,,,,,~/%@@ @@%/~,,,,,
,,~/%%£@@# #@@£%%/~,,
,,~/%%£@@# #@@£%%/~,,
,,,,,~%%£@ @£%%~,,,,,
,,,,~/%%£@ @£%%/~,,,,
,,~/%%£@@@ @@@@ ##### @@@£%%/~,,
,,,,,~/%£@ tape dream @£%/~,,,,,
,,~/%%£@@# #### @@@@@ #@@£%%/~,,
,,~/%%£@@@ @@@£%%/~,,
,,~~~/%%£@ for storing music on. also data but @£%%/~~~,,
,,~/%%%%£@ at this point in time that's not @£%%%%/~,,
,,~/%%£@## really important i think. ##@£%%/~,,
,,~/%%£@@# #@@£%%/~,,
,,,,,~%£££ £££%~,,,,,
,,~/%%£@## //////// types of tape //////// ##@£%%/~,,
,,~/%£@@## ##@@£%/~,,
,,,,,~%%££ class i - "bad" iron ££%%~,,,,,
,,~/%%£@## class ii - good chromium ##@£%%/~,,
,,~/%%£@@# class iii - bad iron part two #@@£%%/~,,
,,~/%%£@@# class iv - dangerous metals #@@£%%/~,,
,,,,~/%£@@ @@£%/~,,,,
,,~/%%£@@# rumors exist about a secret class v tape #@@£%%/~,,
,,,,,,/%£@ that is actually useful. @£%/,,,,,,
,,~//%%%£@ @£%%%//~,,
,,~////%££ // bias // ££%////~,,
,,~/%%@@## ##@@%%/~,,
,,~/%%£@@@ class i uses one hundred and twenty @@@£%%/~,,
,,~///%%%@ micro-something while the others all @%%%///~,,
,,~/%%£@@# use seventy of the same unit. #@@£%%/~,,
,,~/%%£@@# #@@£%%/~,,
,,~/%%£@@# #@@£%%/~,,
,,~/%%£@## %%%%%%%%% aha and %%%%%%%%% ##@£%%/~,,
,,,,,~~~%£ £%~~~,,,,,
,,,,,~/%£@ class iv is apparently too strong to @£%/~,,,,,
,,~/%%£@@@ be used on class i players. it will @@@£%%/~,,
,,~/%%£@## sound too lound and it cannot be ##@£%%/~,,
,,/%%£@@## completely erased. this is very well. ##@@£%%/,,
,,~/%%£@@# maybe some wonderful blending effects #@@£%%/~,,
,,~~~//%@@ could be achieved? @@%//~~~,,
,,~/%%£@@# #@@£%%/~,,
,,~/%%£@@@ they also gnaw at the tape heads a bit @@@£%%/~,,
,,,,,//%£@ better than earlier tape types. @£%//,,,,,
,,,,~/%%@@ @@%%/~,,,,
,,,,,/%£££ £££%/,,,,,
,,~/%%£@@# //////// artifacts //////// #@@£%%/~,,
,,~/%%£@## ##@£%%/~,,
,,~/%%£@@# good tapes are decent and have a good #@@£%%/~,,
,,,,~~%%%£ high frequency presence, bad tapes are £%%%~~,,,,
,,~/%%£@@@ lofi if not outright bad. idk, i kinda @@@£%%/~,,
,,~/%%£@## like it. ##@£%%/~,,
,,~/%%@@## ##@@%%/~,,
,,,,,,,/%£ bias loss: if you forget the bias who £%/,,,,,,,
,,,,,~%£££ knows whats even on there anymore £££%~,,,,,
,,,,~~%%£@ @£%%~~,,,,
,,~/%%£@@# flutter: kinda quick pitch variations. #@@£%%/~,,
,,~/%%£@@# beautiful, wonderful, extraordinary. #@@£%%/~,,
,,,,,~/%%£ £%%/~,,,,,
,,,,,//%£@ wow: a slower flutter, usually several @£%//,,,,,
,,,,,,,~%£ seconds long. what up. both of these £%~,,,,,,,
,,,,,,~%££ increase when tape speed decreases. ££%~,,,,,,
,,~/%%£@@@ @@@£%%/~,,
,,~/%%£@@@ print through: tapes rub sound on each @@@£%%/~,,
,,~/%%£@@# other if theyre alone for too long #@@£%%/~,,
,,~/%%@@## ##@@%%/~,,
,,,,,,~/%£ £%/~,,,,,,
,,,,,,~/%£ £%/~,,,,,,
,,~/%%£@@# #@@£%%/~,,
,,~/%%£@@@ @@@£%%/~,,
,,~/%%£@@# #@@£%%/~,,