@&&§-^,,,, ,,,,^-§&&@
#@£&%§*-^, ,^-*§%&£@#
#@£&%§*-^, ,^-*§%&£@#
&§§§--^^^, ,^^^--§§§&
@@£&%§*-^, ,^-*§%&£@@
@@£&%§*-^, opposer.dream ,^-*§%&£@@
&%%%%§*-^, ---------------------------------------- ,^-*§%%%%&
££%%§§*-^, ,^-*§§%%££
£&§***--^, intrinsically weaved within the space ,^--***§&£
££%%***-^, between what the brain constructs and ,^-***%%££
#@£&%§*-^, the real, the space which we usually ,^-*§%&£@#
&§§§-,,,,, call the aether, distortions, ,,,,,-§§§&
&§-,,,,,,, anomalies, can appear under ,,,,,,,-§&
£££&%§*-^, circumstances, peculiar ones, folded in ,^-*§%&£££
£%§*---^^, like liquid crystals, appearing as if ,^^---*§%£
@&&&%§*-^, you suddenly rotate your head in some ,^-*§%&&&@
#@£&%§*-^, fourth dimension (usually more or less ,^-*§%&£@#
£££&%§*-^, uncomfortable) ,^-*§%&£££
@&&§§§*-^, ,^-*§§§&&@
@&&&%§*-^, the opposer looks like a concave square ,^-*§%&&&@
£%*-^^,,,, balancing on a corner, with round ,,,,^^-*%£
&§-^,,,,,, cutouts along its edges making it look ,,,,,,^-§&
&%**^^,,,, like a pointy cross, or something from ,,,,^^**%&
#@£&%§*-^, twewy ,^-*§%&£@#
#@£&%§*-^, ,^-*§%&£@#
#@£&%§*-^, it's hostile, maybe not conscious but ,^-*§%&£@#
##@£%§*-^, active, perceiving, alive in some ,^-*§%£@##
££%%%§*-^, sense. but i feel as if that might be a ,^-*§%%%££
#@£&%§*-^, reduction, that i'm interpreting the ,^-*§%&£@#
#@£&%§*-^, tip of something much larger and alien ,^-*§%&£@#
#@£&%§*-^, to me. maybe not alive, then, but ,^-*§%&£@#
&§§§*^,,,, something worse. ,,,,^*§§§&
@@£&%§*-^, ,^-*§%&£@@
£&§§§*^,,, ,,,^*§§§&£
£&%§--^^^, ^ ,^^^--§%&£
£%§*^,,,,, * ,,,,,^*§%£
&§§*^^^,,, ,, §§ ,, ,,,^^^*§§&
£%*-^^,,,, ------,,, §§§ ,,---, ,,,,^^-*%£
##@£&%§*^, ---,, -%%% ,,,,,-- ,^*§%&£@##
£&§**^,,,, -- &&&&- -, ,,,,^**§&£
@@£&%§*-^, ,- *&&&&&& , ,^-*§%&£@@
&§§*^^,,,, £££* * ,,,,^^*§§&
@&&&%§*-^, ** @ ,^-*§%&&&@
#@£&%§*-^, ---&&&****§###§ *&*-----^ ,^-*§%&£@#
#@£&%§*-^, ^^^-%%%&&** §@#@@*****&&%%%§§§*^^^ ,^-*§%&£@#
##£&%§*-^, - *@* &%---^ ,^-*§%&£##
£%§*--^^,, *£* * ,,^^--*§%£
@££&%§*-^, ,- *&&&&&* ,^-*§%&££@
#@£&%§*-^, -- -&&&&% -, ,^-*§%&£@#
#@£&%§*-^, ,--, %%% --, ,^-*§%&£@#
##£&%§*-^, ----,,,, §§- ,,------ ,^-*§%&£##
#@£&%§*-^, ** ,,,,, ,^-*§%&£@#
#@£&%§*-^, * ,^-*§%&£@#
£££&%§*-^, ^ ,^-*§%&£££
#@£&%§*-^, ,^-*§%&£@#
#@£&%§*-^, various forms like these ,^-*§%&£@#
&&&%§*--^, ,^--*§%&&&
#@£&%§*-^, §#§ ,^-*§%&£@#
@££&%§*-^, ,&@@&* ,^-*§%&££@
&&%§--^,,, ^%%^ ,,,^--§%&&
#@£&%§*-^, ^^ ,^-*§%&£@#
@£&&%§*-^, ^, ,^-*§%&&£@
£%**^,,,,, ,^ ,,,,,^**%£
££%%**-,,, ^^ ,,,-**%%££
#@£&%§*-^, ^%%^ ,^-*§%&£@#
£££&%§*-^, , ,*&@@&*, , ,^-*§%&£££
#@£&%§*-^, §@£§-^,, ^,,^-§£@####@£§-^,, ^,,^-§£@§ ,^-*§%&£@#
##@&%§*-^, §#@£§-^,,^ ,,^-§£@####@£§-^,,^ ,,^-§£@#§ ,^-*§%&@##
#@£&%§*-^, -, ,*&@@&*, ,- ,^-*§%&£@#
@&&&%§*-^, ^%%^ ,^-*§%&&&@
#@£&%§*-^, ^^ ,^-*§%&£@#
&%%%*-,,,, ^, ,,,,-*%%%&
#@£&%§*-^, ,^ ,^-*§%&£@#
@@£&%§*-^, ^^ ,^-*§%&£@@
#@£&%§*-^, ^%%^ ,^-*§%&£@#
&§---^,,,, *&@@&, ,,,,^---§&
#@£&%§*-^, §#§ ,^-*§%&£@#
#@£&%§*-^, ,^-*§%&£@#
#@£&%§*-^, it morphs ,^-*§%&£@#
£&§-,,,,,, ,,,,,,-§&£
@&&%%§*-^, # ,^-*§%%&&@
&§§**^^,,, # ,,,^^**§§&
£££&%§*-^, @@* ,^-*§%&£££
#@£&%§*-^, *£££* ,^-*§%&£@#
£&§§§§*-^, -&%-%%--&- ,^-*§§§§&£
#@£&%§*-^, -- §§ --- ,^-*§%&£@#
£&%%*^^^,, ^** ,,^^^*%%&£
##£&%§*-^, --- ,^-*§%&£##
#@£&%§*-^, *- ,^^^^^, %-- ,^-*§%&£@#
£%%§-^^,,, §**£*- -^**-^^,,,,,^^--^^ -&&** ,,,^^-§%%£
#@£&%§*-^, §§@@££&%%-^^^-^^,, ,,^^-^^^§%%&&££@###§§ ,^-*§%&£@#
@@£&%§*-^, **£* ,^^^^^, --&£**§§ ,^-*§%&£@@
#@£&%§*-^, * ,---- %- ,^-*§%&£@#
#@£&%§*-^, ** ,^-*§%&£@#
£££&%§*-^, %%- § -%%- ,^-*§%&£££
#@£&%§*-^, -%%-%-%%%- ,^-*§%&£@#
#@£&%§*-^, *&&&&* ,^-*§%&£@#
&%%*^,,,,, *£££ ,,,,,^*%%&
#@£&%§*-^, ## ,^-*§%&£@#
@@£&%§*-^, # ,^-*§%&£@@
##@£&%§*-^ ^-*§%&£@##
#@£&%§*-^, it appears in it's truest false form ,^-*§%&£@#
&%*^,,,,,, inscribed all over your vision, in the ,,,,,,^*%&
#@£&%§*-^, case of nightmares, evil meditation, or ,^-*§%&£@#
#@£&%§*-^, drug-induced transcendental states. ,^-*§%&£@#
#@£&%§*-^, living behind the curtain, so to speak, ,^-*§%&£@#
#@£&%§*-^, in the liquid between you and the world ,^-*§%&£@#
@££&%§*-^, you're in. ,^-*§%&££@
#@£&%§*-^, ,^-*§%&£@#
&&§****-^, but even in calmer times, it's never ,^-****§&&
£&&%%§*-^, too far away, and you can find yourself ,^-*§%%&&£
££%§*^^^,, transfixed by floor tiles, jewelry ,,^^^*§%££
##@£&%§*^, (totems? charms?), trees, and other ,^*§%&£@##
##£&%§*-^, such things... ,^-*§%&£##
&§*^,,,,,, ,,,,,,^*§&
£&&%§---^, ,^---§%&&£
££%§§-,,,, ,,,,-§§%££
£%%*^^,,,, ,,,,^^*%%£
&%*^^^^,,, ,,,^^^^*%&