.^~:%&§£@# #@£§&%:~^.
.:~/=¤£### ###£¤=/~:.
.,-;%$§£## ##£§$%;-,.
.^»/†%¤### ###¤%†/»^.
,,...=/†@# #@†/=...,,
¨,,.~~~^&@ statuette @&^~~~.,,¨
,,«/^%@# #@#&%^/«,,
.,.,~-»=@# %¤£$%@§$£$&*%&£*-«~~~»«=$$&$*@$@&&£$&$*% #@=»-~,.,.
.:=:*§@£ ¤$$§§§&%$ £@#&§*:=:.
¨-«/§*&¶## ##¶&*§/«-¨
,,~==£#¶## forests around my childhood home. thick ##¶#£==~,,
,,~:*#@# pine arcades that were planted and #@##&*:~,,
¨,~^^£#¶## forgotten. wild boars roaming ##¶#£^^~,¨
,,~^*¤§### underneath, sniffing at the ground. it ###§¤*^~,,
¨~=††$¤### is dark and moist, the canopy having ###¤$††=~¨
.^«^§&¤£## already soaked up all the sun. ##£¤&§^«^.
...¨¨~:£@£ £@£:~¨¨...
¨.,,,,=-*& there's a river passing by, from east &*-=,,,,.¨
,^~:%§§@## to west, getting broader and deeper and ##@§§%:~^,
¨:=:=£¤¶@# slower as it goes. equisetum grow just #@¶¤£=:=:¨
¨-=\==$£@@ where the pine hands start to let @@£$==\=-¨
.¨,.-^=¤¶£ through light, horsemint on the rocky £¶¤=^-.,¨.
..¨,¨^*$## river bed. ##$*^¨,¨..
.¨¨..»†%§@ @§%†»..¨¨.
.¨,.:«^£*@ : @*£^«:.,¨.
,¨,,,»;£¶@ @¶£;»,,,¨,
¨-»*%%@@## the riverbanks reek of magic. tonight ##@@%%*»-¨
.,¨,,¨-:%# they had been a swampworld with sylvan #%:-¨,,¨,.
,-=^*$@### water, stone rings and floating moss. ###@$*^=-,
¨.-††£#### you could've found me wallowing around ####£††-.¨
,¨.,^~:*&£ on the southern shores until i got £&*:~^,.¨,
¨¨..===*£@ bitten. @£*===..¨¨
¨¨¨.»†%^§# #§^%†».¨¨¨
¨,»*=$#@@# but now i'm further back, on solid #@@#$=*»,¨
.¨,~--==@§ ground, in shoulder-high grass, with an §@==--~,¨.
,,-:=£¤### orange tin radio and a translucent ###¤£=:-,,
,:»*%&@£## umbrella which i'm sitting on. ##£@&%*»:,
.^-\%£&¶## ##¶&£%\-^.
.~=†%&§@## ^ ##@§&%†=~.
.^=;^*¤£## ##£¤*^;=^.
,^«*†%†£¤# somethings moving in the grass. it's #¤£†%†*«^,
¨~»=$$¤$@@ invisible to my eyes but i can feel @@$¤$$=»~¨
.:=/$£§¶## through the ground just how large it is. ##¶§£$/=:.
,^«;^$&@@# #@@&$^;«^,
¨,«/*¤¤@## the soil is muddy. i slip when trying ##@¤¤*/«,¨
,.,,:%%$¤@ to get up, still looking at the @¤$%%:,,.,
,,«†§%£### direction of sound rather than at my ###£%§†«,,
¨,-/^$§@## hands, who are busy putting things in ##@§$^/-,¨
,~==†&¤### my pockets. ###¤&†==~,
.~»^=@¶@## ##@¶@=^»~.
¨¨,,»~%%£# then i run east toward my home. #£%%~»,,¨¨
¨:«:%¤##@# #@##¤%:«:¨
¨.,,.,-^££ ; ££^-,.,,.¨
.¨¨:.:=@¶£ £¶@=:.:¨¨.
,,~\†%§@@# i am not followed, and slow down in the #@@§%†\~,,
¨,»=†&¤#@# clearing where you at first can spot #@#¤&†=»,¨
.~»/^§&@@# the house, not yet really in the #@@&§^/»~.
.,===@@¶@# backyard. from my pockets i retrieve my #@¶@@===,.
..--~†*%## radio (now dented) but also a small ##%*†~--..
¨-«††%$%§§ clay figure i've never seen before. it §§%$%††«-¨
.,,.--~~^& must have been laying in the wet dirt, &^~~--.,,.
.~~:=$§§@# and i must've picked it up with my #@§§$=:~~.
,¨,¨,,~~*¤ other belongings. ¤*~~,,¨,¨,
¨.«/§$## ###&$§/«.¨
.,=†$&¶### it's a statuette of a girl laying naked ###¶&$†=,.
,.....»†$§ on her stomach, feet in the air, §$†».....,
¨.«:§&@@## roughly seven centimeters long. it's ##@@&§:«.¨
.,~\$££@## freshly made, not yet completely dried. ##@££$\~,.
¨,,¨»«^£&& &&£^«»¨,,¨
,.~\*%@¶@# my mom is here now. i ask her for some #@¶@%*\~.,
¨^«\†*§@## particle board for it to dry on, but ##@§*†\«^¨
.,¨..:^£¶# she is worried and wants me to #¶£^:..¨,.
¨.,^-†\$§£ throw it away. £§$\†-^,.¨
.--;:†@&§# #§&@†:;--.
¨,.¨,«%*@@ @@*%«,¨.,¨
¨¨¨.,^§$¤@ @¤$§^,.¨¨¨
,.~:*§§¤@@ @@¤§§*:~.,
,,-†%$¤@## ##@¤$%†-,,
,:~**&@### ###@&**~:,