.~-/%££@## ##@££%/-~.
.-=†=£§@#@ @#@§£=†=-.
,.,~~~=£¶# #¶£=~~~,.,
,,.¨=~=;*# #*;=~=¨.,,
¨.-†*@§### ###§@*†-.¨
.^»/$¤$%££ statuette ££%$¤$/»^.
,~~:*£@### ###@£*:~~,
,,-/†///%# £@£&@£%%£@¤%@@$$««»»~~»-£%$&¤§@$£$$$£%§$ #%///†/-,,
.¨¨»=\/$¶¶ %&$*@$&*& ¶¶$/\=»¨¨.
.,~*%$§@@# #@@§$%*~,.
.,«*%£§@## forests around my childhood home. thick ##@§£%*«,.
..»;†§@@## pine arcades that were planted and ##@@§†;»..
.-»^%£¤### forgotten. wild boars roaming ###¤£%^»-.
¨,¨¨¨,»†^@ underneath, sniffing at the ground. it @^†»,¨¨¨,¨
.,.,¨^/\¤¶ is dark and moist, the canopy having ¶¤\/^¨,.,.
¨-»*=£#### already soaked up all the sun. ####£=*»-¨
.~-*=$¤@## ##@¤$=*-~.
¨,.,«^†§¤¤ there's a river passing by, from east ¤¤§†^«,.,¨
.,«\$$&@#@ to west, getting broader and deeper and @#@&$$\«,.
,.,=~=/§=& slower as it goes. equisetum grow just &=§/=~=,.,
,:~:^£&£## where the pine hands start to let ##£&£^:~:,
..»**£## through light, horsemint on the rocky ###&£**»..
,.,:~*%#¤# river bed. #¤#%*~:,.,
,.~:†$£### ###£$†:~.,
.:~/%@##££ ; ££##@%/~:.
.,,,.¨¨«*£ £*«¨¨.,,,.
.,-:%@#@@# the riverbanks reek of magic. tonight #@@#@%:-,.
,,¨¨~/£@ they had been a swampworld with sylvan @#&£/~¨¨,,
¨~-/*%¤### water, stone rings and floating moss. ###¤%*/-~¨
,~»:^&§### you could've found me wallowing around ###§&^:»~,
¨--**¤## on the southern shores until i got ###&¤**--¨
,.¨,,--§§& bitten. &§§--,,¨.,
,,¨...,~*¤ ¤*~,...¨,,
¨,,~~^$$@# but now i'm further back, on solid #@$$^~~,,¨
¨:~*%$#@## ground, in shoulder-high grass, with an ##@#$%*~:¨
.-~;†££@@@ orange tin radio and a translucent @@@££†;~-.
.,»;%££### umbrella which i'm sitting on. ###££%;»,.
¨,¨,¨,^=†& &†=^,¨,¨,¨
.-~†*££### : ###££*†~-.
,:«:^%@@## ##@@%^:«:,
,,«/%$¤¶## somethings moving in the grass. it's ##¶¤$%/«,,
¨-=/%&§&£§ invisible to my eyes but i can feel §£&§&%/=-¨
¨^-*^%## through the ground just how large it is. ###&%^*-^¨
,:~/=%@@## ##@@%=/~:,
¨.¨¨.»§=¤£ the soil is muddy. i slip when trying £¤=§».¨¨.¨
,^~**$## to get up, still looking at the ###&$**~^,
¨,.,/$=@## direction of sound rather than at my ##@=$/,.,¨
¨.~=*%¤### hands, who are busy putting things in ###¤%*=~.¨
¨...,^*†*¤ my pockets. ¤*†*^,...¨
.¨..~-*%&@ @&%*-~..¨.
¨,~/%£#@ then i run east toward my home. @##&£%/~,¨
,~.--~*¤§& &§¤*~--.~,
,,»\*&£@## † ##@£&*\»,,
,~~;%*§¶## ##¶§*%;~~,
¨^«;*%#### i am not followed, and slow down in the ####%*;«^¨
,,..,,^%§@ clearing where you at first can spot @§%^,,..,,
¨,«:^¤*§§£ the house, not yet really in the £§§*¤^:«,¨
,,,:~«**¤# backyard. from my pockets i retrieve my #¤**«~:,,,
,,-†%§¤@## radio (now dented) but also a small ##@¤§%†-,,
¨:»=@&@@## clay figure i've never seen before. it ##@@&@=»:¨
.:~**$£### must have been laying in the wet dirt, ###£$**~:.
.,¨,.,;†^& and i must've picked it up with my &^†;,.,¨,.
,,-=†%£¶## other belongings. ##¶£%†=-,,
,:~\%£#@## ##@#£%\~:,
¨^-**%£### it's a statuette of a girl laying naked ###£%**-^¨
,^~*^%¤@## on her stomach, feet in the air, ##@¤%^*~^,
,.~*†%££@# roughly seven centimeters long. it's #@££%†*~.,
,,~†^§&@## freshly made, not yet completely dried. ##@&§^†~,,
,-«;*&¤@## ##@¤&*;«-,
.,«:$$&@£# my mom is here now. i ask her for some #£@&$$:«,.
,,~=::^%$# particle board for it to dry on, but #$%^::=~,,
.-~:%$£#@¶ she is worried and wants me to ¶@#£$%:~-.
,,~:$&§### throw it away. ###§&$:~,,
.--=*@§### ###§@*=--.
,¨,,.»\@%@ @%@\».,,¨,
.¨..-:£$@# #@$£:-..¨.
,¨..,=/%§# #§%/=,..¨,
,^«††*¤@## ##@¤*††«^,
,-~\%££@## ##@££%\~-,