....,~;$@&                                          &@$;~,....
...,~;$@&@                                          @&@$;~,...
..,~;$@&@#                                          #@&@$;~,..
.,~;$@&@##                                          ##@&@$;~,.
..,~;$@&@#                                          #@&@$;~,..
...,~;$@&@                $$$$$$$$$$                @&@$;~,...
....,~;$@&                                          &@$;~,....
.....,~;$@                lyra eight                @$;~,.....
......,~;$                                          $;~,......
.......,~;                    ..                    ;~,.......
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......,~;$                                          $;~,......
.....,~;$@              cave sculpter               @$;~,.....
....,~;$@&         dream to chord translator        &@$;~,....
...,~;$@&@                                          @&@$;~,...
..,~;$@&@#   eight voiced bleeding fortune teller   #@&@$;~,..
.,~;$@&@##                                          ##@&@$;~,.
..,~;$@&@#     dual self-modulating delay line      #@&@$;~,..
...,~;$@&@        switch for "total feedback"       @&@$;~,...
....,~;$@&                                          &@$;~,....
.....,~;$@           lick the contact pads          @$;~,.....
......,~;$                                          $;~,......
.......,~;                $        $                ;~,.......
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.......,~;                    ..                    ;~,.......
......,~;$                                          $;~,......
.....,~;$@         gearlist . another synth         @$;~,.....
....,~;$@&                                          &@$;~,....
...,~;$@&@        $$$$$$$$$$$$$$$$$$$$$$$$$         @&@$;~,...
..,~;$@&@#                                          #@&@$;~,..
.,~;$@&@##                                          ##@&@$;~,.
..,~;$@&@#                                          #@&@$;~,..
...,~;$@&@                                          @&@$;~,...
....,~;$@&                                          &@$;~,....