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..¤¤¤..... # ¤¤...¤¤¤..
..¤.¤¤.... .LIZARDRY ¤¤¤..¤.¤¤.
....¤¤¤... = ¶ #¶ ### ################## ¤.¤¤...¤¤¤
¤...¤.¤¤.. ## THE ART OF C.NNECTING ..¤¤¤..¤.¤
¤¤....¤¤¤. . WITH THE OLD MIND ..¤.¤¤...¤
.¤¤...¤.¤¤ ....¤¤¤..¤
.¤¤¤....¤¤ MY MIND IS BEING SKEWED. MI ....¤.¤¤..
.¤.¤¤...¤. SKELETON IS STRINGY AND OLD AND ALIEN ......¤¤¤.
...¤¤¤.... THE SITUATION IS LITERALLY ......¤.¤¤
¤..¤.¤¤... PRESSED OUT THROUGH MY EYES, IT'S ¤.......¤¤
¤¤...¤¤¤.. ECHOING LIKE .¤......¤.
¤¤¤..¤.¤¤. THE SUNSET OF THE ETERNAL ..¤.......
¤.¤¤...¤¤¤ OCEAN ...¤......
..¤¤¤..¤.¤ PERSISTENTLY AGAINST MY EMULSION ....¤.....
..¤.¤¤...¤ .....¤....
....¤¤¤..¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤.....¤...
....¤.¤¤.. HUMANS ARE DOING AND ABSTRACTING, ¤¤.....¤..
......¤¤¤. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤¤.....¤.
......¤.¤¤ HOW LONG A TIME HAS PASSED, FOR THEM? .¤¤¤.....¤
¤.......¤¤ . .¤.¤¤.....
.¤......¤. . ... . ................ ¶¶¶¶¶¶¶ ...¤¤¤....
..¤....... CONTINUOUSLY I'M CROWDING THROUGH ...¤.¤¤...
...¤...... . THE FOURTH WALL .OUTWARDS IS WHAT . .....¤¤¤..
....¤..... .. I'M THINKING BUT IT'S WRONG.. A NEW ¤....¤.¤¤.
.....¤.... . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤.....¤¤¤
¤.....¤... . . AWARE OF THE PREVIOUS ONE, DEEPER . ..¤....¤.¤
¤¤.....¤.. . . DOWN IN THE DRAGONS THROAT. ...¤.....¤
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