.-\%*@#### ####@*%\-.
.-~\%*@### ###@*%\~-.
.-~\%*@### ###@*%\~-.
.-~\%*@### ###@*%\~-.
.-~\*@#### ####@*\~-.
.-~\%*@### # ###@*%\~-.
.-~\%*@### .LIZARDRY ###@*%\~-.
.-~\%*@### ~ # ## ### ################## ###@*%\~-.
......~\%@ ## THE ART OF C-NNECTING @%\~......
....-\%**@ . WITH THE OLD MIND @**%\-....
.-~\%*@### ###@*%\~-.
.-~\%*#### MY MIND IS BEING SKEWED. MI ####*%\~-.
.-~\%*@### SKELETON IS STRINGY AND OLD AND ALIEN ###@*%\~-.
.-~~~\%@@@ THE SITUATION IS LITERALLY @@@%\~~~-.
.-~\%%%@## PRESSED OUT THROUGH MY EYES, IT'S ##@%%%\~-.
.-~~~~\%*@ ECHOING LIKE @*%\~~~~-.
.-~\%*@@@@ THE SUNSET OF THE ETERNAL @@@@*%\~-.
.-~\%*@### OCEAN ###@*%\~-.
....-~~~%@ PERSISTENTLY AGAINST MY EMULSION @%~~~-....
.-~\%*@### ###@*%\~-.
.-~\%*@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@*%\~-.
.....-\**# HUMANS ARE DOING AND ABSTRACTING, #**\-.....
.-~\%*@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@*%\~-.
.-~\%*@### HOW LONG A TIME HAS PASSED, FOR THEM? ###@*%\~-.
.-~\%*@### . ###@*%\~-.
.-~\%*@### . ... . ................ ####### ###@*%\~-.
.......~%@ CONTINUOUSLY I'M CROWDING THROUGH @%~.......
....-~~\%@ . THE FOURTH WALL -OUTWARDS IS WHAT . @%\~~-....
.-\%*@#### .. I'M THINKING BUT IT'S WRONG.. A NEW ####@*%\-.
.-~\%**@@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@@**%\~-.
.-~\%*@### - - AWARE OF THE PREVIOUS ONE, DEEPER . ###@*%\~-.
...~~%*@@@ - - DOWN IN THE DRAGONS THROAT. @@@*%~~...
.-~\%*@### - ###@*%\~-.
.-~\%*@### - ###@*%\~-.
.-~\%***@# #@***%\~-.
...-~\\**# #**\\~-...
.-~\%*@### ###@*%\~-.
....~~\*@# #@*\~~....
.-~\%*@### ###@*%\~-.
.....~\**@ @**\~.....