,:~\*@## ###&@*\~:,
,:~\*@#### ####@*\~:,
,:~\*@## ###&@*\~:,
,:~\*@## ###&@*\~:,
,:\*@### ####&@*\:,
,,,,,:~* Delay Delay D,La# & *A, : ,# ~ : #&*~:,,,,,
,:~\*@## ###&@*\~:,
,,,::~~*@# #@*~~::,,,
,:~\*@## ###&@*\~:,
,:~\*@## ###&@*\~:,
,:~\@### "Delay" Means Repetiton Or Likewise, ####&@\~:,
,,,,:~*&&& But It'S Mainly Useless Without &&&*~:,,,,
,:~~\\\* Feedback, #&*\\\~~:,
,,,~~\\\@# To Allow The Delay To Eat Of It'S Own #@\\\~~,,,
,:::\\\\@& Tail, Like One Of Those Eaty Serpents. &@\\\\:::,
,:~\*### Thus: It'S The Serpent Effect! ####&*\~:,
,,,,,,:\@& &@\:,,,,,,
,:~\*@## It'S To Be Revered As A Creator Of ###&@*\~:,
,:~\*@## Ambience And Of Space, If You Treat It ###&@*\~:,
,:~~\\*# Right. A Somewhat More Solid And ##&*\\~~:,
,,:~~\*@ Slippery Sibling Of Reverb. #&@*\~~:,,
,:~\*@@# ##&@@*\~:,
,:~\*@## ###&@*\~:,
,:~\*@## ###&@*\~:,
,:~\*@## ###&@*\~:,
,:~\*@## ###&@*\~:,