,:~;%*§@@# #@@§*%;~:,
,:~;%*§@@@ @@@§*%;~:,
,,,,~%*§@@ @@§*%~,,,,
,,:~;;**@@ @@**;;~:,,
,,,,,,~~%§ §%~~,,,,,,
,,,,,~~;*§ Delay Delay D,La@ § %A, : ,@ ~ : §*;~~,,,,,
,:~;%*§@@# #@@§*%;~:,
,:~;%*§@@@ @@@§*%;~:,
,,:~~~%%§@ @§%%~~~:,,
,:~;%*§@@# #@@§*%;~:,
,:~;%*§@@# "Delay" Means Repetiton Or Likewise, #@@§*%;~:,
,,,:~;**@@ But It'S Mainly Useless Without @@**;~:,,,
,:~;%*§@@@ Feedback, @@@§*%;~:,
,:~;%*§@@# To Allow The Delay To Eat Of It'S Own #@@§*%;~:,
,:;%*§@@## Tail, Like One Of Those Eaty Serpents. ##@@§*%;:,
,:~;%*§@@@ Thus: It'S The Serpent Effect! @@@§*%;~:,
,:~;%*§@@# #@@§*%;~:,
,:~;%*§@@# It'S To Be Revered As A Creator Of #@@§*%;~:,
,,,~;;%§§§ Ambience And Of Space, If You Treat It §§§%;;~,,,
,:~;%§@@## Right. A Somewhat More Solid And ##@@§%;~:,
,:~;%*§@@# Slippery Sibling Of Reverb. #@@§*%;~:,
,:~;;;%§§@ @§§%;;;~:,
,:~;%*§@@# #@@§*%;~:,
,,,,,~%§§@ @§§%~,,,,,
,:~;%%%§§§ §§§%%%;~:,
,,,,,::;%§ §%;::,,,,,