##@@£%/--. .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. .--/%£@@##
#@@£%/--.. A DYSTOPIAN MC DONALDS TOILET STEALS MY ..--/%£@@#
##@@£%/--. AGENCY. TOO MUCH AGENCY ALREADY IN THIS .--/%£@@##
#@@£%/--.. ROOM. SATURATED. I CAN ONLY DO WHAT IT ..--/%£@@#
##@@£%/--. WANTS IN THE WAY IT WANTS. .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. - / - - / - - / - .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. BUT: IN A MIRACOLOUS FRACTION OF A .--/%£@@##
#@@£%/--.. SECOND, ITS TRUE THOUGHTS SLIP THROUGH ..--/%£@@#
##@@£%/--. TO ME, PREVIOUSLY UNHEARD EVEN BY ITS .--/%£@@##
#@@£%/--.. BUILDERS (THE ROOM WAS THOUGHT TO BE ..--/%£@@#
##@@£%/--. WITHOUT CONSCIOUSNESS). .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. THE ROOM THINKS ABOUT CREATURES LYING .--/%£@@##
#@@£%/--.. DOWN, GOING OFF TO SLEEP, MAKING ..--/%£@@#
##@@£%/--. THEMSELVES COMFORTABLE FIRST... IS THIS .--/%£@@##
#@@£%/--.. ONLY OPTIMIZING A RESTING POSITION FOR ..--/%£@@#
##@@£%/--. THE BODY? OR IS THERE ANOTHER WILL .--/%£@@##
#@@£%/--.. INVOLVED? ..--/%£@@#
##@@£%/--. .--/%£@@##
#@@£%/--.. A DARK LISTENING TAKING PLACE, ..--/%£@@#
##@@£%/--. A SILENT CONCERT. .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. IS THERE ANOTHER DESIRE INJECTED AT .--/%£@@##
#@@£%/--.. HYPNAGOGIA? SOMETHING FROM THE OTHER ..--/%£@@#
##@@£%/--. SIDE, GUIDING THEM, .--/%£@@##
#@@£%/--.. ARRANGING THEIR BODIES. ..--/%£@@#
##@@£%/--. .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. .--/%£@@##
#@@£%/--.. ..--/%£@@#
##@@£%/--. .--/%£@@##