.#.#..##.# ...#.##.#.
##.#.#.#.# ..##..#.#.
.#.#.#.#.# .#.#.##.#.
##.#.#.#.# .#.#..#.#.
.#.#.#.#.# .#.#.##.#.
##.#.#.#.# A DYSTOPIAN MC DONALDS TOILET STEALS MY .#.#..#.#.
.#.#.#.#.# AGENCY. TOO MUCH AGENCY ALREADY IN THIS .#.#.##.#.
##.#.#.#.# ROOM. SATURATED. I CAN ONLY DO WHAT IT .#.#..#.#.
.#.#.#.#.# WANTS IN THE WAY IT WANTS. .#.#.##.#.
##.#.#.#.# .#.#..#.#.
.#.#.#.#.# ~ = ~ ~ = ~ ~ = ~ .#.#.##.#.
##.#.#.#.# .#.#..#.#.
.#.#.#.#.# BUT: IN A MIRACOLOUS FRACTION OF A .#.#.##.#.
##.#.#.#.# SECOND, ITS TRUE THOUGHTS SLIP THROUGH .#.#..#.#.
.#.#.#.#.# TO ME, PREVIOUSLY UNHEARD EVEN BY ITS .#.#.##.#.
##.#.#.#.# BUILDERS (THE ROOM WAS THOUGHT TO BE .#.#..#.#.
.#.#.#.#.# WITHOUT CONSCIOUSNESS). .#.#.##.#.
##.#.#.#.# .#.#..#.#.
.#.#.#.#.# THE ROOM THINKS ABOUT CREATURES LYING .#.#.##.#.
##.#.#.#.# DOWN, GOING OFF TO SLEEP, MAKING .#.#..#.#.
.#.#.#.#.# THEMSELVES COMFORTABLE FIRST... IS THIS .#.#.##.#.
##.#.#.#.# ONLY OPTIMIZING A RESTING POSITION FOR .#.#..#.#.
.#.#.#.#.# THE BODY? OR IS THERE ANOTHER WILL .#.#.##.#.
##.#.#.#.# INVOLVED? .#.#..#.#.
.#.#.#.#.# .#.#.##.#.
##.#.#.#.# A DARK LISTENING TAKING PLACE, .#.#..#.#.
.#.#.#.#.# A SILENT CONCERT. .#.#.##.#.
##.#.#.#.# .#.#..#.#.
.#.#.#.#.# IS THERE ANOTHER DESIRE INJECTED AT .#.#.##.#.
##.#.#.#.# HYPNAGOGIA? SOMETHING FROM THE OTHER .#.#..#.#.
.#.#.#.#.# SIDE, GUIDING THEM, .#.#.##.#.
##.#.#.#.# ARRANGING THEIR BODIES. .#.#..#.#.
.#.#.#.#.# .#.#.##.#.
##.#.#.#.# .#.#..#.#.
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