@#==~,,,,, ,,,,,~==#@
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###&:~~,,, ,,,~~:&###
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#====~,,,, # ,,,,~====#
##@#&=:~,, ,LIZARDRY ,,~:=&#@##
##&&==:~,, ~ @ #@ ### ################## ,,~:==&&##
@@##&=:~,, ## THE ART OF C,NNECTING ,,~:=&##@@
##@#&=:~,, , WITH THE OLD MIND ,,~:=&#@##
###@&=:~,, ,,~:=&@###
##@#&=:~,, MY MIND IS BEING SKEWED. MI ,,~:=&#@##
#@@#&=:~,, SKELETON IS STRINGY AND OLD AND ALIEN ,,~:=&#@@#
###@#&=:,, THE SITUATION IS LITERALLY ,,:=&#@###
##@#&=:~,, PRESSED OUT THROUGH MY EYES, IT'S ,,~:=&#@##
#@#===:~,, ECHOING LIKE ,,~:===#@#
##@#&=:~,, THE SUNSET OF THE ETERNAL ,,~:=&#@##
#&&===:~,, OCEAN ,,~:===&&#
#==~,,,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,,,~==#
@@@#&=:~,, ,,~:=&#@@@
##@#&=:~,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,~:=&#@##
##==:::~,, HUMANS ARE DOING AND ABSTRACTING, ,,~:::==##
##@#&=:~,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~:=&#@##
#&:,,,,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,,,,:&#
@@@#&=:~,, , ,,~:=&#@@@
##@#&=:~,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,~:=&#@##
###=:~,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,~:=###
##@#&=:~,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,~:=&#@##
##@#&=:~,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,~:=&#@##
@@&&:,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,:&&@@
#==::,,,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,::==#
###@#=:~,, , , DOWN IN THE DRAGONS THROAT. ,,~:=#@###
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##@#&=:~,, , ,,~:=&#@##
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