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...¤..¤... @ ...¤.¤¤..¤
¤...¤..¤.. .LIZARDRY .....¤¤¤..
.¤...¤..¤. - @ @@ @@@ @@@@@@@@@@@@@@@@@@ ¤....¤.¤¤.
..¤...¤..¤ @@ THE ART OF C,NNECTING ¤¤.....¤¤¤
¤..¤...¤.. . WITH THE OLD MIND ¤¤¤....¤.¤
¤¤..¤...¤. ¤.¤¤.....¤
.¤¤..¤...¤ MY MIND IS BEING SKEWED. MI ..¤¤¤....¤
.¤¤¤..¤... SKELETON IS STRINGY AND OLD AND ALIEN ..¤.¤¤....
.¤.¤¤..¤.. THE SITUATION IS LITERALLY ....¤¤¤...
...¤¤¤..¤. PRESSED OUT THROUGH MY EYES, IT'S ¤...¤.¤¤..
...¤.¤¤..¤ ECHOING LIKE .¤....¤¤¤.
.....¤¤¤.. THE SUNSET OF THE ETERNAL ..¤...¤.¤¤
¤....¤.¤¤. OCEAN ¤..¤....¤¤
¤¤.....¤¤¤ PERSISTENTLY AGAINST MY EMULSION ¤¤..¤...¤.
¤¤¤....¤.¤ .¤¤..¤....
¤.¤¤.....¤ IT'S UNGRASPABLE TO ME, WHAT OTHER .¤¤¤..¤...
..¤¤¤....¤ HUMANS ARE DOING AND ABSTRACTING, .¤.¤¤..¤..
..¤.¤¤.... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...¤¤¤..¤.
....¤¤¤... HOW LONG A TIME HAS PASSED, FOR THEM? ¤..¤.¤¤..¤
¤...¤.¤¤.. . .¤...¤¤¤..
.¤....¤¤¤. . ... . ................ @@@@@@@ ..¤..¤.¤¤.
..¤...¤.¤¤ CONTINUOUSLY I'M CROWDING THROUGH ...¤...¤¤¤
¤..¤....¤¤ . THE FOURTH WALL ,OUTWARDS IS WHAT . ....¤..¤.¤
¤¤..¤...¤. .. I'M THINKING BUT IT'S WRONG.. A NEW ¤....¤...¤
.¤¤..¤.... . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤....¤..¤
.¤¤¤..¤... , , AWARE OF THE PREVIOUS ONE, DEEPER . ..¤....¤..
.¤.¤¤..¤.. , , DOWN IN THE DRAGONS THROAT. ...¤....¤.
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