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¨:-;%@£### % zero % ###£@%;-:¨
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¨:-;%@£### underappreciated, underestimated, under ###£@%;-:¨
¨:-;@£#### there is simply no time to choose what ####£@;-:¨
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¨:-;%@£### everything is in through the left half ###£@%;-:¨
¨¨¨¨¨¨-%%£ of my face, and out exactly opposite £%%-¨¨¨¨¨¨
¨¨¨¨--%@@# :::through the right half::: of the #@@%--¨¨¨¨
¨¨¨¨¨¨-%££ face ££%-¨¨¨¨¨¨
¨:-;;;%@## plus minus zero but polar opposites! ##@%;;;-:¨
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¨:-;%@£### and ###£@%;-:¨
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¨:-;%@£### beat, maybe one hundred and thirty ###£@%;-:¨
¨:-;%@£### milliseconds, to two hundred and ###£@%;-:¨
¨:-;%@£### #¨# eighty milliseconds, and down, ###£@%;-:¨
¨¨¨¨¨¨:;@£ along my dreads, maybe like £@;:¨¨¨¨¨¨
¨¨¨¨¨:-;@# a cap to the left and up four hundred #@;-:¨¨¨¨¨
¨¨¨:;%%@## to the right ##@%%;:¨¨¨
¨:-;%@££££ ££££@%;-:¨
¨¨¨¨:;@£## about -magnetism- or -what- -else- ##£@;:¨¨¨¨
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¨:-;%@£### distortion and heavy glass and palm ###£@%;-:¨
¨:-;%@£### trees ###£@%;-:¨
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¨:-;%@£### my ###£@%;-:¨
¨:-;;;%%@£ i have music that lives into weirder £@%%;;;-:¨
¨:;%@£#### corridors, my flesh is pushing ####£@%;:¨
¨:-;%%@@@£ my £@@@%%;-:¨
¨:-;%@£### body further inside ###£@%;-:¨
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¨:-;%@£### there is too much moving inside ###£@%;-:¨
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¨:-;%@£### weird revolvings, how much madness, ###£@%;-:¨
¨:-;%@£££# weird about how much madness that's #£££@%;-:¨
¨¨¨¨¨¨-%££ ia ¨ #revolved about to be revolve ££%-¨¨¨¨¨¨
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¨:-;%@£### and i, the surgeon, choose the ###£@%;-:¨
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¨:-;%@£### whatever dog i want ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ###£@%;-:¨
¨:-;%@£### and my speed is everything. the last ###£@%;-:¨
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