¨,~/%*§###                                          ###§*%/~,¨
¨,~/%*§###                                          ###§*%/~,¨
¨,~/%*§###                                          ###§*%/~,¨
¨¨¨¨,/%**#                                          #**%/,¨¨¨¨
¨~/%*§####                                          ####§*%/~¨
¨¨¨~~~%*§# delay  delay  d¨la#  § %a¨  , ¨#   ~   , #§*%~~~¨¨¨
¨,~/%*§###                                          ###§*%/~,¨
¨,~/%*§###                                          ###§*%/~,¨
¨¨¨¨¨¨,/*#                                          #*/,¨¨¨¨¨¨
¨,~/%*§###                                          ###§*%/~,¨
¨,~/%*§### "delay" means repetiton or likewise,     ###§*%/~,¨
¨¨¨¨¨¨~%%§ but it's mainly useless without          §%%~¨¨¨¨¨¨
,~/%*§#### feedback,                                ####§*%/~,
¨,~/%*§### to allow the delay to eat of it's own    ###§*%/~,¨
¨,~/%**§§§ tail, like one of those eaty serpents.   §§§**%/~,¨
¨,~/%*§§## thus: it's the serpent effect!           ##§§*%/~,¨
¨,~/%*§###                                          ###§*%/~,¨
¨¨¨¨¨¨~/*§ it's to be revered as a creator of       §*/~¨¨¨¨¨¨
,~/%*§#### ambience and of space, if you treat it   ####§*%/~,
¨,~~//%**§ right. a somewhat more solid and         §**%//~~,¨
¨,~/%*§### slippery sibling of reverb.              ###§*%/~,¨
¨,~/%*§###                                          ###§*%/~,¨
¨,~/%*§###                                          ###§*%/~,¨
¨,~~/%**##                                          ##**%/~~,¨
¨¨¨¨¨~~%*§                                          §*%~~¨¨¨¨¨
¨,~/%*§###                                          ###§*%/~,¨