¨.-;*&¤£## ##£¤&*;-.¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨.-;*&¤£# --;;-- #£¤&*;-.¨¨
¨.-;*&¤£## ¨¨¨ SLEEP ¨¨¨ ##£¤&*;-.¨
¨¨.-;*&¤£# ..--.. #£¤&*;-.¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ SLEEP IS THE MOST IMPORTANT MEAL OF THE ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ DAY. SLEEP IS SAYING GOODBYE FOR A £¤&*;-.¨¨¨
¨¨.-;*&¤£# WHILE. IF YOU CAN DREAM, YOU ALSO GET #£¤&*;-.¨¨
¨.-;*&¤£## TO VISIT FRIENDS AND OTHER ANIMALS. ##£¤&*;-.¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨¨¨.-;*&¤£ ¨¨..¨¨ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ DEEPER THAN DEATH IS TO BE ALIVE AND £¤&*;-.¨¨¨
¨¨.-;*&¤£# ASLEEP. IT IS DEATH IF IT WAS TEMPORARY #£¤&*;-.¨¨
¨.-;*&¤£## AND REJUVENATING. ##£¤&*;-.¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨¨¨.-;*&¤£ ¨¨..¨¨ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ SLEEP IS A BLACK MARBLE OUTSIDE OF £¤&*;-.¨¨¨
¨¨.-;*&¤£# WHICH THERE IS NOTHING. INSIDE IS ALL #£¤&*;-.¨¨
¨.-;*&¤£## THE STARS AND IN THE MIDDLE A ##£¤&*;-.¨
¨¨.-;*&¤£# BLACK LAKE. AT THE FOOT OF THIS LAKE #£¤&*;-.¨¨
¨¨¨.-;*&¤£ STANDS AN OLD FRIEND. £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ ¨¨..¨¨ £¤&*;-.¨¨¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨.-;*&¤£## WHEN YOU SLEEP ALL SOUND IS INTERNAL. ##£¤&*;-.¨
¨¨.-;*&¤£# WHEN YOU SLEEP YOUR BRAIN SHRINKS. #£¤&*;-.¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¨¨..¨¨ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨.-;*&¤£# IF YOU WISH TO MEASURE SLEEP, USE THESE #£¤&*;-.¨¨
¨.-;*&¤£## FOUR QUANTIFIERS:: GRIP, DEEPNESS, ##£¤&*;-.¨
¨¨.-;*&¤£# OTHERWORLDINESS AND REVITALIZATION. #£¤&*;-.¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ GRIP GOES FROM NOT BEING ABLE TO LET GO ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ ALL DAY (LEFT) TO NOT CARING TO £¤&*;-.¨¨¨
¨¨.-;*&¤£# REMEMBER (RIGHT). #£¤&*;-.¨¨
¨.-;*&¤£## ##£¤&*;-.¨
¨¨.-;*&¤£# DEEPNESS GOES FROM BEING SEVERAL #£¤&*;-.¨¨
¨¨¨.-;*&¤£ HUNDRED METERS DOWN (LEFT) TO BARELY £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ TOUCHING THE SURFACE (RIGHT). ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨.-;*&¤£# OTHERWORLDLINESS GOES FROM A SINGLE #£¤&*;-.¨¨
¨.-;*&¤£## COHERENT DREAMSCAPE (LEFT), VIA NORMAL ##£¤&*;-.¨
¨¨.-;*&¤£# DREAM AMOUNTS (MIDDLE) TO NO DREAMS #£¤&*;-.¨¨
¨¨¨.-;*&¤£ (RIGHT). £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ REVITALIZATION GOES FROM A FEELING OF £¤&*;-.¨¨¨
¨¨.-;*&¤£# NOT HAVING SLEPT AT ALL (LEFT) TO BEING #£¤&*;-.¨¨
¨.-;*&¤£## FULL OF ENERGY AND MAYBE OPTIMISM ##£¤&*;-.¨
¨¨.-;*&¤£# (RIGHT). #£¤&*;-.¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ .. ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨.-;*&¤£# HIGH OTHERWORLDLINESS AND HIGH GRIP IS #£¤&*;-.¨¨
¨.-;*&¤£## A PARTICULARLY EFFECTIVE COMBO. ##£¤&*;-.¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨¨¨.-;*&¤£ --;;-- £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¨¨¨ SEE ALSO ¨¨¨ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ ..--.. £¤&*;-.¨¨¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨.-;*&¤£## SLEEP DEITIES ##£¤&*;-.¨
¨¨.-;*&¤£# THE BLACKBIRD #£¤&*;-.¨¨
¨¨¨.-;*&¤£ SOLIPSISM £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ --;;-- £¤&*;-.¨¨¨
¨¨.-;*&¤£# ¨¨¨ FURTHERMORE ¨¨¨ #£¤&*;-.¨¨
¨.-;*&¤£## ..--.. ##£¤&*;-.¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨¨¨.-;*&¤£ THIS IS STILL A PLACE: HERE, IN THE £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ SILENCE, DARKNESS AND NIGHT - AND ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ LONELINESS, HOLDING A KIND OF DILUTION £¤&*;-.¨¨¨
¨¨.-;*&¤£# OF REALITY, AND SUDDENLY IT'S NOT #£¤&*;-.¨¨
¨.-;*&¤£## IMPORTANT THAT I LIE IN MY BED, THE ##£¤&*;-.¨
¨¨.-;*&¤£# LACK OF PRESENCE BRINGS THE NOTION #£¤&*;-.¨¨
¨¨¨.-;*&¤£ THAT, IF I DO NOT CHOOSE SLEEP, I £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ CHOOSE PAST, FUTURE, SOMETHING WITH ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ MORE SUBSTANCE THAN THE OBJECTS I £¤&*;-.¨¨¨
¨¨.-;*&¤£# SURROUND MYSELF WITH. #£¤&*;-.¨¨
¨.-;*&¤£## ##£¤&*;-.¨
¨¨.-;*&¤£# #£¤&*;-.¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨¨¨.-;*&¤ ¤&*;-.¨¨¨¨
¨¨¨.-;*&¤£ £¤&*;-.¨¨¨
¨¨.-;*&¤£# #£¤&*;-.¨¨