.§§¨.¨£,,£ .¨.@.¨¤@¤.
,,.,§,¨,¨. ££..,.¨#¨.
§§#,.,@@@§ &,¨£@@,¨,¤
#&,,#.¨&¤. ,¨,¨§¨.&¨,
,,,,,¨,.¨. .@£,.,¨,..
¤@£¤§£@§@¤ statuette ,...¤#&§§&
§@&££££@ ¨@£.¨@#¤¤@
&¤&&£§&§§£ £&¤%£¤£§%*%@%%&%~-~~»»»=&*@£%£@£&¤¤*&$£@ ..,.,.#&@¤
£&¤#¤§¤, £§@%¤¤&§¤ ¨#§#£¨.#§@
#@¤&£¤,, ¨¨&&..¨,@#
§§§¤@£¤,¨¨ forests around my childhood home. thick @¨¨..§#.¨&
£@£#&§.¨§@ pine arcades that were planted and ,¨§£,,¨,¨,
,¤¤&&¨,,.& forgotten. wild boars roaming ¨.¨¨.£§§§¨
,.¤£,,@§.¨ underneath, sniffing at the ground. it @§&&,,&§¨,
§¨,....¨.# is dark and moist, the canopy having ¤§#¨.¨.,¨£
.,¤§@&,¨ already soaked up all the sun. ¤£.¨#¤@¤,.
&¨.@@§£¨,# &,¨..@#..§
,.,¨£#.¨.. there's a river passing by, from east ¨.##,¨.¨,.
@&¤,.¨,£@¤ to west, getting broader and deeper and §,...&§§#¤
¤§.,§#,.¤£ slower as it goes. equisetum grow just ,¨&¤..¤§&§
§,..¨¨¨,.. where the pine hands start to let £¨¨¨,,¨£¤&
¨¨£§&£#¤£# through light, horsemint on the rocky .,§@£@..&@
¨,¨#£#@# river bed. &,.£&.¨¨¨,
&§,¨§§§£¤¤ ,¨,¨,.&§@£
£¨¨¨¨@¤§@& = @§§§§¨.¤&&
¨.@§¨.@@£& ¨§,,,¨@§
,.,¨¨.,@¤. the riverbanks reek of magic. tonight .¨&¨¨£¤¨..
¤¤&§&£,,,¨ they had been a swampworld with sylvan ¤,.,¨,,,#£
&&£#£,¨¤¤£ water, stone rings and floating moss. ,¨£¤§..&
££.¨¨,£§ you could've found me wallowing around ¨,.@@#.¨,.
¨@@¨.¤£.,& on the southern shores until i got @¤.,&.¨@¤,
.,,,..¨.¨, bitten. ¨..,¨,.¨¨¨
§§§@&¤£§¤& #£&££&&@
@£@@£&&&&& but now i'm further back, on solid ££§@¤@@§##
¤#§§£&£¤ ground, in shoulder-high grass, with an ###&¤#@#
&§¤#¤#§# orange tin radio and a translucent &§&§£¤¤£
&§§#¤£@££& umbrella which i'm sitting on. £#&£¤§§§§¤
¤¤£##@£&¤¤ #@##@¤££@&
¤£¤§@#¤@£& ^ ¤&@§£&¤&&@
¤£@@#£&&¤@ #¤£¤@§¤¤£#
§£#&&£#£&@ somethings moving in the grass. it's £#£££#&¤£§
£§§&¤¤¤¤@@ invisible to my eyes but i can feel #£#¤#£#£¤#
#@££#@¤£§¤ through the ground just how large it is. @£§@##¤&
§¤@£¤@¤§¤§ &£#¤£§&£#&
¤#§£&¤§¤&¤ the soil is muddy. i slip when trying £§§@£§&¤
#£#§&¤#@§# to get up, still looking at the §£§£¤@§#@§
#££#§&£@&& direction of sound rather than at my £§&£¤#&@§¤
#@§§#¤&&£# hands, who are busy putting things in §§£&§@##
§§&@¤§&@@£ my pockets. #££££@§&§&
&§§§¤§@&&& £#§#¤@§£#¤
@§¤¤@£@##§ then i run east toward my home. #@¤§@##&&&
£&&£&§@# #§@##¤@&
@@@#§¤£§#£ \ @&@#§@¤£
@£§£@¤&§#& &§££##&£@¤
£§§&§£¤&£§ i am not followed, and slow down in the £&£#&&§§&¤
@¤¤¤@&£#&& clearing where you at first can spot ¤£&@#@§§@¤
&§¤£@@@#¤& the house, not yet really in the £#§&@@#@¤@
@¤@§##§&£@ backyard. from my pockets i retrieve my ¤§£#&¤£@§@
@@#@@§#¤£& radio (now dented) but also a small @#@§§#£@§§
£&§§£#£&@& clay figure i've never seen before. it #§£¤¤#¤#§¤
¤&@#&¤£¤&¤ must have been laying in the wet dirt, @&@¤§@§§§£
£#@¤#@@@#& and i must've picked it up with my ¤§@££¤£§£@
¤¤@@££&¤¤& other belongings. @@£#£££@@&
&§&£@&£& @£@#§§§#¤§
§@@¤&@£¤#§ it's a statuette of a girl laying naked @¤§#¤£#£¤#
§&&§¤&&¤@¤ on her stomach, feet in the air, £§@§£§¤£&@
@&&£&§¤¤¤¤ roughly seven centimeters long. it's #§&££##¤&¤
@§@@§@&¤¤§ freshly made, not yet completely dried. §##§§§§@@@
@@&&¤&@£ @£#@#@@§££
@¤#&@¤£§£& my mom is here now. i ask her for some @§¤&£@§§
&¤¤@£#¤#§§ particle board for it to dry on, but §@¤&§#£¤
@#£#§£##¤£ she is worried and wants me to &@&£§#@@&¤
§#@&&&&§¤§ throw it away. ¤@¤#&§#@¤&
£¤£&¤§&§@# ££&§@&&@@&
£¤§£§#§@ #¤§££#§¤£¤
§£&£@&@&@# §#¤&¤@¤&&¤
&§£##@@# @#@£##¤#
£#§§&¤&§ &¤§£§§#£§£
§¤£#¤#§¤£@ #§£@@¤@§@#