,:«*$%§£@#                                          #@£§%$*«:,
,,:«*$%§£@                                          @£§%$*«:,,
,,,:«*$%§£                                          £§%$*«:,,,
,,,,:«*$%§                                          §%$*«:,,,,
,,,,,:«*$%                                          %$*«:,,,,,
,,,,,,:«*$ Delay  Delay  D,La@  § $A,  : ,£   «   : $*«:,,,,,,
,,,,,:«*$%                                          %$*«:,,,,,
,,,,:«*$%§                                          §%$*«:,,,,
,,,:«*$%§£                                          £§%$*«:,,,
,,:«*$%§£@                                          @£§%$*«:,,
,:«*$%§£@# "Delay" Means Repetiton Or Likewise,     #@£§%$*«:,
,,:«*$%§£@ But It'S Mainly Useless Without          @£§%$*«:,,
,,,:«*$%§£ Feedback,                                £§%$*«:,,,
,,,,:«*$%§ To Allow The Delay To Eat Of It'S Own    §%$*«:,,,,
,,,,,:«*$% Tail, Like One Of Those Eaty Serpents.   %$*«:,,,,,
,,,,,,:«*$ Thus: It'S The Serpent Effect!           $*«:,,,,,,
,,,,,:«*$%                                          %$*«:,,,,,
,,,,:«*$%§ It'S To Be Revered As A Creator Of       §%$*«:,,,,
,,,:«*$%§£ Ambience And Of Space, If You Treat It   £§%$*«:,,,
,,:«*$%§£@ Right. A Somewhat More Solid And         @£§%$*«:,,
,:«*$%§£@# Slippery Sibling Of Reverb.              #@£§%$*«:,
,,:«*$%§£@                                          @£§%$*«:,,
,,,:«*$%§£                                          £§%$*«:,,,
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