@@@#£%*=:, ,:=*%£#@@@
##@#£%*=:, ,:=*%£#@##
#@@#£%*=:, ,:=*%£#@@#
#%=,,,,,,, ,,,,,,,=%#
@##%%*:,,, ,,,:*%%##@
#@@#£%*=:, delay delay d,la@ # %a, : ,@ = : ,:=*%£#@@#
#@@#£%*=:, ,:=*%£#@@#
@@@#£%*=:, ,:=*%£#@@@
##@@#£*=:, ,:=*£#@@##
@£%=,,,,,, ,,,,,,=%£@
@@@#£%*=:, "delay" means repetiton or likewise, ,:=*%£#@@@
#£%%==:,,, but it's mainly useless without ,,,:==%%£#
@@£%==,,,, feedback, ,,,,==%£@@
##%=:,,,,, to allow the delay to eat of it's own ,,,,,:=%##
#£*==,,,,, tail, like one of those eaty serpents. ,,,,,==*£#
##@#£%*=:, thus: it's the serpent effect! ,:=*%£#@##
@@@#£%*=:, ,:=*%£#@@@
#@@#£%*=:, it's to be revered as a creator of ,:=*%£#@@#
#%%===:,,, ambience and of space, if you treat it ,,,:===%%#
#@@#£%*=:, right. a somewhat more solid and ,:=*%£#@@#
####£%*=:, slippery sibling of reverb. ,:=*%£####
#@@#£%*=:, ,:=*%£#@@#
@@@#£%*=:, ,:=*%£#@@@
@@@#£%*=:, ,:=*%£#@@@
@#££*:,,,, ,,,,:*££#@
#%*::,,,,, ,,,,,::*%#