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¤¤¤¤.¤...¤ # ¤.¤.¤..¤..
...¤¤¤..¤. .LIZARDRY ¤¤¤¤¤.¤¤.¤
..¤..¤.¤¤. » # ## ### ################## ....¤¤.¤¤¤
.¤¤.¤¤¤.¤¤ ## THE ART OF C-NNECTING ...¤.¤¤..¤
¤.¤¤..¤¤.. . WITH THE OLD MIND ..¤¤¤.¤.¤¤
¤¤.¤.¤.¤.. .¤..¤¤¤¤..
.¤¤¤¤¤¤¤.. MY MIND IS BEING SKEWED. MI ¤¤.¤...¤.¤
¤......¤.¤ SKELETON IS STRINGY AND OLD AND ALIEN .¤¤¤..¤¤¤¤
¤.....¤¤¤. THE SITUATION IS LITERALLY ¤..¤.¤....
¤....¤..¤¤ PRESSED OUT THROUGH MY EYES, IT'S ¤.¤¤¤¤...¤
¤...¤¤.¤.¤ ECHOING LIKE ¤¤...¤..¤.
¤..¤.¤¤¤¤¤ THE SUNSET OF THE ETERNAL .¤..¤¤.¤¤¤
¤.¤¤¤....¤ OCEAN ¤¤.¤.¤¤...
¤¤..¤...¤¤ PERSISTENTLY AGAINST MY EMULSION .¤¤¤¤.¤..¤
.¤.¤¤..¤.¤ ¤...¤¤¤.¤.
¤¤¤.¤.¤¤¤. IT'S UNGRASPABLE TO ME, WHAT OTHER ¤..¤..¤¤¤.
..¤¤¤¤..¤. HUMANS ARE DOING AND ABSTRACTING, ¤.¤¤.¤..¤¤
.¤...¤.¤¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤.¤¤¤.¤.¤
¤¤..¤¤¤... HOW LONG A TIME HAS PASSED, FOR THEM? .¤¤..¤¤¤¤¤
.¤.¤..¤... . ¤.¤.¤.....
¤¤¤¤.¤¤... . ... . ................ ####### ¤¤¤¤¤.....
...¤¤.¤..¤ CONTINUOUSLY I'M CROWDING THROUGH ....¤....¤
..¤.¤¤¤.¤. . THE FOURTH WALL -OUTWARDS IS WHAT . ...¤¤...¤¤
.¤¤¤..¤¤¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ..¤.¤..¤.¤
¤..¤.¤...¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤¤¤¤.¤¤¤¤
¤.¤¤¤¤..¤. - - AWARE OF THE PREVIOUS ONE, DEEPER . ¤...¤¤....
¤¤...¤.¤¤. - - DOWN IN THE DRAGONS THROAT. ¤..¤.¤...¤
.¤..¤¤¤.¤¤ - ¤.¤¤¤¤..¤.
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