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@%^*,^,,.. IT'S VERY DARK IN HERE. DARK AND BIG, A ..,,^,*^%@
#§£=†»^.¨, FEW COLORED LIGHTS SCATTERED IN AN ,¨.^»†=£§#
@@@¤&=*~~¨ ENORMOUS HALL. COINCIDENTALLY, THIS IS ¨~~*=&¤@@@
£=^\/~.:., WHERE I WORK. ,.:.~/\^=£
##@¤%§=--¨ ¨--=§%¤@##
##@£%%*»~. I MUST HAVE EATEN A DRUG, OR MAYBE IT'S .~»*%%£@##
##¶@&=;-~, JUST THE NATURE OF THE PLACE, BUT IT ,~-;=&@¶##
##£§:\~»,¨ FEELS LIKE I HAVE EATEN A DRUG. TOO ¨,»~\:§£##
##¶§*$:«^¨ CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ¨^«:$*§¶##
¤@*=~-~.,, TOO GOOD TO BE BORED, WHICH I GUESS IS ,,.~-~=*@¤
####&=\«:. THE POINT. .:«\=###
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#@@£@$*~,¨ I DOZE OFF, DAYDREAM... OR MAYBE I FALL ¨,~*$@£@@#
###&%†*~., ASLEEP FOR REAL. I DREAM OF WORK, AND ,.~*†%##
@@§:~,,.., WAKE UP AT WORK, SO THE LINE IS BLURRY. ,..,,~:§@@
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#@@&@§/~.¨ SOMEONE NEW HAS COME WHEN I WAS OUT. ¨.~/§@&@@#
##££%=†«^, THEIR BLACK SILLHOUETTE CONTRASTS WITH ,^«†=%££##
#@&§%*\=~¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨~=\*%§&@#
@&*~.,,.¨. OBSIDIAN FLOOR. I TAKE THEIR MONEY, .¨.,,.~*&@
§%†~:.¨,,¨ WHICH I DON'T UNDERSTAND, BUT THE ¨,,¨.:~†%§
##£@¤^;=~. MACHINE ACCEPTS IT. .~=;^¤@£##
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¤$\,,.,¨,¨ FROM OUTSIDE THERE'S A BUNCH OF WHINING ¨,¨,.,,\$¤
#@#@%%=»,. TONES, LIKE A CHORD. THE BEVERAGE .,»=%%@#@#
##¶#&†;-,, FRIDGE ADDS A SHARP, DARK DRONE. THE ,,-;†¶##
##@£§£^~^, DINING AREA IS VAST AND PEOPLE ARE ,^~^£§£@##
####$^/~,¨ CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ¨,~/^$####
#@£@£*†~:¨ VOICES IN ANOTHER LANGUAGE. OR IN ¨:~†*£@£@#
###&&^;-~, ANOTHER MEDIUM, AND I'M ONLY ABLE TO ,~-;^&##
##¶§&^†«,¨ PERCIEVE THE WAKE OF THEIR WORDS. ¨,«†^&§¶##
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