@@#£%%^»., ,.»^%%£#@@
£%^...,,,, ,,,,...^%£
#@#£%%^»., ,.»^%%£#@#
£%%%%^.,,, ,,,.^%%%%£
##%%%^»,,, ,,,»^%%%##
##@£%%^»., @ ,.»^%%£@##
@£%%»»».,, ,LIZARDRY ,,.»»»%%£@
#@#£%%^»., » # @# @@@ @@@@@@@@@@@@@@@@@@ ,.»^%%£#@#
#%%%».,,,, @@ THE ART OF C.NNECTING ,,,,.»%%%#
##@#£%%^». , WITH THE OLD MIND .»^%%£#@##
##@#£%^»., ,.»^%£#@##
#@#£%%^»., MY MIND IS BEING SKEWED. MI ,.»^%%£#@#
##@£%%^»., SKELETON IS STRINGY AND OLD AND ALIEN ,.»^%%£@##
###£%%^»., THE SITUATION IS LITERALLY ,.»^%%£###
#@#£%%^»., PRESSED OUT THROUGH MY EYES, IT'S ,.»^%%£#@#
@£%%%%^»., ECHOING LIKE ,.»^%%%%£@
£%^^....,, THE SUNSET OF THE ETERNAL ,,....^^%£
£%%%^^^»., OCEAN ,.»^^^%%%£
#%%%^.,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,.^%%%#
#@#£%%^»., ,.»^%%£#@#
@@#£%%^»., IT'S UNGRASPABLE TO ME, WHAT OTHER ,.»^%%£#@@
##@£%%^»., HUMANS ARE DOING AND ABSTRACTING, ,.»^%%£@##
#£%%%%^»., AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,.»^%%%%£#
£%%^».,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,.»^%%£
@@#£%%^»., , ,.»^%%£#@@
@#%^».,,,, , ,,, , ,,,,,,,,,,,,,,,, ####### ,,,,.»^%#@
#%^»,,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,,»^%#
##@#£%^»., , THE FOURTH WALL .OUTWARDS IS WHAT , ,.»^%£#@##
@@#£%%^»., ,, I'M THINKING BUT IT'S WRONG.. A NEW ,.»^%%£#@@
#%%^.,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,.^%%#
##@#£%^»., . . AWARE OF THE PREVIOUS ONE, DEEPER , ,.»^%£#@##
##@#£%^»., . . DOWN IN THE DRAGONS THROAT. ,.»^%£#@##
£%^.,,,,,, . ,,,,,,.^%£
££%»»»..,, . ,,..»»»%££
#@#£%%^»., ,.»^%%£#@#
##%%%%^»., ,.»^%%%%##
#@#£%%^»., ,.»^%%£#@#
##@#£%^»., ,.»^%£#@##
£%%%^.,,,, ,,,,.^%%%£
#£%»,,,,,, ,,,,,,»%£#