.,,^-:=§&@ @&§=:-^,,.
,¨,,^-\^¤& &¤^\-^,,¨,
..,,«†$*¤¶ ¶¤*$†«,,..
,,.«:=@£## ##£@=:«.,,
¨,«;%@@# #@#&@%;«,¨
,.,«==£@@# statuette #@@£==«,.,
¨¨¨:»\*¤@@ @@¤*\»:¨¨¨
,,,.,«=†££ §*$%$$$*%§§@§&&@-=»~-»»-&§¤$$£*&%&&*$@*& ££†=«,.,,,
.,.-«:†£§@ *$$§@§¤*% @§£†:«-.,.
¨¨:«*=%@ @#&%=*«:¨¨
¨~-\**#@@# forests around my childhood home. thick #@@#**\-~¨
..~-/†§§@# pine arcades that were planted and #@§§†/-~..
,,.-~*†$¤@ forgotten. wild boars roaming @¤$†*~-.,,
.¨,,:«^^£& underneath, sniffing at the ground. it &£^^«:,,¨.
¨,.,«\§£§@ is dark and moist, the canopy having @§£§\«,.,¨
.¨^~/%&§@# already soaked up all the sun. #@§&%/~^¨.
.,~\†¤§### ###§¤†\~,.
,.:~;*$¤£# there's a river passing by, from east #£¤$*;~:.,
,.¨,»\=&§@ to west, getting broader and deeper and @§&=\»,¨.,
.¨¨¨,~/*%¤ slower as it goes. equisetum grow just ¤%*/~,¨¨¨.
¨,¨^-;†$## where the pine hands start to let ##$†;-^¨,¨
¨..~††*@#@ through light, horsemint on the rocky @#@*††~..¨
,^~\**§@## river bed. ##@§**\~^,
,.-~;=$#¶@ @¶#$=;~-.,
.,,,«=%% : #&%%=«,,,.
,,..-«*$$# #$$*«-..,,
...-«;*&&£ the riverbanks reek of magic. tonight £&&*;«-...
,¨:=:^$# they had been a swampworld with sylvan ##&$^:=:¨,
,^~*$§§#@# water, stone rings and floating moss. #@#§§$*~^,
,.,«\%££¶# you could've found me wallowing around #¶££%\«,.,
...:~/%¤@@ on the southern shores until i got @@¤%/~:...
,,.,,=†%£¤ bitten. ¤£%†=,,.,,
¨..,«;*&§@ @§&*;«,..¨
.,^-=%&££# but now i'm further back, on solid #££&%=-^,.
¨,=*†§@£## ground, in shoulder-high grass, with an ##£@§†*=,¨
,.-~;^@£## orange tin radio and a translucent ##£@^;~-.,
¨,.,«^%%@¶ umbrella which i'm sitting on. ¶@%%^«,.,¨
¨..¨-=^$&§ §&$^=-¨..¨
¨.,^~^$$£# ; #£$$^~^,.¨
,.:~=^$£@# #@£$^=~:.,
.,~^^%@£## somethings moving in the grass. it's ##£@%^^~,.
¨¨:-†%*¤## invisible to my eyes but i can feel ##¤*%†-:¨¨
¨¨,:=;*@#@ through the ground just how large it is. @#@*;=:,¨¨
,¨¨,~=††*& &*††=~,¨¨,
¨.¨,~**£@# the soil is muddy. i slip when trying #@£**~,¨.¨
,.-~^§@££# to get up, still looking at the #££@§^~-.,
.,«=^$§¶## direction of sound rather than at my ##¶§$^=«,.
,.~=:%%@@# hands, who are busy putting things in #@@%%:=~.,
,,¨--:*@¤@ my pockets. @¤@*:--¨,,
.¨,,.=†*$£ £$*†=.,,¨.
¨,,.~^%£@# then i run east toward my home. #@£%^~.,,¨
¨,-~/%$££# #££$%/~-,¨
,^-=*&@@@# \ #@@@&*=-^,
¨.~=/$§### ###§$/=~.¨
¨¨,.»/=&@@ i am not followed, and slow down in the @@&=/».,¨¨
...¨,~*=%# clearing where you at first can spot #%=*~,¨...
.¨,^«;%$@¶ the house, not yet really in the ¶@$%;«^,¨.
..^=:†§### backyard. from my pockets i retrieve my ###§†:=^..
,:«†^$## radio (now dented) but also a small ###&$^†«:,
¨.-=;$$@¶# clay figure i've never seen before. it #¶@$$;=-.¨
,,..~^^%#@ must have been laying in the wet dirt, @#%^^~..,,
¨,.¨,~/*£@ and i must've picked it up with my @£*/~,¨.,¨
¨¨,:~;=$£@ other belongings. @£$=;~:,¨¨
¨..»/^£#¶# #¶#£^/»..¨
,,~^†§§### it's a statuette of a girl laying naked ###§§†^~,,
¨,~«/*%#@@ on her stomach, feet in the air, @@#%*/«~,¨
..¨:~^%¤&@ roughly seven centimeters long. it's @&¤%^~:¨..
....-«:%£@ freshly made, not yet completely dried. @£%:«-....
,.¨~»^**£# #£**^»~¨.,
..^«\*£### my mom is here now. i ask her for some ###£*\«^..
.:»;$£§#@# particle board for it to dry on, but #@#§£$;»:.
¨¨.~^*§@## she is worried and wants me to ##@§*^~.¨¨
,¨¨,-:^¤#¶ throw it away. ¶#¤^:-,¨¨,
,.,,,~;§¤@ @¤§;~,,,.,
,¨.,~;$§#@ @#§$;~,.¨,
,..-††%### ###%††-..,
.^~†*&§#@# #@#§&*†~^.
,¨,-:§££@# #@££§:-,¨,
.¨.:~\=@&¶ ¶&@=\~:.¨.