,,,,,-*=¤& &¤=*-,,,,,
,,,,-*=¤ #&¤=*-,,,,
,,,-*=¤# ##&¤=*-,,,
,,-*=¤## ###&¤=*-,,
,,,-*=¤# ##&¤=*-,,,
,,,,-*=¤ #### ##### #&¤=*-,,,,
,,,,,-*=¤& TAPE DREAM &¤=*-,,,,,
,,,,,,-*=¤ #### ##### ¤=*-,,,,,,
,,,,,-*=¤& &¤=*-,,,,,
,,,,-*=¤ FOR STORING MUSIC ON. ALSO DATA BUT #&¤=*-,,,,
,,,-*=¤# AT THIS POINT IN TIME THAT'S NOT ##&¤=*-,,,
,,-*=¤## REALLY IMPORTANT I THINK. ###&¤=*-,,
,,,-*=¤# ##&¤=*-,,,
,,,,-*=¤ #&¤=*-,,,,
,,,,,-*=¤& ******** TYPES OF TAPE ******** &¤=*-,,,,,
,,,,,,-*=¤ ¤=*-,,,,,,
,,,,,-*=¤& CLASS I - "BAD" IRON &¤=*-,,,,,
,,,,-*=¤ CLASS II - GOOD CHROMIUM #&¤=*-,,,,
,,,-*=¤# CLASS III - BAD IRON PART TWO ##&¤=*-,,,
,,-*=¤## CLASS IV - DANGEROUS METALS ###&¤=*-,,
,,,-*=¤# ##&¤=*-,,,
,,,,-*=¤ RUMORS EXIST ABOUT A SECRET CLASS V TAPE #&¤=*-,,,,
,,,,,-*=¤& THAT IS ACTUALLY USEFUL. &¤=*-,,,,,
,,,,,,-*=¤ ¤=*-,,,,,,
,,,,,-*=¤& ** BIAS ** &¤=*-,,,,,
,,,,-*=¤ #&¤=*-,,,,
,,,-*=¤# CLASS I USES ONE HUNDRED AND TWENTY ##&¤=*-,,,
,,-*=¤## MICRO-SOMETHING WHILE THE OTHERS ALL ###&¤=*-,,
,,,-*=¤# USE SEVENTY OF THE SAME UNIT. ##&¤=*-,,,
,,,,-*=¤ #&¤=*-,,,,
,,,,,-*=¤& &¤=*-,,,,,
,,,,,,-*=¤ ========= AHA AND ========= ¤=*-,,,,,,
,,,,,-*=¤& &¤=*-,,,,,
,,,,-*=¤ CLASS IV IS APPARENTLY TOO STRONG TO #&¤=*-,,,,
,,,-*=¤# BE USED ON CLASS I PLAYERS. IT WILL ##&¤=*-,,,
,,-*=¤## SOUND TOO LOUND AND IT CANNOT BE ###&¤=*-,,
,,,-*=¤# COMPLETELY ERASED. THIS IS VERY WELL. ##&¤=*-,,,
,,,,-*=¤ MAYBE SOME WONDERFUL BLENDING EFFECTS #&¤=*-,,,,
,,,,,-*=¤& COULD BE ACHIEVED? &¤=*-,,,,,
,,,,,,-*=¤ ¤=*-,,,,,,
,,,,,-*=¤& THEY ALSO GNAW AT THE TAPE HEADS A BIT &¤=*-,,,,,
,,,,-*=¤ BETTER THAN EARLIER TAPE TYPES. #&¤=*-,,,,
,,,-*=¤# ##&¤=*-,,,
,,-*=¤## ###&¤=*-,,
,,,-*=¤# ******** ARTIFACTS ******** ##&¤=*-,,,
,,,,-*=¤ #&¤=*-,,,,
,,,,,-*=¤& GOOD TAPES ARE DECENT AND HAVE A GOOD &¤=*-,,,,,
,,,,,,-*=¤ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤=*-,,,,,,
,,,,,-*=¤& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &¤=*-,,,,,
,,,,-*=¤ LIKE IT. #&¤=*-,,,,
,,,-*=¤# ##&¤=*-,,,
,,-*=¤## BIAS LOSS: IF YOU FORGET THE BIAS WHO ###&¤=*-,,
,,,-*=¤# KNOWS WHATS EVEN ON THERE ANYMORE ##&¤=*-,,,
,,,,-*=¤ #&¤=*-,,,,
,,,,,-*=¤& FLUTTER: KINDA QUICK PITCH VARIATIONS. &¤=*-,,,,,
,,,,,,-*=¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤=*-,,,,,,
,,,,,-*=¤& &¤=*-,,,,,
,,,,-*=¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL #&¤=*-,,,,
,,,-*=¤# SECONDS LONG. WHAT UP. BOTH OF THESE ##&¤=*-,,,
,,-*=¤## INCREASE WHEN TAPE SPEED DECREASES. ###&¤=*-,,
,,,-*=¤# ##&¤=*-,,,
,,,,-*=¤ PRINT THROUGH: TAPES RUB SOUND ON EACH #&¤=*-,,,,
,,,,,-*=¤& OTHER IF THEYRE ALONE FOR TOO LONG &¤=*-,,,,,
,,,,,,-*=¤ ¤=*-,,,,,,
,,,,,-*=¤& &¤=*-,,,,,
,,,,-*=¤ #&¤=*-,,,,
,,,-*=¤# ##&¤=*-,,,
,,-*=¤## ###&¤=*-,,
,,,-*=¤# ##&¤=*-,,,