,,,.«;†%@#                                          #@%†;«.,,,
,,,,.«;†%@                                          @%†;«.,,,,
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,,.«;†%@##                                          ##@%†;«.,,
,,,.«;†%@#                ,,%###%,,                 #@%†;«.,,,
,,,,.«;†%@       .. PITTSBURGH ELECTRONICS ..       @%†;«.,,,,
,,,.«;†%@#              «« LIFEFORMS ««             #@%†;«.,,,
,,.«;†%@##               ;; SV ONE ;;               ##@%†;«.,,
,.«;†%@###                                          ###@%†;«.,
,,.«;†%@## THIS IS A  EURORACK MODULE BUT I  BOUGHT ##@%†;«.,,
,,,.«;†%@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@%†;«.,,,
,,,,.«;†%@                                          @%†;«.,,,,
,,,.«;†%@# IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. #@%†;«.,,,
,,.«;†%@##                                          ##@%†;«.,,
,.«;†%@###             ,†# CONTAINS #†,             ###@%†;«.,
,,.«;†%@##           MIDI TO CV CONVERTER           ##@%†;«.,,
,,,.«;†%@#                 TWO VCO'S                #@%†;«.,,,
,,,,.«;†%@ FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER @%†;«.,,,,
,,,.«;†%@#       TWO SUB OSCILLATORS I THINK        #@%†;«.,,,
,,.«;†%@##         TWO ONE TO TWO SPLITTERS         ##@%†;«.,,
,.«;†%@###          WHITE NOISE GENERATOR           ###@%†;«.,
,,.«;†%@##              SAMPLE AND HOLD             ##@%†;«.,,
,,,.«;†%@#          LFO PLUS A DIGITAL LFO          #@%†;«.,,,
,,,,.«;†%@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @%†;«.,,,,
,,,.«;†%@#              ADSR ENVELOPE               #@%†;«.,,,
,,.«;†%@##                 ONE VCA                  ##@%†;«.,,
,.«;†%@###              HEADPHONE AMP               ###@%†;«.,
,,.«;†%@##         FOURTY NINE PATCHPOINTS!         ##@%†;«.,,
,,,.«;†%@#                                          #@%†;«.,,,
,,,,.«;†%@                 ,.###.,                  @%†;«.,,,,
,,,.«;†%@#           «†† SO WHAT NOW ††«            #@%†;«.,,,
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,.«;†%@###                                          ###@%†;«.,
,,.«;†%@## CLOCK  IO GOES TO ASDR  IN  I THINK  AND ##@%†;«.,,
,,,.«;†%@# MAYBE ALSO TO THE  SAMPLE  AND HOLD. PUT #@%†;«.,,,
,,,,.«;†%@ SUBBASE  AND NOISE IN CHANNEL THREE  AND @%†;«.,,,,
,,,.«;†%@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@%†;«.,,,
,,.«;†%@## TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL ##@%†;«.,,
,.«;†%@### ONE.   SAMPLE  AND   HOLD   OUT  TO  THE ###@%†;«.,
,,.«;†%@##  FILTER... MAYBE... RESONANCE AT HALF.   ##@%†;«.,,
,,,.«;†%@# SOME FREQUENCY  IN THE  FIRST OSCILLATOR #@%†;«.,,,
,,,,.«;†%@ AND THEN THE SECOND  OSC  FOUR SEMITONES @%†;«.,,,,
,,,.«;†%@#                  HIGHER.                 #@%†;«.,,,
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,,.«;†%@##          ;%% DESKTOP SYNTH %%;           ##@%†;«.,,
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