#@#§¤%\«,, ,,«\%¤§#@#
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#¤%\«,,,,, ,,,,,«\%¤#
@@#§¤%\«,, ,,«\%¤§#@@
@@#§¤%\«,, ,,«\%¤§#@@
#¤\\««,,,, delay delay d,la@ § %a, , ,# « , ,,,,««\\¤#
#@#§¤%\«,, ,,«\%¤§#@#
§¤¤%««,,,, ,,,,««%¤¤§
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#@#§¤%\«,, ,,«\%¤§#@#
#@#§¤%\«,, "delay" means repetiton or likewise, ,,«\%¤§#@#
@§¤\,,,,,, but it's mainly useless without ,,,,,,\¤§@
#@#§¤%\«,, feedback, ,,«\%¤§#@#
#@#§¤%\«,, to allow the delay to eat of it's own ,,«\%¤§#@#
#§%%%%\«,, tail, like one of those eaty serpents. ,,«\%%%%§#
#@#§¤%\«,, thus: it's the serpent effect! ,,«\%¤§#@#
§§¤%%\\«,, ,,«\\%%¤§§
#@#§¤%\«,, it's to be revered as a creator of ,,«\%¤§#@#
§§§%««,,,, ambience and of space, if you treat it ,,,,««%§§§
#§¤%««,,,, right. a somewhat more solid and ,,,,««%¤§#
#@#§¤%\«,, slippery sibling of reverb. ,,«\%¤§#@#
###§¤%\«,, ,,«\%¤§###
#@#§¤%\«,, ,,«\%¤§#@#
§§§¤%\,,,, ,,,,\%¤§§§
§§%«,,,,,, ,,,,,,«%§§
§§%%%««,,, ,,,««%%%§§