ,,^-†§$@¶@
#@¶@$§†-^,                                          ,^-†§$@¶@#
@¶@$§†-^,, THIS IS A EURORACK  MODULE BUT I  BOUGHT ,,^-†§$@¶@
#@¶@$§†-^, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,^-†§$@¶@#
@¶@$§†-^,,                                          ,,^-†§$@¶@
#@¶@$§†-^, IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ,^-†§$@¶@#
@¶@$§†-^,,                                          ,,^-†§$@¶@
#@¶@$§†-^,             ,§¶ CONTAINS ¶§,             ,^-†§$@¶@#
@¶@$§†-^,,           MIDI TO CV CONVERTER           ,,^-†§$@¶@
#@¶@$§†-^,                 TWO VCO'S                ,^-†§$@¶@#
@¶@$§†-^,, FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ,,^-†§$@¶@
#@¶@$§†-^,       TWO SUB OSCILLATORS I THINK        ,^-†§$@¶@#
@¶@$§†-^,,         TWO ONE TO TWO SPLITTERS         ,,^-†§$@¶@
#@¶@$§†-^,           WHITE NOISE GENERATOR          ,^-†§$@¶@#
@¶@$§†-^,,              SAMPLE AND HOLD             ,,^-†§$@¶@
#@¶@$§†-^,          LFO PLUS A DIGITAL LFO          ,^-†§$@¶@#
@¶@$§†-^,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,^-†§$@¶@
#@¶@$§†-^,              ADSR ENVELOPE               ,^-†§$@¶@#
@¶@$§†-^,,                  ONE VCA                 ,,^-†§$@¶@
#@¶@$§†-^,              HEADPHONE AMP               ,^-†§$@¶@#
@¶@$§†-^,,         FOURTY NINE PATCHPOINTS!         ,,^-†§$@¶@
#@¶@$§†-^,                                          ,^-†§$@¶@#
@¶@$§†-^,,                  ,^@#@^,                 ,,^-†§$@¶@
#@¶@$§†-^,            -§§ SO WHAT NOW §§-           ,^-†§$@¶@#
@¶@$§†-^,,                  ,^@#@^,                 ,,^-†§$@¶@
#@¶@$§†-^,                                          ,^-†§$@¶@#
@¶@$§†-^,, CLOCK  IO  GOES TO ASDR IN  I THINK  AND ,,^-†§$@¶@
#@¶@$§†-^, MAYBE  ALSO TO THE SAMPLE  AND HOLD. PUT ,^-†§$@¶@#
@¶@$§†-^,, SUBBASE AND NOISE  IN CHANNEL THREE  AND ,,^-†§$@¶@
#@¶@$§†-^, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,^-†§$@¶@#
@¶@$§†-^,, TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL ,,^-†§$@¶@
#@¶@$§†-^, ONE.  SAMPLE   AND   HOLD   OUT  TO  THE ,^-†§$@¶@#
@¶@$§†-^,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,^-†§$@¶@
#@¶@$§†-^, SOME FREQUENCY IN THE  FIRST  OSCILLATOR ,^-†§$@¶@#
@¶@$§†-^,, AND THEN THE  SECOND OSC FOUR  SEMITONES ,,^-†§$@¶@
#@¶@$§†-^,                 HIGHER.                  ,^-†§$@¶@#
@¶@$§†-^,,                                          ,,^-†§$@¶@
#@¶@$§†-^,                 ^-@¶@-^                  ,^-†§$@¶@#
@¶@$§†-^,,           †$$ DESKTOP SYNTH $$†          ,,^-†§$@¶@
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@¶@$§†-^,,                                          ,,^-†§$@¶@
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