,,~*=$## ###&$=*~,,
,,,,~==$&& &&$==~,,,,
,,~*=$## ###&$=*~,,
,,~*=$#### ####$=*~,,
,,~*=$## ###&$=*~,,
,,,,,,~= #### ##### #&=~,,,,,,
,,~*===$ TAPE DREAM #&$===*~,,
,,,,,,**$& #### ##### &$**,,,,,,
,,~~~~~=$# #$=~~~~~,,
,,~*=### FOR STORING MUSIC ON. ALSO DATA BUT ####&=*~,,
,,~*=$## AT THIS POINT IN TIME THAT'S NOT ###&$=*~,,
,,~*=$## REALLY IMPORTANT I THINK. ###&$=*~,,
,,~*=$## ###&$=*~,,
,,,,**=# ##&=**,,,,
,,,,,**= ******** TYPES OF TAPE ******** #&=**,,,,,
,,~*=$## ###&$=*~,,
,,~***==&& CLASS I - "BAD" IRON &&==***~,,
,,~*=$## CLASS II - GOOD CHROMIUM ###&$=*~,,
,,~*=$## CLASS III - BAD IRON PART TWO ###&$=*~,,
,,,,~*== CLASS IV - DANGEROUS METALS #&==*~,,,,
,,~***$$$& &$$$***~,,
,,~*====$& RUMORS EXIST ABOUT A SECRET CLASS V TAPE &$====*~,,
,,~*=====& THAT IS ACTUALLY USEFUL. &=====*~,,
,,,,,~*=&& &&=*~,,,,,
,,~=$### ** BIAS ** ####&$=~,,
,,~*=$## ###&$=*~,,
,,,,,~=&&& CLASS I USES ONE HUNDRED AND TWENTY &&&=~,,,,,
,,~***=# MICRO-SOMETHING WHILE THE OTHERS ALL ##&=***~,,
,,~*=$## USE SEVENTY OF THE SAME UNIT. ###&$=*~,,
,,,,,,~*$# #$*~,,,,,,
,,~*=$## ###&$=*~,,
,,~*=$## ========= AHA AND ========= ###&$=*~,,
,,,,,,~=$# #$=~,,,,,,
,~*=$### CLASS IV IS APPARENTLY TOO STRONG TO ####&$=*~,
,,~*=$## BE USED ON CLASS I PLAYERS. IT WILL ###&$=*~,,
,,,,**$$$# SOUND TOO LOUND AND IT CANNOT BE #$$$**,,,,
,,~*=$## COMPLETELY ERASED. THIS IS VERY WELL. ###&$=*~,,
,,~*=$#### MAYBE SOME WONDERFUL BLENDING EFFECTS ####$=*~,,
,,~*=$## COULD BE ACHIEVED? ###&$=*~,,
,,,,,~*= #&=*~,,,,,
,,,,,~==&& THEY ALSO GNAW AT THE TAPE HEADS A BIT &&==~,,,,,
,,,~~~~*=& BETTER THAN EARLIER TAPE TYPES. &=*~~~~,,,
,,~~*=$$$# #$$$=*~~,,
,,,,,,*=$# #$=*,,,,,,
,,~*=$## ******** ARTIFACTS ******** ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*=$#### GOOD TAPES ARE DECENT AND HAVE A GOOD ####$=*~,,
,,,~***$## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##$***~,,,
,,,,,**$## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##$**,,,,,
,,~*=$## LIKE IT. ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*=$## BIAS LOSS: IF YOU FORGET THE BIAS WHO ###&$=*~,,
,,,,,*$& KNOWS WHATS EVEN ON THERE ANYMORE #&&$*,,,,,
,,~*$### ####&$*~,,
,,,,,,~~=& FLUTTER: KINDA QUICK PITCH VARIATIONS. &=~~,,,,,,
,,~*=$## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*=$## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###&$=*~,,
,,,,,,~= SECONDS LONG. WHAT UP. BOTH OF THESE #&=~,,,,,,
,,,,,~== INCREASE WHEN TAPE SPEED DECREASES. #&==~,,,,,
,,~*=$&& #&&&$=*~,,
,,~*=$## PRINT THROUGH: TAPES RUB SOUND ON EACH ###&$=*~,,
,,~*=$## OTHER IF THEYRE ALONE FOR TOO LONG ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*=$## ###&$=*~,,
,,~*====&& &&====*~,,