¨^»;†*£### ###£*†;»^¨
¨,^-†*£&@# #@&£*†-^,¨
.^«^^@£### ###£@^^«^.
,.,-:%$# ##&$%:-,.,
¨--*%*£@## ##@£*%*--¨
,,,=\%$¤¶# statuette #¶¤$%\=,,,
¨^=;^£#### ####£^;=^¨
¨¨,~:*£££# £%*¤¤$¤$%£££%§@*=«~»«--~&*%$$@£$%%£@£$%¤ #£££*:~,¨¨
.~«\^@££## %§§§%&%$£ ##££@^\«~.
.,-»^^&¤£# #£¤&^^»-,.
,:-*§$@@## forests around my childhood home. thick ##@@$§*-:,
¨.^=\§$@@# pine arcades that were planted and #@@$§\=^.¨
¨-»††%§£## forgotten. wild boars roaming ##£§%††»-¨
¨,,~:%@@## underneath, sniffing at the ground. it ##@@%:~,,¨
.^~*%$&@## is dark and moist, the canopy having ##@&$%*~^.
,¨,-;§@££# already soaked up all the sun. #££@§;-,¨,
,.»/*$§¶## ##¶§$*/».,
.¨.»\*£# there's a river passing by, from east ##&£*\».¨.
.~«/$@££## to west, getting broader and deeper and ##££@$/«~.
...«^**### slower as it goes. equisetum grow just ###**^«...
¨~~==§@### where the pine hands start to let ###@§==~~¨
.¨,~**%### through light, horsemint on the rocky ###%**~,¨.
,.~^%$§### river bed. ###§$%^~.,
.¨.=/†£#£# #£#£†/=.¨.
¨--/^§#¶## ^ ##¶#§^/--¨
¨,:~†§*£@# #@£*§†~:,¨
¨,»/%%¤@## the riverbanks reek of magic. tonight ##@¤%%/»,¨
..,«^*@§@# they had been a swampworld with sylvan #@§@*^«,..
.,~;%&@### water, stone rings and floating moss. ###@&%;~,.
.¨.~^=&£¶# you could've found me wallowing around #¶£&=^~.¨.
,,~;*@#### on the southern shores until i got ####@*;~,,
¨,-~†§%# bitten. ##&%§†~-,¨
¨~»;%££### ###££%;»~¨
,¨,«*$¤£## but now i'm further back, on solid ##£¤$*«,¨,
.,~=*£@### ground, in shoulder-high grass, with an ###@£*=~,.
¨.:~;^*§¶# orange tin radio and a translucent #¶§*^;~:.¨
¨:-*†%££## umbrella which i'm sitting on. ##££%†*-:¨
.,,~=%&¤## ##¤&%=~,,.
¨:=†§$## † ###&$§†=:¨
¨,,«=§$#@# #@#$§=«,,¨
,~~/%*#### somethings moving in the grass. it's ####*%/~~,
¨.,»;%£§¶# invisible to my eyes but i can feel #¶§£%;»,.¨
,~~;=@## through the ground just how large it is. ##@#&=;~~,
.¨.«*†$@@# #@@$†*«.¨.
,-«/†@£@## the soil is muddy. i slip when trying ##@£@†/«-,
¨¨^~^%&@## to get up, still looking at the ##@&%^~^¨¨
¨-~;%£#£## direction of sound rather than at my ##£#£%;~-¨
,,,=;^@@## hands, who are busy putting things in ##@@^;=,,,
.:~^**§### my pockets. ###§**^~:.
¨¨,-††£¤@# #@¤£††-,¨¨
.,=*=&¤@## then i run east toward my home. ##@¤&=*=,.
,.,~=%¤@## ##@¤%=~,.,
..~:†%#£## † ##£#%†:~..
,¨.=†$$£@# #@£$$†=.¨,
..-=§&¤### i am not followed, and slow down in the ###¤&§=-..
..:-††£#£# clearing where you at first can spot #£#£††-:..
..-^%%&£## the house, not yet really in the ##£&%%^-..
,¨,~/%%@¶# backyard. from my pockets i retrieve my #¶@%%/~,¨,
,,«;†%#### radio (now dented) but also a small ####%†;«,,
.,.«/$£### clay figure i've never seen before. it ###£$/«.,.
..«;*$¤### must have been laying in the wet dirt, ###¤$*;«..
¨.~~:%%#@# and i must've picked it up with my #@#%%:~~.¨
,:=;$¤## other belongings. ###&¤$;=:,
,¨,=\$%&¶# #¶&%$\=,¨,
.:~=$&§### it's a statuette of a girl laying naked ###§&$=~:.
.¨,~=§%¤## on her stomach, feet in the air, ##¤%§=~,¨.
.^~/†$§£## roughly seven centimeters long. it's ##£§$†/~^.
,.~«^†$#@# freshly made, not yet completely dried. #@#$†^«~.,
¨:»^^*§### ###§*^^»:¨
.¨,~†^£#@# my mom is here now. i ask her for some #@#£^†~,¨.
,--:*%£### particle board for it to dry on, but ###£%*:--,
¨¨,~;=££¶# she is worried and wants me to #¶££=;~,¨¨
,~~^*$@@## throw it away. ##@@$*^~~,
.,-~:^*¤@# #@¤*^:~-,.
¨,~:^¤#¶## ##¶#¤^:~,¨
¨,.-^=&&£# #£&&=^-.,¨
,~»^*¤@@## ##@@¤*^»~,
.¨^-\*££## ##££*\-^¨.
,:~/%¤@### ###@¤%/~:,