,.-*=$£@## ##@£$=*-.,
,.-*=$£@## ##@£$=*-.,
,.-*=$@### ###@$=*-.,
,,,,-**=£@ @£=**-,,,,
,.-*=$£@## ##@£$=*-.,
,.-*=$£@## A DYSTOPIAN MC DONALDS TOILET STEALS MY ##@£$=*-.,
,,,,.*=$£# AGENCY. TOO MUCH AGENCY ALREADY IN THIS #£$=*.,,,,
,.-**==$@@ ROOM. SATURATED. I CAN ONLY DO WHAT IT @@$==**-.,
,,,,.*$£££ WANTS IN THE WAY IT WANTS. £££$*.,,,,
,.-*=$£@## ##@£$=*-.,
,.-*=$££££ - * - - * - - * - ££££$=*-.,
,.-*=$£@## ##@£$=*-.,
,.-*=$£@## BUT: IN A MIRACOLOUS FRACTION OF A ##@£$=*-.,
,,,,,.-=$£ SECOND, ITS TRUE THOUGHTS SLIP THROUGH £$=-.,,,,,
,.-*$£@### TO ME, PREVIOUSLY UNHEARD EVEN BY ITS ###@£$*-.,
,.-*=$£@## BUILDERS (THE ROOM WAS THOUGHT TO BE ##@£$=*-.,
,.-****=$@ WITHOUT CONSCIOUSNESS). @$=****-.,
,,,,.-=$$@ @$$=-.,,,,
,.*=$£@### THE ROOM THINKS ABOUT CREATURES LYING ###@£$=*.,
,,,,,,.-=£ DOWN, GOING OFF TO SLEEP, MAKING £=-.,,,,,,
,.-*=$£@## THEMSELVES COMFORTABLE FIRST... IS THIS ##@£$=*-.,
,,,.---=$@ ONLY OPTIMIZING A RESTING POSITION FOR @$=---.,,,
,.-*=$£@## THE BODY? OR IS THERE ANOTHER WILL ##@£$=*-.,
,,,,..*=£# INVOLVED? #£=*..,,,,
,.-*=$£@## ##@£$=*-.,
,,...*===£ A DARK LISTENING TAKING PLACE, £===*...,,
,.-*=$@### A SILENT CONCERT. ###@$=*-.,
,,.-**=£@@ @@£=**-.,,
,.-*=$£@## IS THERE ANOTHER DESIRE INJECTED AT ##@£$=*-.,
,,,.**$$$@ HYPNAGOGIA? SOMETHING FROM THE OTHER @$$$**.,,,
,,,,--*$$@ SIDE, GUIDING THEM, @$$*--,,,,
,.-*=$£@## ARRANGING THEIR BODIES. ##@£$=*-.,
,.-*=$$$@@ @@$$$=*-.,
,.-*=$£@## ##@£$=*-.,
,,,,.*=$@@ @@$=*.,,,,
,,,,..*$@@ @@$*..,,,,
,.-*=$£@## ##@£$=*-.,