¨,~;$%§@@# #@@§%$;~,¨
¨,~;$%§§§@ @§§§%$;~,¨
¨¨¨¨~;$§§@ @§§$;~¨¨¨¨
¨¨¨¨¨¨,~$§ §$~,¨¨¨¨¨¨
¨,~;$%§@@# #@@§%$;~,¨
¨,~;$%§@@@ delay delay d¨la@ § $a¨ , ¨@ ~ , @@@§%$;~,¨
¨¨¨¨~;%%@@ @@%%;~¨¨¨¨
¨,~;$%§@@# #@@§%$;~,¨
¨,~;$%@@## ##@@%$;~,¨
¨,~;$%%%§§ §§%%%$;~,¨
¨¨¨¨¨¨~;%§ "delay" means repetiton or likewise, §%;~¨¨¨¨¨¨
¨,~;$%§@@# but it's mainly useless without #@@§%$;~,¨
¨,~;$%§@@# feedback, #@@§%$;~,¨
¨,~;$%§@@# to allow the delay to eat of it's own #@@§%$;~,¨
¨,~;$%§@## tail, like one of those eaty serpents. ##@§%$;~,¨
¨¨¨,,,~;%§ thus: it's the serpent effect! §%;~,,,¨¨¨
¨,~;$%%§§@ @§§%%$;~,¨
¨,~;$$%§§@ it's to be revered as a creator of @§§%$$;~,¨
¨,~;$%§@@# ambience and of space, if you treat it #@@§%$;~,¨
¨,~;$%§@@# right. a somewhat more solid and #@@§%$;~,¨
¨,~;$%§@## slippery sibling of reverb. ##@§%$;~,¨
¨,~;$%§@@# #@@§%$;~,¨
¨,~;$%§@@# #@@§%$;~,¨
¨,~;$%§@@# #@@§%$;~,¨
¨,~;$%§@@# #@@§%$;~,¨
¨,~$%§@@## ##@@§%$~,¨