,,,,,,,~^$                                          $^~,,,,,,,
,,,,,,,,~^                                          ^~,,,,,,,,
,,,,,,,~^$                                          $^~,,,,,,,
,,,,,,~^$$                                          $$^~,,,,,,
,,,,,~^$$@                                          @$$^~,,,,,
,,,,~^$$@£ delay  delay  d,la@  @ $a,  , ,£   ~   , £@$$^~,,,,
,,,~^$$@£@                                          @£@$$^~,,,
,,~^$$@£@#                                          #@£@$$^~,,
,,,~^$$@£@                                          @£@$$^~,,,
,,,,~^$$@£                                          £@$$^~,,,,
,,,,,~^$$@ "delay" means repetiton or likewise,     @$$^~,,,,,
,,,,,,~^$$ but it's mainly useless without          $$^~,,,,,,
,,,,,,,~^$ feedback,                                $^~,,,,,,,
,,,,,,,,~^ to allow the delay to eat of it's own    ^~,,,,,,,,
,,,,,,,~^$ tail, like one of those eaty serpents.   $^~,,,,,,,
,,,,,,~^$$ thus: it's the serpent effect!           $$^~,,,,,,
,,,,,~^$$@                                          @$$^~,,,,,
,,,,~^$$@£ it's to be revered as a creator of       £@$$^~,,,,
,,,~^$$@£@ ambience and of space, if you treat it   @£@$$^~,,,
,,~^$$@£@# right. a somewhat more solid and         #@£@$$^~,,
,,,~^$$@£@ slippery sibling of reverb.              @£@$$^~,,,
,,,,~^$$@£                                          £@$$^~,,,,
,,,,,~^$$@                                          @$$^~,,,,,
,,,,,,~^$$                                          $$^~,,,,,,
,,,,,,,~^$                                          $^~,,,,,,,
,,,,,,,,~^                                          ^~,,,,,,,,