.~«^^$@¶## ##¶@$^^«~.
.......«^@ @^«.......
....~^^$¶¶ ¶¶$^^~....
.~«^^$@### ###@$^^«~.
.~«^^^$@¶# #¶@$^^^«~.
....~^$$¶¶ L U S H ¶¶$$^~....
..~««^$$$¶ A R P E G G I O ¶$$$^««~..
.~«^^^^@@¶ . . . . . . . . . . ¶@@^^^^«~.
.~«^^@¶### ###¶@^^«~.
..~~«^$$¶# WHAT ARE THESE THINGS IF NOT BIRDSONG? #¶$$^«~~..
.~«^^$@¶## BLACKBIRD + NOISE CASCADE. ##¶@$^^«~.
.....~^$¶¶ ¶¶$^~.....
.~«^^$@¶## THE COMMODORE SOUND MAYBE. DIRTY, ##¶@$^^«~.
...«^^^^@# MIRRORING, DISTORTED FLUTE, #@^^^^«...
.~«^^@¶### ###¶@^^«~.
......~^^@ . . . . . .. @^^~......
....~~^^@# #@^^~~....
.....~^$@@ DDRREEAAMMYY SSLLIIDDEESS @@$^~.....
.~«^^$@¶## ##¶@$^^«~.
.~«^^$@@¶¶ MIRAGES IN SOUND. ARPEGGIOS, CHORDS ¶¶@@$^^«~.
.~«^^$@¶## MULTIPLEXED IN THE TIME DOMAIN, ##¶@$^^«~.
.~«^^$@¶## ##¶@$^^«~.
.~«^^$@¶## REFACTORED, REFRACTORED, REMADE ##¶@$^^«~.
.~«^^$@¶## ~ ~ . . . ##¶@$^^«~.
.~«^^$@¶## ^ ^ ^ ^ ^ ^ ##¶@$^^«~.
.~«^^$@¶## $ ^ $ ^ $ $ $ $ ^ ##¶@$^^«~.
.....~^$@@ # # # # # @@$^~.....
.~«^^$@¶¶# #¶¶@$^^«~.
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