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##@£&*^-.¨ a dystopian mc donalds toilet steals my ¨.-^*&£@##
#£&^-¨¨¨¨¨ agency. too much agency already in this ¨¨¨¨¨-^&£#
£*-.¨¨¨¨¨¨ room. saturated. i can only do what it ¨¨¨¨¨¨.-*£
##@£&*^-.¨ wants in the way it wants. ¨.-^*&£@##
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£££*-.¨¨¨¨ - ^ - - ^ - - ^ - ¨¨¨¨.-*£££
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##@£&*^-.¨ but: in a miracolous fraction of a ¨.-^*&£@##
##@£&*^-.¨ second, its true thoughts slip through ¨.-^*&£@##
##@£&*^-.¨ to me, previously unheard even by its ¨.-^*&£@##
##@£&*^-.¨ builders (the room was thought to be ¨.-^*&£@##
@@@£&*^-.¨ without consciousness). ¨.-^*&£@@@
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###@&*^-.¨ the room thinks about creatures lying ¨.-^*&@###
@£&**-¨¨¨¨ down, going off to sleep, making ¨¨¨¨-**&£@
###@£*^-.¨ themselves comfortable first... is this ¨.-^*£@###
@£***-.¨¨¨ only optimizing a resting position for ¨¨¨.-***£@
@££&&*^-.¨ the body? or is there another will ¨.-^*&&££@
###@&*^-.¨ involved? ¨.-^*&@###
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@@£*-¨¨¨¨¨ a dark listening taking place, ¨¨¨¨¨-*£@@
#£&&^^.¨¨¨ a silent concert. ¨¨¨.^^&&£#
###@£*^-.¨ ¨.-^*£@###
£&*^-¨¨¨¨¨ is there another desire injected at ¨¨¨¨¨-^*&£
£&&^^.¨¨¨¨ hypnagogia? something from the other ¨¨¨¨.^^&&£
###@£*^-.¨ side, guiding them, ¨.-^*£@###
#£&^--¨¨¨¨ arranging their bodies. ¨¨¨¨--^&£#
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