....^**%## ##%**^....
.^=**%%%## ##%%%**=^.
.^=**%£### ###£%**=^.
^=**%£#### ####£%**=^
.^=**%£### ###£%**=^.
.....^=**£ # £**=^.....
.....^**%# .LIZARDRY #%**^.....
.^=***%%## = # ## ### ################## ##%%***=^.
^=**%£#### ## THE ART OF C^NNECTING ####£%**=^
.^=**£#### . WITH THE OLD MIND ####£**=^.
...^^***£# #£***^^...
.^=**%£### MY MIND IS BEING SKEWED. MI ###£%**=^.
.^=**%£### SKELETON IS STRINGY AND OLD AND ALIEN ###£%**=^.
.^=**%£### THE SITUATION IS LITERALLY ###£%**=^.
.^=**%£### PRESSED OUT THROUGH MY EYES, IT'S ###£%**=^.
.^===**%£# ECHOING LIKE #£%**===^.
.^=**%£### THE SUNSET OF THE ETERNAL ###£%**=^.
.^=**%£### OCEAN ###£%**=^.
.^=**%#### PERSISTENTLY AGAINST MY EMULSION ####%**=^.
.^=**%£### ###£%**=^.
....=*%£## IT'S UNGRASPABLE TO ME, WHAT OTHER ##£%*=....
...==***%£ HUMANS ARE DOING AND ABSTRACTING, £%***==...
.^=**%£### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###£%**=^.
.^=*****£# HOW LONG A TIME HAS PASSED, FOR THEM? #£*****=^.
.^=**%£### . ###£%**=^.
.^=******£ . ... . ................ ####### £******=^.
.^=**%£### CONTINUOUSLY I'M CROWDING THROUGH ###£%**=^.
.^=**%££## . THE FOURTH WALL ^OUTWARDS IS WHAT . ##££%**=^.
.^=**%%%%£ .. I'M THINKING BUT IT'S WRONG.. A NEW £%%%%**=^.
......^*%£ . . NARRATOR IS INTRODUCED, OCCASIONALLY £%*^......
.^=*****%£ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . £%*****=^.
.^=**%£### ^ ^ DOWN IN THE DRAGONS THROAT. ###£%**=^.
.^=**%£### ^ ###£%**=^.
.^=**%£### ^ ###£%**=^.
.^=**%#### ####%**=^.
...^===**£ £**===^...
.^=***%%%# #%%%***=^.
.....=**%£ £%**=.....
.^=**%£### ###£%**=^.
.^=**%£### ###£%**=^.