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¨.~†§&##¶# § ZERO § #¶##&§†~.¨
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¨¨¨¨~~§§## ¨¨ MIRROR NOTE ¨¨ ##§§~~¨¨¨¨
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¨.~†§&#¶## AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ##¶#&§†~.¨
¨.~†§&#¶## UNDERAPPRECIATED, UNDERESTIMATED, UNDER ##¶#&§†~.¨
¨.~††††&&¶ THERE IS SIMPLY NO TIME TO CHOOSE WHAT ¶&&††††~.¨
¨.~†§&#¶## ##¶#&§†~.¨
¨.~†§&#¶## EVERYTHING IS IN THROUGH THE LEFT HALF ##¶#&§†~.¨
¨.~†§&#¶## OF MY FACE, AND OUT EXACTLY OPPOSITE ##¶#&§†~.¨
¨.~†§&¶### ...THROUGH THE RIGHT HALF... OF THE ###¶&§†~.¨
¨.~~~†††&¶ FACE ¶&†††~~~.¨
¨.~†§&#¶## PLUS MINUS ZERO BUT POLAR OPPOSITES! ##¶#&§†~.¨
¨.~†§&#¶## ##¶#&§†~.¨
¨.~†§&&&## #¨¨# #¨# # ##&&&§†~.¨
¨¨¨.~†§#¶¶ AND ¶¶#§†~.¨¨¨
¨.~†§&#¶## THE ECHO IS TRAVELLING WITH EVERY ##¶#&§†~.¨
¨.~~~~††§# BEAT, MAYBE ONE HUNDRED AND THIRTY #§††~~~~.¨
¨¨¨¨¨~§### MILLISECONDS, TO TWO HUNDRED AND ###§~¨¨¨¨¨
¨¨¨¨¨.†§## #¨# EIGHTY MILLISECONDS, AND DOWN, ##§†.¨¨¨¨¨
¨.~†§&#¶¶# ALONG MY DREADS, MAYBE LIKE #¶¶#&§†~.¨
¨.~†§&#¶## A CAP TO THE LEFT AND UP FOUR HUNDRED ##¶#&§†~.¨
¨¨¨..~§#¶# TO THE RIGHT #¶#§~..¨¨¨
¨¨¨.††§&&# #&&§††.¨¨¨
¨.~†§&#¶## ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~ ##¶#&§†~.¨
¨¨¨.††††&# #&††††.¨¨¨
¨.~†§&#¶## DISTORTION AND HEAVY GLASS AND PALM ##¶#&§†~.¨
¨¨¨¨..†&## TREES ##&†..¨¨¨¨
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¨.~†§&#¶## I HAVE MUSIC THAT LIVES INTO WEIRDER ##¶#&§†~.¨
¨.~†§&#¶¶¶ CORRIDORS, MY FLESH IS PUSHING ¶¶¶#&§†~.¨
¨¨¨¨¨~§#¶¶ MY ¶¶#§~¨¨¨¨¨
¨.~†§&&&## BODY FURTHER INSIDE ##&&&§†~.¨
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¨.~†§§§§#¶ ¶#§§§§†~.¨
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¨.~~††§§## THERE IS TOO MUCH MOVING INSIDE ##§§††~~.¨
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¨.~†§&#¶## WEIRD REVOLVINGS, HOW MUCH MADNESS, ##¶#&§†~.¨
¨.~†§&#¶## WEIRD ABOUT HOW MUCH MADNESS THAT'S ##¶#&§†~.¨
¨¨¨¨¨~†&&# IA ¨ ¶REVOLVED ABOUT TO BE REVOLVE #&&†~¨¨¨¨¨
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¨.~†§&#### AND I, THE SURGEON, CHOOSE THE ####&§†~.¨
¨¨¨¨¨¨~§## FRYING PAN ##§~¨¨¨¨¨¨
¨¨¨¨¨.~§## WHATEVER DOG I WANT ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ##§~.¨¨¨¨¨
¨.~†§&#¶## AND MY SPEED IS EVERYTHING. THE LAST ##¶#&§†~.¨
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¨.~†§&#¶## RADAR STATION... FOR A WHILE... ##¶#&§†~.¨
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