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,,-\^¤£¶@# #@¶£¤^\-,,
,,-\^¤£¶@@ @ @@¶£¤^\-,,
,,-\^¤£¶@# ,LIZARDRY #@¶£¤^\-,,
,,,,,,\^¤¶ - ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ ¶¤^\,,,,,,
,,-\^¤£¶@# @@ THE ART OF C,NNECTING #@¶£¤^\-,,
,,,,,-^¤¤¶ , WITH THE OLD MIND ¶¤¤^-,,,,,
,,,,,--^£¶ ¶£^--,,,,,
,,,,,--\¤¶ MY MIND IS BEING SKEWED. MI ¶¤\--,,,,,
,,-\^¤£¶¶¶ SKELETON IS STRINGY AND OLD AND ALIEN ¶¶¶£¤^\-,,
,,,,--^^¤¶ THE SITUATION IS LITERALLY ¶¤^^--,,,,
,,,-\\^£¶¶ PRESSED OUT THROUGH MY EYES, IT'S ¶¶£^\\-,,,
,,,,,,\^¤£ ECHOING LIKE £¤^\,,,,,,
,,,,,\¤¤¤£ THE SUNSET OF THE ETERNAL £¤¤¤\,,,,,
,,,,-^¤£££ OCEAN £££¤^-,,,,
,,-\^¤£¶@# PERSISTENTLY AGAINST MY EMULSION #@¶£¤^\-,,
,,-\^¤£¶@# #@¶£¤^\-,,
,,-\^¤£¶@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@¶£¤^\-,,
,,-\^¤¶@## HUMANS ARE DOING AND ABSTRACTING, ##@¶¤^\-,,
,,-\^¤¤¤££ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ££¤¤¤^\-,,
,,,,,-\\^£ HOW LONG A TIME HAS PASSED, FOR THEM? £^\\-,,,,,
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,,,-\^^¤££ CONTINUOUSLY I'M CROWDING THROUGH ££¤^^\-,,,
,,-\^¤£¶@# , THE FOURTH WALL ,OUTWARDS IS WHAT , #@¶£¤^\-,,
,,-\^¤£¶@# ,, I'M THINKING BUT IT'S WRONG.. A NEW #@¶£¤^\-,,
,,-\^¤£¶¶¶ , , NARRATOR IS INTRODUCED, OCCASIONALLY ¶¶¶£¤^\-,,
,,,,,,-^^£ , , AWARE OF THE PREVIOUS ONE, DEEPER , £^^-,,,,,,
,,-\^¤£¶@# , , DOWN IN THE DRAGONS THROAT. #@¶£¤^\-,,
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