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#@¶£&=\-^, ,^-\=&£¶@#
@@¶£&=\-^, @@@@ ##### ,^-\=&£¶@@
#@¶£&=\-^, TAPE DREAM ,^-\=&£¶@#
#@¶£&=\-^, #### @@@@@ ,^-\=&£¶@#
#@¶£&=\-^, ,^-\=&£¶@#
¶&\---,,,, FOR STORING MUSIC ON. ALSO DATA BUT ,,,,---\&¶
¶£££&=\-^, AT THIS POINT IN TIME THAT'S NOT ,^-\=&£££¶
#@¶£&=\-^, REALLY IMPORTANT I THINK. ,^-\=&£¶@#
#@¶£&=\-^, ,^-\=&£¶@#
£===\-,,,, ,,,,-\===£
##¶£&=\-^, \\\\\\\\ TYPES OF TAPE \\\\\\\\ ,^-\=&£¶##
@¶££&=\-^, ,^-\=&££¶@
##@£&=\-^, CLASS I - "BAD" IRON ,^-\=&£@##
££=\\\\-^, CLASS II - GOOD CHROMIUM ,^-\\\\=££
@¶¶£&=\-^, CLASS III - BAD IRON PART TWO ,^-\=&£¶¶@
£=-^^,,,,, CLASS IV - DANGEROUS METALS ,,,,,^^-=£
#@¶£&=\-^, ,^-\=&£¶@#
¶&&&=-^,,, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,,,^-=&&&¶
##@£&=\-^, THAT IS ACTUALLY USEFUL. ,^-\=&£@##
£&\\^,,,,, ,,,,,^\\&£
##@¶&=\-^, \\ BIAS \\ ,^-\=&¶@##
##¶£&=\-^, ,^-\=&£¶##
##¶£&=\-^, CLASS I USES ONE HUNDRED AND TWENTY ,^-\=&£¶##
¶&==--,,,, MICRO-SOMETHING WHILE THE OTHERS ALL ,,,,--==&¶
#@¶£&=\-^, USE SEVENTY OF THE SAME UNIT. ,^-\=&£¶@#
##@£&=\-^, ,^-\=&£@##
#@¶£&=\-^, ,^-\=&£¶@#
#@¶£&=\-^, ========= AHA AND ========= ,^-\=&£¶@#
@¶¶£&=\-^, ,^-\=&£¶¶@
#@¶£&=\-^, CLASS IV IS APPARENTLY TOO STRONG TO ,^-\=&£¶@#
##@¶£&=-^, BE USED ON CLASS I PLAYERS. IT WILL ,^-=&£¶@##
£&&\-,,,,, SOUND TOO LOUND AND IT CANNOT BE ,,,,,-\&&£
##¶£&=\-^, COMPLETELY ERASED. THIS IS VERY WELL. ,^-\=&£¶##
¶&\^,,,,,, MAYBE SOME WONDERFUL BLENDING EFFECTS ,,,,,,^\&¶
##@¶£=\-^, COULD BE ACHIEVED? ,^-\=£¶@##
¶&&=\---^, ,^---\=&&¶
@@¶£&=\-^, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,^-\=&£¶@@
£££=-^,,,, BETTER THAN EARLIER TAPE TYPES. ,,,,^-=£££
@@¶£&=\-^, ,^-\=&£¶@@
££&\^,,,,, ,,,,,^\&££
#@¶£&=\-^, \\\\\\\\ ARTIFACTS \\\\\\\\ ,^-\=&£¶@#
##¶£&=\-^, ,^-\=&£¶##
@£=\\---^, GOOD TAPES ARE DECENT AND HAVE A GOOD ,^---\\=£@
¶£&\^^,,,, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,,,,^^\&£¶
@££=---,,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,,---=££@
¶¶££&=\-^, LIKE IT. ,^-\=&££¶¶
#@¶£&=\-^, ,^-\=&£¶@#
#@¶£&=\-^, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,^-\=&£¶@#
#@¶£&=\-^, KNOWS WHATS EVEN ON THERE ANYMORE ,^-\=&£¶@#
@@¶£&=\-^, ,^-\=&£¶@@
¶¶¶£&=\-^, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,^-\=&£¶¶¶
##@£&=\-^, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,^-\=&£@##
¶&=-,,,,,, ,,,,,,-=&¶
¶£&\^,,,,, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,,,,,^\&£¶
@£==----^, SECONDS LONG. WHAT UP. BOTH OF THESE ,^----==£@
££=\-,,,,, INCREASE WHEN TAPE SPEED DECREASES. ,,,,,-\=££
##@£&=\-^, ,^-\=&£@##
#@¶£&=\-^, PRINT THROUGH: TAPES RUB SOUND ON EACH ,^-\=&£¶@#
##@¶£&\-^, OTHER IF THEYRE ALONE FOR TOO LONG ,^-\&£¶@##
¶¶¶£&=\-^, ,^-\=&£¶¶¶
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