.,-;**&@@# #@@&**;-,.
.,-;**&&&@ @&&&**;-,.
.,-;**&@@# #@@&**;-,.
.,-;**&@## ##@&**;-,.
.,-;**&@@# #@@&**;-,.
.,-;**&@@# TRAIN DREAM #@@&**;-,.
.,-;**@@## ######....,-,,..##################### ##@@**;-,.
...,--;**@ ;;; @**;--,...
.....,,;*& - &*;,,.....
.,-;**&@@# - #@@&**;-,.
.....,;;*& &*;;,.....
.,-;**&@## (SITUATION) ##@&**;-,.
.,-;**&@@# #@@&**;-,.
......,;*& YOU FIND YOURSELF IN A RIFT - A &*;,......
.,-;**&@@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @@@&**;-,.
.,-;**&@@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@@&**;-,.
.......-*& THICK AND READY TO SWALLOW YOU. THE SUN &*-.......
.,-;**&@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@&**;-,.
...-;;;;*& IT IS VERY BRIGHT - THE AIR FEELS LIGHT &*;;;;-...
.....-;**@ BLUE, ALMOST WHITE. @**;-.....
....,,;*&& &&*;,,....
.,-;**&@@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@@&**;-,.
.,-;**&@@# PARALLEL SILVERY LINES, DARK HARD #@@&**;-,.
.,-;**&@@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@@&**;-,.
.,-;**&@## THEY ARE. ##@&**;-,.
.,-;**&@@# #@@&**;-,.
.,-;**&@@@ THEY EMIT A HIGH PITCHED WHINE... @@@&**;-,.
.,-;**&@@# #@@&**;-,.
.,-;**&@@# - #@@&**;-,.
.....,,;*& ..*.. &*;,,.....
.,-;**&@@# - #@@&**;-,.
.....-*&&@ @&&*-.....
...,,-*&&& (SITUATION) &&&*-,,...
.,--;;;*&& &&*;;;--,.
.,-;**&@@# YOURE AT THE TRAIN STATION, ON A #@@&**;-,.
.,-;**&@@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@@&**;-,.
.,,,--;*@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@*;--,,,.
.,-;;***&@ IT'S A SUMMER AFTERNOON AND THE STATION @&***;;-,.
.,-;**&@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@&**;-,.
.,-;**&&&& &&&&**;-,.
.,-;**&@@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@@&**;-,.
.,-;*****@ STRESSED ABOUT THE TIME, WHILE MOVING @*****;-,.
.,-;**&@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@&**;-,.
.,-;**&@## STATION IS IN SEVERAL LEVELS, ALL ##@&**;-,.
.,-;**&@@@ PLACED WITHIN EACHOTHER BY SOME @@@&**;-,.
.,-;**&@@@ INTELLIGENT DESIGNER, AND FULL OF @@@&**;-,.
.,-;;**&&@ STAIRS, ELEVATORS, SHORTCUTS, @&&**;;-,.
...,,,;*&@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @&*;,,,...
.,-;**&@@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@@&**;-,.
.,,---;*&@ IT'S SUPPOSED TO BE? @&*;---,,.
....--**&@ @&**--....
.,-;*&@@## - ##@@&*;-,.
.,-;**&@@# ,,*,, #@@&**;-,.
.,-;**&@@# - #@@&**;-,.
....,;**@@ @@**;,....
.,-;**&@## (SITUATION) ##@&**;-,.
...--;*&&@ @&&*;--...
.,-;**&@@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@@&**;-,.
.,-;**&@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@&**;-,.
.....,-;*& YOU'RE TRAVELING IN, THE JOURNEY HAS &*;-,.....
.,----;*&@ BEEN LONG. BUT IT'S ABOUT TO END! @&*;----,.
....,;**&& &&**;,....
.,-;**&@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@&**;-,.
.,-;**&@@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @@@&**;-,.
.,-;**&@@@ SHACKS, BUILT OF METAL AND STONE, THEN @@@&**;-,.
......-*&& PROPER HOUSES WITH MORTAR TO KEEP THEM &&*-......
...,,;;**@ TOGETHER... WHO IN TURN MAKE WAY FOR @**;;,,...
.,-;**&@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@&**;-,.
......-*&@ MAZE, PROTECTIVE WALLS, JUNGLE @&*-......
....,--*&& NETWORK... &&*--,....
....,;;;*& &*;;;,....
..,,;****@ THE TRACKS LEAVE THE GROUND, WHICH IS @****;,,..
.,-**&@@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@@&**-,.
.,-;**&@@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@@&**;-,.
....-***@@ YOU'RE MOVING UPWARD ALONG THE WALL OF @@***-....
.,-;*&@@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@@&*;-,.
.,-;***&&@ WITH GREAT GLASSLESS WINDOW HOLES @&&***;-,.
.,-;**&@@# LOOKING OUT THE WAY YOU CAME. IT IS #@@&**;-,.
.,-;**&@@@ PITCH BLACK INSIDE. @@@&**;-,.
.,-;**&@@# #@@&**;-,.
.,-;**&@@@ @@@&**;-,.
.....,-;*@ @*;-,.....
....,-;*&@ @&*;-,....
.,-;**&@@# #@@&**;-,.