@¨@¨¨@@¨@@ @@¨@¨¨@¨¨¨
@¨@¨@¨@¨¨@ @@¨@¨@@¨¨@
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ $$$$$$$$$$ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ Lyra eight ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ ¨¨ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ~ ~ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ « « ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ^ ^ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ $ $ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ Cave Sculpter ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ Dream To Chord Translator ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ Eight Voiced Bleeding Fortune Teller ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ Dual Self-Modulating Delay Line ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ Switch For "Total Feedback" ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ Lick The Contact Pads ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ $ $ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ^ ^ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ « « ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ~ ~ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ ¨¨ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ Gearlist ¨ Another Synth ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ $$$$$$$$$$$$$$$$$$$$$$$$$ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨¨@ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@@ ¨@¨@¨¨@¨@¨