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#.#.#.#.## ## The Art Of C~Nnecting #.#.#.##..
#.#.#.#..# . With The Old Mind #.#.#..#.#
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#.#.#.#..# My Mind Is Being Skewed. Mi #.#.#..#.#
#.#.#.#.## Skeleton Is Stringy And Old And Alien #.#.#.##..
#.#.#.#..# The Situation Is Literally #.#.#..#.#
#.#.#.#.## Pressed Out Through My Eyes, It'S #.#.#.##..
#.#.#.#..# EchoIng Like #.#.#..#.#
#.#.#.#.## The Sunset Of The Eternal #.#.#.##..
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#.#.#.#.## Persistently Against My Emulsion #.#.#.##..
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#.#.#.#.## It'S Ungraspable To Me, What Other #.#.#.##..
#.#.#.#..# HumanS Are Doing And Abstracting, #.#.#..#.#
#.#.#.#.## And Above All Else, What Time They Use? #.#.#.##..
#.#.#.#..# How Long A Time Has Passed, For Them? #.#.#..#.#
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#.#.#.#.## Continuously I'M Crowding Through #.#.#.##..
#.#.#.#..# . The Fourth wall ~Outwards Is What . #.#.#..#.#
#.#.#.#.## .. I'M Thinking But It'S Wrong.. A New #.#.#.##..
#.#.#.#..# . . Narrator Is Introduced, Occasionally #.#.#..#.#
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