£&§£&.£.¤¨ §,§.#.¨§¨#
§¤@&@.£¨£, §,@.¤¨£§,.
.#¤¤#,¤,#¨ §.¤.&.,@,¤
..@§@,§¨&. §,§.&.@&.£
¨§¨#§,&.&, &,#,#..#.#
¨§,.¤¨&.£, statuette ¤.&,£.££.@
.&,¤¤,@,&. @.¤¨¤..¤,#
.#¨¨&,#.§, §$£§%£§$%@¤%¤$£%~«~=-»»»¤$&%$§£%¤¤$@$%%¤ §,§¨&.£§,£
.&¨£@¨&,£¨ @*@@%£@$£ ¤.#,§¨,#¨¤
,£¨,#,&,&. #¨£.@,§@.£
¨&¨££.£,&, forests around my childhood home. thick @,£¨@..@,¤
.¤¨,§¨£¨@. pine arcades that were planted and £¨#,£¨§#.@
¨§¨@#.¤,§, forgotten. wild boars roaming @,¤¨£¨.@¨§
.&,.@.£¨&. underneath, sniffing at the ground. it ¤.&¨£,#&,¤
¨#¨¤£.#,#, is dark and moist, the canopy having #.@,#,¨¤¨&
.§,.&¨£¨&, already soaked up all the sun. £¨§¨£¨¤@¨#
,#¨#§.£,¤. £¨@.¤.,¤¨@
,@¨.¤.&,@, there's a river passing by, from east £,@¨&,£¤¨&
,@¨£@.#,¤, to west, getting broader and deeper and &,£,£.¨&,¤
,£¨¨£,@.£. slower as it goes. equisetum grow just £.§¨#.§§,§
.@.@@¨#.&, where the pine hands start to let &,§,£,,&¨&
.#.¨§¨@.¤. through light, horsemint on the rocky §,@¨£¨§&,&
.&¨¤£,£.§. river bed. §¨¤¨&,¨@.£
,£¨¨&,&,#¨ &¨#¨@¨§@.§
,@¨##¨@,£. ; £¨@,#,¨£,§
,#,¨§.§.§¨ #,#¨§¨#&,¤
.&¨&@¨@.&¨ the riverbanks reek of magic. tonight &.¤¨@¨¨£¨¤
.£,¨£,§.@, they had been a swampworld with sylvan £¨£,§,£&¨£
,£..&¨#, water, stone rings and floating moss. £¨¤.§¨,¤.#
¨£,,§¨§,¤¨ you could've found me wallowing around #.¤¨£,£#.@
,#.&£,#,£¨ on the southern shores until i got @,@¨&¨.£,£
,@¨,@¨@¨&¨ bitten. @.¤,#,&§¨@
¨#,§§¨@.&, £¨@,@¨.#,@
¨#.¨@¨£,£. but now i'm further back, on solid £¨£,§¨#¤.@
,#¨.§¨#. ground, in shoulder-high grass, with an @,§,&¨.&,&
¨#¨,¤,#.&¨ orange tin radio and a translucent ¤.¤¨§.¤@,&
.@¨@§.#,@. umbrella which i'm sitting on. &¨#.¤..£¨&
.@.,#¨@,@¨ §¨&¨#,£&¨£
.@,@&¨#,¤. ^ §.@¨§,,@¨£
,§¨.@¨#,@¨ £.#¨#,@@.&
.#,¤£¨&.@, somethings moving in the grass. it's #¨£.§,,&,&
.§,¨&.£¨§, invisible to my eyes but i can feel &¨#,£,§@.&
,§.#£¨#¨&¨ through the ground just how large it is. @¨¤¨¤..&.&
,@,.@.@¨&. £¨£.@.£§,§
.&,§#,&.¤. the soil is muddy. i slip when trying §¨&,£¨¨¤.@
¨@,¨&.£,§¨ to get up, still looking at the §,£.&.&¤¨£
,§¨§#.@¨@¨ direction of sound rather than at my §,¤.#,,§,&
¨£..£.&,£, hands, who are busy putting things in £,¤,§,£#.£
,#.¤&,@.§, my pockets. @.&¨@¨.#,£
,@,.&,£,#, #.§,#¨¤£¨§
¨@¨§@¨§,&, then i run east toward my home. §¨@.&.,&.£
.£.¨&¨¤.&¨ #.@.@,#§,§
¨&,¤&.£¨¤. ; £,&.§¨,¤¨£
¨@,¨§.#.£. #,¤.¤¨#&.#
.@,&@¨&¨£. i am not followed, and slow down in the ¤,£.#..§,§
,#,.&¨@.¤¨ clearing where you at first can spot £,&¨&,@&.¤
¨&,&¤¨¤,§. the house, not yet really in the #,£,&,¨§¨§
¨£.¨@¨§¨&, backyard. from my pockets i retrieve my &.&,§.,£
¨#,¤£¨@,@, radio (now dented) but also a small #¨¤¨@..#¨§
¨&¨¨§¨£.£. clay figure i've never seen before. it £.£,§,§£¨#
¨&..¤,¤, must have been laying in the wet dirt, £,§.@¨¨&.§
.@.,&.£.&, and i must've picked it up with my @.@¨&.§£,#
.#.#@¨£¨¤¨ other belongings. #.§,&¨,£,£
¨#¨,£¨¤.£, #,#.§.&@,#
¨&¨£§,£,£. it's a statuette of a girl laying naked ¤¨#,£..£¨#
,&.,§¨¤,@¨ on her stomach, feet in the air, ¤,#.&¨@£.&
.@.¤£¨¤.§¨ roughly seven centimeters long. it's ¤¨@,£,¨£,¤
.@.¨&¨£¨¤, freshly made, not yet completely dried. §,¤¨#.§§¨¤
,&¨¤#,@¨#, #,£,@.,£,£
.§,,#¨&,¤, my mom is here now. i ask her for some §¨&,&.£#,&
,¤.£&.¤,&, particle board for it to dry on, but &,&¨¤,.¤¨@
,£¨,&,@.#. she is worried and wants me to £¨@¨&,¤@.¤
,£,§§.@¨&¨ throw it away. £,@.&,.§.¤
,&,¨¤.#.#. §¨#.&¨@#¨§
,@¨§¤,@.£, @,£.#.,#,#
¨#,.@.&,&¨ #¨§¨§.£§,£
.£.§@,@.&. ¤.£.§.¨§.¤
¨#¨.#¨#.¤, &,§.&,@@,£
¨#.§£.¤.@¨ @,&¨§.,#¨#