,,,~~;$&@# #@&$;~~,,,
,,,,~~;$&@ @&$;~~,,,,
,,,~~;$&@# #@&$;~~,,,
,,~~;$&@## ##@&$;~~,,
,~~;$&@### ###@&$;~~,
,,~~;$&@## train dream ##@&$;~~,,
,,,~~;$&@# ######,,,,~~~~,,##################### #@&$;~~,,,
,,,,~~;$&@ ;;; @&$;~~,,,,
,,,~~;$&@# ~ #@&$;~~,,,
,,~~;$&@## ~ ##@&$;~~,,
,~~;$&@### ###@&$;~~,
,,~~;$&@## (situation) ##@&$;~~,,
,,,~~;$&@# #@&$;~~,,,
,,,,~~;$&@ you find yourself in a rift - a @&$;~~,,,,
,,,~~;$&@# clearing, narrow but immeasurably long. #@&$;~~,,,
,,~~;$&@## to your sides are walls made of trees, ##@&$;~~,,
,~~;$&@### thick and ready to swallow you. the sun ###@&$;~~,
,,~~;$&@## is nowhere to be seen, but nontheless ##@&$;~~,,
,,,~~;$&@# it is very bright - the air feels light #@&$;~~,,,
,,,,~~;$&@ blue, almost white. @&$;~~,,,,
,,,~~;$&@# #@&$;~~,,,
,,~~;$&@## along the span of the clearing lay two ##@&$;~~,,
,~~;$&@### parallel silvery lines, dark hard ###@&$;~~,
,,~~;$&@## metal. somehow you can see how heavy ##@&$;~~,,
,,,~~;$&@# they are. #@&$;~~,,,
,,,,~~;$&@ @&$;~~,,,,
,,,~~;$&@# they emit a high pitched whine... #@&$;~~,,,
,,~~;$&@## ##@&$;~~,,
,~~;$&@### ~ ###@&$;~~,
,,~~;$&@## ,,*,, ##@&$;~~,,
,,,~~;$&@# ~ #@&$;~~,,,
,,,,~~;$&@ @&$;~~,,,,
,,,~~;$&@# (situation) #@&$;~~,,,
,,~~;$&@## ##@&$;~~,,
,~~;$&@### youre at the train station, on a ###@&$;~~,
,,~~;$&@## catwalk above the rails. your train is ##@&$;~~,,
,,,~~;$&@# late, or you are late to the train. #@&$;~~,,,
,,,,~~;$&@ it's a summer afternoon and the station @&$;~~,,,,
,,,~~;$&@# is busy, full of relaxed confidence. #@&$;~~,,,
,,~~;$&@## ##@&$;~~,,
,~~;$&@### you're in high spirits, although a bit ###@&$;~~,
,,~~;$&@## stressed about the time, while moving ##@&$;~~,,
,,,~~;$&@# up the stairs to your platform. the #@&$;~~,,,
,,,,~~;$&@ station is in several levels, all @&$;~~,,,,
,,,~~;$&@# placed within eachother by some #@&$;~~,,,
,,~~;$&@## intelligent designer, and full of ##@&$;~~,,
,~~;$&@### stairs, elevators, shortcuts, ###@&$;~~,
,,~~;$&@## bazaars... you sight your train through ##@&$;~~,,
,,,~~;$&@# some glass windows. it's... not where #@&$;~~,,,
,,,,~~;$&@ it's supposed to be? @&$;~~,,,,
,,,~~;$&@# #@&$;~~,,,
,,~~;$&@## ~ ##@&$;~~,,
,~~;$&@### ~~$~~ ###@&$;~~,
,,~~;$&@## ~ ##@&$;~~,,
,,,~~;$&@# #@&$;~~,,,
,,,,~~;$&@ (situation) @&$;~~,,,,
,,,~~;$&@# #@&$;~~,,,
,,~~;$&@## you're finally entering the city. while ##@&$;~~,,
,~~;$&@### it is indeed a very high speed train ###@&$;~~,
,,~~;$&@## you're traveling in, the journey has ##@&$;~~,,
,,,~~;$&@# been long. but it's about to end! #@&$;~~,,,
,,,,~~;$&@ @&$;~~,,,,
,,,~~;$&@# society is growing denser around you, #@&$;~~,,,
,,~~;$&@## through the windows you see first small ##@&$;~~,,
,~~;$&@### shacks, built of metal and stone, then ###@&$;~~,
,,~~;$&@## proper houses with mortar to keep them ##@&$;~~,,
,,,~~;$&@# together... who in turn make way for #@&$;~~,,,
,,,,~~;$&@ the industrial buildings, the urban @&$;~~,,,,
,,,~~;$&@# maze, protective walls, jungle #@&$;~~,,,
,,~~;$&@## network... ##@&$;~~,,
,~~;$&@### ###@&$;~~,
,,~~;$&@## the tracks leave the ground, which is ##@&$;~~,,
,,,~~;$&@# needed for other purposes. you are #@&$;~~,,,
,,,,~~;$&@ carried gently, curving upwards until @&$;~~,,,,
,,,~~;$&@# you're moving upward along the wall of #@&$;~~,,,
,,~~;$&@## a building. it's made of slabby stone, ##@&$;~~,,
,~~;$&@### with great glassless window holes ###@&$;~~,
,,~~;$&@## looking out the way you came. it is ##@&$;~~,,
,,,~~;$&@# pitch black inside. #@&$;~~,,,
,,,,~~;$&@ @&$;~~,,,,
,,,~~;$&@# #@&$;~~,,,
,,~~;$&@## ##@&$;~~,,
,~~;$&@### ###@&$;~~,
,,~~;$&@## ##@&$;~~,,