,,,,-==*%&                                          &%*==-,,,,
,,,,,-==*%                                          %*==-,,,,,
,,,,,,-==*                                          *==-,,,,,,
,,,,,,,-==                                          ==-,,,,,,,
,,,,,,,,-=                                          =-,,,,,,,,
,,,,,,,-== Delay  Delay  D,La#  & *A,  - ,@   =   - ==-,,,,,,,
,,,,,,-==*                                          *==-,,,,,,
,,,,,-==*%                                          %*==-,,,,,
,,,,-==*%&                                          &%*==-,,,,
,,,-==*%&@                                          @&%*==-,,,
,,-==*%&@# "Delay" Means Repetiton Or Likewise,     #@&%*==-,,
,-==*%&@## But It'S Mainly Useless Without          ##@&%*==-,
,,-==*%&@# Feedback,                                #@&%*==-,,
,,,-==*%&@ To Allow The Delay To Eat Of It'S Own    @&%*==-,,,
,,,,-==*%& Tail, Like One Of Those Eaty Serpents.   &%*==-,,,,
,,,,,-==*% Thus: It'S The Serpent Effect!           %*==-,,,,,
,,,,,,-==*                                          *==-,,,,,,
,,,,,,,-== It'S To Be Revered As A Creator Of       ==-,,,,,,,
,,,,,,,,-= Ambience And Of Space, If You Treat It   =-,,,,,,,,
,,,,,,,-== Right. A Somewhat More Solid And         ==-,,,,,,,
,,,,,,-==* Slippery Sibling Of Reverb.              *==-,,,,,,
,,,,,-==*%                                          %*==-,,,,,
,,,,-==*%&                                          &%*==-,,,,
,,,-==*%&@                                          @&%*==-,,,
,,-==*%&@#                                          #@&%*==-,,
,-==*%&@##                                          ##@&%*==-,