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##@¤§$†«,.              .LIZARDRY                   .,«†$§¤@##
@@@¤§$†«,. «           @ #@ ###  ################## .,«†$§¤@@@
##@¤§$†«,. ##      THE ART OF C,NNECTING            .,«†$§¤@##
##@¤§$†«,.        .    WITH THE OLD MIND            .,«†$§¤@##
##@¤§$†«,.                                          .,«†$§¤@##
#@¤$†«,...             MY MIND IS BEING SKEWED. MI  ...,«†$¤@#
##@¤§$†«,.  SKELETON IS STRINGY AND OLD AND ALIEN   .,«†$§¤@##
@¤¤¤§$†«,.             THE SITUATION IS LITERALLY   .,«†$§¤¤¤@
##@¤§$†«,. PRESSED OUT THROUGH MY EYES, IT'S        .,«†$§¤@##
¤§§§†«.... ECHOING LIKE                             ....«†§§§¤
#@@¤§$†«,.             THE SUNSET OF THE ETERNAL    .,«†$§¤@@#
##@¤§$†«,. OCEAN                                    .,«†$§¤@##
##@¤§$†«,.         PERSISTENTLY AGAINST MY EMULSION .,«†$§¤@##
¤¤¤¤§$†«,.                                          .,«†$§¤¤¤¤
##@¤§$†«,.    IT'S UNGRASPABLE TO ME, WHAT OTHER    .,«†$§¤@##
#@¤$«,,...   HUMANS ARE DOING AND ABSTRACTING,      ...,,«$¤@#
#¤$$$$†«,.  AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,«†$$$$¤#
¤$††«,.... HOW LONG A TIME HAS PASSED, FOR THEM?    ....,«††$¤
#¤¤§§$†«,.                                     .    .,«†$§§¤¤#
##@¤§$†«,.  . ... .  ................   @@@@@@@     .,«†$§¤@##
###@¤§$†,.   CONTINUOUSLY I'M CROWDING THROUGH      .,†$§¤@###
##@¤§$†«,. . THE FOURTH WALL  ,OUTWARDS IS WHAT   . .,«†$§¤@##
¤$««...... .. I'M THINKING BUT IT'S WRONG.. A NEW   ......««$¤
@@@¤§$†«,. . . NARRATOR IS INTRODUCED, OCCASIONALLY .,«†$§¤@@@
@¤¤¤§$†«,. ,  , AWARE OF THE PREVIOUS ONE, DEEPER . .,«†$§¤¤¤@
@¤¤¤§$†«,. ,   , DOWN IN THE DRAGONS THROAT.        .,«†$§¤¤¤@
##@¤§$†«,.      ,                                   .,«†$§¤@##
##@¤§$†«,.       ,                                  .,«†$§¤@##
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