,~/†$@@### ###@@$†/~,
.,~/†$@@## ##@@$†/~,.
.....,/$@@ @@$/,.....
.,~/†$@@## ##@@$†/~,.
.,~~~~~†@@ @@†~~~~~,.
.....,/$$@ delay delay d.la# @ †a. , .@ ~ , @$$/,.....
....,/†@@# #@@†/,....
.,~/†$@@## ##@@$†/~,.
.,~/†$@@## ##@@$†/~,.
.,~/†$@@## ##@@$†/~,.
...,~~/$$@ "delay" means repetiton or likewise, @$$/~~,...
.,~/†$@@## but it's mainly useless without ##@@$†/~,.
.,~/$@@### feedback, ###@@$/~,.
.,~/†$@@## to allow the delay to eat of it's own ##@@$†/~,.
.,~/†$@@## tail, like one of those eaty serpents. ##@@$†/~,.
....~~/†$@ thus: it's the serpent effect! @$†/~~....
.,~/†††$$@ @$$†††/~,.
.....,~/†@ it's to be revered as a creator of @†/~,.....
....,/†††@ ambience and of space, if you treat it @†††/,....
.,~/†$@@## right. a somewhat more solid and ##@@$†/~,.
.,~/†$@@## slippery sibling of reverb. ##@@$†/~,.
...,~//$@@ @@$//~,...
..,~~~††@# #@††~~~,..
.....~~/$@ @$/~~.....
.,~/†$@@## ##@@$†/~,.
.,~///$@@# #@@$///~,.