@¨.,,#¨¨,, ¨,¨¨.¨¤¨,¨
¨.@¤¨.¨@¤£ #§#@@,,.¤¨
@.,.¨£¨,@# ¨£&@¨.#,¨,
,,£¤,¨.¨.£ ..@¨¨..¨@¨
&¨,¨,§§&.. ,¨¨,£&@,¨.
,.££.,&¨¨& statuette &¤#,.£.,£¨
¤.,,¨,¨.,¨ .&¨¨.¨¨.,¨
..&¤¤#§£ @@££¤%§&$$%%%*§%-~-=~«~~*%&@*@*§@&%*@*$* ,,¨¤@££@@.
§,.@§£§§¤£ &$¤¤%£¤$$ ,#¨.@§§¤,,
¨,.¨¤@§§££ ¨..¨¨#£,¨.
&§&.,§@#&¨ forests around my childhood home. thick .§§@..¨.#§
¤#¨¨.¨§¤¨, pine arcades that were planted and ¨,@,,##,.#
¤,.#&,,.¨# forgotten. wild boars roaming §,¨¨¨.,.¨¨
.,.¨¨,¤#., underneath, sniffing at the ground. it ,¨¤§£@#.
£¤¤#§.¨.,. is dark and moist, the canopy having @,.£@#£#..
.##¤¨¨&&¤¤ already soaked up all the sun. .¨¨¨@&¤,..
,.&¨,¨¨¤§@ ,£¤,,¤¨¨§§
,.,.##¨,#£ there's a river passing by, from east .,,,..,...
¤&£.,.,..§ to west, getting broader and deeper and ,§#¤@@££
@§,.§££@,. slower as it goes. equisetum grow just ¨.##¤&££¤¤
¤.,,,#¤¨¨# where the pine hands start to let @,,§¤&@¤
.,##.,¨¨¨, through light, horsemint on the rocky ¨¨,,§£@@@#
¨¨,¨,@¤&¤¤ river bed. #@£.,@£@¤.
¤¤§@¨¨&@§& £@,,¨,@§¨¨
¨&&.¨¨,#££ † ,..@#,.,,¨
,¨,,§&¨.@@ ##..¨¨¤¤¤@
,¤#¨..,¨¨& the riverbanks reek of magic. tonight ,¨¨#§,,#&,
,,,,@#&¤., they had been a swampworld with sylvan #@...¨,¨¨,
¤£@..@¤¨,¤ water, stone rings and floating moss. .¨¨§&¤&@#¤
@&,.¨,.,¨, you could've found me wallowing around &£.¨£&£@#¤
#,,&¤§§§#§ on the southern shores until i got @.¨¨.¤&£¤§
¨,¨¨£&&¤§@ bitten. ¨,#&..#¤¤&
.¤@.¨&£##@ ,¨,,,.,,
,,¨,¨,#§£& but now i'm further back, on solid #@£@@&,.,.
¤£#@#¨¨@¤¤ ground, in shoulder-high grass, with an ¤&§¤#.,§£@
##¤£¨.¨¨§& orange tin radio and a translucent #£#£¨,¨.#£
§@#¨.@£¨.£ umbrella which i'm sitting on. @@&,¨@&¨¨¤
§#¨¨¨.¨..¨ §&,¨.,¨.¨.
,,,&¤#¤#§¤ ; ¨,,#&§£@§,
¤§,¨&¤¤£§¤ #£.,@&£@..
.¨,.,&££§@ somethings moving in the grass. it's ,¨,¨¨§¤,¨.
¤@..@#§@ invisible to my eyes but i can feel §£&¤.,.¨§@
£#§¨,..#@, through the ground just how large it is. .#§.¨§£..¤
£&.,£¤.¨¨. ¨..,,..,,¨
¨,,,...¤@£ the soil is muddy. i slip when trying ¨¤§§§@¤¨
§¤&£&&..#¤ to get up, still looking at the ,.#§#@¤£¨,
,§#¤£.¨,,§ direction of sound rather than at my ¨¨,¤£#¤.¨,
.¨&¤.¨@§.. hands, who are busy putting things in £#¨¨§§¨,&§
¨¨,,,.,.,, my pockets. .¨¨....¨¨.
£¤&¤#&§§ @&¤&@#&&§£
££¤&§¤&£ then i run east toward my home. ¤£§@@££&¤§
@£¤#&£¤£¤# ¤&¤&£@§§#£
#&&&£@#&¤@ \ @£§§¤#¤#
@#¤@#§@##£ &@§§¤£@£§&
&§££&¤£##¤ i am not followed, and slow down in the #£#@&@&@§¤
@§¤@£§ clearing where you at first can spot §£##§#§£
£#££&¤£&¤# the house, not yet really in the ¤@§£@£¤££#
§¤##£###@& backyard. from my pockets i retrieve my &£§§@#@¤
§&¤§#&@§¤¤ radio (now dented) but also a small ¤§@¤&£¤§§£
#§¤@§§&§&£ clay figure i've never seen before. it #¤§&£#&&¤£
¤##&£#§§&@ must have been laying in the wet dirt, ¤@#@@§#&&§
#&§#£§¤&§@ and i must've picked it up with my #¤¤#@@#@¤@
¤££§@@¤¤## other belongings. @£@@££&¤@#
§##@¤#@&§& ££#¤&@§§&§
&&¤§&¤##¤# it's a statuette of a girl laying naked #£@@££§&¤&
££§§&&§£@& on her stomach, feet in the air, £¤§@#£@@
¤@@@¤§£¤¤£ roughly seven centimeters long. it's £§¤§£@§&
@@&£#¤###§ freshly made, not yet completely dried. §§§@&¤&@§§
¤@@&@&££¤§ ¤§#¤§##¤&@
@&§§@¤¤¤ my mom is here now. i ask her for some &§&@#¤¤&§¤
#&&£@¤§#&¤ particle board for it to dry on, but ¤&@§@£@&
££@@¤¤£@&¤ she is worried and wants me to @£&&&@§§@&
§§##&£&§@& throw it away. #¤#§#@&@££
@££&@¤&§#& @£§@¤#§#¤&
§§§¤@¤@¤&§ £@¤§§@@@¤£
#@¤§@&£# &§¤&@&&£££
@§¤&&&&§ #@¤§¤¤§¤@#
@£¤@#§@@@§ §§£#&&¤£@@
¤§£@#£¤#@@ &§£@&&¤@£@