¨,«:%%$@## ##@$%%:«,¨
¨:~=$§¤¤£# #£¤¤§$=~:¨
,-~:%%## ###&%%:~-,
.,~;†&£#@# #@#£&†;~,.
,,«\$£¤¶## ##¶¤£$\«,,
,:~=»%$£@@ statuette @@£$%»=~:,
.,¨¨,=%§@£ £@§%=,¨¨,.
,,«/%$&@@# %%*£§£§$%$%%$$$@«»=~-~~-$&%§§£@%$&¤%%$%@ #@@&$%/«,,
.:=;*££# £$*££&$@§ #£#&£*;=:.
¨,-*%%&£@# #@£&%%*-,¨
,--^*@#£@# forests around my childhood home. thick #@£#@*^--,
.¨,,-†%$£@ pine arcades that were planted and @£$%†-,,¨.
¨:-*%%$### forgotten. wild boars roaming ###$%%*-:¨
¨-**£&@### underneath, sniffing at the ground. it ###@&£**-¨
¨^~/*¤@¶## is dark and moist, the canopy having ##¶@¤*/~^¨
,^«/*@£@## already soaked up all the sun. ##@£@*/«^,
..»\†%## ###&%†\»..
.-«/%&§### there's a river passing by, from east ###§&%/«-.
¨.=*%%§@#@ to west, getting broader and deeper and @#@§%%*=.¨
,,«;†^†^&£ slower as it goes. equisetum grow just £&^†^†;«,,
¨:»:§&@### where the pine hands start to let ###@&§:»:¨
,,¨~-;*$@@ through light, horsemint on the rocky @@$*;-~¨,,
,:~:§%%$$& river bed. &$$%%§:~:,
,,-\*§&£## ##£&§*\-,,
,,«^†§¤@## = ##@¤§†^«,,
¨-=**$§### ###§$**=-¨
,,,,-\$§## the riverbanks reek of magic. tonight ##§$\-,,,,
,,=*%%£¶@# they had been a swampworld with sylvan #@¶£%%*=,,
,^«\*£¤¤ water, stone rings and floating moss. #&¤¤£*\«^,
¨.¨¨.,,~†¤ you could've found me wallowing around ¤†~,,.¨¨.¨
,,~\†£## on the southern shores until i got ###&£†\~,,
,^,«=%$&&£ bitten. £&&$%=«,^,
,^~\$*¤¶@# #@¶¤*$\~^,
¨,~\%%£### but now i'm further back, on solid ###£%%\~,¨
.,,,¨¨^~^£ ground, in shoulder-high grass, with an £^~^¨¨,,,.
,-~;%%§#@# orange tin radio and a translucent #@#§%%;~-,
,¨,¨,:%%@@ umbrella which i'm sitting on. @@%%:,¨,¨,
.¨.,.†^§£# #£§^†.,.¨.
,.»\%$§£## † ##£§$%\».,
¨.~^=@## ##@#&=^~.¨
¨~-/^$§### somethings moving in the grass. it's ###§$^/-~¨
,.^-~;§*¤# invisible to my eyes but i can feel #¤*§;~-^.,
.,-\=*¤@## through the ground just how large it is. ##@¤*=\-,.
.^»^*¤@### ###@¤*^»^.
,:=^=*§### the soil is muddy. i slip when trying ###§*=^=:,
.:~;%£@£¶# to get up, still looking at the #¶£@£%;~:.
,./$&¤@### direction of sound rather than at my ###@¤&$/.,
¨.«†*¤@### hands, who are busy putting things in ###@¤*†«.¨
..-*^&££@# my pockets. #@££&^*-..
,-«/=%#### ####%=/«-,
¨,¨¨¨-;§$# then i run east toward my home. #$§;-¨¨¨,¨
,.~=§§¤@@# #@@¤§§=~.,
¨..~~«*$§§ / §§$*«~~..¨
,,«^%*£#§@ @§#£*%^«,,
.¨.=*=†%£# i am not followed, and slow down in the #£%†=*=.¨.
,..,.-†=§£ clearing where you at first can spot £§=†-.,..,
,,.,,~*§@# the house, not yet really in the #@§*~,,.,,
¨^==§£¤£## backyard. from my pockets i retrieve my ##£¤£§==^¨
¨~«;%@£&@# radio (now dented) but also a small #@&£@%;«~¨
.:=:^$£### clay figure i've never seen before. it ###£$^:=:.
.:»*†@#### must have been laying in the wet dirt, ####@†*»:.
,,~^%%#¶@# and i must've picked it up with my #@¶#%%^~,,
,¨,:»~%$§¤ other belongings. ¤§$%~»:,¨,
..=†=@#### ####@=†=..
..,-«:§&@@ it's a statuette of a girl laying naked @@&§:«-,..
.¨.,,¨~:§# on her stomach, feet in the air, #§:~¨,,.¨.
¨^«*%@##@# roughly seven centimeters long. it's #@##@%*«^¨
.:~\^%#£@# freshly made, not yet completely dried. #@£#%^\~:.
¨¨.~«**%&& &&%**«~.¨¨
,~=:*&@### my mom is here now. i ask her for some ###@&*:=~,
¨,.~~«~^ particle board for it to dry on, but #&^~«~~.,¨
,~~;@#¶### she is worried and wants me to ###¶#@;~~,
.,«^%¤£### throw it away. ###£¤%^«,.
,.,.~†^%&£ £&%^†~.,.,
¨~~/%*§@## ##@§*%/~~¨
..=*^£§#@# #@#§£^*=..
..¨¨¨~\£££ £££\~¨¨¨..
.~~^$¤&§£@ @£§&¤$^~~.
¨-=*=%†&%¶ ¶%&†%=*=-¨