,@,@,,@@@,                                          ,,,@@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,                 ,,$@#@$,,                ,@@,@,@,@,
@@,@,@,@@,       ^^ PITTSBURGH ELECTRONICS ^^       ,,@,@,@,@,
,@,@,@,,@,              ~~ LIFEFORMS ~~             ,@@,@,@,@,
@@,@,@,@@,               †† SV ONE ††               ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,
@@,@,@,@@, THIS IS A  EURORACK MODULE  BUT I BOUGHT ,,@,@,@,@,
,@,@,@,,@, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@, IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,             ,%@ CONTAINS @%,             ,@@,@,@,@,
@@,@,@,@@,           MIDI TO CV CONVERTER           ,,@,@,@,@,
,@,@,@,,@,                 TWO VCO'S                ,@@,@,@,@,
@@,@,@,@@, FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ,,@,@,@,@,
,@,@,@,,@,        TWO SUB OSCILLATORS I THINK       ,@@,@,@,@,
@@,@,@,@@,         TWO ONE TO TWO SPLITTERS         ,,@,@,@,@,
,@,@,@,,@,           WHITE NOISE GENERATOR          ,@@,@,@,@,
@@,@,@,@@,              SAMPLE AND HOLD             ,,@,@,@,@,
,@,@,@,,@,          LFO PLUS A DIGITAL LFO          ,@@,@,@,@,
@@,@,@,@@,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,@,@,@,@,
,@,@,@,,@,               ADSR ENVELOPE              ,@@,@,@,@,
@@,@,@,@@,                  ONE VCA                 ,,@,@,@,@,
,@,@,@,,@,              HEADPHONE AMP               ,@@,@,@,@,
@@,@,@,@@,         FOURTY NINE PATCHPOINTS!         ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,
@@,@,@,@@,                  ,^@#@^,                 ,,@,@,@,@,
,@,@,@,,@,           ~%% SO WHAT NOW %%~            ,@@,@,@,@,
@@,@,@,@@,                 ,^@#@^,                  ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,
@@,@,@,@@, CLOCK  IO GOES TO ASDR  IN I  THINK  AND ,,@,@,@,@,
,@,@,@,,@, MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT ,@@,@,@,@,
@@,@,@,@@, SUBBASE AND  NOISE IN CHANNEL  THREE AND ,,@,@,@,@,
,@,@,@,,@, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,@@,@,@,@,
@@,@,@,@@, TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL ,,@,@,@,@,
,@,@,@,,@, ONE.  SAMPLE   AND  HOLD   OUT   TO  THE ,@@,@,@,@,
@@,@,@,@@,  FILTER... MAYBE... RESONANCE AT HALF.   ,,@,@,@,@,
,@,@,@,,@, SOME  FREQUENCY  IN THE FIRST OSCILLATOR ,@@,@,@,@,
@@,@,@,@@, AND THEN THE SECOND  OSC FOUR  SEMITONES ,,@,@,@,@,
,@,@,@,,@,                 HIGHER.                  ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,                 ^~@@@~^                  ,@@,@,@,@,
@@,@,@,@@,           †$$ DESKTOP SYNTH $$†          ,,@,@,@,@,
,@,@,@,,@,                 ^~@@@~^                  ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,
@@,@,@,@@,                                          ,,@,@,@,@,
,@,@,@,,@,                                          ,@@,@,@,@,