###££*/--. .--/*££###
££/---.... ....---/££
#£**/--... ...--/**£#
£££*/-.... ....-/*£££
£££*-..... .....-*£££
##£££*/--. TRAIN DREAM .--/*£££##
###££*/--. ######....----..##################### .--/*££###
££££**/--. /// .--/**££££
#£/-...... - ......-/£#
###££*/--. - .--/*££###
###££*/--. .--/*££###
###££*/--. (SITUATION) .--/*££###
###££*/--. .--/*££###
£££*/----. YOU FIND YOURSELF IN A RIFT - A .----/*£££
####£*/--. CLEARING, NARROW BUT IMMEASURABLY LONG. .--/*£####
###££*/--. TO YOUR SIDES ARE WALLS MADE OF TREES, .--/*££###
###££*/--. THICK AND READY TO SWALLOW YOU. THE SUN .--/*££###
###££*/--. IS NOWHERE TO BE SEEN, BUT NONTHELESS .--/*££###
£££/-..... IT IS VERY BRIGHT - THE AIR FEELS LIGHT .....-/£££
£££/---... BLUE, ALMOST WHITE. ...---/£££
###££*/--. .--/*££###
###££*/--. ALONG THE SPAN OF THE CLEARING LAY TWO .--/*££###
£*/--..... PARALLEL SILVERY LINES, DARK HARD .....--/*£
££££*--... METAL. SOMEHOW YOU CAN SEE HOW HEAVY ...--*££££
###££*/--. THEY ARE. .--/*££###
###££*/--. .--/*££###
£**//---.. THEY EMIT A HIGH PITCHED WHINE... ..---//**£
###££*/--. .--/*££###
##££*/-... - ...-/*££##
££*-...... ..*.. ......-*££
£**/-..... - .....-/**£
###££*/--. .--/*££###
###££*/--. (SITUATION) .--/*££###
#££/-..... .....-/££#
###££*/--. YOURE AT THE TRAIN STATION, ON A .--/*££###
###££*/--. CATWALK ABOVE THE RAILS. YOUR TRAIN IS .--/*££###
#£££/-.... LATE, OR YOU ARE LATE TO THE TRAIN. ....-/£££#
###££*/--. IT'S A SUMMER AFTERNOON AND THE STATION .--/*££###
####£*/--. IS BUSY, FULL OF RELAXED CONFIDENCE. .--/*£####
#£***/-... ...-/***£#
#£/--..... YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .....--/£#
#££*---... STRESSED ABOUT THE TIME, WHILE MOVING ...---*££#
###££*/--. UP THE STAIRS TO YOUR PLATFORM. THE .--/*££###
££//-..... STATION IS IN SEVERAL LEVELS, ALL .....-//££
###££*/--. PLACED WITHIN EACHOTHER BY SOME .--/*££###
###££*/--. INTELLIGENT DESIGNER, AND FULL OF .--/*££###
###££*/--. STAIRS, ELEVATORS, SHORTCUTS, .--/*££###
###££*/--. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .--/*££###
#££*/--... SOME GLASS WINDOWS. IT'S... NOT WHERE ...--/*££#
#£**/-.... IT'S SUPPOSED TO BE? ....-/**£#
££*/-..... .....-/*££
££/---.... - ....---/££
#£**-..... --£-- .....-**£#
#£*---.... - ....---*£#
###££*/--. .--/*££###
###££*/--. (SITUATION) .--/*££###
####££*--. .--*££####
££*-...... YOU'RE FINALLY ENTERING THE CITY. WHILE ......-*££
####££/--. IT IS INDEED A VERY HIGH SPEED TRAIN .--/££####
###££*/--. YOU'RE TRAVELING IN, THE JOURNEY HAS .--/*££###
###££*/--. BEEN LONG. BUT IT'S ABOUT TO END! .--/*££###
££//-..... .....-//££
###££*/--. SOCIETY IS GROWING DENSER AROUND YOU, .--/*££###
##£££*/--. THROUGH THE WINDOWS YOU SEE FIRST SMALL .--/*£££##
#££££*/--. SHACKS, BUILT OF METAL AND STONE, THEN .--/*££££#
###££*/--. PROPER HOUSES WITH MORTAR TO KEEP THEM .--/*££###
###££*/--. TOGETHER... WHO IN TURN MAKE WAY FOR .--/*££###
##£*-..... THE INDUSTRIAL BUILDINGS, THE URBAN .....-*£##
#££//-.... MAZE, PROTECTIVE WALLS, JUNGLE ....-//££#
#££*-..... NETWORK... .....-*££#
###££*/--. .--/*££###
££/-...... THE TRACKS LEAVE THE GROUND, WHICH IS ......-/££
###££*/--. NEEDED FOR OTHER PURPOSES. YOU ARE .--/*££###
#£*--..... CARRIED GENTLY, CURVING UPWARDS UNTIL .....--*£#
£££/--.... YOU'RE MOVING UPWARD ALONG THE WALL OF ....--/£££
££/-...... A BUILDING. IT'S MADE OF SLABBY STONE, ......-/££
#£***/--.. WITH GREAT GLASSLESS WINDOW HOLES ..--/***£#
###££*/--. LOOKING OUT THE WAY YOU CAME. IT IS .--/*££###
#££££*/--. PITCH BLACK INSIDE. .--/*££££#
#££/-----. .-----/££#
####£*/--. .--/*£####
###££*/--. .--/*££###
###££*/--. .--/*££###
£££*///--. .--///*£££