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¤¤¤.¤..... ¤¤¤¤¤.¤¤¤.
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.¤..¤..... .LIZARDRY ...¤.¤.¤.¤
¤¤.¤¤....¤ « @ @@ @@@ @@@@@@@@@@@@@@@@@@ ..¤¤¤¤¤¤¤¤
.¤¤.¤...¤¤ @@ THE ART OF C^NNECTING .¤........
¤.¤¤¤..¤.. . WITH THE OLD MIND ¤¤........
¤¤..¤.¤¤.. .¤.......¤
.¤.¤¤¤.¤.. MY MIND IS BEING SKEWED. MI ¤¤......¤.
¤¤¤..¤¤¤.¤ SKELETON IS STRINGY AND OLD AND ALIEN .¤.....¤¤.
..¤.¤..¤¤¤ THE SITUATION IS LITERALLY ¤¤....¤.¤¤
.¤¤¤¤.¤... PRESSED OUT THROUGH MY EYES, IT'S .¤...¤¤¤.¤
¤...¤¤¤... ECHOING LIKE ¤¤..¤..¤¤¤
¤..¤..¤..¤ THE SUNSET OF THE ETERNAL .¤.¤¤.¤...
¤.¤¤.¤¤.¤¤ OCEAN ¤¤¤.¤¤¤..¤
¤¤.¤¤.¤¤.¤ PERSISTENTLY AGAINST MY EMULSION ..¤¤..¤.¤.
.¤¤.¤¤.¤¤¤ .¤.¤.¤¤¤¤¤
¤.¤¤.¤¤... IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤¤¤¤....¤
¤¤.¤¤.¤..¤ HUMANS ARE DOING AND ABSTRACTING, ....¤...¤.
.¤¤.¤¤¤.¤. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...¤¤..¤¤¤
¤.¤¤..¤¤¤¤ HOW LONG A TIME HAS PASSED, FOR THEM? ..¤.¤.¤..¤
¤¤.¤.¤.... . .¤¤¤¤¤¤.¤.
.¤¤¤¤¤.... . ... . ................ @@@@@@@ ¤.....¤¤¤¤
¤....¤...¤ CONTINUOUSLY I'M CROWDING THROUGH ¤....¤...¤
¤...¤¤..¤. . THE FOURTH WALL ^OUTWARDS IS WHAT . ¤...¤¤..¤.
¤..¤.¤.¤¤. .. I'M THINKING BUT IT'S WRONG.. A NEW ¤..¤.¤.¤¤¤
¤.¤¤¤¤¤.¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤.¤¤¤¤¤...
¤¤....¤¤.¤ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ¤¤....¤..¤
.¤...¤.¤¤. ^ ^ DOWN IN THE DRAGONS THROAT. .¤...¤¤.¤.
¤¤..¤¤¤.¤. ^ ¤¤..¤.¤¤¤.
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