,,,^-;^%&@                                          @&%^;-^,,,
,,,,^-;^%&                                          &%^;-^,,,,
,,,,,^-;^%                                          %^;-^,,,,,
,,,,,,^-;^                                          ^;-^,,,,,,
,,,,,,,^-;                                          ;-^,,,,,,,
,,,,,,,,^- delay  delay  d,la#  & ^a,  ^ ,@   -   ^ -^,,,,,,,,
,,,,,,,,,^                                          ^,,,,,,,,,
,,,,,,,,^-                                          -^,,,,,,,,
,,,,,,,^-;                                          ;-^,,,,,,,
,,,,,,^-;^                                          ^;-^,,,,,,
,,,,,^-;^% "delay" means repetiton or likewise,     %^;-^,,,,,
,,,,^-;^%& but it's mainly useless without          &%^;-^,,,,
,,,^-;^%&@ feedback,                                @&%^;-^,,,
,,^-;^%&@# to allow the delay to eat of it's own    #@&%^;-^,,
,^-;^%&@## tail, like one of those eaty serpents.   ##@&%^;-^,
,,^-;^%&@# thus: it's the serpent effect!           #@&%^;-^,,
,,,^-;^%&@                                          @&%^;-^,,,
,,,,^-;^%& it's to be revered as a creator of       &%^;-^,,,,
,,,,,^-;^% ambience and of space, if you treat it   %^;-^,,,,,
,,,,,,^-;^ right. a somewhat more solid and         ^;-^,,,,,,
,,,,,,,^-; slippery sibling of reverb.              ;-^,,,,,,,
,,,,,,,,^-                                          -^,,,,,,,,
,,,,,,,,,^                                          ^,,,,,,,,,
,,,,,,,,^-                                          -^,,,,,,,,
,,,,,,,^-;                                          ;-^,,,,,,,
,,,,,,^-;^                                          ^;-^,,,,,,