¨.¨¨¨.@,¨@ £,.¨¤¨,##,
£§¤#@.,.,. .,&¨¨,¨.¨.
,§¤@¨.&§§& ,¨.¨£§§££,
,¨£¨¨¨¨@£, £¤£,,££#¨,
¤.¨¨@&.,¨, .¤,,.,#¨¨#
¨,§,¨.¨¨ statuette ,..¤@,¨,¨.
£...@¤¨,.. £&,¨¨,¤@¤&
¨.@,,,,@@, §$&$£@$&@§%$££&@~«--=~=»&£%$%$*@%%&$@¤*@ #¨,¤&..§£@
,,,,££..¨. $$%£*%£@@ ,..,¨¨¨.¤¨
¤@&,.,,@§£ ,§£&&@@,..
¨¤¨¨§£,¨§& forests around my childhood home. thick .,@#¤§..@,
¨,,.,...,§ pine arcades that were planted and ,,,§¤,.,,¨
§&£#£&¤@,, forgotten. wild boars roaming &¤¨,¨¨&§£§
&@§@¤§¤,.¨ underneath, sniffing at the ground. it £,.£@,.@§#
##¤§§@,.££ is dark and moist, the canopy having ,¨¨..¨.¨#£
&&§£&.,.,¨ already soaked up all the sun. #§&§&@£.,£
@§#@¨.§§ ¤¤§#@§,¨,,
¨§¤.,¨¨&£, there's a river passing by, from east ¤@§££.,&£.
,,..@&¨¨¨¨ to west, getting broader and deeper and @¤§¤,.¨,¨¨
#&¤¨..¨@&@ slower as it goes. equisetum grow just §@§¨.£§@£¤
£@¨,§&¨¨&£ where the pine hands start to let .#,¨,,£#¤§
@.,.,,,¨,. through light, horsemint on the rocky ¨¨¨¤&,¨¤£#
¨.@§¤&¤@#¤ river bed. .#¨.....&@
,.¨@@£&, ..¨§¤#¤¨..
¤¤.,##¤§¨¨ ; ,£,¨§&¨,¤¤
¤¨¨,.,¨§ ¨.,¨¨¨¨..&
,¨#@¨.,¨,¨ the riverbanks reek of magic. tonight ,#¤@&&,.
@,..,¤£¤£. they had been a swampworld with sylvan ,,§§#@£..£
,¨§£¨.¤¤.¨ water, stone rings and floating moss. #¨¨¤§#¨...
#...¨.,¨¨, you could've found me wallowing around ¨,¨¨#,¨¤¤£
,.¤#&¤¤£@# on the southern shores until i got £.,¨¨.§#
,¨¨@@#£§&¨ bitten. £@.,@§&.¨,
¤§¨.§&£#.¨ .¨.,¨@,,@&
¤,.¨,@#.,. but now i'm further back, on solid #@#£,..¨¨§
¨,¤#,¨..¤& ground, in shoulder-high grass, with an #&£¨.&¤#.¨
&¨,,¨&&,.¨ orange tin radio and a translucent §£,.,.@¨.§
.¨£#¨,.¨§£ umbrella which i'm sitting on. ,¨.@£¨.,¨.
¤.,.¨¤&,.¨ §¤..,¨#§@£
¨,&&....§& † ¨,,£¤.¨§@¤
¨,,..#¤.., @¤¨,¨.,.#,
§&£§.¨.,£¤ somethings moving in the grass. it's ¨¨,#£¤#..¨
¨¤@..#@.¨& invisible to my eyes but i can feel &&¨.&@¨.§.
,.,.,.¨,,, through the ground just how large it is. ,¨.,.,,,.,
£@¤#&§@¤ ###¤@§¤&
£&§&@##@ the soil is muddy. i slip when trying ¤§§@§§@§£¤
@§§& to get up, still looking at the #£##¤&£¤#@
§##§£&£¤§@ direction of sound rather than at my ¤£#@@&§£
¤£¤#£¤@#¤& hands, who are busy putting things in ¤¤@@&&¤¤@&
§££@##¤£¤& my pockets. &¤£@£#§@§£
&&¤¤£££@£@ #@§¤£&§¤¤@
§@£&§¤¤@#§ then i run east toward my home. ¤¤£§£##££&
§¤£#&§&¤&& §#@¤¤@@¤#&
#¤§§§@#@£& : ££#¤#&&¤
£££&@@¤&&& &§¤£#@§#§#
¤££@@§@¤@& i am not followed, and slow down in the @£¤@#&&¤£§
#&@¤§¤¤& clearing where you at first can spot £#§§§£#¤¤@
#¤££#§#### the house, not yet really in the §¤¤¤£§¤&&¤
¤#&£@&§§ backyard. from my pockets i retrieve my ¤@£§#£@§@#
§#@#@¤£££& radio (now dented) but also a small @###¤£#§#£
£&@§£££§&& clay figure i've never seen before. it @¤§§@&£#&§
§@§&#¤@§ must have been laying in the wet dirt, ¤&££§@§#
¤§§¤§£@£@¤ and i must've picked it up with my &££#@&§££&
§£@#£¤#§§£ other belongings. @£¤&£¤¤£##
#@§#¤¤§& §¤&¤&¤¤£
@@#&¤§¤&@¤ it's a statuette of a girl laying naked ¤§£§&£¤#££
#§¤§@@§¤@# on her stomach, feet in the air, ¤£@¤§£¤#@@
#&§&§&§¤¤# roughly seven centimeters long. it's @¤&££#¤¤@£
@¤¤£§&@¤#& freshly made, not yet completely dried. #¤&&¤¤£§¤§
£££§&§@§§@ ¤¤@£@&@£
§££&£¤&§#@ my mom is here now. i ask her for some §¤£¤§&£@£&
&£§#£@&@ particle board for it to dry on, but @£&££&£¤£&
£§#£§@@§#£ she is worried and wants me to §@££##£§&@
@#£#&§#¤¤# throw it away. @#£@¤£&§
§@£#¤¤#£ &£§@§&§¤¤£
§¤¤&£¤¤&@# &@¤£§@£§§¤
£&&@£¤@# @@@&¤¤#@&£
£@#§#£@&£§ ##¤#@@#£@£
£&&&¤@£# @@#§¤#£@&£
§£@£¤@¤@§# @#@##§@#¤¤