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##¤$==,,,, ,,,,==$¤##
#¤¤¤**==:, ,:==**¤¤¤#
###£#¤$=:, ,:=$¤#£###
##¤¤**=,,, delay delay d,la# # $a, : ,£ = : ,,,=**¤¤##
##£#¤$*=:, ,:=*$¤#£##
##£#¤$*=:, ,:=*$¤#£##
##£#¤$*=:, ,:=*$¤#£##
£#¤$**:,,, ,,,:**$¤#£
##£#¤$*=:, "delay" means repetiton or likewise, ,:=*$¤#£##
##£#¤$*=:, but it's mainly useless without ,:=*$¤#£##
#$*:,,,,,, feedback, ,,,,,,:*$#
£¤¤¤¤$*=:, to allow the delay to eat of it's own ,:=*$¤¤¤¤£
£££#¤$*=:, tail, like one of those eaty serpents. ,:=*$¤#£££
#$=,,,,,,, thus: it's the serpent effect! ,,,,,,,=$#
##£#¤$*=:, ,:=*$¤#£##
#¤*:,,,,,, it's to be revered as a creator of ,,,,,,:*¤#
#$$*=::,,, ambience and of space, if you treat it ,,,::=*$$#
##£#¤$*=:, right. a somewhat more solid and ,:=*$¤#£##
##£#¤$*=:, slippery sibling of reverb. ,:=*$¤#£##
###$*==,,, ,,,==*$###
##$$==:,,, ,,,:==$$##
##£#¤$*=:, ,:=*$¤#£##
#¤$**==,,, ,,,==**$¤#
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