,-»;*££@## ##@££*;»-,
,-»;*££@## ##@££*;»-,
,,,,-»;*£# #£*;»-,,,,
,,,-»»*££@ @££*»»-,,,
,-»;*££@## ##@££*;»-,
,-»;*£££@# delay delay d,la# £ *a, - ,@ » - #@£££*;»-,
,-»;*££### ###££*;»-,
,,,,»»;£@@ @@£;»»,,,,
,,---;££££ ££££;---,,
,-»;*££### ###££*;»-,
,-»;*££@## "delay" means repetiton or likewise, ##@££*;»-,
,,,»»;££££ but it's mainly useless without ££££;»»,,,
,-»;*££@## feedback, ##@££*;»-,
,,,,--;£@# to allow the delay to eat of it's own #@£;--,,,,
,-»;*££@## tail, like one of those eaty serpents. ##@££*;»-,
,,,,,,»;£@ thus: it's the serpent effect! @£;»,,,,,,
,-»;*££@## ##@££*;»-,
,-»;*££### it's to be revered as a creator of ###££*;»-,
,,,,-;*£@# ambience and of space, if you treat it #@£*;-,,,,
,-»;*££££# right. a somewhat more solid and #££££*;»-,
,-»;*££@## slippery sibling of reverb. ##@££*;»-,
,,,,,,-;£@ @£;-,,,,,,
,,,--;££@@ @@££;--,,,
,-»;*££@## ##@££*;»-,
,-»;*££@## ##@££*;»-,
,,,,,»;**£ £**;»,,,,,