,:«=^£&£@# #@£&£^=«:,
,,,::=££££ ££££=::,,,
,:«=^£&£@# #@£&£^=«:,
,:«=^£&£## ##£&£^=«:,
,,,,:::=££ ££=:::,,,,
,,,,««^£££ delay delay d,la@ & ^a, : ,£ « : £££^««,,,,
,,,,,,:«^& &^«:,,,,,,
,:«=^£&£## ##£&£^=«:,
,,,,,««^&@ @&^««,,,,,
,:«=^£&£@# #@£&£^=«:,
,:«=^^^^&£ "delay" means repetiton or likewise, £&^^^^=«:,
,:«=^££&&@ but it's mainly useless without @&&££^=«:,
,:«=^£&£@# feedback, #@£&£^=«:,
,:«=^£&£## to allow the delay to eat of it's own ##£&£^=«:,
,:«=^^^&££ tail, like one of those eaty serpents. ££&^^^=«:,
,,,,,,«^&£ thus: it's the serpent effect! £&^«,,,,,,
,:«=^£&£@# #@£&£^=«:,
,:«=^£&£@# it's to be revered as a creator of #@£&£^=«:,
,:«=^^£££& ambience and of space, if you treat it &£££^^=«:,
,:«=^£&£@# right. a somewhat more solid and #@£&£^=«:,
,,,,,,««^& slippery sibling of reverb. &^««,,,,,,
,:«=^£&£@# #@£&£^=«:,
,,,,«^^^^& &^^^^«,,,,
,:«=^£&£££ £££&£^=«:,
,:«=^£&&&£ £&&&£^=«:,
,:«=^£&£@# #@£&£^=«:,