#..#.#.#.# .###..##.#
#.##.#.#.# ..##.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# * DREAM PALACE * .#.#.#.#..
#..#.#.#.# ^ ----- ------ ^ .#.#.#.#.#
#.##.#.#.# * ..... ...... * .#.#.#.#..
#..#.#.#.# ^ ..... ...... ^ .#.#.#.#.#
#.##.#.#.# ^ ..... ...... ^ .#.#.#.#..
#..#.#.#.# ^ ..... ...... ^ .#.#.#.#.#
#.##.#.#.# . ..... ...... . .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# .#.#.#.#..
#..#.#.#.# NOT ACTUALLY A PALACE. A COTTAGE IN THE .#.#.#.#.#
#.##.#.#.# WOODS (TEMPERATE CLIMATE, RAINS EVERY .#.#.#.#..
#..#.#.#.# OTHER DAY, SPRINGS AND STREAMS AND .#.#.#.#.#
#.##.#.#.# MYSTERIOUS IRON AND STONE ARTIFACTS, .#.#.#.#..
#..#.#.#.# BIRDLAND-ISH ETERNAL SPRING (LATE .#.#.#.#.#
#.##.#.#.# SPRING)) .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# ~ .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# I WAKE UP EVERY MORNING AT SIX AM. IT'S .#.#.#.#..
#..#.#.#.# DARK, AND THE STARS ARE OUT, BUT THE .#.#.#.#.#
#.##.#.#.# SUN IS ABOUT TO RISE. ITS A LONG DAY, .#.#.#.#..
#..#.#.#.# BEFORE IT FADES TO NIGHT AGAIN, AND .#.#.#.#.#
#.##.#.#.# THEN IT STAYS SO UNTIL I FALL ASLEEP. .#.#.#.#..
#..#.#.#.# IT DOESN'T RISE UNLESS I'VE HAD MY .#.#.#.#.#
#.##.#.#.# DREAMS. .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# $ .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# IN THIS COTTAGE THERE'S A LOT OF RADIO .#.#.#.#..
#..#.#.#.# EQUIPMENT, SOUND STUFF, SYNTHS, TAPE .#.#.#.#.#
#.##.#.#.# PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, .#.#.#.#..
#..#.#.#.# MIRRORS, PRISMS, AND VARIOUS THINGS TO .#.#.#.#.#
#.##.#.#.# DO ART WITH. THE FRIDGE IS FILLED WITH .#.#.#.#..
#..#.#.#.# DIFFERET FOODS, ALL OF THEM INTRIGUING, .#.#.#.#.#
#.##.#.#.# SLIGHTLY WEIRD. .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# # .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# I HAVE FRIENDS - THERE'S A CAT, AND A .#.#.#.#..
#..#.#.#.# DOG (WHO IS RIDICOLOUSLY LARGE AND .#.#.#.#.#
#.##.#.#.# WANTS TO BE THE BIG SPOON). I LISTEN TO .#.#.#.#..
#..#.#.#.# THE SHORTWAVE RADIO, AND TRANSMIT A BIT .#.#.#.#.#
#.##.#.#.# MYSELF, SONGS AND POETRY, AND FOUND .#.#.#.#..
#..#.#.#.# SOUNDS FROM THE FOREST. THE OTHERS TELL .#.#.#.#.#
#.##.#.#.# OF THEIR LIVES, PLAY THE GUITAR FOR ME, .#.#.#.#..
#..#.#.#.# AND TELL TALES OF THE OLD WORLD. I .#.#.#.#.#
#.##.#.#.# CONSIDER THEM FRIENDS AS WELL. .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# # .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# MOST IMPORTANTLY, THERE'S A TWO SQUARE .#.#.#.#..
#..#.#.#.# METER AREA ON THE FLOOR WHERE I CAN .#.#.#.#.#
#.##.#.#.# "SAVE" THINGS. WHATEVER I PUT IN HERE .#.#.#.#..
#..#.#.#.# WILL NOT BE AFFECTED BY THE NIGHTLY .#.#.#.#.#
#.##.#.#.# RESET. EVERYTHING ELSE, HOWEVER, IS .#.#.#.#..
#..#.#.#.# COMPLETELY RESET OVERNIGHT: SYNTH .#.#.#.#.#
#.##.#.#.# PATCHES REMOVED, FOOD UNEATEN, WOUNDS .#.#.#.#..
#..#.#.#.# HEALED, AND WHEREVER AND WHENEVER I'D .#.#.#.#.#
#.##.#.#.# FALL ASLEEP I'D ALWAYS WAKE UP FULLY .#.#.#.#..
#..#.#.#.# RESTED IN MY BED. SOMETIMES THERE'S .#.#.#.#.#
#.##.#.#.# ACCIDENTS WHERE I LOSE STUFF BY .#.#.#.#..
#..#.#.#.# FORGETTING TO PUT THEM IN THE SQUARE. .#.#.#.#.#
#.##.#.#.# .#.#.#.#..
#..#.#.#.# . .#.#.#.#.#
#.##.#.#.# .#.#.#.#..
#..#.#.#.# AT NIGHT, I HAVE DEMI-LUCID DREAMS .#.#.#.#.#
#.##.#.#.# WHERE THE SPIRITS OF THE FOREST AROUND .#.#.#.#..
#..#.#.#.# THE COTTAGE TRIES TO COMMUNICATE. HERE, .#.#.#.#.#
#.##.#.#.# IT'S NOT ENDLESS BUT CONNECTED TO A .#.#.#.#..
#..#.#.#.# LARGE SPRAWLING CITY, WHERE MY RADIO .#.#.#.#.#
#.##.#.#.# FRIENDS LIVE. WE GO EXPLORING TOGETHER .#.#.#.#..
#..#.#.#.# - THINGS ARE DEEP AND DARK - BUT UNLIKE .#.#.#.#.#
#.##.#.#.# ME, THEY NEVER REMEMBER DURING THE DAY. .#.#.#.#..
#..#.#.#.# THIS IS A MYSTERY WE OFTEN DISCUSS. .#.#.#.#.#
#.##.#.#.# .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
#.##.#.#.# .#.#.#.#..
#..#.#.#.# .#.#.#.#.#
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