,,,,,,,,.~                                          ~.,,,,,,,,
,,,,,,,,,.                                          .,,,,,,,,,
,,,,,,,,.~                                          ~.,,,,,,,,
,,,,,,,.~/                                          /~.,,,,,,,
,,,,,,.~/*                                          */~.,,,,,,
,,,,,.~/*&                                          &*/~.,,,,,
,,,,.~/*&£                 ,,&@#@&,,                £&*/~.,,,,
,,,.~/*&£@       .. PITTSBURGH ELECTRONICS ..       @£&*/~.,,,
,,.~/*&£@#              ~~ LIFEFORMS ~~             #@£&*/~.,,
,.~/*&£@##               // SV ONE //               ##@£&*/~.,
,,.~/*&£@#                                          #@£&*/~.,,
,,,.~/*&£@ THIS IS A EURORACK  MODULE BUT  I BOUGHT @£&*/~.,,,
,,,,.~/*&£ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. £&*/~.,,,,
,,,,,.~/*&                                          &*/~.,,,,,
,,,,,,.~/* IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. */~.,,,,,,
,,,,,,,.~/                                          /~.,,,,,,,
,,,,,,,,.~             ,*@ CONTAINS @*,             ~.,,,,,,,,
,,,,,,,,,.           MIDI TO CV CONVERTER           .,,,,,,,,,
,,,,,,,,.~                 TWO VCO'S                ~.,,,,,,,,
,,,,,,,.~/ FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER /~.,,,,,,,
,,,,,,.~/*        TWO SUB OSCILLATORS I THINK       */~.,,,,,,
,,,,,.~/*&         TWO ONE TO TWO SPLITTERS         &*/~.,,,,,
,,,,.~/*&£          WHITE NOISE GENERATOR           £&*/~.,,,,
,,,.~/*&£@              SAMPLE AND HOLD             @£&*/~.,,,
,,.~/*&£@#          LFO PLUS A DIGITAL LFO          #@£&*/~.,,
,.~/*&£@##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##@£&*/~.,
,,.~/*&£@#               ADSR ENVELOPE              #@£&*/~.,,
,,,.~/*&£@                 ONE VCA                  @£&*/~.,,,
,,,,.~/*&£               HEADPHONE AMP              £&*/~.,,,,
,,,,,.~/*&         FOURTY NINE PATCHPOINTS!         &*/~.,,,,,
,,,,,,.~/*                                          */~.,,,,,,
,,,,,,,.~/                 ,.@#@.,                  /~.,,,,,,,
,,,,,,,,.~            ~** SO WHAT NOW **~           ~.,,,,,,,,
,,,,,,,,,.                 ,.@#@.,                  .,,,,,,,,,
,,,,,,,,.~                                          ~.,,,,,,,,
,,,,,,,.~/ CLOCK  IO GOES  TO ASDR IN  I THINK  AND /~.,,,,,,,
,,,,,,.~/* MAYBE ALSO  TO THE SAMPLE AND HOLD.  PUT */~.,,,,,,
,,,,,.~/*& SUBBASE AND NOISE IN  CHANNEL  THREE AND &*/~.,,,,,
,,,,.~/*&£ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL £&*/~.,,,,
,,,.~/*&£@ TWO, AND  OSCILLATOR TWO SAW  TO CHANNEL @£&*/~.,,,
,,.~/*&£@# ONE.   SAMPLE  AND  HOLD   OUT  TO   THE #@£&*/~.,,
,.~/*&£@##  FILTER... MAYBE... RESONANCE AT HALF.   ##@£&*/~.,
,,.~/*&£@# SOME  FREQUENCY IN  THE FIRST OSCILLATOR #@£&*/~.,,
,,,.~/*&£@ AND THEN THE  SECOND OSC  FOUR SEMITONES @£&*/~.,,,
,,,,.~/*&£                  HIGHER.                 £&*/~.,,,,
,,,,,.~/*&                                          &*/~.,,,,,
,,,,,,.~/*                  .~£@£~.                 */~.,,,,,,
,,,,,,,.~/           /&& DESKTOP SYNTH &&/          /~.,,,,,,,
,,,,,,,,.~                 .~£@£~.                  ~.,,,,,,,,
,,,,,,,,,.                                          .,,,,,,,,,
,,,,,,,,.~                                          ~.,,,,,,,,
,,,,,,,.~/                                          /~.,,,,,,,
,,,,,,.~/*                                          */~.,,,,,,
,,,,,.~/*&                                          &*/~.,,,,,
,,,,.~/*&£                                          £&*/~.,,,,