,^-^=%&@##                                          ##@&%=^-^,
,^-^=%@###                                          ###@%=^-^,
,,,,,--^%@                                          @%^--,,,,,
,^-^=%&###                                          ###&%=^-^,
,^-^=%&@##                                          ##@&%=^-^,
,^-^=%&@@#                                          #@@&%=^-^,
,,,,^^^=%@                ,,%###%,,                 @%=^^^,,,,
,,,,,^^%&&       ^^ pittsburgh electronics ^^       &&%^^,,,,,
^-^=%&@###             -- lifeforms --              ###@&%=^-^
,^-^=%&@##               ^^ sv one ^^               ##@&%=^-^,
,^-^=%&@##                                          ##@&%=^-^,
,^-^=%&@## this is  a eurorack module but i  bought ##@&%=^-^,
,^-^=%&@## the  blackbox  one  so  it's  also  not. ##@&%=^-^,
,^-^=%&@##                                          ##@&%=^-^,
,,,,,,-=%& it  ships  with too  few  patch  cables. &%=-,,,,,,
,^-^=%%%&@                                          @&%%%=^-^,
,^-^=%&@##             ,=@ contains @=,             ##@&%=^-^,
,^-^=%&###           midi to cv converter           ###&%=^-^,
,^-^=%%&&&                two vco's                 &&&%%=^-^,
,^-^=%&@## four channel or two  x two channel mixer ##@&%=^-^,
,^-^=%&&@@       two sub oscillators i think        @@&&%=^-^,
,,,,,^-=%&         two one to two splitters         &%=-^,,,,,
,^-^=%&@##           white noise generator          ##@&%=^-^,
,^-^=%&&&&              sample and hold             &&&&%=^-^,
,,,,^-==&#          lfo plus a digital lfo          #&==-^,,,,
,^-^=%&@##   filter (lowpass, bandpass, highpass)   ##@&%=^-^,
,^-^=%&@##              adsr envelope               ##@&%=^-^,
,^-^=%&@@#                 one vca                  #@@&%=^-^,
,^-^=%&@@@               headphone amp              @@@&%=^-^,
,,,,,^^^=&         fourty nine patchpoints!         &=^^^,,,,,
,,,,,^-^%&                                          &%^-^,,,,,
,,,^^^^=&&                 ,^###^,                  &&=^^^^,,,
,^-^=%&@##           -== so what now ==-            ##@&%=^-^,
,^^^--^%&&                 ,^###^,                  &&%^--^^^,
,^-^==%%@#                                          #@%%==^-^,
,^-^=%&&&# clock  io goes  to asdr  in  i think and #&&&%=^-^,
,,,,^^^^%@ maybe  also to the  sample and hold. put @%^^^^,,,,
,,,,^-^%&@ subbase and noise  in channel  three and @&%^-^,,,,
,,,,^-=%&& four.  oscillator  one  saw  to  channel &&%=-^,,,,
,,^^---==& two,  and oscillator two saw  to channel &==---^^,,
,^-=%&@### one.  sample   and   hold  out  to   the ###@&%=-^,
,,,,,-==&&  filter... maybe... resonance at half.   &&==-,,,,,
,,,^---=&@ some frequency  in the first  oscillator @&=---^,,,
,,^^^^=%&# and then the second  osc  four semitones #&%=^^^^,,
,,,,^^^%@@                  higher.                 @@%^^^,,,,
,^-^=%&@##                                          ##@&%=^-^,
,,,,^^=&&&                  ^-&@&-^                 &&&=^^,,,,
,,,^--^%&@          ^%% desktop synth %%^           @&%^--^,,,
,,,,^^%%&&                  ^-&@&-^                 &&%%^^,,,,
,^-^=%&&&@                                          @&&&%=^-^,
,^-^=%&&&&                                          &&&&%=^-^,
,^-^=%&@##                                          ##@&%=^-^,
,,,,,^^^=&                                          &=^^^,,,,,
,^^^^===&#                                          #&===^^^^,
,,,,^-^=&#                                          #&=^-^,,,,