....¤..¤¤. ..........
¤¤¤....... ¤¤¤¤¤¤¤¤¤¤
¤¤..¤¤¤¤¤. ¤¤¤¤¤¤¤¤¤¤
¤....¤¤¤.. ¤¤¤¤¤¤¤¤¤¤
..¤¤..¤..¤ ¤¤¤¤¤¤¤¤¤¤
.......... @@@@ ##### .¤¤¤¤¤¤¤¤.
¤¤¤¤¤¤¤¤¤. TAPE DREAM ..¤¤¤¤¤¤..
.¤¤¤¤¤¤¤.. #### @@@@@ ...¤¤¤¤...
..¤¤¤¤¤..¤ ¤¤..¤¤..¤¤
...¤¤¤.... FOR STORING MUSIC ON. ALSO DATA BUT ¤.........
¤¤..¤..¤¤¤ AT THIS POINT IN TIME THAT'S NOT ..¤¤¤¤¤¤¤¤
¤.......¤¤ REALLY IMPORTANT I THINK. ...¤¤¤¤¤¤¤
..¤¤¤¤¤... ¤¤..¤¤¤¤¤¤
...¤¤¤..¤¤ ¤....¤¤¤¤.
¤¤..¤....¤ \\\\\\\\ TYPES OF TAPE \\\\\\\\ ..¤¤..¤¤..
......¤¤.. ..........
¤¤¤¤¤....¤ CLASS I - "BAD" IRON ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤..¤¤.. CLASS II - GOOD CHROMIUM ¤¤¤¤¤¤¤¤¤¤
¤¤¤......¤ CLASS III - BAD IRON PART TWO ¤¤¤¤¤¤¤¤¤¤
¤¤..¤¤¤¤.. CLASS IV - DANGEROUS METALS ¤¤¤¤¤¤¤¤¤¤
¤....¤¤..¤ ¤¤¤¤¤¤¤¤¤¤
..¤¤...... RUMORS EXIST ABOUT A SECRET CLASS V TAPE ¤¤¤¤¤¤¤¤¤¤
.....¤¤¤¤¤ THAT IS ACTUALLY USEFUL. ¤¤¤¤¤¤¤¤¤.
¤¤¤¤..¤¤¤¤ ¤¤¤¤¤¤¤¤..
.¤¤....¤¤¤ \\ BIAS \\ ¤¤¤¤¤¤¤...
....¤¤..¤¤ .¤¤¤¤¤..¤¤
.¤¤....... CLASS I USES ONE HUNDRED AND TWENTY ..¤¤¤.....
....¤¤¤¤¤¤ MICRO-SOMETHING WHILE THE OTHERS ALL ¤..¤..¤¤¤¤
.¤¤..¤¤¤¤. USE SEVENTY OF THE SAME UNIT. .......¤¤.
......¤¤.. .¤¤¤¤¤....
¤¤¤¤¤....¤ ..¤¤¤..¤¤¤
¤¤¤¤..¤¤.. ********* AHA AND ********* ¤..¤....¤¤
¤¤¤......¤ .....¤¤..¤
¤¤..¤¤¤¤.. CLASS IV IS APPARENTLY TOO STRONG TO .¤¤¤......
.....¤¤..¤ BE USED ON CLASS I PLAYERS. IT WILL ..¤..¤¤¤¤.
¤¤¤¤...... SOUND TOO LOUND AND IT CANNOT BE ......¤¤..
.¤¤..¤¤¤¤¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤¤¤¤¤.....
......¤¤¤¤ MAYBE SOME WONDERFUL BLENDING EFFECTS .¤¤¤..¤¤¤¤
.¤¤¤¤..¤¤. COULD BE ACHIEVED? ..¤....¤¤.
..¤¤...... ....¤¤....
¤....¤¤¤¤. THEY ALSO GNAW AT THE TAPE HEADS A BIT ¤¤¤....¤¤¤
..¤¤..¤¤.. BETTER THAN EARLIER TAPE TYPES. .¤..¤¤..¤¤
.......... ..........
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ \\\\\\\\ ARTIFACTS \\\\\\\\ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ GOOD TAPES ARE DECENT AND HAVE A GOOD ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ LIKE IT. ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ BIAS LOSS: IF YOU FORGET THE BIAS WHO ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ KNOWS WHATS EVEN ON THERE ANYMORE ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ INCREASE WHEN TAPE SPEED DECREASES. ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ PRINT THROUGH: TAPES RUB SOUND ON EACH ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ OTHER IF THEYRE ALONE FOR TOO LONG ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤