.-~†%¤@#@@ @@#@¤%†~-.
-~†%¤@#@## ##@#@¤%†~-
.-~†%¤@#@# #@#@¤%†~-.
...-††%%¤@ @¤%%††-...
.-~†%%%¤## ##¤%%%†~-.
.-~†%¤@#@# delay delay d.la@ @ %a. - .# ~ - #@#@¤%†~-.
.-~%¤@#@## ##@#@¤%~-.
...--~†%@@ @@%†~--...
......-~%@ @%~-......
....-†¤@@@ @@@¤†-....
.-~†%¤@#@# "delay" means repetiton or likewise, #@#@¤%†~-.
.-~†%¤@#@# but it's mainly useless without #@#@¤%†~-.
....~††¤¤# feedback, #¤¤††~....
.-~†%¤@#@# to allow the delay to eat of it's own #@#@¤%†~-.
...--~%%@# tail, like one of those eaty serpents. #@%%~--...
.-~†%¤#@## thus: it's the serpent effect! ##@#¤%†~-.
.-~†%¤¤@@@ @@@¤¤%†~-.
.-~†%¤@@@@ it's to be revered as a creator of @@@@¤%†~-.
.-~†%¤@#@# ambience and of space, if you treat it #@#@¤%†~-.
.-~†%¤@#@# right. a somewhat more solid and #@#@¤%†~-.
.....~~~%@ slippery sibling of reverb. @%~~~.....
....-†%%¤# #¤%%†-....
.-~†%¤@#@@ @@#@¤%†~-.
.-~†%¤¤¤## ##¤¤¤%†~-.
....--†%%@ @%%†--....
.-~†%¤@#@# #@#@¤%†~-.