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.:=****§§@ the stars and in the middle a @§§****=:.
.:=**£§§§# black lake. at the foot of this lake #§§§£**=:.
.:=**£§@## stands an old friend. ##@§£**=:.
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.:=**£§@## otherworldiness and revitalization. ##@§£**=:.
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.:=**£§### grip goes from not being able to let go ###§£**=:.
.:=**£§§§§ all day (left) to not caring to §§§§£**=:.
.:=**£§@## remember (right). ##@§£**=:.
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.:=**£§@## dream amounts (middle) to no dreams ##@§£**=:.
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.:=**£§@## revitalization goes from a feeling of ##@§£**=:.
.:=**£§@@@ not having slept at all (left) to being @@@§£**=:.
.:=**£§@## full of energy and maybe optimism ##@§£**=:.
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.:=**£@### a particularly effective combo. ###@£**=:.
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.:=**£§@## sleep deities ##@§£**=:.
.:=**£§@## the blackbird ##@§£**=:.
.:=**£§@## solipsism ##@§£**=:.
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.:=**£§@@@ silence, darkness and night - and @@@§£**=:.
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.:=**£@### of reality, and suddenly it's not ###@£**=:.
.:=**£§@@# important that i lie in my bed, the #@@§£**=:.
.:=**£§@## lack of presence brings the notion ##@§£**=:.
.:=**£§@## that, if i do not choose sleep, i ##@§£**=:.
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.:=**£§§@@ more substance than the objects i @@§§£**=:.
.:=**£§@## surround myself with. ##@§£**=:.
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