@@@#¤$^-:. .:-^$¤#@@@
##@#¤$^-:. .:-^$¤#@##
##@#¤$^-:. .:-^$¤#@##
##¤$-..... .....-$¤##
##@#¤$^-:. .:-^$¤#@##
@##¤¤$^-:. # .:-^$¤¤##@
##@#¤$^-:. .LIZARDRY .:-^$¤#@##
##@#¤$^-:. - @ #@ ### ################## .:-^$¤#@##
####¤$^-:. ## THE ART OF C:NNECTING .:-^$¤####
@¤¤^::.... . WITH THE OLD MIND ....::^¤¤@
##@#¤$^-:. .:-^$¤#@##
##@#¤$^-:. MY MIND IS BEING SKEWED. MI .:-^$¤#@##
###¤^-:::. SKELETON IS STRINGY AND OLD AND ALIEN .:::-^¤###
@@¤$^-.... THE SITUATION IS LITERALLY ....-^$¤@@
@¤^:...... PRESSED OUT THROUGH MY EYES, IT'S ......:^¤@
####¤$^-:. ECHOING LIKE .:-^$¤####
#@@#¤$^-:. THE SUNSET OF THE ETERNAL .:-^$¤#@@#
##@#¤$^-:. OCEAN .:-^$¤#@##
#$-::..... PERSISTENTLY AGAINST MY EMULSION .....::-$#
#$$$--.... ....--$$$#
###@¤$^-:. IT'S UNGRASPABLE TO ME, WHAT OTHER .:-^$¤@###
##@#¤$^-:. HUMANS ARE DOING AND ABSTRACTING, .:-^$¤#@##
##@#¤$^-:. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .:-^$¤#@##
#¤¤^-..... HOW LONG A TIME HAS PASSED, FOR THEM? .....-^¤¤#
###@#¤^-:. . .:-^¤#@###
@@##¤$^-:. . ... . ................ @@@@@@@ .:-^$¤##@@
##@#¤$^-:. CONTINUOUSLY I'M CROWDING THROUGH .:-^$¤#@##
@@@#¤$^-:. . THE FOURTH WALL :OUTWARDS IS WHAT . .:-^$¤#@@@
###¤$$^-:. .. I'M THINKING BUT IT'S WRONG.. A NEW .:-^$$¤###
#$$-...... . . NARRATOR IS INTRODUCED, OCCASIONALLY ......-$$#
###@#¤^-:. : : AWARE OF THE PREVIOUS ONE, DEEPER . .:-^¤#@###
#@@#¤$^-:. : : DOWN IN THE DRAGONS THROAT. .:-^$¤#@@#
##¤^^^-:.. : ..:-^^^¤##
@#¤^:..... : .....:^¤#@
#¤$---:... ...:---$¤#
##@#¤$^-:. .:-^$¤#@##
##@#¤$^-:. .:-^$¤#@##
##@#¤$^-:. .:-^$¤#@##
##$---::.. ..::---$##
#$^:...... ......:^$#