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,,,,,,,,,,    @                                     ,,,,,,,,,,
,,,,,,,,,,              ,LIZARDRY                   ,,,,,,,,,,
,,,,,,,,,, «           @ @@ @@@  @@@@@@@@@@@@@@@@@@ ,,,,,,,,,,
,,,,,,,,,, @@      THE ART OF C~NNECTING            ,,,,,,,,,,
,,,,,,,,,,        ,    WITH THE OLD MIND            ,,,,,,,,,,
,,,,,,,,,~                                          ~,,,,,,,,,
,,,,,,,,~«             MY MIND IS BEING SKEWED. MI  «~,,,,,,,,
,,,,,,,~«†  SKELETON IS STRINGY AND OLD AND ALIEN   †«~,,,,,,,
,,,,,,~«†%             THE SITUATION IS LITERALLY   %†«~,,,,,,
,,,,,~«†%% PRESSED OUT THROUGH MY EYES, IT'S        %%†«~,,,,,
,,,,~«†%%¤ ECHOING LIKE                             ¤%%†«~,,,,
,,,~«†%%¤@             THE SUNSET OF THE ETERNAL    @¤%%†«~,,,
,,~«†%%¤@@ OCEAN                                    @@¤%%†«~,,
,~«†%%¤@@#         PERSISTENTLY AGAINST MY EMULSION #@@¤%%†«~,
,,~«†%%¤@@                                          @@¤%%†«~,,
,,,~«†%%¤@    IT'S UNGRASPABLE TO ME, WHAT OTHER    @¤%%†«~,,,
,,,,~«†%%¤   HUMANS ARE DOING AND ABSTRACTING,      ¤%%†«~,,,,
,,,,,~«†%%  AND ABOVE ALL ELSE, WHAT TIME THEY USE? %%†«~,,,,,
,,,,,,~«†% HOW LONG A TIME HAS PASSED, FOR THEM?    %†«~,,,,,,
,,,,,,,~«†                                     ,    †«~,,,,,,,
,,,,,,,,~«  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     «~,,,,,,,,
,,,,,,,,,~   CONTINUOUSLY I'M CROWDING THROUGH      ~,,,,,,,,,
,,,,,,,,,, , THE FOURTH WALL  ~OUTWARDS IS WHAT   , ,,,,,,,,,,
,,,,,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,,,,,,,,,,
,,,,,,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,,,,,,
,,,,,,,,,, ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,,,,,
,,,,,,,,,, ~   ~ DOWN IN THE DRAGONS THROAT.        ,,,,,,,,,,
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,,,,,,~«†%                                          %†«~,,,,,,