,,,«†*$&@@                                          @@&$*†«,,,
,,«†*$&@@#                                          #@@&$*†«,,
,,,«†*$&@@                                          @@&$*†«,,,
,,,,«†*$&@                                          @&$*†«,,,,
,,,,,«†*$&                                          &$*†«,,,,,
,,,,,,«†*$ delay  delay  d,la@  & *a,  , ,@   «   , $*†«,,,,,,
,,,,,«†*$&                                          &$*†«,,,,,
,,,,«†*$&@                                          @&$*†«,,,,
,,,«†*$&@@                                          @@&$*†«,,,
,,«†*$&@@#                                          #@@&$*†«,,
,,,«†*$&@@ "delay" means repetiton or likewise,     @@&$*†«,,,
,,,,«†*$&@ but it's mainly useless without          @&$*†«,,,,
,,,,,«†*$& feedback,                                &$*†«,,,,,
,,,,,,«†*$ to allow the delay to eat of it's own    $*†«,,,,,,
,,,,,«†*$& tail, like one of those eaty serpents.   &$*†«,,,,,
,,,,«†*$&@ thus: it's the serpent effect!           @&$*†«,,,,
,,,«†*$&@@                                          @@&$*†«,,,
,,«†*$&@@# it's to be revered as a creator of       #@@&$*†«,,
,,,«†*$&@@ ambience and of space, if you treat it   @@&$*†«,,,
,,,,«†*$&@ right. a somewhat more solid and         @&$*†«,,,,
,,,,,«†*$& slippery sibling of reverb.              &$*†«,,,,,
,,,,,,«†*$                                          $*†«,,,,,,
,,,,,«†*$&                                          &$*†«,,,,,
,,,,«†*$&@                                          @&$*†«,,,,
,,,«†*$&@@                                          @@&$*†«,,,
,,«†*$&@@#                                          #@@&$*†«,,