£%//~~,,,,                                          ,,,,~~//%£
@$$/~~~,,,                                          ,,,~~~/$$@
@@££$%/~,,                                          ,,~/%$££@@
###£$%/~,,                                          ,,~/%$£###
£££%~~,,,,                                          ,,,,~~%£££
£$%/,,,,,, delay  delay  d,la#  £ %a,  , ,@   ~   , ,,,,,,/%$£
#@£%~,,,,,                                          ,,,,,~%£@#
#£$%%%/~,,                                          ,,~/%%%$£#
££%~~~~,,,                                          ,,,~~~~%££
##@£$%/~,,                                          ,,~/%$£@##
#££$$%/~,, "delay" means repetiton or likewise,     ,,~/%$$££#
£%~,,,,,,, but it's mainly useless without          ,,,,,,,~%£
##@£$%/~,, feedback,                                ,,~/%$£@##
##@£$%/~,, to allow the delay to eat of it's own    ,,~/%$£@##
@££$$%/~,, tail, like one of those eaty serpents.   ,,~/%$$££@
£££$$%/~,, thus: it's the serpent effect!           ,,~/%$$£££
££$/,,,,,,                                          ,,,,,,/$££
##@£$%/~,, it's to be revered as a creator of       ,,~/%$£@##
@@@£$%/~,, ambience and of space, if you treat it   ,,~/%$£@@@
##@£$%/~,, right. a somewhat more solid and         ,,~/%$£@##
#@$$%/,,,, slippery sibling of reverb.              ,,,,/%$$@#
##@£$%/~,,                                          ,,~/%$£@##
#££$/,,,,,                                          ,,,,,/$££#
@£$$$%/~,,                                          ,,~/%$$$£@
@@@£$%/~,,                                          ,,~/%$£@@@
##@£$%/~,,                                          ,,~/%$£@##