.@.¨¨,¨,,¤ ¨¤¨¨§.,,,¨
,,,@#¤¤@,. ¨.....#££&
.§¨¨£@£¨.£ @@@#£¨,#@,
.,,,.£.¨¨, £@&§..,,,¨
#§,.¨¤## #¨,§£@£#
¤@@,¨§..¤, statuette .#,,.¨§¤@&
&§,.,,¨,¨, ..,@@,.¤#&
¤,,####§§@ ¤$*$&£$£$&££§&£&=«~~««--£&§*@%@%£*$$&¤&$ ¤£.,¨.,,##
,,.,££¤#&& *£%¤¤$%*& §..@##@,,£
¨&@.¨&@#@@ ,¨¨.#@¨¨¨¨
¨¨,¨.¨¤&&¤ forests around my childhood home. thick @#¤¨..,£&§
¨@£¤&..&£§ pine arcades that were planted and §§,.§§¨,@.
¨¨##¨.,, forgotten. wild boars roaming §,¨,¨¨,¨.,
§,¨¨.§£.,. underneath, sniffing at the ground. it .¨§§¤#@@¤¤
¨¨£¤..,,¤§ is dark and moist, the canopy having ,.¨#¤@§&@§
¨¨¨,,&¤.,¨ already soaked up all the sun. £§,.§¤¤¨
§#@@..,,## ,¨,¨,&§¤..
¨§#,.@&¨¨@ there's a river passing by, from east #¤£§,,£¨,.
,.¨¨,,,,¨¨ to west, getting broader and deeper and ¨@¤.,¨¨.@£
,#§&¤#£@£& slower as it goes. equisetum grow just ,,,,&££¨¨¨
.,§&&@£¤£¤ where the pine hands start to let .@§,.§,,§§
,.,£@§@#§¨ through light, horsemint on the rocky ¨.¨¨,.,,¨.
¤&.,&&§¤.¨ river bed. ¨§&&@§£#@§
£¨¨.¨§£¨., ..@§¤#¤£¤§
,.§§.¨..¤§ \ #¨.@¤@##@#
¨¨,¨¨#@,¨. ,¨,.&@§¤§¨
#@£§¨,.,¤# the riverbanks reek of magic. tonight ¤#@.¨§@#¨¨
¨§§¨.§#¨,£ they had been a swampworld with sylvan @#¨.¨,&,,,
...,.,,¨.. water, stone rings and floating moss. @¨¨£#¨¨,@¤
.@#&@&£#§& you could've found me wallowing around .,¨..,&.¨,
¨.¤#&££¤@£ on the southern shores until i got &£¤§&¨,¨§£
.,¨££§&¤§¨ bitten. §¤@¤.¨§¨..
§&.¨§§#@.¨ £§@¨¨¨..#§
§¨¨,..¨£ but now i'm further back, on solid £#..@&¤,.§
.,£&,.,.¨. ground, in shoulder-high grass, with an ¨.,.,@,..¨
&¨¨.¨@#¤@. orange tin radio and a translucent ££@£¨¨¨@&£
¨.#§,¨£§,, umbrella which i'm sitting on. .@&..§.¨§§
,,,¨.¨.,¨, ,¨,¨,,¨.¨,
#&§¤@@@@@& ; &¤@£§¤§#¤@
¤@§&@¤ ¤£¤§¤£@@
&¤#£¤§¤#&£ somethings moving in the grass. it's @¤&¤£££#§#
#@#@§§&@¤£ invisible to my eyes but i can feel §@§¤#§£¤£¤
£##¤£#@#§£ through the ground just how large it is. £&§&§§@#&¤
§#@#@¤¤@¤@ #@¤#&¤£¤£#
£§£#¤#&¤## the soil is muddy. i slip when trying §£§¤§@§¤
£&@@§§££¤@ to get up, still looking at the §##@@¤¤#
§£¤&§£@&£@ direction of sound rather than at my @¤&§&§@§#£
§@§¤@#§&§£ hands, who are busy putting things in &§@£#¤§&&£
¤§#@@¤§#@@ my pockets. §§£@@&@#
¤&£&§#&¤ ¤¤&¤&@¤@
§@§#£¤ then i run east toward my home. ¤§¤@&§¤£
¤@#§¤§§¤¤§ #¤£§&£#§
@@#¤¤#£@££ * &@£¤&@§¤¤@
@¤¤#@¤&@@@ ¤§¤@£¤&§¤#
#@##&¤£#¤§ i am not followed, and slow down in the ¤&£&¤#£@#¤
@£££¤¤¤@@@ clearing where you at first can spot £#£&¤£¤¤
¤££££&&£ the house, not yet really in the §££##¤£¤
@##§¤#§@&¤ backyard. from my pockets i retrieve my #£@&&@¤@§§
@#@¤§£&¤@# radio (now dented) but also a small ¤££§@&££
££§¤£¤@£@§ clay figure i've never seen before. it §§§&@##§@@
@£#&@£&@&@ must have been laying in the wet dirt, &£#¤§#¤&¤&
&¤§@&@§£§£ and i must've picked it up with my ££§&@¤&¤§£
£¤@§#@§¤&§ other belongings. &§#&££§#§#
#¤#&¤¤@&£§ £££@§¤§@
§§¤#@#£&£@ it's a statuette of a girl laying naked §#£@£¤¤§
£##@§¤£#&& on her stomach, feet in the air, @#£#&#§#
£§§£@&££#¤ roughly seven centimeters long. it's §###@¤¤£§§
&£@&£&§@ freshly made, not yet completely dried. ¤#£¤¤@@¤
&@&@@§&£ &&£&££#£#£
@¤¤¤&&@§&§ my mom is here now. i ask her for some @&§§@@
&@§#@££# particle board for it to dry on, but @¤@@@¤£¤¤¤
§#&@¤&@¤¤¤ she is worried and wants me to &£@§##¤¤#¤
##¤§£§#£ throw it away. £#£§&¤£&§¤
§¤§@¤@§@¤@ §§¤§¤#§§#@
###££&@§£§ §£@¤&@§#§¤
@¤#¤£§§@¤£ @#£@¤#@#@#
§#&@&@£#§§ ##§££#
@&§§§£@¤¤@ ££§&&&@@§§
£@#¤@§@£¤§ ¤¤#&£&@@&£