.¨,.§#¤§@¨ ,¨..§&.,.,
£@&¨.¤,, §&@.,¨.#@@
££¨..¨£¨¨, &@,,££,¨#&
¤¨¨§§¨¨,£@ @,,¨,¨¨..§
¨¨,..¨§¨¨, .¨£¤¤§@&.,
###@#..¨¤£ statuette £.,@@¤@¨¨£
&&£§,,&,.¨ .¨..§§¨..,
.@&,¨.,¨&& @$£$%$$%&$&¤££¤@-=-«-~=~%$*%£££&%@%$§&%$ §££¨..,&£.
.¨¨.¤££,.§ %£§&$§$$& ¤¤,,#¤,.¨.
&¤&,¨@¨,¨. #¨.¨,¨.@¤§
§§,.¨¨.@@¤ forests around my childhood home. thick ¨,¤#@@¨,@@
#.¨@£¤¨,¤@ pine arcades that were planted and .,,&@..,¨&
¨,¨,@,¨.,¨ forgotten. wild boars roaming §£,.,¨§&,¨
#&§.,.@&§# underneath, sniffing at the ground. it #.¨§£.¨,¨@
§£,¨@..¤£¨ is dark and moist, the canopy having .,,..,§¤..
.,,,,,..¨, already soaked up all the sun. ,¤§&£¨¨,,.
#§&§§§£&@¨ ¨,¤£¨.#£§&
¤§£§#§¤¤¨. there's a river passing by, from east .¨.¨..¨&@£
@@@§£.,& to west, getting broader and deeper and #¤¤§&£¨,§@
&§£§£¤..,, slower as it goes. equisetum grow just ¨§@§@,¨.,£
§#£&£.¨#§. where the pine hands start to let .,&£¨.¤#,,
¨¤@£¨,.,¨. through light, horsemint on the rocky ¨¨.¨,...,.
.¨¤.¨¤¤£#, river bed. #&¤£#¤§£@&
,,¨..¨#&,, &@@&§#@#§.
§§£§£..,,£ ; @@&£&££¤,.
.¤§§,.§@.¨ ¤&&£¤&&,..
¨¨¤¨,¨¨..¨ the riverbanks reek of magic. tonight #§¤@£@.,@¤
¨¨¨¨&££££# they had been a swampworld with sylvan §#¤££.,,¨¨
§¤#,¨¤###. water, stone rings and floating moss. ¨&¤£¨.@£&@
¤#,¨.,§@,¨ you could've found me wallowing around ¨¨¤,,,¨£@£
¤.¨§#,,¨.@ on the southern shores until i got #.,.#&..@#
.,,...&@¨¨ bitten. ,.£,.,...§
.£&&¤¨,,¨@ @.,,&£¤§.,
.¨#§,,§£¨¨ but now i'm further back, on solid ,,£.¨¤&..¤
..,,¨¨.¨,¨ ground, in shoulder-high grass, with an .¨,.¨¨,.,.
£&&§#§¤£@& orange tin radio and a translucent #£##@#§@&§
@@##@£@@£¤ umbrella which i'm sitting on. §¤£#§#£&£&
@&£&&§¤§§# ¤¤¤#£&§#&&
£@##§&@#§¤ * §¤@@#§#¤££
@§£#§¤@&¤# #¤¤@@#&¤§@
#&¤££# somethings moving in the grass. it's ¤&&&&&£@
§#@&&¤¤@@@ invisible to my eyes but i can feel §&£#§£&£¤£
#£@###¤¤£# through the ground just how large it is. §£¤§£&
#§£#@#£@££ §@£¤@¤#&
@§#@£¤#@§£ the soil is muddy. i slip when trying £###&@§#£#
&£¤&£@&¤&¤ to get up, still looking at the @§§&¤£¤#@£
@&§§#@@#£# direction of sound rather than at my ¤#@##£§¤§§
&£#&§#&£ hands, who are busy putting things in @¤@¤§£##¤@
¤&¤#£@££¤£ my pockets. #¤@#@£#£&£
##&&@@¤§@# §¤§#££££¤#
#£§§£¤@&@£ then i run east toward my home. §#££¤§£¤@£
§&£@£@@¤£# &§§&@@§&££
§#@§&&@§£@ ; @¤@&§#£@£&
&@&££@#§@£ #¤@¤§@@&£@
§£¤#¤£&@ i am not followed, and slow down in the £@¤§#£@¤
§&§@&£#@#& clearing where you at first can spot £&¤@¤&@£
@##§¤##¤ the house, not yet really in the #£&@§&££&@
¤@&&§#&¤@¤ backyard. from my pockets i retrieve my §£¤¤§¤@§@£
&¤@@#£¤@§§ radio (now dented) but also a small £&§¤§¤#¤§£
§¤£&¤¤¤¤££ clay figure i've never seen before. it @&§@&§@£
#£§§&£&£¤£ must have been laying in the wet dirt, &@£¤£¤@£&&
@@&¤¤¤§@§§ and i must've picked it up with my #&§¤§¤£§¤&
#¤¤&¤¤£&@£ other belongings. &@@£@@¤&&§
##&££@§¤¤# ¤¤¤@##@§§§
&£@&§@£§ it's a statuette of a girl laying naked £#&££¤&¤¤§
££¤@&@#£&¤ on her stomach, feet in the air, @@¤#@@&@
¤¤&§§@&§¤& roughly seven centimeters long. it's @¤¤##§§@
@¤§@¤¤§¤ freshly made, not yet completely dried. #§£&££¤£¤£
&£££&§¤£ @£§##&§##§
§&§§££§£@£ my mom is here now. i ask her for some @&&£#§£&@@
&&§§@£§@ particle board for it to dry on, but &¤@£££&@§&
¤§¤£&&&£§£ she is worried and wants me to @§&£#¤£#£#
&@§¤@##§#£ throw it away. ££¤#£@§&¤@
§#§#¤&&§¤§ ##£&@#§#&£
££§¤§¤&£#§ §¤§##§£&@&
#&#£## ###£@§#¤#@
@§@¤§£@¤## #@&&£@&§§¤
¤&§#&&§£@# £##&££##§@
¤#@@#¤§¤££ £§§£#¤@##@