¨¨.«\%&¤@# #@¤&%\«.¨¨
¨.«\%&¤@## ##@¤&%\«.¨
¨¨.«\%&¤@# #@¤&%\«.¨¨
¨¨¨.«\%&¤@ @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ TRAIN DREAM @¤&%\«.¨¨¨
¨¨.«\%&¤@# ######¨¨¨¨.«..¨¨##################### #@¤&%\«.¨¨
¨.«\%&¤@## \\\ ##@¤&%\«.¨
¨¨.«\%&¤@# « #@¤&%\«.¨¨
¨¨¨.«\%&¤@ « @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ (SITUATION) @¤&%\«.¨¨¨
¨¨.«\%&¤@# #@¤&%\«.¨¨
¨.«\%&¤@## YOU FIND YOURSELF IN A RIFT - A ##@¤&%\«.¨
¨¨.«\%&¤@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@¤&%\«.¨¨
¨¨¨.«\%&¤@ TO YOUR SIDES ARE WALLS MADE OF TREES, @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ THICK AND READY TO SWALLOW YOU. THE SUN ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @¤&%\«.¨¨¨
¨¨.«\%&¤@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@¤&%\«.¨¨
¨.«\%&¤@## BLUE, ALMOST WHITE. ##@¤&%\«.¨
¨¨.«\%&¤@# #@¤&%\«.¨¨
¨¨¨.«\%&¤@ ALONG THE SPAN OF THE CLEARING LAY TWO @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ PARALLEL SILVERY LINES, DARK HARD ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @¤&%\«.¨¨¨
¨¨.«\%&¤@# THEY ARE. #@¤&%\«.¨¨
¨.«\%&¤@## ##@¤&%\«.¨
¨¨.«\%&¤@# THEY EMIT A HIGH PITCHED WHINE... #@¤&%\«.¨¨
¨¨¨.«\%&¤@ @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ « ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ ¨¨%¨¨ @¤&%\«.¨¨¨
¨¨.«\%&¤@# « #@¤&%\«.¨¨
¨.«\%&¤@## ##@¤&%\«.¨
¨¨.«\%&¤@# (SITUATION) #@¤&%\«.¨¨
¨¨¨.«\%&¤@ @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ YOURE AT THE TRAIN STATION, ON A ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @¤&%\«.¨¨¨
¨¨.«\%&¤@# LATE, OR YOU ARE LATE TO THE TRAIN. #@¤&%\«.¨¨
¨.«\%&¤@## IT'S A SUMMER AFTERNOON AND THE STATION ##@¤&%\«.¨
¨¨.«\%&¤@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@¤&%\«.¨¨
¨¨¨.«\%&¤@ @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ STRESSED ABOUT THE TIME, WHILE MOVING @¤&%\«.¨¨¨
¨¨.«\%&¤@# UP THE STAIRS TO YOUR PLATFORM. THE #@¤&%\«.¨¨
¨.«\%&¤@## STATION IS IN SEVERAL LEVELS, ALL ##@¤&%\«.¨
¨¨.«\%&¤@# PLACED WITHIN EACHOTHER BY SOME #@¤&%\«.¨¨
¨¨¨.«\%&¤@ INTELLIGENT DESIGNER, AND FULL OF @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ STAIRS, ELEVATORS, SHORTCUTS, ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @¤&%\«.¨¨¨
¨¨.«\%&¤@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@¤&%\«.¨¨
¨.«\%&¤@## IT'S SUPPOSED TO BE? ##@¤&%\«.¨
¨¨.«\%&¤@# #@¤&%\«.¨¨
¨¨¨.«\%&¤@ « @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ ..&.. ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ « @¤&%\«.¨¨¨
¨¨.«\%&¤@# #@¤&%\«.¨¨
¨.«\%&¤@## (SITUATION) ##@¤&%\«.¨
¨¨.«\%&¤@# #@¤&%\«.¨¨
¨¨¨.«\%&¤@ YOU'RE FINALLY ENTERING THE CITY. WHILE @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ IT IS INDEED A VERY HIGH SPEED TRAIN ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ YOU'RE TRAVELING IN, THE JOURNEY HAS @¤&%\«.¨¨¨
¨¨.«\%&¤@# BEEN LONG. BUT IT'S ABOUT TO END! #@¤&%\«.¨¨
¨.«\%&¤@## ##@¤&%\«.¨
¨¨.«\%&¤@# SOCIETY IS GROWING DENSER AROUND YOU, #@¤&%\«.¨¨
¨¨¨.«\%&¤@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ SHACKS, BUILT OF METAL AND STONE, THEN ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ PROPER HOUSES WITH MORTAR TO KEEP THEM @¤&%\«.¨¨¨
¨¨.«\%&¤@# TOGETHER... WHO IN TURN MAKE WAY FOR #@¤&%\«.¨¨
¨.«\%&¤@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@¤&%\«.¨
¨¨.«\%&¤@# MAZE, PROTECTIVE WALLS, JUNGLE #@¤&%\«.¨¨
¨¨¨.«\%&¤@ NETWORK... @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ THE TRACKS LEAVE THE GROUND, WHICH IS @¤&%\«.¨¨¨
¨¨.«\%&¤@# NEEDED FOR OTHER PURPOSES. YOU ARE #@¤&%\«.¨¨
¨.«\%&¤@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@¤&%\«.¨
¨¨.«\%&¤@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@¤&%\«.¨¨
¨¨¨.«\%&¤@ A BUILDING. IT'S MADE OF SLABBY STONE, @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ WITH GREAT GLASSLESS WINDOW HOLES ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ LOOKING OUT THE WAY YOU CAME. IT IS @¤&%\«.¨¨¨
¨¨.«\%&¤@# PITCH BLACK INSIDE. #@¤&%\«.¨¨
¨.«\%&¤@## ##@¤&%\«.¨
¨¨.«\%&¤@# #@¤&%\«.¨¨
¨¨¨.«\%&¤@ @¤&%\«.¨¨¨
¨¨¨¨.«\%&¤ ¤&%\«.¨¨¨¨
¨¨¨.«\%&¤@ @¤&%\«.¨¨¨