##@#%§^=,¨ ¨,=^§%#@##
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#@#%§^=,¨¨ @ ¨¨,=^§%#@#
##@#%§^=,¨ ¨LIZARDRY ¨,=^§%#@##
#@#%§^=,¨¨ = # @# @@@ @@@@@@@@@@@@@@@@@@ ¨¨,=^§%#@#
##@#%§^=,¨ @@ THE ART OF C,NNECTING ¨,=^§%#@##
#@#%§^=,¨¨ ¨ WITH THE OLD MIND ¨¨,=^§%#@#
##@#%§^=,¨ ¨,=^§%#@##
#@#%§^=,¨¨ MY MIND IS BEING SKEWED. MI ¨¨,=^§%#@#
##@#%§^=,¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨,=^§%#@##
#@#%§^=,¨¨ THE SITUATION IS LITERALLY ¨¨,=^§%#@#
##@#%§^=,¨ PRESSED OUT THROUGH MY EYES, IT'S ¨,=^§%#@##
#@#%§^=,¨¨ ECHOING LIKE ¨¨,=^§%#@#
##@#%§^=,¨ THE SUNSET OF THE ETERNAL ¨,=^§%#@##
#@#%§^=,¨¨ OCEAN ¨¨,=^§%#@#
##@#%§^=,¨ PERSISTENTLY AGAINST MY EMULSION ¨,=^§%#@##
#@#%§^=,¨¨ ¨¨,=^§%#@#
##@#%§^=,¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨,=^§%#@##
#@#%§^=,¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨,=^§%#@#
##@#%§^=,¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨,=^§%#@##
#@#%§^=,¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨,=^§%#@#
##@#%§^=,¨ ¨ ¨,=^§%#@##
#@#%§^=,¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ¨¨,=^§%#@#
##@#%§^=,¨ CONTINUOUSLY I'M CROWDING THROUGH ¨,=^§%#@##
#@#%§^=,¨¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨¨,=^§%#@#
##@#%§^=,¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨,=^§%#@##
#@#%§^=,¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨,=^§%#@#
##@#%§^=,¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨,=^§%#@##
#@#%§^=,¨¨ , , DOWN IN THE DRAGONS THROAT. ¨¨,=^§%#@#
##@#%§^=,¨ , ¨,=^§%#@##
#@#%§^=,¨¨ , ¨¨,=^§%#@#
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