,^»=%&£@## ##@£&%=»^,
,,^»=%&£@# #@£&%=»^,,
,^»=%&£@## ##@£&%=»^,
,,^»=%&£@# #@£&%=»^,,
,^»=%&£@## ##@£&%=»^,
,,^»=%&£@# # #@£&%=»^,,
,^»=%&£@## ,LIZARDRY ##@£&%=»^,
,,^»=%&£@# » @ #@ ### ################## #@£&%=»^,,
,^»=%&£@## ## THE ART OF C^NNECTING ##@£&%=»^,
,,^»=%&£@# , WITH THE OLD MIND #@£&%=»^,,
,^»=%&£@## ##@£&%=»^,
,,^»=%&£@# MY MIND IS BEING SKEWED. MI #@£&%=»^,,
,^»=%&£@## SKELETON IS STRINGY AND OLD AND ALIEN ##@£&%=»^,
,,^»=%&£@# THE SITUATION IS LITERALLY #@£&%=»^,,
,^»=%&£@## PRESSED OUT THROUGH MY EYES, IT'S ##@£&%=»^,
,,^»=%&£@# ECHOING LIKE #@£&%=»^,,
,^»=%&£@## THE SUNSET OF THE ETERNAL ##@£&%=»^,
,,^»=%&£@# OCEAN #@£&%=»^,,
,^»=%&£@## PERSISTENTLY AGAINST MY EMULSION ##@£&%=»^,
,,^»=%&£@# #@£&%=»^,,
,^»=%&£@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@£&%=»^,
,,^»=%&£@# HUMANS ARE DOING AND ABSTRACTING, #@£&%=»^,,
,^»=%&£@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@£&%=»^,
,,^»=%&£@# HOW LONG A TIME HAS PASSED, FOR THEM? #@£&%=»^,,
,^»=%&£@## , ##@£&%=»^,
,,^»=%&£@# , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ #@£&%=»^,,
,^»=%&£@## CONTINUOUSLY I'M CROWDING THROUGH ##@£&%=»^,
,,^»=%&£@# , THE FOURTH WALL ^OUTWARDS IS WHAT , #@£&%=»^,,
,^»=%&£@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@£&%=»^,
,,^»=%&£@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@£&%=»^,,
,^»=%&£@## ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ##@£&%=»^,
,,^»=%&£@# ^ ^ DOWN IN THE DRAGONS THROAT. #@£&%=»^,,
,^»=%&£@## ^ ##@£&%=»^,
,,^»=%&£@# ^ #@£&%=»^,,
,^»=%&£@## ##@£&%=»^,
,,^»=%&£@# #@£&%=»^,,
,^»=%&£@## ##@£&%=»^,
,,^»=%&£@# #@£&%=»^,,
,^»=%&£@## ##@£&%=»^,
,,^»=%&£@# #@£&%=»^,,