.-~^*£§### ###§£*^~-.
¨:«\^%£¶## ##¶£%^\«:¨
,...~,«^†@ @†^«,~...,
¨-=\†£&@## ##@&£†\=-¨
.,.¨..~\%§ §%\~..¨.,.
,,~=$§¤#£# statuette #£#¤§$=~,,
,¨.,~^@#@¶ ¶@#@^~,.¨,
.,¨¨..†^£@ §%*¤$%%£@£$%£$*¤=--»«»»«&$£$§&*$£*@§*@%& @£^†..¨¨,.
.¨,,^==^@& £§%$$*$$% &@^==^,,¨.
¨^=†%%@@@# #@@@%%†=^¨
¨~~^=%§@@# forests around my childhood home. thick #@@§%=^~~¨
¨,,..,.»%# pine arcades that were planted and #%».,..,,¨
¨..,^»/§%# forgotten. wild boars roaming #%§/»^,..¨
¨:«†=¤£### underneath, sniffing at the ground. it ###£¤=†«:¨
,-»;£##### is dark and moist, the canopy having #####£;»-,
.:=*%%¤@## already soaked up all the sun. ##@¤%%*=:.
.¨..~=-$&¶ ¶&$-=~..¨.
¨,~\=£££@# there's a river passing by, from east #@£££=\~,¨
.:=:§%@### to west, getting broader and deeper and ###@%§:=:.
¨.=;%%££## slower as it goes. equisetum grow just ##££%%;=.¨
¨:-=$¤£### where the pine hands start to let ###£¤$=-:¨
¨¨,.^«^¶ through light, horsemint on the rocky ¶#&^«^.,¨¨
,-=/^*§=$¤ river bed. ¤$=§*^/=-,
,:~/%$¤¶@# #@¶¤$%/~:,
,^«\*¤#### ^ ####¤*\«^,
,.¨,-~~†*& &*†~~-,¨.,
,:^~«~†* the riverbanks reek of magic. tonight #&*†~«~^:,
¨..,~=\£%£ they had been a swampworld with sylvan £%£\=~,..¨
.,»^$£@# water, stone rings and floating moss. #@#&£$^»,.
¨.~†^¤## you could've found me wallowing around ###&¤^†~.¨
.~«:†$¤@## on the southern shores until i got ##@¤$†:«~.
¨,-=†^%@#@ bitten. @#@%^†=-,¨
¨^~/*$£&@# #@&£$*/~^¨
¨.-^^%@##@ but now i'm further back, on solid @##@%^^-.¨
,~«=*%§¶## ground, in shoulder-high grass, with an ##¶§%*=«~,
.-»*=*#### orange tin radio and a translucent ####*=*»-.
,^=;*@@#¶# umbrella which i'm sitting on. #¶#@@*;=^,
,¨¨,.,\@ @#&\,.,¨¨,
,~»=^%#@## / ##@#%^=»~,
,.¨,.»*†#¤ ¤#†*».,¨.,
.^~=^&¤¶## somethings moving in the grass. it's ##¶¤&^=~^.
,,,..,\*£¶ invisible to my eyes but i can feel ¶£*\,..,,,
,:~%@£#### through the ground just how large it is. ####£@%~:,
.--†=£#@## ##@#£=†--.
¨:~†%¤¤¤£@ the soil is muddy. i slip when trying @£¤¤¤%†~:¨
,^~==$£### to get up, still looking at the ###£$==~^,
,,¨¨,-~*£@ direction of sound rather than at my @£*~-,¨¨,,
¨.,.-;$£¤# hands, who are busy putting things in #¤£$;-.,.¨
..,,-/££## my pockets. ##££/-,,..
.,»=%££@## ##@££%=»,.
,~~^%$§£## then i run east toward my home. ##£§$%^~~,
¨^=;*%£### ###£%*;=^¨
,,~;†£¤### : ###¤£†;~,,
,,,,==^@&@ @&@^==,,,,
¨,¨.¨¨«*=@ i am not followed, and slow down in the @=*«¨¨.¨,¨
¨.~††**&$@ clearing where you at first can spot @$&**††~.¨
..~=~/†$£@ the house, not yet really in the @£$†/~=~..
.~»^*&@@@# backyard. from my pockets i retrieve my #@@@&*^»~.
.¨¨¨,~=£#¶ radio (now dented) but also a small ¶#£=~,¨¨¨.
¨,»=^§¤### clay figure i've never seen before. it ###¤§^=»,¨
..«=$$¤### must have been laying in the wet dirt, ###¤$$=«..
¨^-\%§£@@# and i must've picked it up with my #@@£§%\-^¨
¨,~:§£&§## other belongings. ##§&£§:~,¨
,--*§†%@@# #@@%†§*--,
.:=/%%=@ it's a statuette of a girl laying naked #&@=%%/=:.
,:«*§§&@## on her stomach, feet in the air, ##@&§§*«:,
.,-^%@¤@## roughly seven centimeters long. it's ##@¤@%^-,.
.,~^†£&@@# freshly made, not yet completely dried. #@@&£†^~,.
¨,==%£## ###&£%==,¨
,:-:§§#¶£# my mom is here now. i ask her for some #£¶#§§:-:,
,~«\§$#### particle board for it to dry on, but ####$§\«~,
,¨.¨,.†*£# she is worried and wants me to #£*†.,¨.¨,
¨~»«~-^*£§ throw it away. §£*^-~«»~¨
¨,-=**#£@# #@£#**=-,¨
,,~;†%&£## ##£&%†;~,,
¨¨.,»=*$§£ £§$*=»,.¨¨
¨,,,¨-=£¶# #¶£=-¨,,,¨
¨:~/$£&£## ##£&£$/~:¨
.,=;%§££@# #@££§%;=,.