.,=^*§@¶## ##¶@§*^=,.
¨~=†%$#@## ##@#$%†=~¨
.,»*^£§### ###§£^*»,.
¨~«=%&§#@# #@#§&%=«~¨
.,,¨..,-%& &%-,..¨,,.
¨^«*^*§£## statuette ##£§*^*«^¨
.,.~«^$£#§ §#£$^«~.,.
¨.~\%§###£ §£¤£$¤@£$$¤¤£¤%%~~==»~-«&§£¤£$¤£%£$%¤&%* £###§%\~.¨
,,»;$£#£## £$¤£§§&$£ ##£#£$;»,,
,^=/^$@@£# #£@@$^/=^,
,¨,~**$@ forests around my childhood home. thick #&@$**~,¨,
¨^~=%*%^@@ pine arcades that were planted and @@^%*%=~^¨
,:~:%$&£## forgotten. wild boars roaming ##£&$%:~:,
.¨¨¨¨¨~*£# underneath, sniffing at the ground. it #£*~¨¨¨¨¨.
,¨^»==:§$@ is dark and moist, the canopy having @$§:==»^¨,
¨-»*†&¤¤ already soaked up all the sun. #&¤¤&†*»-¨
,«\%%£#### ####£%%\«,
.,¨¨.¨»^@# there's a river passing by, from east #@^»¨.¨¨,.
¨^~==%&@## to west, getting broader and deeper and ##@&%==~^¨
..,..:-*§# slower as it goes. equisetum grow just #§*-:..,..
¨-~^§$¤¶@# where the pine hands start to let #@¶¤$§^~-¨
,,,.~=^*££ through light, horsemint on the rocky ££*^=~.,,,
,,~\§%#@@# river bed. #@@#%§\~,,
..,¨,^*$$& &$$*^,¨,..
,:==§&@£## ; ##£@&§==:,
..~*^%#@## ##@#%^*~..
¨,«/*£¤@## the riverbanks reek of magic. tonight ##@¤£*/«,¨
,,~=%%££@# they had been a swampworld with sylvan #@££%%=~,,
.,-;†$§&$£ water, stone rings and floating moss. £$&§$†;-,.
,:~;*¤¤@## you could've found me wallowing around ##@¤¤*;~:,
..«†=%@£## on the southern shores until i got ##£@%=†«..
,..¨¨.~^¤¶ bitten. ¶¤^~.¨¨..,
,--^%*§¶@# #@¶§*%^--,
.,=;%§£#@# but now i'm further back, on solid #@#£§%;=,.
,-~\=§&@## ground, in shoulder-high grass, with an ##@&§=\~-,
..¨-^^*= orange tin radio and a translucent #&=*^^-¨..
,,»†*%§£@# umbrella which i'm sitting on. #@£§%*†»,,
.~~:%§## ###&§%:~~.
,,¨,»\*@ = @#&*\»,¨,,
,:-:%*§¶@# #@¶§*%:-:,
.:«\=&§#¤# somethings moving in the grass. it's #¤#§&=\«:.
,,^§*&£### invisible to my eyes but i can feel ###£&*§^,,
¨¨.^=-/*&£ through the ground just how large it is. £&*/-=^.¨¨
¨....-«~*@ @*~«-....¨
.,¨¨,;%#£# the soil is muddy. i slip when trying #£#%;,¨¨,.
....~^=% to get up, still looking at the #&%=^~....
¨.¨.»:&¤&¤ direction of sound rather than at my ¤&¤&:».¨.¨
¨:~:§$§#§# hands, who are busy putting things in #§#§$§:~:¨
,..~\;%*£¤ my pockets. ¤£*%;\~..,
..»;%*#@ @##&*%;»..
.,~/^$£### then i run east toward my home. ###£$^/~,.
¨,,.-=;%¤& &¤%;=-.,,¨
¨:»†§$#### ^ ####$§†»:¨
¨:»:$$¤@@# #@@¤$$:»:¨
,~=*$§#### i am not followed, and slow down in the ####§$*=~,
.,.¨-/%*%¤ clearing where you at first can spot ¤%*%/-¨.,.
¨.¨¨¨,=^§@ the house, not yet really in the @§^=,¨¨¨.¨
¨.=*%*#£@# backyard. from my pockets i retrieve my #@£#*%*=.¨
,^-;^%$&@¶ radio (now dented) but also a small ¶@&$%^;-^,
.~~\††£& clay figure i've never seen before. it #&&£††\~~.
.,~*%##@ must have been laying in the wet dirt, @###&%*~,.
¨-=;/^^^@# and i must've picked it up with my #@^^^/;=-¨
¨^=^%*¤### other belongings. ###¤*%^=^¨
¨,-††%§#@# #@#§%††-,¨
,,»^§*@@## it's a statuette of a girl laying naked ##@@*§^»,,
.-~/§£¤@@@ on her stomach, feet in the air, @@@¤£§/~-.
.:~\$*§@@# roughly seven centimeters long. it's #@@§*$\~:.
.-«^;%%$@£ freshly made, not yet completely dried. £@$%%;^«-.
.-=*=£@¶@# #@¶@£=*=-.
¨--;^*§@## my mom is here now. i ask her for some ##@§*^;--¨
,,«=†§@### particle board for it to dry on, but ###@§†=«,,
,.,¨,-:/%@ she is worried and wants me to @%/:-,¨,.,
¨,¨¨¨«%@#¤ throw it away. ¤#@%«¨¨¨,¨
¨,~\*$@##@ @##@$*\~,¨
.¨..\=†%£§ §£%†=\..¨.
..¨,¨»«*£§ §£*«»¨,¨..
¨^=^†£@### ###@£†^=^¨
,.¨==%$§£@ @£§$%==¨.,
.^=*†%¤¶@@ @@¶¤%†*=^.