,:»^%¤§### ###§¤%^»:,
¨¨.,~~%§¤@ @¤§%~~,.¨¨
,:-^*£@#@# #@#@£*^-:,
,,~^§%¤¶## ##¶¤%§^~,,
.^-/*:£&@@ @@&£:*/-^.
,--†%%£@## statuette ##@£%%†--,
.:»*=*§¶@# #@¶§*=*»:.
.^~**£¤£@# %&$¤£%$$@&%@&@§*»~-~«-»~@§%$%%$%§$&*%$&¤ #@£¤£**~^.
¨¨.«/†£$%§ ¤§§%£$§*$ §%$£†/«.¨¨
,.¨,,^-$*@ @*$-^,,¨.,
¨:~^%£##@# forests around my childhood home. thick #@##£%^~:¨
.,,~-~»†$@ pine arcades that were planted and @$†»~-~,,.
¨-«:*$#### forgotten. wild boars roaming ####$*:«-¨
¨-~†$%§### underneath, sniffing at the ground. it ###§%$†~-¨
,.¨,~=£&§# is dark and moist, the canopy having #§&£=~,¨.,
¨:»/%&@@#@ already soaked up all the sun. @#@@&%/»:¨
.¨^^,/¤£#¶ ¶#£¤/,^^¨.
¨:~^§%§§## there's a river passing by, from east ##§§%§^~:¨
,.~:%*^@$& to west, getting broader and deeper and &$@^*%:~.,
.,,,,¨^-*@ slower as it goes. equisetum grow just @*-^¨,,,,.
.¨.-:~;†¤¶ where the pine hands start to let ¶¤†;~:-.¨.
,.»*£¤@@## through light, horsemint on the rocky ##@@¤£*».,
.~=*%#@# river bed. #@##&%*=~.
.¨¨,»\@£@# #@£@\»,¨¨.
,~~†*%££## = ##££%*†~~,
,~~;*%@@## ##@@%*;~~,
,..»^†^@@# the riverbanks reek of magic. tonight #@@^†^»..,
¨¨¨.-**& they had been a swampworld with sylvan #&&**-.¨¨¨
.,.¨~^==§§ water, stone rings and floating moss. §§==^~¨.,.
¨:»=*$¤#@# you could've found me wallowing around #@#¤$*=»:¨
¨,..»~:$¤# on the southern shores until i got #¤$:~»..,¨
,.,~=§%†## bitten. ##†%§=~,.,
¨:=/%§@@## ##@@§%/=:¨
.,=;%@£### but now i'm further back, on solid ###£@%;=,.
,~~/%§£@## ground, in shoulder-high grass, with an ##@£§%/~~,
.~«*$§@@## orange tin radio and a translucent ##@@§$*«~.
¨,/%%@#@## umbrella which i'm sitting on. ##@#@%%/,¨
¨.-\%£&¶@@ @@¶&£%\-.¨
,.¨,=†§% * #&%§†=,¨.,
,-~^§§¤### ###¤§§^~-,
.:~†=£$@§¤ somethings moving in the grass. it's ¤§@$£=†~:.
,^=^$&£#@# invisible to my eyes but i can feel #@#£&$^=^,
,.¨.:«=§#¤ through the ground just how large it is. ¤#§=«:.¨.,
,,,¨«%§¤&@ @&¤§%«¨,,,
¨.,,,;%*&@ the soil is muddy. i slip when trying @&*%;,,,.¨
^»**@£¶@## to get up, still looking at the ##@¶£@**»^
,~-~:*%*§§ direction of sound rather than at my §§*%*:~-~,
,,,,.\%%§§ hands, who are busy putting things in §§%%\.,,,,
.,«:§&¤### my pockets. ###¤&§:«,.
.:,~*:†$#@ @#$†:*~,:.
.,-;§$&@@# then i run east toward my home. #@@&$§;-,.
¨,=«:*&%£@ @£%&*:«=,¨
¨¨¨,~,:%$£ / £$%:,~,¨¨¨
.,=\%££#@# #@#££%\=,.
.,=:$%&@@# i am not followed, and slow down in the #@@&%$:=,.
¨:»*$£§&£@ clearing where you at first can spot @£&§£$*»:¨
,~==$£§£## the house, not yet really in the ##£§£$==~,
.^~**$§### backyard. from my pockets i retrieve my ###§$**~^.
¨,~;%*&@#@ radio (now dented) but also a small @#@&*%;~,¨
,--^†%§#@# clay figure i've never seen before. it #@#§%†^--,
¨^»^^%£### must have been laying in the wet dirt, ###£%^^»^¨
¨¨.~~*%^%@ and i must've picked it up with my @%^%*~~.¨¨
,~-^†@## other belongings. ##@#&†^-~,
.,-=*$#@## ##@#$*=-,.
¨.,~~%*†££ it's a statuette of a girl laying naked ££†*%~~,.¨
.-~;=§&£## on her stomach, feet in the air, ##£&§=;~-.
....»$£¤## roughly seven centimeters long. it's ##¤£$»....
.^~*^$&¶## freshly made, not yet completely dried. ##¶&$^*~^.
.-~\%§#@## ##@#§%\~-.
.:~†%%¤¶## my mom is here now. i ask her for some ##¶¤%%†~:.
¨--;*$#£## particle board for it to dry on, but ##£#$*;--¨
.:~;*£#@#@ she is worried and wants me to @#@#£*;~:.
.,,,,«$^@¶ throw it away. ¶@^$«,,,,.
¨¨,¨¨¨«*$£ £$*«¨¨¨,¨¨
,,,..,=¤%& &%¤=,..,,,
¨^~=$$#### ####$$=~^¨
,~,.††**#@ @#**††.,~,
,.¨.--\$&¤ ¤&$\--.¨.,
,~~†$%§### ###§%$†~~,