###@%^*«.¨ ¨.«*^%@###
##@%^*«.¨¨ ¨¨.«*^%@##
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
##@%^*«.¨¨ #### ##### ¨¨.«*^%@##
###@%^*«.¨ TAPE DREAM ¨.«*^%@###
##@%^*«.¨¨ #### ##### ¨¨.«*^%@##
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ FOR STORING MUSIC ON. ALSO DATA BUT ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ AT THIS POINT IN TIME THAT'S NOT ¨¨¨.«*^%@#
##@%^*«.¨¨ REALLY IMPORTANT I THINK. ¨¨.«*^%@##
###@%^*«.¨ ¨.«*^%@###
##@%^*«.¨¨ ¨¨.«*^%@##
#@%^*«.¨¨¨ ******** TYPES OF TAPE ******** ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ CLASS I - "BAD" IRON ¨¨¨.«*^%@#
##@%^*«.¨¨ CLASS II - GOOD CHROMIUM ¨¨.«*^%@##
###@%^*«.¨ CLASS III - BAD IRON PART TWO ¨.«*^%@###
##@%^*«.¨¨ CLASS IV - DANGEROUS METALS ¨¨.«*^%@##
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ THAT IS ACTUALLY USEFUL. ¨¨¨.«*^%@#
##@%^*«.¨¨ ¨¨.«*^%@##
###@%^*«.¨ ** BIAS ** ¨.«*^%@###
##@%^*«.¨¨ ¨¨.«*^%@##
#@%^*«.¨¨¨ CLASS I USES ONE HUNDRED AND TWENTY ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ MICRO-SOMETHING WHILE THE OTHERS ALL ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ USE SEVENTY OF THE SAME UNIT. ¨¨¨.«*^%@#
##@%^*«.¨¨ ¨¨.«*^%@##
###@%^*«.¨ ¨.«*^%@###
##@%^*«.¨¨ ^^^^^^^^^ AHA AND ^^^^^^^^^ ¨¨.«*^%@##
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ CLASS IV IS APPARENTLY TOO STRONG TO ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ BE USED ON CLASS I PLAYERS. IT WILL ¨¨¨.«*^%@#
##@%^*«.¨¨ SOUND TOO LOUND AND IT CANNOT BE ¨¨.«*^%@##
###@%^*«.¨ COMPLETELY ERASED. THIS IS VERY WELL. ¨.«*^%@###
##@%^*«.¨¨ MAYBE SOME WONDERFUL BLENDING EFFECTS ¨¨.«*^%@##
#@%^*«.¨¨¨ COULD BE ACHIEVED? ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ THEY ALSO GNAW AT THE TAPE HEADS A BIT ¨¨¨.«*^%@#
##@%^*«.¨¨ BETTER THAN EARLIER TAPE TYPES. ¨¨.«*^%@##
###@%^*«.¨ ¨.«*^%@###
##@%^*«.¨¨ ¨¨.«*^%@##
#@%^*«.¨¨¨ ******** ARTIFACTS ******** ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ GOOD TAPES ARE DECENT AND HAVE A GOOD ¨¨¨.«*^%@#
##@%^*«.¨¨ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¨¨.«*^%@##
###@%^*«.¨ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¨.«*^%@###
##@%^*«.¨¨ LIKE IT. ¨¨.«*^%@##
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ BIAS LOSS: IF YOU FORGET THE BIAS WHO ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ KNOWS WHATS EVEN ON THERE ANYMORE ¨¨¨.«*^%@#
##@%^*«.¨¨ ¨¨.«*^%@##
###@%^*«.¨ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¨.«*^%@###
##@%^*«.¨¨ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¨¨.«*^%@##
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ SECONDS LONG. WHAT UP. BOTH OF THESE ¨¨¨.«*^%@#
##@%^*«.¨¨ INCREASE WHEN TAPE SPEED DECREASES. ¨¨.«*^%@##
###@%^*«.¨ ¨.«*^%@###
##@%^*«.¨¨ PRINT THROUGH: TAPES RUB SOUND ON EACH ¨¨.«*^%@##
#@%^*«.¨¨¨ OTHER IF THEYRE ALONE FOR TOO LONG ¨¨¨.«*^%@#
@%^*«.¨¨¨¨ ¨¨¨¨.«*^%@
#@%^*«.¨¨¨ ¨¨¨.«*^%@#
##@%^*«.¨¨ ¨¨.«*^%@##
###@%^*«.¨ ¨.«*^%@###
##@%^*«.¨¨ ¨¨.«*^%@##
#@%^*«.¨¨¨ ¨¨¨.«*^%@#