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,@,@,@@,@, ,,@,@@,@,@
,@,@,,@,@, ,@@,,@,@,@
,@,@,@@,@, delay delay d,la@ @ $a, - ,¶ « - ,,@,@@,@,@
,@,@,,@,@, ,@@,,@,@,@
,@,@,@@,@, ,,@,@@,@,@
,@,@,,@,@, ,@@,,@,@,@
,@,@,@@,@, ,,@,@@,@,@
,@,@,,@,@, "delay" means repetiton or likewise, ,@@,,@,@,@
,@,@,@@,@, but it's mainly useless without ,,@,@@,@,@
,@,@,,@,@, feedback, ,@@,,@,@,@
,@,@,@@,@, to allow the delay to eat of it's own ,,@,@@,@,@
,@,@,,@,@, tail, like one of those eaty serpents. ,@@,,@,@,@
,@,@,@@,@, thus: it's the serpent effect! ,,@,@@,@,@
,@,@,,@,@, ,@@,,@,@,@
,@,@,@@,@, it's to be revered as a creator of ,,@,@@,@,@
,@,@,,@,@, ambience and of space, if you treat it ,@@,,@,@,@
,@,@,@@,@, right. a somewhat more solid and ,,@,@@,@,@
,@,@,,@,@, slippery sibling of reverb. ,@@,,@,@,@
,@,@,@@,@, ,,@,@@,@,@
,@,@,,@,@, ,@@,,@,@,@
,@,@,@@,@, ,,@,@@,@,@
,@,@,,@,@, ,@@,,@,@,@
,@,@,@@,@, ,,@,@@,@,@