,.==*£@# #@£#&*==.,
,,..=**& #&&**=..,,
,.==*#££ ££##&*==.,
,.==*£@# #@£#&*==.,
,,,,..=@ @#&=..,,,,
,,,,.=*&&£ ====== £&&*=.,,,,
,.===***#£ ,,, SLEEP ,,, £#***===.,
,.==*£@# ..==.. #@£#&*==.,
,.=====# ##&=====.,
,,..==*&££ SLEEP IS THE MOST IMPORTANT MEAL OF THE ££&*==..,,
,.==*£@# DAY. SLEEP IS SAYING GOODBYE FOR A #@£#&*==.,
,,..=*&&&£ WHILE. IF YOU CAN DREAM, YOU ALSO GET £&&&*=..,,
,.==*£## TO VISIT FRIENDS AND OTHER ANIMALS. ##£#&*==.,
,,,,,.=**# #**=.,,,,,
,.==*£@# ,,..,, #@£#&*==.,
,.==*##£ £###&*==.,
,.==*£@# DEEPER THAN DEATH IS TO BE ALIVE AND #@£#&*==.,
,.===*** ASLEEP. IT IS DEATH IF IT WAS TEMPORARY #&***===.,
,.==***@ AND REJUVENATING. @#&***==.,
,.==*£@# #@£#&*==.,
,..==**@ ,,..,, @#&**==..,
,.==*£@# #@£#&*==.,
,.==*£@@ SLEEP IS A BLACK MARBLE OUTSIDE OF @@£#&*==.,
,.==*£@# WHICH THERE IS NOTHING. INSIDE IS ALL #@£#&*==.,
,.==*£££ THE STARS AND IN THE MIDDLE A £££#&*==.,
,.==*£@# BLACK LAKE. AT THE FOOT OF THIS LAKE #@£#&*==.,
,.==*£@# STANDS AN OLD FRIEND. #@£#&*==.,
,.==*£@# #@£#&*==.,
,.==*£@@ ,,..,, @@£#&*==.,
,.==*#£@## ##@£#*==.,
,.===*&@ WHEN YOU SLEEP ALL SOUND IS INTERNAL. @#&&*===.,
,,,,..=*#@ WHEN YOU SLEEP YOUR BRAIN SHRINKS. @#*=..,,,,
,.==*### ####&*==.,
,.==*£@@ ,,..,, @@£#&*==.,
,.==*££@ @££#&*==.,
,.==*£## IF YOU WISH TO MEASURE SLEEP, USE THESE ##£#&*==.,
,.==*£££ FOUR QUANTIFIERS:: GRIP, DEEPNESS, £££#&*==.,
,.==*£@# OTHERWORLDINESS AND REVITALIZATION. #@£#&*==.,
,,,,.=*&£@ @£&*=.,,,,
,,,,==**#@ GRIP GOES FROM NOT BEING ABLE TO LET GO @#**==,,,,
,.==*&£@## ALL DAY (LEFT) TO NOT CARING TO ##@£&*==.,
,.==*££@ REMEMBER (RIGHT). @££#&*==.,
,.==*££@ @££#&*==.,
,,,,,==*#£ DEEPNESS GOES FROM BEING SEVERAL £#*==,,,,,
,.==*££@ HUNDRED METERS DOWN (LEFT) TO BARELY @££#&*==.,
,.==*££@ TOUCHING THE SURFACE (RIGHT). @££#&*==.,
,,,,==#£ £##&==,,,,
,,,,,.=&££ OTHERWORLDLINESS GOES FROM A SINGLE ££&=.,,,,,
,,,,,,=*#£ COHERENT DREAMSCAPE (LEFT), VIA NORMAL £#*=,,,,,,
,,,,,.=&£@ DREAM AMOUNTS (MIDDLE) TO NO DREAMS @£&=.,,,,,
,,,,,.==*# (RIGHT). #*==.,,,,,
,,,.==== #&====.,,,
,.==*£@@ REVITALIZATION GOES FROM A FEELING OF @@£#&*==.,
,,.====* NOT HAVING SLEPT AT ALL (LEFT) TO BEING #&*====.,,
,,,..=**#@ FULL OF ENERGY AND MAYBE OPTIMISM @#**=..,,,
,.==*£@# (RIGHT). #@£#&*==.,
,.==*££@ @££#&*==.,
,.==*£@# .. #@£#&*==.,
,,,==**### ###**==,,,
,.==*£@# HIGH OTHERWORLDLINESS AND HIGH GRIP IS #@£#&*==.,
,.==*£@@ A PARTICULARLY EFFECTIVE COMBO. @@£#&*==.,
,,,,,.=*&£ £&*=.,,,,,
,.==*£@# ====== #@£#&*==.,
,.==*£@# ,,, SEE ALSO ,,, #@£#&*==.,
,....==£ ..==.. £#&==....,
,...==*# ##&*==...,
,.==*£@# SLEEP DEITIES #@£#&*==.,
,.==*£££ THE BLACKBIRD £££#&*==.,
,.==*£@# SOLIPSISM #@£#&*==.,
,.==*££@ @££#&*==.,
,.==*&£@## ====== ##@£&*==.,
,,,..==&&£ ,,, FURTHERMORE ,,, £&&==..,,,
.==*£@## ..==.. ##@£#&*==.
,.==*£@# #@£#&*==.,
,.==£@## THIS IS STILL A PLACE: HERE, IN THE ##@£#&==.,
,,,,..=£ SILENCE, DARKNESS AND NIGHT - AND £#&=..,,,,
,,,,,,.=*# LONELINESS, HOLDING A KIND OF DILUTION #*=.,,,,,,
,.==*##@ OF REALITY, AND SUDDENLY IT'S NOT @###&*==.,
,,,,..=* IMPORTANT THAT I LIE IN MY BED, THE #&*=..,,,,
,.==*£@# LACK OF PRESENCE BRINGS THE NOTION #@£#&*==.,
,,,,,,==&£ THAT, IF I DO NOT CHOOSE SLEEP, I £&==,,,,,,
,.=*£@## CHOOSE PAST, FUTURE, SOMETHING WITH ##@£#&*=.,
,.==*&&@ MORE SUBSTANCE THAN THE OBJECTS I @#&&&*==.,
,.==*£@@ SURROUND MYSELF WITH. @@£#&*==.,
,.==*&£@## ##@£&*==.,
,.==*£@# #@£#&*==.,
,,,==**&££ ££&**==,,,
,...==#@ @##&==...,
,,,,,,.=*# #*=.,,,,,,
,.==*£@# #@£#&*==.,