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¨.~=%*£@@# there is simply no time to choose what #@@£*%=~.¨
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¨¨¨~===%*@ everything is in through the left half @*%===~¨¨¨
¨¨¨¨¨¨.~%£ of my face, and out exactly opposite £%~.¨¨¨¨¨¨
¨¨¨¨¨.=*@@ ...through the right half... of the @@*=.¨¨¨¨¨
¨.~=%*@@## face ##@@*%=~.¨
¨.~=%*£@@# plus minus zero but polar opposites! #@@£*%=~.¨
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¨.~=%*£@@@ beat, maybe one hundred and thirty @@@£*%=~.¨
¨.~=%*£@@# milliseconds, to two hundred and #@@£*%=~.¨
¨.~=%*£@@# #¨# eighty milliseconds, and down, #@@£*%=~.¨
¨.~=%*£@@@ along my dreads, maybe like @@@£*%=~.¨
¨.~=%*£@@# a cap to the left and up four hundred #@@£*%=~.¨
¨.~=%*£@@# to the right #@@£*%=~.¨
¨.~=%*£@@# #@@£*%=~.¨
¨.~=%*£@## about ~magnetism~ or ~what~ ~else~ ##@£*%=~.¨
¨¨¨.=%%%£@ @£%%%=.¨¨¨
¨.~=%*£@## distortion and heavy glass and palm ##@£*%=~.¨
¨¨.~~%%%£@ trees @£%%%~~.¨¨
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¨.~~==%%%£ corridors, my flesh is pushing £%%%==~~.¨
¨¨¨¨¨~=%*£ my £*%=~¨¨¨¨¨
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¨.~=%*£@@@ weird about how much madness that's @@@£*%=~.¨
¨.~=%*£@@# ia ¨ @revolved about to be revolve #@@£*%=~.¨
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