.~»\$%@£## ##£@%$\»~.
,^«/%£#@## ##@#£%/«^,
,,..~»\%@# #@%\»~..,,
¨-=:^&£@#@ @#@£&^:=-¨
,:/§$@£### ###£@$§/:,
..,,,*;%@# statuette #@%;*,,,..
,,«†*&¤@## ##@¤&*†«,,
¨,»†=$#¶@# %£%£*§%£%&§$£%*%»=»~~-»»$%%£%$@$@@@§§£%@ #@¶#$=†»,¨
,,-:*$¤£## §*@&*$@%$ ##£¤$*:-,,
,.:-.-=*§@ @§*=-.-:.,
,.¨.,«=%@¤ forests around my childhood home. thick ¤@%=«,.¨.,
¨-~:^@&@@@ pine arcades that were planted and @@@&@^:~-¨
¨.,.=~»†¤# forgotten. wild boars roaming #¤†»~=.,.¨
,.=;*$§£## underneath, sniffing at the ground. it ##£§$*;=.,
..¨¨¨,-§§& is dark and moist, the canopy having &§§-,¨¨¨..
,,~\=$#### already soaked up all the sun. ####$=\~,,
,-~††£&@## ##@&£††~-,
,¨,--«~*£§ there's a river passing by, from east §£*~«--,¨,
¨^~†%§¤@#@ to west, getting broader and deeper and @#@¤§%†~^¨
¨~«=$$#@## slower as it goes. equisetum grow just ##@#$$=«~¨
¨,=;^%§### where the pine hands start to let ###§%^;=,¨
,,-^†$@### through light, horsemint on the rocky ###@$†^-,,
¨,~†%$#### river bed. ####$%†~,¨
,,¨,¨.,«%# #%«,.¨,¨,,
,.¨,,«%%¤& / &¤%%«,,¨.,
¨,¨¨~;;%#@ @#%;;~¨¨,¨
.^=/=@§### the riverbanks reek of magic. tonight ###§@=/=^.
.^~††@£¶## they had been a swampworld with sylvan ##¶£@††~^.
,,~;*%$¤@@ water, stone rings and floating moss. @@¤$%*;~,,
,¨~:†/*£¤# you could've found me wallowing around #¤£*/†:~¨,
..^,^.^;££ on the southern shores until i got ££;^.^,^..
.,==%$§¶## bitten. ##¶§$%==,.
.^=;*%¤### ###¤%*;=^.
¨^»\^$@¶## but now i'm further back, on solid ##¶@$^\»^¨
,:»:=*@£## ground, in shoulder-high grass, with an ##£@*=:»:,
,-~**££@## orange tin radio and a translucent ##@££**~-,
.:«†$¤@¶## umbrella which i'm sitting on. ##¶@¤$†«:.
,:-;%*£¶#@ @#¶£*%;-:,
¨.~^=£¤£## / ##£¤£=^~.¨
.:«*%£§$¶# #¶$§£%*«:.
,..,¨«^$&£ somethings moving in the grass. it's £&$^«¨,..,
.,,~::^§#@ invisible to my eyes but i can feel @#§^::~,,.
.¨,~/*&¤£@ through the ground just how large it is. @£¤&*/~,¨.
¨~=;*$£@@# #@@£$*;=~¨
,,-*†¤£@@# the soil is muddy. i slip when trying #@@£¤†*-,,
.,-†%%§¶#@ to get up, still looking at the @#¶§%%†-,.
,,¨¨-»*†¤@ direction of sound rather than at my @¤†*»-¨¨,,
¨,-^*$&@## hands, who are busy putting things in ##@&$*^-,¨
,,«*=%#### my pockets. ####%=*«,,
,--/**£@@# #@@£**/--,
¨^~†**§&£¤ then i run east toward my home. ¤£&§**†~^¨
.¨¨.¨-;%$£ £$%;-¨.¨¨.
¨~~*$¤&¶## ^ ##¶&¤$*~~¨
¨,:~/*£*## ##*£*/~:,¨
.,==§$§£## i am not followed, and slow down in the ##£§$§==,.
¨~;%@¤£### clearing where you at first can spot ###£¤@%;~¨
¨.«*:%^=@# the house, not yet really in the #@=^%:*«.¨
,.¨,.-\%@# backyard. from my pockets i retrieve my #@%\-.,¨.,
,-«*%&§### radio (now dented) but also a small ###§&%*«-,
.:~:†£&¤#§ clay figure i've never seen before. it §#¤&£†:~:.
¨^»\*%§@@# must have been laying in the wet dirt, #@@§%*\»^¨
.,,,.-~\*£ and i must've picked it up with my £*\~-.,,,.
,,«/::%$£@ other belongings. @£$%::/«,,
¨,~;^*££@# #@££*^;~,¨
¨¨,-~;†^£@ it's a statuette of a girl laying naked @£^†;~-,¨¨
,,~^%¤¤### on her stomach, feet in the air, ###¤¤%^~,,
¨^~:*@¤### roughly seven centimeters long. it's ###¤@*:~^¨
,,¨,,^:%@@ freshly made, not yet completely dried. @@%:^,,¨,,
.^-†=§§£#@ @#£§§=†-^.
¨,«:$§§@## my mom is here now. i ask her for some ##@§§$:«,¨
,,«:§$@@## particle board for it to dry on, but ##@@$§:«,,
.,¨,.::»*# she is worried and wants me to #*»::.,¨,.
¨.¨~:^^§@£ throw it away. £@§^^:~¨.¨
,-~†%@@### ###@@%†~-,
,:~\%§¤### ###¤§%\~:,
.,»\%%¤§@# #@§¤%%\»,.
,:«^*@*£%@ @%£*@*^«:,
¨--*=$%£## ##£%$=*--¨
.^~*$££@@# #@@££$*~^.