.:«^\§@$¤¤ ¤¤$@§\^«:.
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,¨,,¨,;^$¤ ¤$^;,¨,,¨,
.,~^$££@## ##@££$^~,.
,~~=††$¤## statuette ##¤$††=~~,
.,»†^&@### ###@&^†»,.
¨~~\=$@### @¤%$*£%&$*$§*§£&~~-~~~=»&*$£§£¤$$£¤¤¤$$§ ###@$=\~~¨
¨^»\†%#£## %%¤%&&$§£ ##£#%†\»^¨
,~-†;\:;*@ @*;:\;†-~,
..¨,.,/§¤¶ forests around my childhood home. thick ¶¤§/,.,¨..
¨¨,.-\=*§¶ pine arcades that were planted and ¶§*=\-.,¨¨
¨,~†$%&£@# forgotten. wild boars roaming #@£&%$†~,¨
,~»/^@#### underneath, sniffing at the ground. it ####@^/»~,
¨:«;\^*§$@ is dark and moist, the canopy having @$§*^\;«:¨
..-†$$&£## already soaked up all the sun. ##£&$$†-..
¨...,~/£ #&£/~,...¨
,.«\*£##@# there's a river passing by, from east #@##£*\«.,
¨¨.,^««:%£ to west, getting broader and deeper and £%:««^,.¨¨
,.~^%£%@#§ slower as it goes. equisetum grow just §#@%£%^~.,
.,~;%%£@## where the pine hands start to let ##@£%%;~,.
,.~«~=%@£# through light, horsemint on the rocky #£@%=~«~.,
.,..,~;$#£ river bed. £#$;~,..,.
.~»*=$¤@#@ @#@¤$=*»~.
^~=§%£@### * ###@£%§=~^
.,¨¨.:** #&**:.¨¨,.
.^-=%££@@# the riverbanks reek of magic. tonight #@@££%=-^.
,--^%@£### they had been a swampworld with sylvan ###£@%^--,
,.«/†&@#@# water, stone rings and floating moss. #@#@&†/«.,
,--^*@## you could've found me wallowing around ##@#&*^--,
¨~~;**@@## on the southern shores until i got ##@@**;~~¨
,..,..^;&£ bitten. £&;^..,..,
.:«:†*=%*# #*%=*†:«:.
,,,,~.,\=@ but now i'm further back, on solid @=\,.~,,,,
¨.=;%$## ground, in shoulder-high grass, with an ###&$%;=.¨
,^»†^%£$££ orange tin radio and a translucent ££$£%^†»^,
,,¨.:=%¤¤@ umbrella which i'm sitting on. @¤¤%=:.¨,,
.,-*%$¤@## ##@¤$%*-,.
.-«^=$¤&@# * #@&¤$=^«-.
¨,~†§£#@## ##@#£§†~,¨
.,,.,=»/¤# somethings moving in the grass. it's #¤/»=,.,,.
.,»\$$£¶## invisible to my eyes but i can feel ##¶£$$\»,.
.~~†$*&£## through the ground just how large it is. ##£&*$†~~.
.,.,.=$^£¶ ¶£^$=.,.,.
¨,,.,»=§#& the soil is muddy. i slip when trying §=»,.,,¨
.:-^*%&@## to get up, still looking at the ##@&%*^-:.
,,.,-†%$%@ direction of sound rather than at my @%$%†-,.,,
.-«=$£§### hands, who are busy putting things in ###§£$=«-.
.,~*^§£### my pockets. ###£§^*~,.
.-=;%$£¶## ##¶£$%;=-.
..-*†*£@## then i run east toward my home. ##@£*†*-..
..«;%§£@@# #@@£§%;«..
,,»*§£@#@# ^ #@#@£§*»,,
¨,==*%£### ###£%*==,¨
¨,«;§£@@@# i am not followed, and slow down in the #@@@£§;«,¨
.-~*=&§£## clearing where you at first can spot ##£§&=*~-.
.-»/$§&¶## the house, not yet really in the ##¶&§$/»-.
¨-~;*§@#@# backyard. from my pockets i retrieve my #@#@§*;~-¨
.,,.¨»~†£# radio (now dented) but also a small #£†~»¨.,,.
,~»\§&¤@## clay figure i've never seen before. it ##@¤&§\»~,
,.«:^$#### must have been laying in the wet dirt, ####$^:«.,
,¨,~;;&%§# and i must've picked it up with my #§%&;;~,¨,
¨.,,=†§£@£ other belongings. £@£§†=,,.¨
¨-»*$£&@## ##@&£$*»-¨
¨,»\%%#@## it's a statuette of a girl laying naked ##@#%%\»,¨
,:~:~.;*§# on her stomach, feet in the air, #§*;.~:~:,
¨.¨¨¨~;§¤# roughly seven centimeters long. it's #¤§;~¨¨¨.¨
,.~††§#@@# freshly made, not yet completely dried. #@@#§††~.,
.,¨-;*\†$@ @$†\*;-¨,.
¨.¨¨¨:~/$¤ my mom is here now. i ask her for some ¤$/~:¨¨¨.¨
¨,.~~~=$§# particle board for it to dry on, but #§$=~~~.,¨
,,,««~=% she is worried and wants me to #&%=~««,,,
¨-~^=£¤@@# throw it away. #@@¤£=^~-¨
.¨,--~=\¤@ @¤\=~--,¨.
.,-:%%¤£## ##£¤%%:-,.
.^«;=%£### ###£%=;«^.
.¨¨¨¨,,;$@ @$;,,¨¨¨¨.
¨,-:~*=££§ §££=*~:-,¨
,.~:%$@#@# #@#@$%:~.,