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,@@,,@@,,@ ,LIZARDRY ,,,,,,@@@@
@@,@,@,@,@ « @ #@ ### ################## @,,,,,@,,,
@,@@@@@@@@ ## THE ART OF C~NNECTING ,@,,,,@@,,
@@@,,,,,,, , WITH THE OLD MIND ,@@,,,@,@,
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,@,@@,,,,, MY MIND IS BEING SKEWED. MI ,,@@@,@,,,
,@@@,@,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,@,,@@@,,
,@,,@@@,,, THE SITUATION IS LITERALLY ,,@@,@,,@,
,@@,@,,@,, PRESSED OUT THROUGH MY EYES, IT'S ,,@,@@@,@@
@@,@@@,@@, ECHOING LIKE @,@@@,,@@,
@,@@,,@@,@ THE SUNSET OF THE ETERNAL ,@@,,@,@,@
,@@,@,@,@@ OCEAN ,@,@,@@@@@
@@,@@@@@@, PERSISTENTLY AGAINST MY EMULSION @@@@@@,,,,
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@@@,@,,,,@ IT'S UNGRASPABLE TO ME, WHAT OTHER @@,,,,@@,,
@,,@@@,,,@ HUMANS ARE DOING AND ABSTRACTING, @,@,,,@,@,
@@,@,,@,,@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,@@@,,@@@@
,,@@@,@@,@ HOW LONG A TIME HAS PASSED, FOR THEM? ,@,,@,@,,,
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,,@,@@@@,@ CONTINUOUSLY I'M CROWDING THROUGH ,,@@,@,,@@
@,@@@,,,@@ , THE FOURTH WALL ~OUTWARDS IS WHAT , @,@,@@@,@,
@@@,,@,,@, ,, I'M THINKING BUT IT'S WRONG.. A NEW @@@@@,,@@@
,,,@,@@,@@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @,,,,@,@,,
,,,@@@,@@, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,@,,,@@@@,
,,,@,,@@,@ ~ ~ DOWN IN THE DRAGONS THROAT. ,@@,,@,,,@
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