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...«:*%¤## statuette ##¤%*:«...
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,,.-=%¤&@# $$$**§£%§$££$%$*«-~«=~=«§£&¤%*@%¤¤*@&£*§ #@&¤%=-.,,
¨-~;*£&@@# &££§$$$$& #@@&£*;~-¨
,,-»^%¤### ###¤%^»-,,
.~«/†£§### forests around my childhood home. thick ###§£†/«~.
,¨,«*†£§#@ pine arcades that were planted and @#§£†*«,¨,
¨^~=%&§¶@# forgotten. wild boars roaming #@¶§&%=~^¨
.,,~^§£@## underneath, sniffing at the ground. it ##@£§^~,,.
¨,~=§%£@@# is dark and moist, the canopy having #@@£%§=~,¨
.¨-»:%£@@# already soaked up all the sun. #@@£%:»-¨.
.,~†^&@# #@#&&^†~,.
¨,,«=%£@¶# there's a river passing by, from east #¶@£%=«,,¨
.,~:*$@#@# to west, getting broader and deeper and #@#@$*:~,.
¨.:~=%%¤## slower as it goes. equisetum grow just ##¤%%=~:.¨
.:«†=%¤@## where the pine hands start to let ##@¤%=†«:.
,.~=*^&@£# through light, horsemint on the rocky #£@&^*=~.,
,^~/*§§### river bed. ###§§*/~^,
¨,,~=$§§## ##§§$=~,,¨
.-~*%£¤¶## = ##¶¤£%*~-.
.,.~:*$§## ##§$*:~.,.
¨:=;%&¤#@# the riverbanks reek of magic. tonight #@#¤&%;=:¨
¨..~;*££¶# they had been a swampworld with sylvan #¶££*;~..¨
¨,»†%$¤@@# water, stone rings and floating moss. #@@¤$%†»,¨
,¨,»/†$£#@ you could've found me wallowing around @#£$†/»,¨,
.,~\§@#### on the southern shores until i got ####@§\~,.
.¨--*^¶# bitten. #¶#&^*--¨.
,,~\†£@### ###@£†\~,,
,.~-;*%&@# but now i'm further back, on solid #@&%*;-~.,
,:~†^$¤¶## ground, in shoulder-high grass, with an ##¶¤$^†~:,
.¨,~;*&@¶@ orange tin radio and a translucent @¶@&*;~,¨.
¨,«=%§¤### umbrella which i'm sitting on. ###¤§%=«,¨
¨,,=;§$£¶@ @¶£$§;=,,¨
¨--;†$¤### / ###¤$†;--¨
¨¨^«††*### ###*††«^¨¨
¨-~:^%## somethings moving in the grass. it's ###&%^:~-¨
.¨,-/%$### invisible to my eyes but i can feel ###$%/-,¨.
¨^»^%@§### through the ground just how large it is. ###§@%^»^¨
.¨.=/§¤@#@ @#@¤§/=.¨.
.^~*§§§£@# the soil is muddy. i slip when trying #@£§§§*~^.
.,.»=†$£#@ to get up, still looking at the @#£$†=».,.
,-~^*¤¤¶@# direction of sound rather than at my #@¶¤¤*^~-,
.,,=:$$¤¶# hands, who are busy putting things in #¶¤$$:=,,.
¨.~*†¤££@# my pockets. #@££¤†*~.¨
¨,.»^*$@#@ @#@$*^».,¨
,:»/†£@### then i run east toward my home. ###@£†/»:,
¨.,»***§@@ @@§***»,.¨
¨.=\=$¤### ^ ###¤$=\=.¨
.,.~:%*§## ##§*%:~.,.
¨:~†%$#£## i am not followed, and slow down in the ##£#$%†~:¨
¨.-=^§££@# clearing where you at first can spot #@££§^=-.¨
.-=^§§¤#@# the house, not yet really in the #@#¤§§^=-.
¨¨,»†*&@£@ backyard. from my pockets i retrieve my @£@&*†»,¨¨
,--=%§&@@# radio (now dented) but also a small #@@&§%=--,
.¨-«†§§&£@ clay figure i've never seen before. it @£&§§†«-¨.
.^~*†£§¶## must have been laying in the wet dirt, ##¶§£†*~^.
,.-«*§@¤@# and i must've picked it up with my #@¤@§*«-.,
..~^†£¤£## other belongings. ##£¤£†^~..
.¨,~†$¤#@# #@#¤$†~,¨.
¨,=†*%@@## it's a statuette of a girl laying naked ##@@%*†=,¨
¨.,«*%¤@¶# on her stomach, feet in the air, #¶@¤%*«,.¨
¨,~:=§§£## roughly seven centimeters long. it's ##£§§=:~,¨
..,-†*$&£# freshly made, not yet completely dried. #£&$*†-,..
.~~:^£#@## ##@#£^:~~.
,.,«:$$¤## my mom is here now. i ask her for some ##¤$$:«,.,
,,-*%@¤### particle board for it to dry on, but ###¤@%*-,,
¨,,==^$¤## she is worried and wants me to ##¤$^==,,¨
.,«†$£¤### throw it away. ###¤£$†«,.
.¨^~\%£§#@ @#§£%\~^¨.
,:-:%%@# #@#&%%:-:,
¨¨~»\*%@## ##@%*\»~¨¨
,,=^%£¤¶## ##¶¤£%^=,,
.¨-=^†£# #£#&†^=-¨.
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