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,,,,,,†%@# #@%†,,,,,,
,,«†§%¤@## ##@¤%§†«,,
,,«†§%¤@## ##@¤%§†«,,
,,«†§§§%@# #@%§§§†«,,
,,«†§%¤### # ###¤%§†«,,
,,«†§%¤¤¤# ,LIZARDRY #¤¤¤%§†«,,
,,«†§%¤@## « @ #@ ### ################## ##@¤%§†«,,
,,,,,«§§%@ ## THE ART OF C,NNECTING @%§§«,,,,,
,,«††††%¤¤ , WITH THE OLD MIND ¤¤%††††«,,
,,«†§%¤@## ##@¤%§†«,,
,,,,,,«†%¤ MY MIND IS BEING SKEWED. MI ¤%†«,,,,,,
,,«†§%¤@## SKELETON IS STRINGY AND OLD AND ALIEN ##@¤%§†«,,
,,«†§%¤@## THE SITUATION IS LITERALLY ##@¤%§†«,,
,,,,,,,†%¤ PRESSED OUT THROUGH MY EYES, IT'S ¤%†,,,,,,,
,,«†§%¤@## ECHOING LIKE ##@¤%§†«,,
,,«†§%¤@## THE SUNSET OF THE ETERNAL ##@¤%§†«,,
,,«†§%¤@## OCEAN ##@¤%§†«,,
,,,,««†%%@ PERSISTENTLY AGAINST MY EMULSION @%%†««,,,,
,,«†§%¤@## ##@¤%§†«,,
,,,,««†§¤# IT'S UNGRASPABLE TO ME, WHAT OTHER #¤§†««,,,,
,,,,,†§%@# HUMANS ARE DOING AND ABSTRACTING, #@%§†,,,,,
,,«†§%¤### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###¤%§†«,,
,,«†§%¤### HOW LONG A TIME HAS PASSED, FOR THEM? ###¤%§†«,,
,,«†§%¤@## , ##@¤%§†«,,
,,«†§%¤@## , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ##@¤%§†«,,
,,«†§¤@### CONTINUOUSLY I'M CROWDING THROUGH ###@¤§†«,,
,,«†§%¤@## , THE FOURTH WALL ,OUTWARDS IS WHAT , ##@¤%§†«,,
,,«†§%¤@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@¤%§†«,,
,,,,,,,†%@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @%†,,,,,,,
,,«†§%¤@## , , AWARE OF THE PREVIOUS ONE, DEEPER , ##@¤%§†«,,
,,,,,†§§¤¤ , , DOWN IN THE DRAGONS THROAT. ¤¤§§†,,,,,
,,«†§%¤¤@@ , @@¤¤%§†«,,
,,«†§§%¤¤¤ , ¤¤¤%§§†«,,
,,«†§%¤@## ##@¤%§†«,,
,,,,,,,†%@ @%†,,,,,,,
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