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.^-:*$*¤@# #@¤*$*:-^.
,.~/$*¤### ###¤*$/~.,
,^»/=£##@# #@##£=/»^,
¨~=*%%#¶## statuette ##¶#%%*=~¨
¨,..¨¨^=†& &†=^¨¨..,¨
¨.,,~-~=§& %&¤%$¤$£$§$§%%&$~~-=«~~~%££&§$%£££&§$%£% &§=~-~,,.¨
,.»;$£#£## ¤$@@¤¤££& ##£#£$;».,
,:«^$&§£## ##£§&$^«:,
,,=\%¤§¶## forests around my childhood home. thick ##¶§¤%\=,,
.:~;†£#£@@ pine arcades that were planted and @@£#£†;~:.
,^-:†@@¶## forgotten. wild boars roaming ##¶@@†:-^,
.,.~:.«=%¤ underneath, sniffing at the ground. it ¤%=«.:~.,.
,,-/=$#### is dark and moist, the canopy having ####$=/-,,
¨,,^~†*£#¤ already soaked up all the sun. ¤#£*†~^,,¨
¨^~/%§£@## ##@£§%/~^¨
¨¨,,-†%%§# there's a river passing by, from east #§%%†-,,¨¨
¨^«;=@¶### to west, getting broader and deeper and ###¶@=;«^¨
,:~/*%¤@## slower as it goes. equisetum grow just ##@¤%*/~:,
¨.~;§£§#¶# where the pine hands start to let #¶#§£§;~.¨
¨,~^†%££## through light, horsemint on the rocky ##££%†^~,¨
.~~\$*££#@ river bed. @#££*$\~~.
,.»^\^*$¤@ @¤$*^\^».,
,¨.,,=^@@£ ; £@@^=,,.¨,
,,~\%&£¶@# #@¶£&%\~,,
¨¨¨:~=$^£§ the riverbanks reek of magic. tonight §£^$=~:¨¨¨
¨.~*%*&@@£ they had been a swampworld with sylvan £@@&*%*~.¨
¨,..^/^£¶@ water, stone rings and floating moss. @¶£^/^..,¨
.^~^==/=£& you could've found me wallowing around &£=/==^~^.
¨.,,¨~%&£# on the southern shores until i got #£&%~¨,,.¨
¨¨.¨,,^*$£ bitten. £$*^,,¨.¨¨
..¨,,~~§@@ @@§~~,,¨..
.,,¨¨.-§§# but now i'm further back, on solid #§§-.¨¨,,.
¨,~\§&@@@# ground, in shoulder-high grass, with an #@@@&§\~,¨
~~;=$#¶@## orange tin radio and a translucent ##@¶#$=;~~
.^~\†££### umbrella which i'm sitting on. ###££†\~^.
.^-:%^*§@@ @@§*^%:-^.
¨:«*%$#### : ####$%*«:¨
,,¨,~=%@ #&@%=~,¨,,
,:~==§## somethings moving in the grass. it's ###&§==~:,
.:-;=£@### invisible to my eyes but i can feel ###@£=;-:.
.,«/=%¤@## through the ground just how large it is. ##@¤%=/«,.
.~«:$&§&£@ @£&§&$:«~.
,.¨»»»*# the soil is muddy. i slip when trying ##&*»»»¨.,
..-^%%§#@# to get up, still looking at the #@#§%%^-..
¨.~:%£§@@# direction of sound rather than at my #@@§£%:~.¨
,¨,.¨~§§$# hands, who are busy putting things in #$§§~¨.,¨,
.¨...-=@#@ my pockets. @#@=-...¨.
..-^†%&@## ##@&%†^-..
.^=†§¤£### then i run east toward my home. ###£¤§†=^.
.¨¨«;$¤§£@ @£§¤$;«¨¨.
,-=«††$&£¶ * ¶£&$††«=-,
¨:===¤££## ##££¤===:¨
¨,~*%$#@@# i am not followed, and slow down in the #@@#$%*~,¨
.,~\$¤§£#@ clearing where you at first can spot @#£§¤$\~,.
¨.~;%£&@## the house, not yet really in the ##@&£%;~.¨
,.,:«%†£¶@ backyard. from my pockets i retrieve my @¶£†%«:,.,
.,»^:†*$¶# radio (now dented) but also a small #¶$*†:^»,.
,^»:$*§@## clay figure i've never seen before. it ##@§*$:»^,
.^«^*%$£ must have been laying in the wet dirt, #&£$%*^«^.
,..~~^*¤§# and i must've picked it up with my #§¤*^~~..,
¨~»\$@£@@@ other belongings. @@@£@$\»~¨
.,=;§£#@## ##@#£§;=,.
¨....¨~~%¤ it's a statuette of a girl laying naked ¤%~~¨....¨
,.¨,«†:$%£ on her stomach, feet in the air, £%$:†«,¨.,
¨:~^†%%&@@ roughly seven centimeters long. it's @@&%%†^~:¨
,,~*%&%@ freshly made, not yet completely dried. #&@%&%*~,,
¨¨..~~*£$£ £$£*~~..¨¨
.:=;%$#¶## my mom is here now. i ask her for some ##¶#$%;=:.
,:~††*£¶ particle board for it to dry on, but ¶#&£*††~:,
..¨.¨:~/&¶ she is worried and wants me to ¶&/~:¨.¨..
.,»\£@£### throw it away. ###£@£\»,.
.^=\†$@#@# #@#@$†\=^.
,,,,,.^/$# #$/^.,,,,,
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.--;%@£### ###£@%;--.
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