,¨,¨¨¨&,,, .¨¨,§§¨.£.
£§£&£.,¨¤¤ @£#,,,.¨.¨
,§£#¨.§,,, ¨&,.#@§£¤.
..§.,¨,¨#¤ ¨.,..¤&£,,
£.¨,#§¤¨,¨ §¤¤@¨,£.,#
,,¤¨¨£..£# statuette £@&.¨¨,..¨
£...¨,.,,@ &@,.§§¤@#§
¨¨£¤@££#¨, $$£¤¤§§&@%%$%&%%~»~--»»~*£&£&$@@$%&$¤§%& #¨,¨¨£¤&&§
.¨.@&@@,.. @%£*¤**%% .,£&,,££#.
@@.¨£¤,.¤£ £,.,.,.@¨.
¨.,,..¨¨,¨ forests around my childhood home. thick ¨,@§#&.,¨¨
@#¤@¤&@£§# pine arcades that were planted and £¨.¤&¨,§#&
#@£#§@§# forgotten. wild boars roaming ¨.,¨,¨.,§£
£¤§#§£¤¤¤¤ underneath, sniffing at the ground. it .&&¤#¤§,.§
§§@&&@&¤@£ is dark and moist, the canopy having .¨@£§#¨¨.,
,§£#&§£§§@ already soaked up all the sun. ¨.,£§.¨@&,
¨,@£@§#@ £&.,¨,¨.¨.
@,,@¤£#¤&& there's a river passing by, from east ¨¨¨££#&&§#
¨...£@§@@, to west, getting broader and deeper and @&¨¨@¤#@&&
¨¤@,.&££¨, slower as it goes. equisetum grow just £¨..,¤#@£,
,...¨¨¤,¨. where the pine hands start to let ,,&§.¨££¨,
§&£&¤¨¨¨#¤ through light, horsemint on the rocky @¨.¨¨¨¨¨.§
&§£¤.¨£,,§ river bed. ..§¤§¤#&..
¨¤§¨.¨¨,.¨ ,..¤##¤¨,,
¨¨¨¨¤#&&&¤ † @¤,.#&¨¨@@
,¤¤¨,&¤#££ ,,¨¨,,,.¨.
¨.,.,.§#¤, the riverbanks reek of magic. tonight @§@¤@#£££@
¨£§#@,,&.. they had been a swampworld with sylvan ¨£@¤§&¤§&,
,¨£@,,,,¨¤ water, stone rings and floating moss. ¨¨£¤,,
#,¨,¨§£¤,. you could've found me wallowing around ,¨.&&@&.,&
..¨¨#¨¨¤ on the southern shores until i got £&¨¨¤@..¨,
§¨¨.,¨¨.,¨ bitten. ¨¨..¨..£§#
.¨&§#§@¤#¤ £##£@£,.@£
,¨¨&@¤@#§# but now i'm further back, on solid §@¤#@¨.¨¨.
@¤..&@@. ground, in shoulder-high grass, with an #@§&.¨@@&§
@¨,¨,¤,, orange tin radio and a translucent &&£,.,.@#§
,.£&.,&.,§ umbrella which i'm sitting on. @£.¨&§,,£&
..¨,¨¨¨,¨, ,,¨.,¨¨,¨¨
#&§£@&&&@# ^ §§&£¤#§§@£
@£§@£#@@@¤ &§@£¤£@§&§
@£¤£&£@#£@ somethings moving in the grass. it's #&&¤¤&¤@§§
@#¤¤§¤&§ invisible to my eyes but i can feel #¤§#£&£&
£&¤#§¤#¤£& through the ground just how large it is. ¤#§§@&@#
@§&§£#@¤ §&@§@#¤#§§
#§££££&&£# the soil is muddy. i slip when trying ¤###¤£#¤
£&£@¤¤§¤ to get up, still looking at the ¤&&£#£¤¤@@
#&¤&£&&§§§ direction of sound rather than at my #@&¤£¤¤&§#
&¤#@§¤££@@ hands, who are busy putting things in §&§@¤@#§§§
§@¤£@£§§ my pockets. &@¤&&&£&£@
@@@§§@#&&@ £@&£@¤¤£§&
#¤§¤&£@@&§ then i run east toward my home. ¤¤#¤#&£@¤£
@&§&@£§§@§ #¤##£@&£§&
#¤§£&£@§§§ † #£¤&£&@¤§&
§£¤¤§¤#£ §¤#@¤¤¤#@§
§@@¤§##@£¤ i am not followed, and slow down in the §&@@#&§¤£¤
#@&¤§§£@§# clearing where you at first can spot &§¤££££§£&
¤¤§@##&@#@ the house, not yet really in the #£¤££@¤§#§
§§£#§£#@¤§ backyard. from my pockets i retrieve my &¤#££££@
££@§#§¤# radio (now dented) but also a small ¤£££#&§@§§
¤&&&¤¤#§&¤ clay figure i've never seen before. it £#¤£@@@@§&
@@£@#&§&&§ must have been laying in the wet dirt, #£&@##§£##
#@£###¤&&§ and i must've picked it up with my @#§&&£@@#§
@&@£¤&§& other belongings. £@¤§@§#¤@£
###££#&@@¤ ¤&§§¤££¤#&
&@§&@§£#&@ it's a statuette of a girl laying naked ¤§@¤&@§§##
@§¤@£¤¤# on her stomach, feet in the air, #¤@&@@#@@¤
@#@#§£¤§¤§ roughly seven centimeters long. it's @§##§¤§£¤&
@§§££&££ freshly made, not yet completely dried. £§¤&§#
¤&@£££#@@# @@&§¤§#£&@
##£@£@£¤ my mom is here now. i ask her for some ¤¤@&@£¤##&
§@&§&&£#¤§ particle board for it to dry on, but ¤£@&&¤£§
#&¤¤§#§§§¤ she is worried and wants me to #§#@£@&@&&
£££¤§¤##¤¤ throw it away. £§£&@#@¤
¤¤@@@§§@&§ @&@#£¤##¤@
§£§£&@#££& #¤@£££§£
&§¤§§£#¤&£ &§&£@§§&££
£§£@##¤¤ £§§#§#&&
§&@¤£¤¤&¤£ £@§&§§&¤#¤
£¤@@#§ §#£@@&@#@&