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.......¤¤¤ # .¤..¤..¤..
.......¤.¤ .LIZARDRY ..¤..¤..¤.
.........¤ « # ## ### ################## ...¤..¤..¤
¤........¤ ## THE ART OF C,NNECTING ¤...¤..¤..
.¤........ . WITH THE OLD MIND ¤¤...¤..¤.
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¤..¤...... MY MIND IS BEING SKEWED. MI ¤.¤¤...¤..
.¤..¤..... SKELETON IS STRINGY AND OLD AND ALIEN ..¤¤¤...¤.
..¤..¤.... THE SITUATION IS LITERALLY ..¤.¤¤...¤
¤..¤..¤... PRESSED OUT THROUGH MY EYES, IT'S ¤...¤¤¤...
.¤..¤..¤.. ECHOING LIKE .¤..¤.¤¤..
..¤..¤..¤. THE SUNSET OF THE ETERNAL ..¤...¤¤¤.
...¤..¤..¤ OCEAN ¤..¤..¤.¤¤
¤...¤..¤.. PERSISTENTLY AGAINST MY EMULSION ¤¤..¤...¤¤
¤¤...¤..¤. ¤¤¤..¤..¤.
¤¤¤...¤..¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤.¤¤..¤...
¤.¤¤...¤.. HUMANS ARE DOING AND ABSTRACTING, ..¤¤¤..¤..
..¤¤¤...¤. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..¤.¤¤..¤.
..¤.¤¤...¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤...¤¤¤..¤
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.¤..¤.¤¤.. . ... . ................ ####### .¤¤...¤¤¤.
..¤...¤¤¤. CONTINUOUSLY I'M CROWDING THROUGH .¤¤¤..¤.¤¤
¤..¤..¤.¤¤ . THE FOURTH WALL ,OUTWARDS IS WHAT . .¤.¤¤...¤¤
¤¤..¤...¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ...¤¤¤..¤.
¤¤¤..¤..¤. . . NARRATOR IS INTRODUCED, OCCASIONALLY ...¤.¤¤...
¤.¤¤..¤... , , AWARE OF THE PREVIOUS ONE, DEEPER . .....¤¤¤..
..¤¤¤..¤.. , , DOWN IN THE DRAGONS THROAT. .....¤.¤¤.
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