¨,~«†*§@£# #£@§*†«~,¨
¨,-\§&£@## ##@£&§\-,¨
¨¨.~^^%@@# #@@%^^~.¨¨
.,¨^==%*§@ @§*%==^¨,.
..:=/%$### ###$%/=:..
,:«;*%&£## statuette ##£&%*;«:,
.,^-:*£### ###£*:-^,.
,.,.»†=*#@ ¤£¤£$%@$$%%$*%%@«-«««=~«§%££§*££*%@¤$%%$ @#*=†».,.,
,..»†=@@£# £$%%&&*¤* #£@@=†»..,
,~~:§$¤@## ##@¤$§:~~,
¨.:~=$@§£# forests around my childhood home. thick #£§@$=~:.¨
¨,.:«:=$§@ pine arcades that were planted and @§$=:«:.,¨
¨¨-~†§¤# forgotten. wild boars roaming ##&¤§†~-¨¨
¨.-†§£## underneath, sniffing at the ground. it ###&£§†-.¨
¨.:=:*%£@# is dark and moist, the canopy having #@£%*:=:.¨
¨,.,«\§@## already soaked up all the sun. ##@§\«,.,¨
.,^~**%@@# #@@%**~^,.
¨-~=$£#@## there's a river passing by, from east ##@#£$=~-¨
¨,^~=^$§@# to west, getting broader and deeper and #@§$^=~^,¨
....=:%£ slower as it goes. equisetum grow just #&£%:=....
.,~«;$§&¶# where the pine hands start to let #¶&§$;«~,.
¨~«†%¤§£## through light, horsemint on the rocky ##£§¤%†«~¨
¨¨^«^$$### river bed. ###$$^«^¨¨
¨..,~*§*¤@ @¤*§*~,..¨
,¨,«=§§¤## = ##¤§§=«,¨,
¨.»\*@£¶## ##¶£@*\».¨
,,:»:^%#£# the riverbanks reek of magic. tonight #£#%^:»:,,
.¨¨-~*%§@# they had been a swampworld with sylvan #@§%*~-¨¨.
.,,~*%§§¶# water, stone rings and floating moss. #¶§§%*~,,.
,~«:%¤££## you could've found me wallowing around ##££¤%:«~,
,,^~*%$@¶# on the southern shores until i got #¶@$%*~^,,
¨,,,-\^$§# bitten. #§$^\-,,,¨
¨¨-~^^%§@# #@§%^^~-¨¨
¨~»/*§@¶## but now i'm further back, on solid ##¶@§*/»~¨
,¨.-:$¤¤@# ground, in shoulder-high grass, with an #@¤¤$:-.¨,
,,.^~**£§# orange tin radio and a translucent #§£**~^.,,
,.,«^†£¤## umbrella which i'm sitting on. ##¤£†^«,.,
,,~\†$#¶## ##¶#$†\~,,
¨¨^»=%££¶# : #¶££%=»^¨¨
.¨,,=^=%&¶ ¶&%=^=,,¨.
¨.,-†=¤£@# somethings moving in the grass. it's #@£¤=†-,.¨
,~==*$§¶## invisible to my eyes but i can feel ##¶§$*==~,
.¨:~†=*§@# through the ground just how large it is. #@§*=†~:¨.
¨.¨:~;*@§@ @§@*;~:¨.¨
¨,^~**$@£# the soil is muddy. i slip when trying #£@$**~^,¨
¨,=\=*&@## to get up, still looking at the ##@&*=\=,¨
,.~-=†%§£# direction of sound rather than at my #£§%†=-~.,
¨,,:«†§$¤@ hands, who are busy putting things in @¤$§†«:,,¨
¨.-~*$%£@# my pockets. #@£%$*~-.¨
,,~\^£§### ###§£^\~,,
,..=:*$&£# then i run east toward my home. #£&$*:=..,
¨.¨.-^^$§# #§$^^-.¨.¨
,..-;^§@¶# = #¶@§^;-..,
,.»/*§@@## ##@@§*/».,
.¨:»\%*### i am not followed, and slow down in the ###*%\»:¨.
..,:~^^¤¤# clearing where you at first can spot #¤¤^^~:,..
¨¨~-\%¤£¶# the house, not yet really in the #¶£¤%\-~¨¨
¨-»:%@§@## backyard. from my pockets i retrieve my ##@§@%:»-¨
¨,-=†§*# radio (now dented) but also a small ##&*§†=-,¨
,,,^~^^$§@ clay figure i've never seen before. it @§$^^~^,,,
..,~**£§@# must have been laying in the wet dirt, #@§£**~,..
.,«^†£§@## and i must've picked it up with my ##@§£†^«,.
¨¨~»/*$@¶# other belongings. #¶@$*/»~¨¨
,,.,=^=££@ @££=^=,.,,
,¨^»/$£§¶# it's a statuette of a girl laying naked #¶§£$/»^¨,
,~-†$$§@## on her stomach, feet in the air, ##@§$$†-~,
.¨,=\§*§## roughly seven centimeters long. it's ##§*§\=,¨.
¨..^=^*§§£ freshly made, not yet completely dried. £§§*^=^..¨
¨¨-=†^££## ##££^†=-¨¨
¨^~/%£@@## my mom is here now. i ask her for some ##@@£%/~^¨
.¨--;†@#¶# particle board for it to dry on, but #¶#@†;--¨.
¨.,~-/%@&@ she is worried and wants me to @&@%/-~,.¨
,,,-*%%@¶# throw it away. #¶@%%*-,,,
¨.~;^%#£## ##£#%^;~.¨
.¨,»/$*£¶# #¶£*$/»,¨.
.,..=\%¤&£ £&¤%\=..,.
,,--\*%@@# #@@%*\--,,
.,=*§£#### ####£§*=,.
...»^$*@## ##@*$^»...