,^»=§£#@## ##@#£§=»^,
.,«=**§@@# #@@§**=«,.
,.~†%$¤@@# #@@¤$%†~.,
.,=**§£### ###£§**=,.
¨,-:$£££@@ @@£££$:-,¨
.,~*†$#@@# statuette #@@#$†*~,.
,,~*§$=$&@ @&$=$§*~,,
.,«»;/†§§# $£$£§@£$&£@%&@§§«»«~~-»-£%@£¤**&$££§£§$£ #§§†/;»«,.
.^»«/\=#@¤ £¤$£&$%*¤ ¤@#=\/«»^.
¨,»†^£@@## ##@@£^†»,¨
¨,~;%$&¶## forests around my childhood home. thick ##¶&$%;~,¨
,-~;%¤§@@# pine arcades that were planted and #@@§¤%;~-,
¨:=*^$§@@# forgotten. wild boars roaming #@@§$^*=:¨
.--*%¤@### underneath, sniffing at the ground. it ###@¤%*--.
.-~=~~%@£@ is dark and moist, the canopy having @£@%~~=~-.
.,=:^%@@## already soaked up all the sun. ##@@%^:=,.
,¨.,:*§§§& &§§§*:,.¨,
,,«\^£¶### there's a river passing by, from east ###¶£^\«,,
,.,¨.~*^#§ to west, getting broader and deeper and §#^*~.¨,.,
,:-;=£¤¶## slower as it goes. equisetum grow just ##¶¤£=;-:,
¨~~^%@###@ where the pine hands start to let @###@%^~~¨
¨,¨¨¨,~»*# through light, horsemint on the rocky #*»~,¨¨¨,¨
¨:«*$%¤¶## river bed. ##¶¤%$*«:¨
.,,¨¨:-»*§ §*»-:¨¨,,.
,,-\†££@## † ##@££†\-,,
¨~=\=%@¶## ##¶@%=\=~¨
,~-=*%@# the riverbanks reek of magic. tonight #@#&%*=-~,
.,..~-\† they had been a swampworld with sylvan #&†\-~..,.
¨.«=*$£#@# water, stone rings and floating moss. #@#£$*=«.¨
,.»/%*@#@# you could've found me wallowing around #@#@*%/».,
,.=:$&££## on the southern shores until i got ##££&$:=.,
,..¨,«*;^# bitten. #^;*«,¨..,
,,,¨.,~*%# #%*~,.¨,,,
...,\§$%%# but now i'm further back, on solid #%%$§\,...
,,.,,,-$£¶ ground, in shoulder-high grass, with an ¶£$-,,,.,,
.,,~»$*$*§ orange tin radio and a translucent §*$*$»~,,.
¨,,.,/†*%£ umbrella which i'm sitting on. £%*†/,.,,¨
.,¨.¨,¨»=@ @=»¨,¨.¨,.
¨:»=%§&@## † ##@&§%=»:¨
¨:»/*§%¤## ##¤%§*/»:¨
¨:=:*£@### somethings moving in the grass. it's ###@£*:=:¨
¨,«;†^%^¤£ invisible to my eyes but i can feel £¤^%^†;«,¨
.~=**#@# through the ground just how large it is. #@##&**=~.
.:=\^$@@## ##@@$^\=:.
¨,,,,:*¤&¶ the soil is muddy. i slip when trying ¶&¤*:,,,,¨
..»;*¤£@## to get up, still looking at the ##@£¤*;»..
¨--*§*&@## direction of sound rather than at my ##@&*§*--¨
.,«/*%§§## hands, who are busy putting things in ##§§%*/«,.
,-*=*@#### my pockets. ####@*=*-,
.,:-:=%§§# #§§%=:-:,.
.--**$£#@# then i run east toward my home. #@#£$**--.
,,¨¨¨»%*#@ @#*%»¨¨¨,,
¨,-*==%@&£ † £&@%==*-,¨
¨:»\**@# #@#&**\»:¨
,.~\§#@# i am not followed, and slow down in the #@##&§\~.,
¨~-†%$£¶## clearing where you at first can spot ##¶£$%†-~¨
,^~††¤§@@@ the house, not yet really in the @@@§¤††~^,
.-=**$§### backyard. from my pockets i retrieve my ###§$**=-.
,-«:*$§¤@# radio (now dented) but also a small #@¤§$*:«-,
.^»=§¤@### clay figure i've never seen before. it ###@¤§=»^.
.,.¨-~%#¤# must have been laying in the wet dirt, #¤#%~-¨.,.
.~~^†%¤£## and i must've picked it up with my ##£¤%†^~~.
..-^~=$£ other belongings. £#&$=~^-..
....-/=*&¤ ¤&*=/-....
,^-†^%#£## it's a statuette of a girl laying naked ##£#%^†-^,
¨-«†%¤§### on her stomach, feet in the air, ###§¤%†«-¨
.:~;:=¤§@£ roughly seven centimeters long. it's £@§¤=:;~:.
.:-:$£¤£@# freshly made, not yet completely dried. #@£¤£$:-:.
.,»*^£@@## ##@@£^*»,.
..~/^@£¶@# my mom is here now. i ask her for some #@¶£@^/~..
.,-=%£§@@# particle board for it to dry on, but #@@§£%=-,.
,.-=\%§¤£@ she is worried and wants me to @£¤§%\=-.,
.,»†=%&§¤£ throw it away. £¤§&%=†»,.
¨.»†*%£@## ##@£%*†».¨
,¨¨¨¨,:&¶# #¶&:,¨¨¨¨,
¨¨,¨^†:%#¤ ¤#%:†^¨,¨¨
,,,^::~$$@ @$$~::^,,,
.¨¨,.-^; #&;^-.,¨¨.
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