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¨-«\*£¤@## # the name is a little mis- # ##@¤£*\«-¨
¨¨-«\*£¤@# « giving, because of course there is « #@¤£*\«-¨¨
¨¨¨-«\*£¤@ no real geometry in the caves. you may @¤£*\«-¨¨¨
¨¨-«\*£¤@# feel as if you are venturing into some #@¤£*\«-¨¨
¨-«\*£¤@## vast structure, but you are in fact ##@¤£*\«-¨
¨¨-«\*£¤@# leaving any such thing at the entrance. #@¤£*\«-¨¨
¨¨¨-«\*£¤@ @¤£*\«-¨¨¨
¨¨-«\*£¤@# leaving physical tethers behind, #@¤£*\«-¨¨
¨-«\*£¤@## submitting to an inescapable darkness, ##@¤£*\«-¨
¨¨-«\*£¤@# the world around you becomes more of a #@¤£*\«-¨¨
¨¨¨-«\*£¤@ manifestation of your mind, or a @¤£*\«-¨¨¨
¨¨-«\*£¤@# collective mind, with a shape and a #@¤£*\«-¨¨
¨-«\*£¤@## direction and a taste. ##@¤£*\«-¨
¨¨-«\*£¤@# #@¤£*\«-¨¨
¨¨¨-«\*£¤@ inescapeable darkness, because if you @¤£*\«-¨¨¨
¨¨-«\*£¤@# bring a candle or mount electrical #@¤£*\«-¨¨
¨-«\*£¤@## lights, the walls only serves as ##@¤£*\«-¨
¨¨-«\*£¤@# markers to where the tiny spatial #@¤£*\«-¨¨
¨¨¨-«\*£¤@ existence ends and the darkness beneath @¤£*\«-¨¨¨
¨¨-«\*£¤@# it begins. #@¤£*\«-¨¨
¨-«\*£¤@## ##@¤£*\«-¨
¨¨-«\*£¤@# like an inverted mandelbrot, the real #@¤£*\«-¨¨
¨¨¨-«\*£¤@ cave is actually not the pockets, but @¤£*\«-¨¨¨
¨¨-«\*£¤@# the black around them. keep that in #@¤£*\«-¨¨
¨-«\*£¤@## mind. ##@¤£*\«-¨
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¨¨-«\*£¤@# #@¤£*\«-¨¨
¨-«\*£¤@## the moisture that permeates any cave ##@¤£*\«-¨
¨¨-«\*£¤@# worth it's name... it's the water the #@¤£*\«-¨¨
¨¨¨-«\*£¤@ world rose from. it's the water you @¤£*\«-¨¨¨
¨¨-«\*£¤@# drown in, in your dreams. #@¤£*\«-¨¨
¨-«\*£¤@## ##@¤£*\«-¨
¨¨-«\*£¤@# the only sounds in the cave are those #@¤£*\«-¨¨
¨¨¨-«\*£¤@ that you make yourselves. they may be @¤£*\«-¨¨¨
¨¨-«\*£¤@# distorted by the stone structure, and #@¤£*\«-¨¨
¨-«\*£¤@## amplified by your mind. try not to be ##@¤£*\«-¨
¨¨-«\*£¤@# alarmed, try to remember the persons #@¤£*\«-¨¨
¨¨¨-«\*£¤@ and objects around you, and you can @¤£*\«-¨¨¨
¨¨-«\*£¤@# discern a mirage from a friend. #@¤£*\«-¨¨
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