,,¨.^^/$¤@ @¤$/^^.¨,,
.:-:$$£### ###£$$:-:.
,.-~†^*¤£# #£¤*^†~-.,
,,=^*@¤@#@ @#@¤@*^=,,
,,=\†£@### ###@£†\=,,
¨¨..~:*&£# statuette #£&*:~..¨¨
¨~-*/\%=*@ @*=%\/*-~¨
,-»;=¤£@## $$¤%§£§$$%%$@¤£&«=«~«~-~@£&$%¤$*§@¤&&$££ ##@£¤=;»-,
,:«^§@#@## %$@§£%*¤$ ##@#@§^«:,
,,.¨,:,*%# #%*,:,¨.,,
.,,,¨»^£#@ forests around my childhood home. thick @#£^»¨,,,.
.,.¨^«~:†# pine arcades that were planted and #†:~«^¨.,.
,-~†*¤¤¤@@ forgotten. wild boars roaming @@¤¤¤*†~-,
,,~^*$¤@£# underneath, sniffing at the ground. it #£@¤$*^~,,
.^~*£@## is dark and moist, the canopy having ##@#&£*~^.
.~~\=%£#¤# already soaked up all the sun. #¤#£%=\~~.
¨~-†$§£@## ##@£§$†-~¨
,,=\%%§#@# there's a river passing by, from east #@#§%%\=,,
¨^~-†^**## to west, getting broader and deeper and ##**^†-~^¨
¨:=^*£#@#£ slower as it goes. equisetum grow just £#@#£*^=:¨
.:/*@@#@## where the pine hands start to let ##@#@@*/:.
,¨,.^-:§£# through light, horsemint on the rocky #£§:-^.,¨,
,.-\=£#£@# river bed. #@£#£=\-.,
,.,..,»†¤# #¤†»,..,.,
,¨¨,,:;§£@ † @£§;:,,¨¨,
.^»\§%&£@# #@£&%§\»^.
,~»%%¤@### the riverbanks reek of magic. tonight ###@¤%%»~,
¨..-«\§†¤£ they had been a swampworld with sylvan £¤†§\«-..¨
,,-†=¤@@@# water, stone rings and floating moss. #@@@¤=†-,,
.,=:†*@### you could've found me wallowing around ###@*†:=,.
,¨¨.,~*¤ on the southern shores until i got #&¤*~,.¨¨,
.,~/§$¤@## bitten. ##@¤$§/~,.
,..,¨»=*¤# #¤*=»¨,..,
.--^*£¤### but now i'm further back, on solid ###¤£*^--.
¨-=^*$## ground, in shoulder-high grass, with an ###&$*^=-¨
..,¨.^==$@ orange tin radio and a translucent @$==^.¨,..
,.¨,.^\%&@ umbrella which i'm sitting on. @&%\^.,¨.,
¨,-=*$§££@ @££§$*=-,¨
,.«†%§$&§# : #§&$§%†«.,
¨^~=$&§¶## ##¶§&$=~^¨
¨:»=$§@¶@# somethings moving in the grass. it's #@¶@§$=»:¨
,:~;$£&£## invisible to my eyes but i can feel ##£&£$;~:,
¨,»†%¤#### through the ground just how large it is. ####¤%†»,¨
¨,~\**&*£# #£*&**\~,¨
¨~~=*£@### the soil is muddy. i slip when trying ###@£*=~~¨
,^»;*†^@ to get up, still looking at the #&@^†*;»^,
¨:«/**¤### direction of sound rather than at my ###¤**/«:¨
¨¨.,.~*%%£ hands, who are busy putting things in £%%*~.,.¨¨
,~:^*£@### my pockets. ###@£*^:~,
¨,«\%$¤£## ##£¤$%\«,¨
,~===### then i run east toward my home. ####&===~,
¨¨.¨,.~%=# #=%~.,¨.¨¨
.,«^$$&@## = ##@&$$^«,.
¨:~:†¤&¶## ##¶&¤†:~:¨
,¨,.-«~§%& i am not followed, and slow down in the &%§~«-.,¨,
,,¨.¨.~%¤£ clearing where you at first can spot £¤%~.¨.¨,,
¨,-†§$§@## the house, not yet really in the ##@§$§†-,¨
¨,.¨,¨-~†¤ backyard. from my pockets i retrieve my ¤†~-¨,¨.,¨
,,-\^$£### radio (now dented) but also a small ###£$^\-,,
¨.«**@&@## clay figure i've never seen before. it ##@&@**«.¨
,,»/*@£¶## must have been laying in the wet dirt, ##¶£@*/»,,
,-»;%*## and i must've picked it up with my ###&*%;»-,
¨-~^§£¤¶## other belongings. ##¶¤£§^~-¨
¨.-^$@## ###&@$^-.¨
.,~;%§@# it's a statuette of a girl laying naked #@#&§%;~,.
.,«;^%@# on her stomach, feet in the air, #@#&%^;«,.
..,^-:^^£# roughly seven centimeters long. it's #£^^:-^,..
.,.,,~^†@# freshly made, not yet completely dried. #@†^~,,.,.
¨,.,**§§#¶ ¶#§§**,.,¨
,,.,,^»§£@ my mom is here now. i ask her for some @£§»^,,.,,
.¨,,.=*£## particle board for it to dry on, but ##£*=.,,¨.
,-«†**###@ she is worried and wants me to @###**†«-,
.¨¨¨.«^§¤£ throw it away. £¤§^«.¨¨¨.
.¨¨¨,.-*%@ @%*-.,¨¨¨.
¨~«/^£&¶## ##¶&£^/«~¨
¨,.-†*$@§¶ ¶§@$*†-.,¨
,,=;$%¤@## ##@¤%$;=,,
.¨.~~»-%£¤ ¤£%-»~~.¨.
.¨¨.«=%&$@ @$&%=«.¨¨.