££*†~^.... ....^~†*££
£*†~^..... .....^~†*£
*†~^...... ......^~†*
†~^....... .......^~†
~^........ ........^~
†~^....... # .......^~†
*†~^...... .LIZARDRY ......^~†*
£*†~^..... ~ £ #£ ### ################## .....^~†*£
££*†~^.... ## THE ART OF C^NNECTING ....^~†*££
£££*†~^... . WITH THE OLD MIND ...^~†*£££
#£££*†~^.. ..^~†*£££#
##£££*†~^. MY MIND IS BEING SKEWED. MI .^~†*£££##
#£££*†~^.. SKELETON IS STRINGY AND OLD AND ALIEN ..^~†*£££#
£££*†~^... THE SITUATION IS LITERALLY ...^~†*£££
££*†~^.... PRESSED OUT THROUGH MY EYES, IT'S ....^~†*££
£*†~^..... ECHOING LIKE .....^~†*£
*†~^...... THE SUNSET OF THE ETERNAL ......^~†*
†~^....... OCEAN .......^~†
~^........ PERSISTENTLY AGAINST MY EMULSION ........^~
†~^....... .......^~†
*†~^...... IT'S UNGRASPABLE TO ME, WHAT OTHER ......^~†*
£*†~^..... HUMANS ARE DOING AND ABSTRACTING, .....^~†*£
££*†~^.... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ....^~†*££
£££*†~^... HOW LONG A TIME HAS PASSED, FOR THEM? ...^~†*£££
#£££*†~^.. . ..^~†*£££#
##£££*†~^. . ... . ................ £££££££ .^~†*£££##
#£££*†~^.. CONTINUOUSLY I'M CROWDING THROUGH ..^~†*£££#
£££*†~^... . THE FOURTH WALL ^OUTWARDS IS WHAT . ...^~†*£££
££*†~^.... .. I'M THINKING BUT IT'S WRONG.. A NEW ....^~†*££
£*†~^..... . . NARRATOR IS INTRODUCED, OCCASIONALLY .....^~†*£
*†~^...... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ......^~†*
†~^....... ^ ^ DOWN IN THE DRAGONS THROAT. .......^~†
~^........ ^ ........^~
†~^....... ^ .......^~†
*†~^...... ......^~†*
£*†~^..... .....^~†*£
££*†~^.... ....^~†*££
£££*†~^... ...^~†*£££
#£££*†~^.. ..^~†*£££#
##£££*†~^. .^~†*£££##