¨¨¨¨...~*@ @*~...¨¨¨¨
¨¨¨¨¨~*@@# #@@*~¨¨¨¨¨
¨.~\*%@£## ##£@%*\~.¨
¨.~\*%£### ###£%*\~.¨
¨.~\*%@£## ##£@%*\~.¨
¨.~*%@£### THE PHOSPHOR ¨\\\\\ A DARK, WET, ###£@%*~.¨
¨¨¨¨.\%%@# REALITY CHECK ¨****\ CONCRETE #@%%\.¨¨¨¨
¨.~\*%@£## SYSTEM: ¨%%%%\ BUILDING, A DAMP ##£@%*\~.¨
¨¨....\%@£ IMPROVING ¨@@@@# SMELL - £@%\....¨¨
¨.~\*%@£## ACCURACY AND ¨££££# SOMETHING IS ##£@%*\~.¨
¨.~\*%@£## EFFICIENCY IN ¨##### GROWING HERE. ##£@%*\~.¨
¨.~\*%@£## LAW ENFORCEMENT ¨##### ALGAE? THOSE ##£@%*\~.¨
¨.~\*%£### ¨@#### INHABITING THE ###£%*\~.¨
¨.~\*%@@£# ¨\#### LABYRINTH CARE #£@@%*\~.¨
¨¨¨¨~~~*%@ ¨¨#### NOT SO MUCH @%*~~~¨¨¨¨
¨.~\*%@£## ¨¨\### ABOUT THE ##£@%*\~.¨
¨¨¨¨.~*%@£ ¨¨¨### JANITORIAL £@%*~.¨¨¨¨
¨.~\*%@£## ¨¨¨\## SIDE OF THINGS. ##£@%*\~.¨
¨¨¨¨.\*@@# SO, A GREEN TINT THEN, ON THE WALLS AND #@@*\.¨¨¨¨
¨.~\*%%@££ FLOORS. THAT'S FINE, THERE'S A MUCH ££@%%*\~.¨
¨.~\*%@£## MORE IMPORTANT COLOR - THE CRIMSON ##£@%*\~.¨
¨.~\*%@£## FIRE. HIDDEN AWAY, DEEP IN BUREAUCRATIC ##£@%*\~.¨
¨.~\*%@£## AND ARCHITECTURAL MAZES BOTH, THE ONLY ##£@%*\~.¨
¨.~\*%@££# PLACE WHERE THEY DARE SET IT ABLAZE, #££@%*\~.¨
¨.~\*%@£## AND THUS WHERE THEY NEED TO GO TO ##£@%*\~.¨
¨¨¨¨.~**%£ UTILIZE THE FLAME. £%**~.¨¨¨¨
¨¨¨¨¨.\%@£ £@%\.¨¨¨¨¨
¨.~\*%@£## A THOUGHT, A FACE, A FLICKER IN THE RED ##£@%*\~.¨
¨¨¨¨¨¨~\*@ FIRE. ANOTHER THOUGHT, THE PRESUMED @*\~¨¨¨¨¨¨
¨.~\*%@£## CONTACT, ANOTHER SHIVER IN THE LIGHT. ##£@%*\~.¨
¨¨..\\**@# THEN, THE INTERROGATOR IMAGINING THEIR #@**\\..¨¨
¨¨¨...~*@# MEETING, TALKING PERHAPS, EXCHANGING #@*~...¨¨¨
¨.~\*%@£## NOTES. THE FIRE IS STILL. NO RESONANCE. ##£@%*\~.¨
¨.~\*%@£## ##£@%*\~.¨
¨.~\*%@£## ##£@%*\~.¨
¨.~\*%@£## ##£@%*\~.¨
¨¨¨¨¨.\*%@ @%*\.¨¨¨¨¨
¨.~\*%@£## ##£@%*\~.¨