##§$%\»-,, ,,-»\%$§##
#§$%\»-,,, ,,,-»\%$§#
##§$%\»-,, ,,-»\%$§##
###§$%\»-, ,-»\%$§###
##§$%\»-,, ,,-»\%$§##
#§$%\»-,,, delay delay d,la# § %a, - ,# » - ,,,-»\%$§#
##§$%\»-,, ,,-»\%$§##
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#§$%\»-,,, ,,,-»\%$§#
##§$%\»-,, "delay" means repetiton or likewise, ,,-»\%$§##
###§$%\»-, but it's mainly useless without ,-»\%$§###
##§$%\»-,, feedback, ,,-»\%$§##
#§$%\»-,,, to allow the delay to eat of it's own ,,,-»\%$§#
##§$%\»-,, tail, like one of those eaty serpents. ,,-»\%$§##
###§$%\»-, thus: it's the serpent effect! ,-»\%$§###
##§$%\»-,, ,,-»\%$§##
#§$%\»-,,, it's to be revered as a creator of ,,,-»\%$§#
##§$%\»-,, ambience and of space, if you treat it ,,-»\%$§##
###§$%\»-, right. a somewhat more solid and ,-»\%$§###
##§$%\»-,, slippery sibling of reverb. ,,-»\%$§##
#§$%\»-,,, ,,,-»\%$§#
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