¨,»/^%@#@# #@#@%^/»,¨
.,¨.^=\§=# #=§\=^.¨,.
,^~*§%§### ###§%§*~^,
,^»^$$§@## ##@§$$^»^,
..¨.::\%&@ @&%\::.¨..
¨.,¨.»«†£¶ statuette ¶£†«».¨,.¨
.,,^»^£@§# #§@£^»^,,.
,.-^%%%£@¶ £%@%%¤*£%%£*%£$$~~«~»~==§§@$$@%¤$$£@@@%& ¶@£%%%^-.,
,¨¨¨-«†¤§# $$%$*%§%% #§¤†«-¨¨¨,
..¨¨.¨=;§@ @§;=¨.¨¨..
.,-=*^*£## forests around my childhood home. thick ##£*^*=-,.
,...¨~*%#& pine arcades that were planted and %*~¨...,
¨,¨..¨¨~%£ forgotten. wild boars roaming £%~¨¨..¨,¨
,,=/†¤#@@# underneath, sniffing at the ground. it #@@#¤†/=,,
¨¨,.,,=*¤£ is dark and moist, the canopy having £¤*=,,.,¨¨
¨:«^†&§@## already soaked up all the sun. ##@§&†^«:¨
¨:=;*¤§¶## ##¶§¤*;=:¨
¨,¨¨,:^:&@ there's a river passing by, from east @&:^:,¨¨,¨
¨,«\^%¤@## to west, getting broader and deeper and ##@¤%^\«,¨
,^«†%£*@## slower as it goes. equisetum grow just ##@*£%†«^,
.,-^$&¤£££ where the pine hands start to let £££¤&$^-,.
¨,==*¤#¶## through light, horsemint on the rocky ##¶#¤*==,¨
.,«\*$&£## river bed. ##£&$*\«,.
.,..,†=†§# #§†=†,..,.
¨^»††*&£## * ##£&*††»^¨
,-~*†$#@## ##@#$†*~-,
¨~~**$£@## the riverbanks reek of magic. tonight ##@£$**~~¨
,^-;**@§@¤ they had been a swampworld with sylvan ¤@§@**;-^,
¨.=;$$£#@# water, stone rings and floating moss. #@#£$$;=.¨
,^=:§&@@## you could've found me wallowing around ##@@&§:=^,
.:=†%££¶## on the southern shores until i got ##¶££%†=:.
,¨,,,^†%§# bitten. #§%†^,,,¨,
¨^«**¤&¶## ##¶&¤**«^¨
.~==^$@@## but now i'm further back, on solid ##@@$^==~.
.,~*^$#£## ground, in shoulder-high grass, with an ##£#$^*~,.
.~=\*%#### orange tin radio and a translucent ####%*\=~.
.,,..-=/*# umbrella which i'm sitting on. #*/=-..,,.
.¨.¨,~%=£# #£=%~,¨.¨.
.,~\$£&££# = #££&£$\~,.
.,¨,^,~~$& &$~~,^,¨,.
,,~/%§&@## somethings moving in the grass. it's ##@&§%/~,,
¨:«\%£## invisible to my eyes but i can feel ###&£%\«:¨
.~=\%§#### through the ground just how large it is. ####§%\=~.
¨¨,,,~†*¤¶ ¶¤*†~,,,¨¨
.¨,:~«$£%@ the soil is muddy. i slip when trying @%£$«~:,¨.
¨,«/†¤§¶£@ to get up, still looking at the @£¶§¤†/«,¨
,,,--=:§%§ direction of sound rather than at my §%§:=--,,,
,~«\%$¤@## hands, who are busy putting things in ##@¤$%\«~,
.,~~\%£%@# my pockets. #@%£%\~~,.
¨^-/%¤@@## ##@@¤%/-^¨
¨,~;=§&¶@# then i run east toward my home. #@¶&§=;~,¨
¨:~=%$#@## ##@#$%=~:¨
.¨.«\;=$¤# : #¤$=;\«.¨.
.,=;%£## ###&£%;=,.
¨^-*%£@### i am not followed, and slow down in the ###@£%*-^¨
¨,,.==†*%# clearing where you at first can spot #%*†==.,,¨
,,¨^-=%¤@# the house, not yet really in the #@¤%=-^¨,,
¨^~;^$#### backyard. from my pockets i retrieve my ####$^;~^¨
¨,~/%£¤@@@ radio (now dented) but also a small @@@¤£%/~,¨
,,.¨»=*¤£# clay figure i've never seen before. it #£¤*=»¨.,,
..~;%£@&£@ must have been laying in the wet dirt, @£&@£%;~..
.~-\†%#### and i must've picked it up with my ####%†\-~.
..«*=$#@## other belongings. ##@#$=*«..
.¨.,,¨~\%£ £%\~¨,,.¨.
..¨,-*%%¤# it's a statuette of a girl laying naked #¤%%*-,¨..
,.¨,.^=£$¶ on her stomach, feet in the air, ¶$£=^.,¨.,
..«:$### roughly seven centimeters long. it's ####&$:«..
¨¨.,.¨=%¤¤ freshly made, not yet completely dried. ¤¤%=¨.,.¨¨
.¨¨-~-*§@@ @@§*-~-¨¨.
¨.~=*¤§£## my mom is here now. i ask her for some ##£§¤*=~.¨
.,»^*££### particle board for it to dry on, but ###££*^»,.
¨.,~=~$£@@ she is worried and wants me to @@£$~=~,.¨
,-~;%@££§# throw it away. #§££@%;~-,
.:«†$£&¶@# #@¶&£$†«:.
¨-~/%%#& #&%%/~-¨
¨¨¨¨,:§$*# #*$§:,¨¨¨¨
,,~/§§@### ###@§§/~,,
,:~;^$=§@@ @@§=$^;~:,
¨-~:§&@#@@ @@#@&§:~-¨