£*//...... ......//*£
##@£*^/=.. ..=/^*£@##
#@*/...... ....../*@#
##@£*^/=.. ..=/^*£@##
£*^^///=.. ..=///^^*£
##@£*^/=.. TRAIN DREAM ..=/^*£@##
£*^/==.... ######.....=....##################### ....==/^*£
##@£*^/=.. /// ..=/^*£@##
##@£*^/=.. = ..=/^*£@##
#£^^/===.. = ..===/^^£#
£*^===.... ....===^*£
##@£*^/=.. (SITUATION) ..=/^*£@##
@*/////=.. ..=/////*@
##@£*^/=.. YOU FIND YOURSELF IN A RIFT - A ..=/^*£@##
##@£*^/=.. CLEARING, NARROW BUT IMMEASURABLY LONG. ..=/^*£@##
£**^===... TO YOUR SIDES ARE WALLS MADE OF TREES, ...===^**£
##@£*^/=.. THICK AND READY TO SWALLOW YOU. THE SUN ..=/^*£@##
£^=....... IS NOWHERE TO BE SEEN, BUT NONTHELESS .......=^£
##@£*^/=.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT ..=/^*£@##
##@£*^/=.. BLUE, ALMOST WHITE. ..=/^*£@##
###£*^/=.. ..=/^*£###
£££^^^/=.. ALONG THE SPAN OF THE CLEARING LAY TWO ..=/^^^£££
###@*^/=.. PARALLEL SILVERY LINES, DARK HARD ..=/^*@###
@£££*^/=.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..=/^*£££@
##@£*^/=.. THEY ARE. ..=/^*£@##
££**^=.... ....=^**££
£^======.. THEY EMIT A HIGH PITCHED WHINE... ..======^£
#@@£*^/=.. ..=/^*£@@#
@£*//..... = .....//*£@
@£**/..... ..^.. ...../**£@
£^=....... = .......=^£
@*/....... ......./*@
£^/==..... (SITUATION) .....==/^£
##@£*^/=.. ..=/^*£@##
#@@£*^/=.. YOURE AT THE TRAIN STATION, ON A ..=/^*£@@#
£££^=..... CATWALK ABOVE THE RAILS. YOUR TRAIN IS .....=^£££
@**/=..... LATE, OR YOU ARE LATE TO THE TRAIN. .....=/**@
##@£*^/=.. IT'S A SUMMER AFTERNOON AND THE STATION ..=/^*£@##
#£^/=..... IS BUSY, FULL OF RELAXED CONFIDENCE. .....=/^£#
£**^=..... .....=^**£
##@£*^/=.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ..=/^*£@##
##@£*^/=.. STRESSED ABOUT THE TIME, WHILE MOVING ..=/^*£@##
##@£*^/=.. UP THE STAIRS TO YOUR PLATFORM. THE ..=/^*£@##
###@£*/=.. STATION IS IN SEVERAL LEVELS, ALL ..=/*£@###
###£*^/=.. PLACED WITHIN EACHOTHER BY SOME ..=/^*£###
##@£*^/=.. INTELLIGENT DESIGNER, AND FULL OF ..=/^*£@##
@@£*^=.... STAIRS, ELEVATORS, SHORTCUTS, ....=^*£@@
##@£*^/=.. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..=/^*£@##
@@@£*^/=.. SOME GLASS WINDOWS. IT'S... NOT WHERE ..=/^*£@@@
##@£*^/=.. IT'S SUPPOSED TO BE? ..=/^*£@##
#@£**^/=.. ..=/^**£@#
#£^=...... = ......=^£#
#@£**^/=.. ..*.. ..=/^**£@#
££^^//.... = ....//^^££
£^=....... .......=^£
£*/....... (SITUATION) ......./*£
#£££*^/=.. ..=/^*£££#
##@£*^/=.. YOU'RE FINALLY ENTERING THE CITY. WHILE ..=/^*£@##
@@£^^/.... IT IS INDEED A VERY HIGH SPEED TRAIN ..../^^£@@
@@£*^=.... YOU'RE TRAVELING IN, THE JOURNEY HAS ....=^*£@@
##@£*^/=.. BEEN LONG. BUT IT'S ABOUT TO END! ..=/^*£@##
##@£*^/=.. ..=/^*£@##
###£*^/=.. SOCIETY IS GROWING DENSER AROUND YOU, ..=/^*£###
###@£^/=.. THROUGH THE WINDOWS YOU SEE FIRST SMALL ..=/^£@###
##@£*^/=.. SHACKS, BUILT OF METAL AND STONE, THEN ..=/^*£@##
##@£*^/=.. PROPER HOUSES WITH MORTAR TO KEEP THEM ..=/^*£@##
#@@£*^/=.. TOGETHER... WHO IN TURN MAKE WAY FOR ..=/^*£@@#
##@£*^/=.. THE INDUSTRIAL BUILDINGS, THE URBAN ..=/^*£@##
##@£*^/=.. MAZE, PROTECTIVE WALLS, JUNGLE ..=/^*£@##
££^====... NETWORK... ...====^££
£££^=..... .....=^£££
££££*^/=.. THE TRACKS LEAVE THE GROUND, WHICH IS ..=/^*££££
##@£*^/=.. NEEDED FOR OTHER PURPOSES. YOU ARE ..=/^*£@##
##@£*^/=.. CARRIED GENTLY, CURVING UPWARDS UNTIL ..=/^*£@##
@**^^^/=.. YOU'RE MOVING UPWARD ALONG THE WALL OF ..=/^^^**@
###£*^/=.. A BUILDING. IT'S MADE OF SLABBY STONE, ..=/^*£###
###@£*^=.. WITH GREAT GLASSLESS WINDOW HOLES ..=^*£@###
#£*///==.. LOOKING OUT THE WAY YOU CAME. IT IS ..==///*£#
##@£*^/=.. PITCH BLACK INSIDE. ..=/^*£@##
£££**^/=.. ..=/^**£££
##@£*^/=.. ..=/^*£@##
##@£*^/=.. ..=/^*£@##
##@£*^/=.. ..=/^*£@##
##@£*^/=.. ..=/^*£@##