.^^~~\*¤## ##¤*\~~^^.
....^~*@@# #@@*~^....
.^~\*¤@### ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
......^\¤@ #### ##### @¤\^......
.^~\*@#### TAPE DREAM ####@*\~^.
.^~\*¤@### #### ##### ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
.^~\*¤@@@# FOR STORING MUSIC ON. ALSO DATA BUT #@@@¤*\~^.
.^~\*¤@### AT THIS POINT IN TIME THAT'S NOT ###@¤*\~^.
....^~\¤## REALLY IMPORTANT I THINK. ##¤\~^....
.^~\*¤@@@@ @@@@¤*\~^.
.^~\***¤¤@ @¤¤***\~^.
.^~\*¤@### \\\\\\\\ TYPES OF TAPE \\\\\\\\ ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
.^~\*¤@### CLASS I - "BAD" IRON ###@¤*\~^.
.^~\*¤@### CLASS II - GOOD CHROMIUM ###@¤*\~^.
.^~\***@@@ CLASS III - BAD IRON PART TWO @@@***\~^.
.^~\*¤@### CLASS IV - DANGEROUS METALS ###@¤*\~^.
.^~\¤@#### ####@¤\~^.
....~***¤@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @¤***~....
....~\**@@ THAT IS ACTUALLY USEFUL. @@**\~....
.^~\*¤@### ###@¤*\~^.
.^~\*¤@### \\ BIAS \\ ###@¤*\~^.
......~*¤# #¤*~......
.^~\*¤@### CLASS I USES ONE HUNDRED AND TWENTY ###@¤*\~^.
.^~\*¤@### MICRO-SOMETHING WHILE THE OTHERS ALL ###@¤*\~^.
.^~\*¤@### USE SEVENTY OF THE SAME UNIT. ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
......^\¤@ @¤\^......
.^~\*¤@### ********* AHA AND ********* ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
.^^~~\\¤@@ CLASS IV IS APPARENTLY TOO STRONG TO @@¤\\~~^^.
.^~\*¤@### BE USED ON CLASS I PLAYERS. IT WILL ###@¤*\~^.
...^^^~*¤@ SOUND TOO LOUND AND IT CANNOT BE @¤*~^^^...
.^~\*¤@### COMPLETELY ERASED. THIS IS VERY WELL. ###@¤*\~^.
......^\*@ MAYBE SOME WONDERFUL BLENDING EFFECTS @*\^......
.^~*¤@#### COULD BE ACHIEVED? ####@¤*~^.
.^~\*¤@### ###@¤*\~^.
.^~\*¤@### THEY ALSO GNAW AT THE TAPE HEADS A BIT ###@¤*\~^.
.^~\*¤@### BETTER THAN EARLIER TAPE TYPES. ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
.^~\*¤@### ###@¤*\~^.
.....^^\¤@ \\\\\\\\ ARTIFACTS \\\\\\\\ @¤\^^.....
...^~\¤@@# #@@¤\~^...
.^~\**¤¤¤# GOOD TAPES ARE DECENT AND HAVE A GOOD #¤¤¤**\~^.
.^~\*¤@### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###@¤*\~^.
^~\*¤@#### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ####@¤*\~^
.......~*@ LIKE IT. @*~.......
.....^\\*@ @*\\^.....
.^~\**¤¤@@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @@¤¤**\~^.
.^~\*¤@### KNOWS WHATS EVEN ON THERE ANYMORE ###@¤*\~^.
.^~\\*¤¤¤@ @¤¤¤*\\~^.
.^~\*¤@### FLUTTER: KINDA QUICK PITCH VARIATIONS. ###@¤*\~^.
......^\¤# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #¤\^......
.^~~~~\*@# #@*\~~~~^.
.^~\*¤@### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###@¤*\~^.
......~*¤# SECONDS LONG. WHAT UP. BOTH OF THESE #¤*~......
......~*¤# INCREASE WHEN TAPE SPEED DECREASES. #¤*~......
.^~\*¤@### ###@¤*\~^.
.^~\*¤@### PRINT THROUGH: TAPES RUB SOUND ON EACH ###@¤*\~^.
.^~\*¤@### OTHER IF THEYRE ALONE FOR TOO LONG ###@¤*\~^.
.^~\**¤¤@@ @@¤¤**\~^.
......~*@# #@*~......
.^~\\**¤@# #@¤**\\~^.
.^~\*¤@### ###@¤*\~^.
....^~~~*@ @*~~~^....
...^\\\*@@ @@*\\\^...