#&*~^..... .....^~*&#
###&¤*=~^. .^~=*¤&###
#&¤=~..... .....~=¤&#
###&¤*=~^. .^~=*¤&###
#¤¤¤¤*=~^. .^~=*¤¤¤¤#
###&¤*=~^. # .^~=*¤&###
&¤*~~^.... .LIZARDRY ....^~~*¤&
###&¤*=~^. ~ # ## ### ################## .^~=*¤&###
###&¤*=~^. ## THE ART OF C^NNECTING .^~=*¤&###
#&&&¤*=~^. . WITH THE OLD MIND .^~=*¤&&&#
###&¤*=~^. .^~=*¤&###
###&¤*=~^. MY MIND IS BEING SKEWED. MI .^~=*¤&###
###&¤*=~^. SKELETON IS STRINGY AND OLD AND ALIEN .^~=*¤&###
###&¤*=~^. THE SITUATION IS LITERALLY .^~=*¤&###
###&¤*=~^. PRESSED OUT THROUGH MY EYES, IT'S .^~=*¤&###
&&*~...... ECHOING LIKE ......~*&&
####¤*=~^. THE SUNSET OF THE ETERNAL .^~=*¤####
####¤*=~^. OCEAN .^~=*¤####
###&¤*=~^. PERSISTENTLY AGAINST MY EMULSION .^~=*¤&###
&¤*=~~~^.. ..^~~~=*¤&
###&¤*=~^. IT'S UNGRASPABLE TO ME, WHAT OTHER .^~=*¤&###
###&¤*=~^. HUMANS ARE DOING AND ABSTRACTING, .^~=*¤&###
###&¤*=~^. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .^~=*¤&###
###&¤*=~^. HOW LONG A TIME HAS PASSED, FOR THEM? .^~=*¤&###
&¤=^...... . ......^=¤&
###&¤*=~^. . ... . ................ ####### .^~=*¤&###
#¤=~^..... CONTINUOUSLY I'M CROWDING THROUGH .....^~=¤#
&***~~~... . THE FOURTH WALL ^OUTWARDS IS WHAT . ...~~~***&
###&¤*=~^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^~=*¤&###
&&*=^^.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ....^^=*&&
###&¤*=~^. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . .^~=*¤&###
###&¤*=~^. ^ ^ DOWN IN THE DRAGONS THROAT. .^~=*¤&###
###&¤*=~^. ^ .^~=*¤&###
#&¤*~~~^.. ^ ..^~~~*¤&#
&*===^^... ...^^===*&
###&¤*=~^. .^~=*¤&###
###&¤*=~^. .^~=*¤&###
&&&&¤*=~^. .^~=*¤&&&&
##&&¤*=~^. .^~=*¤&&##
###&¤*=~^. .^~=*¤&###