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######,,,,              ,LIZARDRY                   ,####,,###
#####,,### ~           ¶ @¶ @@@  @@@@@@@@@@@@@@@@@@ ,,##,,,,##
####,,,,## @@      THE ART OF C^NNECTING            #,,,,##,,#
###,,##,,#        ,    WITH THE OLD MIND            ,,##,,,,,,
,#,,,,,,,,                                          #,,,,####,
,,,#######             MY MIND IS BEING SKEWED. MI  ,,##,,##,,
##,,#####,  SKELETON IS STRINGY AND OLD AND ALIEN   ,,,,,,,,,#
#,,,,###,,             THE SITUATION IS LITERALLY   ########,,
,,##,,#,,, PRESSED OUT THROUGH MY EYES, IT'S        #######,,,
#,,,,,,,## ECHOING LIKE                             ######,,##
,,#####,,#             THE SUNSET OF THE ETERNAL    ,####,,,,#
,,,###,,,, OCEAN                                    ,,##,,##,,
##,,#,,###         PERSISTENTLY AGAINST MY EMULSION #,,,,,,,,#
#,,,,,,,##                                          ,,######,,
,,#####,,,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,,,####,,,
#,,###,,##   HUMANS ARE DOING AND ABSTRACTING,      ##,,##,,##
,,,,#,,,,#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #,,,,,,,,#
,##,,,##,, HOW LONG A TIME HAS PASSED, FOR THEM?    ,,######,,
,,,,#,,,,#                                     ,    #,,####,,#
,##,,,##,,  , ,,, ,  ,,,,,,,,,,,,,,,,   ¶¶¶¶¶¶¶     ,,,,##,,,,
,,,,#,,,,#   CONTINUOUSLY I'M CROWDING THROUGH      ,##,,,,###
,##,,,##,, , THE FOURTH WALL  ^OUTWARDS IS WHAT   , ,,,,##,,#,
,,,,#,,,,# ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,##,,,,,,,
###,,,##,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,######
##,,#,,,,, ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER , ###,,#####
#,,,,,#### ^   ^ DOWN IN THE DRAGONS THROAT.        ##,,,,####
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