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....,-^$§&                                          &§$^-,....
.....,-^$§                                          §$^-,.....
......,-^$                                          $^-,......
.......,-^                                          ^-,.......
........,- delay  delay  d.la#  & $a.  , .£   -   , -,........
.........,                                          ,.........
..........                                          ..........
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........., "delay" means repetiton or likewise,     ,.........
........,- but it's mainly useless without          -,........
.......,-^ feedback,                                ^-,.......
......,-^$ to allow the delay to eat of it's own    $^-,......
.....,-^$§ tail, like one of those eaty serpents.   §$^-,.....
....,-^$§& thus: it's the serpent effect!           &§$^-,....
...,-^$§&£                                          £&§$^-,...
..,-^$§&£# it's to be revered as a creator of       #£&§$^-,..
.,-^$§&£## ambience and of space, if you treat it   ##£&§$^-,.
..,-^$§&£# right. a somewhat more solid and         #£&§$^-,..
...,-^$§&£ slippery sibling of reverb.              £&§$^-,...
....,-^$§&                                          &§$^-,....
.....,-^$§                                          §$^-,.....
......,-^$                                          $^-,......
.......,-^                                          ^-,.......
........,-                                          -,........