@.@.@@@.@. .@.@....@.
....@.@..@ ....@.....
.......@.. @....@....
........@. .@....@...
.........@ ..@....@..
.......... #### ##### ...@....@.
.......... TAPE DREAM ....@....@
@......... #### ##### .....@....
.@........ ......@...
..@....... FOR STORING MUSIC ON. ALSO DATA BUT .......@..
...@...... AT THIS POINT IN TIME THAT'S NOT ........@.
....@..... REALLY IMPORTANT I THINK. .........@
@....@.... ..........
.@....@... ..........
..@....@.. ======== TYPES OF TAPE ======== ..........
...@....@. ..........
....@....@ CLASS I - "BAD" IRON ..........
.....@.... CLASS II - GOOD CHROMIUM @.........
......@... CLASS III - BAD IRON PART TWO .@........
.......@.. CLASS IV - DANGEROUS METALS ..@.......
........@. ...@......
.........@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ....@.....
.......... THAT IS ACTUALLY USEFUL. @....@....
.......... @@....@...
.......... == BIAS == .@@....@..
.......... .@@@....@.
.......... CLASS I USES ONE HUNDRED AND TWENTY .@.@@....@
@......... MICRO-SOMETHING WHILE THE OTHERS ALL ...@@@....
.@........ USE SEVENTY OF THE SAME UNIT. ...@.@@...
..@....... @....@@@..
...@...... @@...@.@@.
....@..... ^^^^^^^^^ AHA AND ^^^^^^^^^ @@@....@@@
@....@.... @.@@...@.@
@@....@... CLASS IV IS APPARENTLY TOO STRONG TO ..@@@....@
.@@....@.. BE USED ON CLASS I PLAYERS. IT WILL ..@.@@...@
.@@@....@. SOUND TOO LOUND AND IT CANNOT BE @...@@@...
.@.@@....@ COMPLETELY ERASED. THIS IS VERY WELL. .@..@.@@..
...@@@.... MAYBE SOME WONDERFUL BLENDING EFFECTS ..@...@@@.
...@.@@... COULD BE ACHIEVED? @..@..@.@@
@....@@@.. .@..@...@@
@@...@.@@. THEY ALSO GNAW AT THE TAPE HEADS A BIT ..@..@..@.
@@@....@@@ BETTER THAN EARLIER TAPE TYPES. @..@..@...
@.@@...@.@ .@..@..@..
..@@@....@ ..@..@..@.
..@.@@...@ ======== ARTIFACTS ======== @..@..@..@
@...@@@... .@..@..@..
.@..@.@@.. GOOD TAPES ARE DECENT AND HAVE A GOOD ..@..@..@.
..@...@@@. HIGH FREQUENCY PRESENCE, BAD TAPES ARE @..@..@..@
@..@..@.@@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .@..@..@..
.@..@...@@ LIKE IT. ..@..@..@.
..@..@..@. ...@..@..@
@..@..@... BIAS LOSS: IF YOU FORGET THE BIAS WHO ....@..@..
.@..@..@.. KNOWS WHATS EVEN ON THERE ANYMORE .....@..@.
..@..@..@. ......@..@
@..@..@..@ FLUTTER: KINDA QUICK PITCH VARIATIONS. .......@..
.@..@..@.. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ........@.
..@..@..@. .........@
@..@..@..@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ..........
.@..@..@.. SECONDS LONG. WHAT UP. BOTH OF THESE ..........
..@..@..@. INCREASE WHEN TAPE SPEED DECREASES. @.........
...@..@..@ .@........
....@..@.. PRINT THROUGH: TAPES RUB SOUND ON EACH ..@.......
.....@..@. OTHER IF THEYRE ALONE FOR TOO LONG ...@......
......@..@ ....@.....
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.......... ....@....@