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,^-/*%£@## -           £ @£ @@@  @@@@@@@@@@@@@@@@@@ ##@£%*/-^,
,,,,^/*%§@ @@      THE ART OF C^NNECTING            @§%*/^,,,,
,^-/*%§£@@        ,    WITH THE OLD MIND            @@£§%*/-^,
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,^-/*%§£@@             MY MIND IS BEING SKEWED. MI  @@£§%*/-^,
,^-/*%§@##  SKELETON IS STRINGY AND OLD AND ALIEN   ##@§%*/-^,
,,,,^^-*§£             THE SITUATION IS LITERALLY   £§*-^^,,,,
,,,,,,^-*§ PRESSED OUT THROUGH MY EYES, IT'S        §*-^,,,,,,
,,,,^//%££ ECHOING LIKE                             ££%//^,,,,
,,,,,-//%§             THE SUNSET OF THE ETERNAL    §%//-,,,,,
,^-/*%£@## OCEAN                                    ##@£%*/-^,
,^-/*%§£££         PERSISTENTLY AGAINST MY EMULSION £££§%*/-^,
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,^-/*%§@##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##@§%*/-^,
,^-/*%§£@#   HUMANS ARE DOING AND ABSTRACTING,      #@£§%*/-^,
,^-/*%%%££  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ££%%%*/-^,
,^-/*%§£££ HOW LONG A TIME HAS PASSED, FOR THEM?    £££§%*/-^,
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,^-/*%£@##  , ,,, ,  ,,,,,,,,,,,,,,,,   £££££££     ##@£%*/-^,
,^-/*%§£@#   CONTINUOUSLY I'M CROWDING THROUGH      #@£§%*/-^,
,,,,-**§§@ , THE FOURTH WALL  ^OUTWARDS IS WHAT   , @§§**-,,,,
,,,,,-/%%£ ,, I'M THINKING BUT IT'S WRONG.. A NEW   £%%/-,,,,,
,,,,--/*§£ , , NARRATOR IS INTRODUCED, OCCASIONALLY £§*/--,,,,
,^-/*%§££@ ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER , @££§%*/-^,
,^-/*%£@## ^   ^ DOWN IN THE DRAGONS THROAT.        ##@£%*/-^,
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