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##£££%;=.¨ tape dream ¨.=;%£££##
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###&£%;=.¨ for storing music on. also data but ¨.=;%£##
###&£%;=.¨ at this point in time that's not ¨.=;%£##
&%=.¨¨¨¨¨¨ really important i think. ¨¨¨¨¨¨.=%&
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#£;=¨¨¨¨¨¨ ;;;;;;;; types of tape ;;;;;;;; ¨¨¨¨¨¨=;£#
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&%;..¨¨¨¨¨ class i - "bad" iron ¨¨¨¨¨..;%&
###&£%;=.¨ class ii - good chromium ¨.=;%£##
&&&%%=¨¨¨¨ class iii - bad iron part two ¨¨¨¨=%%&&&
####£%;=.¨ class iv - dangerous metals ¨.=;%£####
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###&£%;=.¨ rumors exist about a secret class v tape ¨.=;%£##
#£%=.¨¨¨¨¨ that is actually useful. ¨¨¨¨¨.=%£#
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###&£%;=.¨ ;; bias ;; ¨.=;%£##
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&&&&£%;=.¨ class i uses one hundred and twenty ¨.=;%£&&&&
###&£%;=.¨ micro-something while the others all ¨.=;%£##
###&£%;=.¨ use seventy of the same unit. ¨.=;%£##
##£££%;=.¨ ¨.=;%£££##
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####£%;=.¨ %%%%%%%%% aha and %%%%%%%%% ¨.=;%£####
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&&%===.¨¨¨ class iv is apparently too strong to ¨¨¨.===%&&
###&£%;=.¨ be used on class i players. it will ¨.=;%£##
&%;=.¨¨¨¨¨ sound too lound and it cannot be ¨¨¨¨¨.=;%&
###&£%;=.¨ completely erased. this is very well. ¨.=;%£##
###&£%;=.¨ maybe some wonderful blending effects ¨.=;%£##
#&%==¨¨¨¨¨ could be achieved? ¨¨¨¨¨==%
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###&£%;=.¨ they also gnaw at the tape heads a bit ¨.=;%£##
###&£%;=.¨ better than earlier tape types. ¨.=;%£##
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###&£%;=.¨ ;;;;;;;; artifacts ;;;;;;;; ¨.=;%£##
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&%%;=..¨¨¨ good tapes are decent and have a good ¨¨¨..=;%%&
#£%;;==¨¨¨ high frequency presence, bad tapes are ¨¨¨==;;%£#
###&£%;=.¨ lofi if not outright bad. idk, i kinda ¨.=;%£##
&£%;;;;=.¨ like it. ¨.=;;;;%£&
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##£%%=.¨¨¨ bias loss: if you forget the bias who ¨¨¨.=%%£##
###&£%;=.¨ knows whats even on there anymore ¨.=;%£##
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###&£%;=.¨ flutter: kinda quick pitch variations. ¨.=;%£##
###&£%;=.¨ beautiful, wonderful, extraordinary. ¨.=;%£##
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###&£%;=.¨ wow: a slower flutter, usually several ¨.=;%£##
#££%;=.¨¨¨ seconds long. what up. both of these ¨¨¨.=;%££#
###&£%;=.¨ increase when tape speed decreases. ¨.=;%£##
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###&£%;=.¨ print through: tapes rub sound on each ¨.=;%£##
###&£%;=.¨ other if theyre alone for too long ¨.=;%£##
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