.,=/%¤&@## ##@&¤%/=,.
..~^^$#### ####$^^~..
,^«:=#@### ###@#=:«^,
¨,~:**§¤£# #£¤§**:~,¨
.,,¨,,~^†§ §†^~,,¨,,.
¨¨¨-**^¤£§ statuette §£¤^**-¨¨¨
¨¨¨.:~$$ #&$$~:.¨¨¨
¨.-^%£&@@# $**%&%§¤*££$£££@~»=«~«~»$$%£@%%£%%$§@$$* #@@&£%^-.¨
.-«^†%##@# $@*£££&¤£ #@##%†^«-.
..,.«~-^¤# #¤^-~«.,..
,^=;*$¤£¶# forests around my childhood home. thick #¶£¤$*;=^,
,.-†^££¶## pine arcades that were planted and ##¶££^†-.,
..¨¨..^=$@ forgotten. wild boars roaming @$=^..¨¨..
¨:~»=*%& underneath, sniffing at the ground. it #&&%*=»~:¨
¨,«^%§¶### is dark and moist, the canopy having ###¶§%^«,¨
,-~**$@#@@ already soaked up all the sun. @@#@$**~-,
¨¨,.†;=%¤£ £¤%=;†.,¨¨
¨-=/^§¤#@# there's a river passing by, from east #@#¤§^/=-¨
,,=*%%&£@# to west, getting broader and deeper and #@£&%%*=,,
¨^»†§£@### slower as it goes. equisetum grow just ###@£§†»^¨
,¨¨,~,=$#£ where the pine hands start to let £#$=,~,¨¨,
.¨,,,:«$¤§ through light, horsemint on the rocky §¤$«:,,,¨.
,^-\†£@@ river bed. @#&@£†\-^,
¨.:.*†*$§# #§$*†*.:.¨
¨.~:*@#@@# = #@@#@*:~.¨
¨,.,.¨~\=# #=\~¨.,.,¨
,¨..,»*§#@ the riverbanks reek of magic. tonight @#§*»,..¨,
,-»:§*§£@@ they had been a swampworld with sylvan @@£§*§:»-,
¨,~=%££@#@ water, stone rings and floating moss. @#@££%=~,¨
,.»**§$$£# you could've found me wallowing around #£$$§**».,
,,-,=†$#§@ on the southern shores until i got @§#$†=,-,,
.^~=$%¤@## bitten. ##@¤%$=~^.
,,~*%$¤### ###¤$%*~,,
¨,«*†¤@@@# but now i'm further back, on solid #@@@¤†*«,¨
¨,-=^§£#£@ ground, in shoulder-high grass, with an @£#£§^=-,¨
,^=/;†%@§¤ orange tin radio and a translucent ¤§@%†;/=^,
¨:~†^*@### umbrella which i'm sitting on. ###@*^†~:¨
,~~:§¤£### ###£¤§:~~,
.^=:=%## / ###&%=:=^.
,--†=£§§@# #@§§£=†--,
,-~^==&£## somethings moving in the grass. it's ##£&==^~-,
¨~~^%£§@#¶ invisible to my eyes but i can feel ¶#@§£%^~~¨
.,=;$§¤¶## through the ground just how large it is. ##¶¤§$;=,.
¨^=^%&&@## ##@&&%^=^¨
¨.»*†%@### the soil is muddy. i slip when trying ###@%†*».¨
.,»:*$#£## to get up, still looking at the ##£#$*:»,.
,^«^^%@@¶# direction of sound rather than at my #¶@@%^^«^,
,¨¨.^*†£#@ hands, who are busy putting things in @#£†*^.¨¨,
.^~%%@@### my pockets. ###@@%%~^.
,-~^%%#### ####%%^~-,
¨,«†%@&£#@ then i run east toward my home. @#£&@%†«,¨
..-=*%£@## ##@£%*=-..
¨-~*$*†% \ #&%†*$*~-¨
..¨:«†%#@# #@#%†«:¨..
,^~*^%##@# i am not followed, and slow down in the #@##%^*~^,
,,-=%¤@### clearing where you at first can spot ###@¤%=-,,
,~»^†*§### the house, not yet really in the ###§*†^»~,
,.«=$@§§## backyard. from my pockets i retrieve my ##§§@$=«.,
¨:~/*$@### radio (now dented) but also a small ###@$*/~:¨
.¨,.:*$%§@ clay figure i've never seen before. it @§%$*:.,¨.
.-~;†%¤@## must have been laying in the wet dirt, ##@¤%†;~-.
.,~^*$§£## and i must've picked it up with my ##£§$*^~,.
.:-~«^&£%@ other belongings. @%£&^«~-:.
,^»/**$%£# #£%$**/»^,
¨,«=\:¤£&@ it's a statuette of a girl laying naked @&£¤:\=«,¨
.^»*^§§### on her stomach, feet in the air, ###§§^*»^.
¨--:^*§### roughly seven centimeters long. it's ###§*^:--¨
....,~^=%@ freshly made, not yet completely dried. @%=^~,....
,:-*=$££## ##££$=*-:,
¨:«:*$@# my mom is here now. i ask her for some #@#&$*:«:¨
¨:-;**#@## particle board for it to dry on, but ##@#**;-:¨
.,~*$%#### she is worried and wants me to ####%$*~,.
,,«†*&¤@## throw it away. ##@¤&*†«,,
¨,.,-,=~%¤ ¤%~=,-,.,¨
,.»;=§¤@## ##@¤§=;».,
.,=†*§&¶#@ @#¶&§*†=,.
¨.«*%§&¶## ##¶&§%*«.¨
,,,.¨-~§%§ §%§~-¨.,,,
.¨.~,†*@@@ @@@*†,~.¨.