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£#=/,-:.,, ,,.:-,/=#£
#@#§@%†=,¨ ¨,=†%@§#@#
#%*†/,,,¨¨ ¨¨,,,/†*%#
###£¤*/«-¨ statuette ¨-«/*¤£###
£==,¨..¨.¨ ¨.¨..¨,==£
@*=«,,..,¨ &%$£%**$$$*$%@$%«=-=~==~%%%*&@&%&£*§¤@&$ ¨,..,,«=*@
#@¤††~,¨,, &%&¤%%£$$ ,,¨,~††¤@#
&†~.¨,,,,¨ ¨,,,,¨.~†&
&@%:,¨,.,, forests around my childhood home. thick ,,.,¨,:%@&
###¤%%^~:, pine arcades that were planted and ,:~^%%¤###
###@¤%=~-¨ forgotten. wild boars roaming ¨-~=%¤@###
##¶#**†-^¨ underneath, sniffing at the ground. it ¨^-†**#¶##
#¤&§=:~¨,, is dark and moist, the canopy having ,,¨~:=§&¤#
####§*:»^¨ already soaked up all the sun. ¨^»:*§####
¤&$†%=«:,, ,,:«=%†$&¤
#¤^~¨...,. there's a river passing by, from east .,...¨~^¤#
###¶£%^«-¨ to west, getting broader and deeper and ¨-«^%£¶###
#&$@%§\=-. slower as it goes. equisetum grow just .-=\§%@$
¤£$*«,^¨¨¨ where the pine hands start to let ¨¨¨^,«*$£¤
@¤;»¨¨,¨,. through light, horsemint on the rocky .,¨,¨¨»;¤@
§£$=~¨,¨,. river bed. .,¨,¨~=$£§
#@@¤&†:=.¨ ¨.=:†&¤@@#
¶#¤%¤^;~~. = .~~;^¤%¤#¶
@#@#§$:-,, ,,-:$§#@#@
@@^~«,.¨¨, the riverbanks reek of magic. tonight ,¨¨.,«~^@@
##£=-¨,,¨. they had been a swampworld with sylvan .¨,,¨-=£##
##@£@††~^, water, stone rings and floating moss. ,^~††@£@##
@§§$*%;~.¨ you could've found me wallowing around ¨.~;%*$§§@
##@&$**»-, on the southern shores until i got ,-»**$&@##
@#£@%$/~:, bitten. ,:~/$%@£#@
#&&%=~¨... ...¨~=%&
##@¤**:~-. but now i'm further back, on solid .-~:**¤@##
#@##£=†=^, ground, in shoulder-high grass, with an ,^=†=£##@#
##¶£§^:~:, orange tin radio and a translucent ,:~:^§£¶##
£§$=,¨,,,, umbrella which i'm sitting on. ,,,,¨,=$§£
##@§$%^~,. .,~^%$§@##
###§&=/»~, : ,~»/=&§###
#@@¤%%^~.¨ ¨.~^%%¤@@#
&%$%:-.¨.¨ somethings moving in the grass. it's ¨.¨.-:%$%&
#£%^=†^=^¨ invisible to my eyes but i can feel ¨^=^†=^%£#
#@#@%%=«,. through the ground just how large it is. .,«=%%@#@#
#@£#$^^~., ,.~^^$#£@#
#£@¤$=\=,, the soil is muddy. i slip when trying ,,=\=$¤@£#
#@@*§~-,.¨ to get up, still looking at the ¨.,-~§*@@#
#@§^-~,,., direction of sound rather than at my ,.,,~-^§@#
#@#£%=/~^¨ hands, who are busy putting things in ¨^~/=%£#@#
###@*^;~~. my pockets. .~~;^*@###
##@£$==~,, ,,~==$£@##
&=*«:,¨¨.¨ then i run east toward my home. ¨.¨¨,:«*=&
¶&%;^¨,..¨ ¨..,¨^;%&¶
&*:,:,-¨.¨ ; ¨.¨-,:,:*&
##@£%==»:¨ ¨:»==%£@##
#*†:..,.., i am not followed, and slow down in the ,..,..:†*#
###@&=/=,, clearing where you at first can spot ,,=/=&@###
####%$;»~¨ the house, not yet really in the ¨~»;$%####
#@£#£%=»-, backyard. from my pockets i retrieve my ,-»=%£#£@#
##@@§§/~^. radio (now dented) but also a small .^~/§§@@##
#&%=~«¨.¨, clay figure i've never seen before. it ,¨.¨«~=%
&£†~.,,.¨¨ must have been laying in the wet dirt, ¨¨.,,.~†£&
§&†*=»=:,¨ and i must've picked it up with my ¨,:=»=*†&§
##@@$†*-,. other belongings. .,-*†$@@##
####*%=~~¨ ¨~~=%*####
#@*&%^*=~. it's a statuette of a girl laying naked .~=*^%&*@#
####§@^:^¨ on her stomach, feet in the air, ¨^:^@§####
##¶@%*†~,. roughly seven centimeters long. it's .,~†*%@¶##
#§/\*;»¨,, freshly made, not yet completely dried. ,,¨»;*\/§#
§%:,,,,,,¨ ¨,,,,,,:%§
###@%^†~-. my mom is here now. i ask her for some .-~†^%@###
#&@*^»,... particle board for it to dry on, but ...,»^*@
#@@£%%†«,, she is worried and wants me to ,,«†%%£@@#
#&^^;†^,,. throw it away. .,,^†;^^
#@##&=;~-¨ ¨-~;=#@#
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