^«\*$@####                                          ####@$*\«^
,^«\*$@###                                          ###@$*\«^,
,,,,««\\$#                                          #$\\««,,,,
,^^^^«\\*@                                          @*\\«^^^^,
,^«\*$@###                                          ###@$*\«^,
,^«\*$#### delay  delay  d,la#  @ *a,  ^ ,#   «   ^ ####$*\«^,
,,,,,«\*$@                                          @$*\«,,,,,
,^«\*$$@@@                                          @@@$$*\«^,
,^«\*$@###                                          ###@$*\«^,
,^«\*$$$##                                          ##$$$*\«^,
,^«\*$#### "delay" means repetiton or likewise,     ####$*\«^,
,^«\*$@### but it's mainly useless without          ###@$*\«^,
,,,,,,^«*@ feedback,                                @*«^,,,,,,
,^«\*$@### to allow the delay to eat of it's own    ###@$*\«^,
,^«\*$@### tail, like one of those eaty serpents.   ###@$*\«^,
,^«\*$#### thus: it's the serpent effect!           ####$*\«^,
,,,,,^\*@@                                          @@*\^,,,,,
,,,,««\\$@ it's to be revered as a creator of       @$\\««,,,,
,^«\*$@### ambience and of space, if you treat it   ###@$*\«^,
,,,,,,,«*@ right. a somewhat more solid and         @*«,,,,,,,
,^«\*$#### slippery sibling of reverb.              ####$*\«^,
,^«\*$@###                                          ###@$*\«^,
,^«\*$@###                                          ###@$*\«^,
,,,^^««**@                                          @**««^^,,,
,,,,,««\$#                                          #$\««,,,,,
,^«\*$@###                                          ###@$*\«^,