.-~=§££@@# #@@££§=~-.
....~~=§£@ @£§=~~....
.......~§£ £§~.......
.-~=§££@@@ @@@££§=~-.
.-~===££@@ @@££===~-.
.-~=§££@@# ~~==~~ #@@££§=~-.
.-~=§££@@# ... SLEEP ... #@@££§=~-.
....-~§££@ --~~-- @££§~-....
.-~=§££@@# #@@££§=~-.
.-~=§££@@# SLEEP IS THE MOST IMPORTANT MEAL OF THE #@@££§=~-.
.-~=§££@@@ DAY. SLEEP IS SAYING GOODBYE FOR A @@@££§=~-.
.-~=§££@@# WHILE. IF YOU CAN DREAM, YOU ALSO GET #@@££§=~-.
...~~~§§££ TO VISIT FRIENDS AND OTHER ANIMALS. ££§§~~~...
.-~=§££@@@ @@@££§=~-.
.-~=§§££££ ..--.. ££££§§=~-.
.....~§§§£ £§§§~.....
....~=§££@ DEEPER THAN DEATH IS TO BE ALIVE AND @££§=~....
.-~~~§§££@ ASLEEP. IT IS DEATH IF IT WAS TEMPORARY @££§§~~~-.
.-~=§££@@@ AND REJUVENATING. @@@££§=~-.
..---~~§§£ £§§~~---..
.....--~§£ ..--.. £§~--.....
.-~=§££@@# #@@££§=~-.
.....~=£££ SLEEP IS A BLACK MARBLE OUTSIDE OF £££=~.....
.......~§£ WHICH THERE IS NOTHING. INSIDE IS ALL £§~.......
.....-=§£@ THE STARS AND IN THE MIDDLE A @£§=-.....
.-~=§££@## BLACK LAKE. AT THE FOOT OF THIS LAKE ##@££§=~-.
....-~§£@@ STANDS AN OLD FRIEND. @@£§~-....
.....~=££@ @££=~.....
.-~=§££@@# ..--.. #@@££§=~-.
.-~§££@@## ##@@££§~-.
......-=£@ WHEN YOU SLEEP ALL SOUND IS INTERNAL. @£=-......
.-~=§££@@# WHEN YOU SLEEP YOUR BRAIN SHRINKS. #@@££§=~-.
.-~=§££@@# #@@££§=~-.
.-~=§£@@## ..--.. ##@@£§=~-.
....--=£££ £££=--....
.-~=§££@@# IF YOU WISH TO MEASURE SLEEP, USE THESE #@@££§=~-.
..--~=§§££ FOUR QUANTIFIERS:: GRIP, DEEPNESS, ££§§=~--..
.....~~§£@ OTHERWORLDINESS AND REVITALIZATION. @£§~~.....
.-=§££@@## ##@@££§=-.
.-~=§££@## GRIP GOES FROM NOT BEING ABLE TO LET GO ##@££§=~-.
....--==££ ALL DAY (LEFT) TO NOT CARING TO ££==--....
.-~=§££@@# REMEMBER (RIGHT). #@@££§=~-.
.-~=§££@@# #@@££§=~-.
.-~=§££@@# DEEPNESS GOES FROM BEING SEVERAL #@@££§=~-.
.-~=§££@@# HUNDRED METERS DOWN (LEFT) TO BARELY #@@££§=~-.
.....~§£££ TOUCHING THE SURFACE (RIGHT). £££§~.....
.-~=§££@@# #@@££§=~-.
.--~==££@@ OTHERWORLDLINESS GOES FROM A SINGLE @@££==~--.
.-~=§££@@# COHERENT DREAMSCAPE (LEFT), VIA NORMAL #@@££§=~-.
.-~=§££@@# DREAM AMOUNTS (MIDDLE) TO NO DREAMS #@@££§=~-.
...~====££ (RIGHT). ££====~...
.-~=§££@@# #@@££§=~-.
.-~=§££@@# REVITALIZATION GOES FROM A FEELING OF #@@££§=~-.
......~§£@ NOT HAVING SLEPT AT ALL (LEFT) TO BEING @£§~......
.....~§££@ FULL OF ENERGY AND MAYBE OPTIMISM @££§~.....
.....~=££@ (RIGHT). @££=~.....
.-~=§££@@# #@@££§=~-.
.-~=§££@@# -- #@@££§=~-.
.-~=§£@@## ##@@£§=~-.
.-~=§££@@# HIGH OTHERWORLDLINESS AND HIGH GRIP IS #@@££§=~-.
.-~=§££@@# A PARTICULARLY EFFECTIVE COMBO. #@@££§=~-.
.-~====££@ @££====~-.
.-~=§££@@@ ~~==~~ @@@££§=~-.
....--=££@ ... SEE ALSO ... @££=--....
......~§£@ --~~-- @£§~......
.-~=§££@@# #@@££§=~-.
....-~==££ SLEEP DEITIES ££==~-....
.-~=§££@@@ THE BLACKBIRD @@@££§=~-.
.-~=§££@## SOLIPSISM ##@££§=~-.
...---==§£ £§==---...
.....-=££@ ~~==~~ @££=-.....
.-~=§£@@## ... FURTHERMORE ... ##@@£§=~-.
....~~==§£ --~~-- £§==~~....
....-==££@ @££==-....
.-~=§£@@## THIS IS STILL A PLACE: HERE, IN THE ##@@£§=~-.
.-~=§££@@# SILENCE, DARKNESS AND NIGHT - AND #@@££§=~-.
...-~~=§§£ LONELINESS, HOLDING A KIND OF DILUTION £§§=~~-...
.-~=§££@## OF REALITY, AND SUDDENLY IT'S NOT ##@££§=~-.
.-~=§£@@## IMPORTANT THAT I LIE IN MY BED, THE ##@@£§=~-.
.-~=§£££@@ LACK OF PRESENCE BRINGS THE NOTION @@£££§=~-.
......~=£@ THAT, IF I DO NOT CHOOSE SLEEP, I @£=~......
.....-=§£@ CHOOSE PAST, FUTURE, SOMETHING WITH @£§=-.....
...-~§§§£@ MORE SUBSTANCE THAN THE OBJECTS I @£§§§~-...
.-~=§£££@@ SURROUND MYSELF WITH. @@£££§=~-.
....--=§£@ @£§=--....
.-~=§££@@@ @@@££§=~-.
......~=££ ££=~......
.-~=§££@@@ @@@££§=~-.
.-~=§££@@# #@@££§=~-.
.-~=§££@## ##@££§=~-.