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.§§.§§.§..                                          §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
.§§.§§.§..                $$$$$$$$$$                §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
.§§.§§.§..                LYRA EIGHT                §.§§.§.§.§
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.§§.§§.§..                    ..                    §.§§.§.§.§
..§..§.§.§                   ~  ~                   §..§.§.§.§
.§§.§§.§..                  =    =                  §.§§.§.§.§
..§..§.§.§                 ^      ^                 §..§.§.§.§
.§§.§§.§..                $        $                §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
.§§.§§.§..               CAVE SCULPTER              §.§§.§.§.§
..§..§.§.§         DREAM TO CHORD TRANSLATOR        §..§.§.§.§
.§§.§§.§..                                          §.§§.§.§.§
..§..§.§.§   EIGHT VOICED BLEEDING FORTUNE TELLER   §..§.§.§.§
.§§.§§.§..                                          §.§§.§.§.§
..§..§.§.§      DUAL SELF-MODULATING DELAY LINE     §..§.§.§.§
.§§.§§.§..       SWITCH FOR "TOTAL FEEDBACK"        §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
.§§.§§.§..           LICK THE CONTACT PADS          §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
.§§.§§.§..                $        $                §.§§.§.§.§
..§..§.§.§                 ^      ^                 §..§.§.§.§
.§§.§§.§..                  =    =                  §.§§.§.§.§
..§..§.§.§                   ~  ~                   §..§.§.§.§
.§§.§§.§..                    ..                    §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
.§§.§§.§..         GEARLIST . ANOTHER SYNTH         §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
.§§.§§.§..        $$$$$$$$$$$$$$$$$$$$$$$$$         §.§§.§.§.§
..§..§.§.§                                          §..§.§.§.§
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.§§.§§.§..                                          §.§§.§.§.§
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