##@§%*;«..                                          ..«;*%§@##
§****««...                                          ...««****§
§%;««.....                                          .....««;%§
@§%%%*;«..                                          ..«;*%%%§@
##@§%*;«..                                          ..«;*%§@##
##@§%*;«..                                          ..«;*%§@##
##@§%*;«..                 ..%###%..                ..«;*%§@##
##@§%*;«..       .. PITTSBURGH ELECTRONICS ..       ..«;*%§@##
§§%%*«....              «« LIFEFORMS ««             ....«*%%§§
#@%**«....               ;; SV ONE ;;               ....«**%@#
@§%;«.....                                          .....«;%§@
###@§%*;.. THIS  IS A EURORACK  MODULE BUT I BOUGHT ..;*%§@###
##@§%*;«.. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ..«;*%§@##
###@§%*«..                                          ..«*%§@###
##@§%*;«.. IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ..«;*%§@##
@%%*««««..                                          ..««««*%%@
##@§%*;«..             .*@ CONTAINS @*.             ..«;*%§@##
##@§%*;«..           MIDI TO CV CONVERTER           ..«;*%§@##
##@§%*;«..                TWO VCO'S                 ..«;*%§@##
###@§*;«.. FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ..«;*§@###
§**;......       TWO SUB OSCILLATORS I THINK        ......;**§
##@§%*;«..         TWO ONE TO TWO SPLITTERS         ..«;*%§@##
§§*;......          WHITE NOISE GENERATOR           ......;*§§
##@§%*;«..             SAMPLE AND HOLD              ..«;*%§@##
§§§*«.....          LFO PLUS A DIGITAL LFO          .....«*§§§
§**;;«....   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ....«;;**§
@§§***;«..               ADSR ENVELOPE              ..«;***§§@
###@§%*;«.                  ONE VCA                 .«;*%§@###
#§*«......              HEADPHONE AMP               ......«*§#
§%;.......         FOURTY NINE PATCHPOINTS!         .......;%§
###@%*;«..                                          ..«;*%@###
#§%;««....                 ..###..                  ....««;%§#
§%%;......            «** SO WHAT NOW **«           ......;%%§
@§%**;;«..                 ..###..                  ..«;;**%§@
##@§%*;«..                                          ..«;*%§@##
@@§*;..... CLOCK  IO  GOES  TO ASDR IN I THINK  AND .....;*§@@
#@@§%*;«.. MAYBE  ALSO TO THE  SAMPLE AND HOLD. PUT ..«;*%§@@#
§*;....... SUBBASE  AND NOISE IN CHANNEL THREE  AND .......;*§
##@§%*;«.. FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ..«;*%§@##
§%*;...... TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL ......;*%§
§§%%;;;«.. ONE.   SAMPLE   AND  HOLD  OUT   TO  THE ..«;;;%%§§
@§*;;.....   FILTER... MAYBE... RESONANCE AT HALF.  .....;;*§@
@@%*;..... SOME  FREQUENCY IN THE FIRST  OSCILLATOR .....;*%@@
##@§%*;«.. AND THEN THE  SECOND OSC FOUR  SEMITONES ..«;*%§@##
##@§%*;«..                 HIGHER.                  ..«;*%§@##
@§*«««....                                          ....«««*§@
@§§**«....                  .«§@§«.                 ....«**§§@
##@§%*;«..           ;%% DESKTOP SYNTH %%;          ..«;*%§@##
##@§%*;«..                  .«§@§«.                 ..«;*%§@##
@@@§%*;«..                                          ..«;*%§@@@
##@§%*;«..                                          ..«;*%§@##
##@§%*;«..                                          ..«;*%§@##
#§%*«««...                                          ...«««*%§#
@§§***;«..                                          ..«;***§§@
##@§%*;«..                                          ..«;*%§@##