,,,..-=*§§                                          §§*=-..,,,
,.-==*§###                                          ###§*==-.,
,.-==*§###                                          ###§*==-.,
,.-==*§###                                          ###§*==-.,
,,,..==*§#                                          #§*==..,,,
,,,..-==§# Delay  Delay  D,La#  § =A,  . ,#   -   . #§==-..,,,
,.-==*§###                                          ###§*==-.,
,.-==*§§##                                          ##§§*==-.,
,.-==*§###                                          ###§*==-.,
,.-==*§###                                          ###§*==-.,
,.-==*§### "Delay" Means Repetiton Or Likewise,     ###§*==-.,
,.-==*§### But It'S Mainly Useless Without          ###§*==-.,
,.-==*§### Feedback,                                ###§*==-.,
,,,,,,-=*§ To Allow The Delay To Eat Of It'S Own    §*=-,,,,,,
,.-==*§### Tail, Like One Of Those Eaty Serpents.   ###§*==-.,
,.-==*§### Thus: It'S The Serpent Effect!           ###§*==-.,
,,,,.-===§                                          §===-.,,,,
,.-==*§### It'S To Be Revered As A Creator Of       ###§*==-.,
,.-==*§### Ambience And Of Space, If You Treat It   ###§*==-.,
,,,,,.==*# Right. A Somewhat More Solid And         #*==.,,,,,
,.-==*§### Slippery Sibling Of Reverb.              ###§*==-.,
,,,,--=*##                                          ##*=--,,,,
,.-==*§###                                          ###§*==-.,
,.-==*§§§#                                          #§§§*==-.,
,,,,,,-==§                                          §==-,,,,,,
,.-==*§###                                          ###§*==-.,