.,-:%*####                                          ####*%:-,.
....-::%%#                                          #%%::-....
.,-:%*####                                          ####*%:-,.
.,-:%*####                                          ####*%:-,.
.....,-%##                                          ##%-,.....
.,-:%*#### delay  delay  d.la#  # %a.  , .#   -   , ####*%:-,.
.,-:%*####                                          ####*%:-,.
.,-:%%%%##                                          ##%%%%:-,.
......-:%#                                          #%:-......
.,-:%*####                                          ####*%:-,.
.,-:%*#### "delay" means repetiton or likewise,     ####*%:-,.
.,-:::%**# but it's mainly useless without          #**%:::-,.
.,-:%*#### feedback,                                ####*%:-,.
.,-::%***# to allow the delay to eat of it's own    #***%::-,.
.,,,,::%## tail, like one of those eaty serpents.   ##%::,,,,.
.,-:%*#### thus: it's the serpent effect!           ####*%:-,.
.,-:%*####                                          ####*%:-,.
.,-%*##### it's to be revered as a creator of       #####*%-,.
.,-:%*#### ambience and of space, if you treat it   ####*%:-,.
.,-:%*#### right. a somewhat more solid and         ####*%:-,.
....-:%%*# slippery sibling of reverb.              #*%%:-....
.,-:::**##                                          ##**:::-,.
.,-:%%%*##                                          ##*%%%:-,.
....,:%*##                                          ##*%:,....
....,,-%##                                          ##%-,,....
....-:*###                                          ###*:-....