¨¨..,¨¨¨¨¨ ¤£,.,¨,£..
@@¤£¤&&@ ,¨¨£¤&¨.,£
¤&§¤&@§¤#@ ¤§,¨¤¨¨@,¨
,§&§¤@£&£§ &¨¨.,¨¨.,¨
,¨£££#¤@§£ ¨,§£#¤§¤£&
,,¨&@&§¤§@ statuette ..,§&£@&¤¨
££,,#@@£#¤ £&,.¤£§@,¨
¨..,.¤£@## &%¤%@$££$$@£*%&%~«=»~«~~*%£@%$$£*§££@*$% ,¨.,¨¤@,,,
#§§#,,@##& £%§%*$*@§ &@#§¨..¨#£
£§¤.¨.,§¤, ¤§#,,£@..£
¤¤.,§@...¨ forests around my childhood home. thick §§¨..,,,¨.
,¨,¨¨¨,&¤¨ pine arcades that were planted and #¨.§£&§£@,
¤§§#¤&..,¨ forgotten. wild boars roaming ¨,,¨¤££¤.¨
,§#&§¨¨¤§. underneath, sniffing at the ground. it ,£&..&@,¨¨
.¨¤#¨.¨,,. is dark and moist, the canopy having ¨¨..,,..@#
.¨.¨¨£#¤§§ already soaked up all the sun. £¤#§§.,.
#££¤..§££§ ###&§@¨,£@
¤@£.,..§¤# there's a river passing by, from east §@££¤¨.,,@
¤§¨,@¤..&@ to west, getting broader and deeper and .££&¨¨@#..
.,¨,,,¨,¨¨ slower as it goes. equisetum grow just ,,#¨,¨¨,..
@#@@£§@#&@ where the pine hands start to let ¤¨,¨@#@§#£
£§§§#§&§§¨ through light, horsemint on the rocky ¨.@.¨££#&£
&@@&@#@&,¨ river bed. ¤.¨,¨.§#
#§§&§@@¨¨& .,&&@,,§@§
#¤§§£@,,,¨ / £,¨#.,,,§£
£@£#&¨,#¤, ,,...¤&¨,£
§@¤¤¨.¨..¨ the riverbanks reek of magic. tonight £@¨,¨¨,,
¨##..¤¤£@, they had been a swampworld with sylvan @§£.,@£#¤¨
.,,¨¨,£&¨¨ water, stone rings and floating moss. §¤,¨¨,§&.,
§@£@#...¨. you could've found me wallowing around #,¨§&¨...@
#£§&,¨§£¤& on the southern shores until i got ..¨.¨¨£@.¨
¨§§¨,.¨#@@ bitten. &&&¤§,.,¨,
.¨,,§¤,¨&£ ¨#¤#¨,£#£@
.§§,.,,.¨# but now i'm further back, on solid ,.£¨¨,¨§#,
,.¨,£#¨, ground, in shoulder-high grass, with an ¨,,¨§&...¨
&£@,¨¤¤¨,. orange tin radio and a translucent @¨¨.,&¤§
#¤¨¨.¨¨,&& umbrella which i'm sitting on. ££.,¤¤,.£#
&,.#¤&@¨,. ¤.¨¨.¨,,.@
,..,¤§,,¤¤ \ .,£&££§&¨.
@#§¨.....£ ,,¨¤§#@¨¨&
.,@&&§¨. somethings moving in the grass. it's ,¨££..¨¨
,,,,.##... invisible to my eyes but i can feel #¨¨.,,.¤§.
§¤¤£¨¨¨¨£# through the ground just how large it is. ..£§¤£¨,,,
¨¤#,¨¤&¨.@ &¨.@£.,¤¤¨
.....¨¨,,¨ the soil is muddy. i slip when trying ,,,..¨¨¨..
##§£§£@§@@ to get up, still looking at the ¤§§§¤§@@§#
£&@£@£#§§§ direction of sound rather than at my £@#¤£##@§#
#££§££¤¤@£ hands, who are busy putting things in ¤@¤§§@¤@§&
¤#&@&@¤¤¤£ my pockets. §@£¤¤§§£¤¤
¤¤#&@###&@ @¤££#@##§@
§§#¤&¤§&@£ then i run east toward my home. ££§&&££#
¤#@#@¤@&@# #&¤£§£§£@¤
&&£##¤&§ \ &@£@&@§§§@
£££££@#§ ¤¤¤@@£@§£#
§#§¤¤£§§££ i am not followed, and slow down in the #@§&@§#¤¤£
@¤§¤¤#§¤ clearing where you at first can spot @@&¤@#¤¤£&
¤@@§@¤£# the house, not yet really in the #@#§¤¤§#&@
§§#&&§#§&£ backyard. from my pockets i retrieve my @&&¤#@@¤@&
££#¤£&&¤#& radio (now dented) but also a small #§@§§#£#@¤
&¤§¤#&§&&¤ clay figure i've never seen before. it &&&¤§#&¤¤@
@&§&§§&&¤@ must have been laying in the wet dirt, #¤#¤#§£&¤¤
§££&¤&§#£& and i must've picked it up with my #@#§¤&£§@£
§¤##¤#&§££ other belongings. §££##§&¤#&
£§@&@£ §&§#£#£&&¤
¤§¤§§¤¤§ it's a statuette of a girl laying naked &£@@¤¤#¤
&&@¤£¤£§#§ on her stomach, feet in the air, ££££&§£@
¤@£§££#@&@ roughly seven centimeters long. it's ¤#@#&§£&@@
#&&§&#£§ freshly made, not yet completely dried. §§¤§@@£§@#
¤@£&@§§&§§ §£§§@§&¤@§
§@&¤§@£@§§ my mom is here now. i ask her for some ##&&§#¤@@@
¤#£#¤@@£&@ particle board for it to dry on, but £&¤¤&£@#
§@¤&@£@££# she is worried and wants me to ¤&££§¤&£@@
§#&£§&§&@§ throw it away. £#£¤¤§@£££
@#££§&&§ £&¤&§@¤£§#
@§&£&£&@§£ ¤#¤§£&&&@§
£¤¤#@@§# ##&§§§@£@§
@###£&¤£§& £&¤#@£#@##
£@@¤¤§¤¤&¤ @#§@§##§¤&
#¤§@&@@@¤§ £££¤¤£¤£¤#