¨.,¨.~*%*# #*%*~.¨,.¨
.:»*%%£### ###£%%*»:.
.¨.,.~~% #&%~~.,.¨.
,.=:=£@### ###@£=:=.,
¨-«*§£¶### ###¶£§*«-¨
.,~\†*## statuette ###&*†\~,.
,^-/^@#@## ##@#@^/-^,
¨.»\†%&¶## £$&§$@@@£@¤¤$@§*-«-=-~~»£§%¤¤£¤£%¤££@&§% ##¶&%†\».¨
¨,,,»*=&¶# ¤@¤§¤$§££ #¶&=*»,,,¨
¨¨¨,.-,\%@ @%\,-.,¨¨¨
,,.,,,»§£# forests around my childhood home. thick #£§»,,,.,,
,~~^=@#£## pine arcades that were planted and ##£#@=^~~,
.¨¨=«;@£@# forgotten. wild boars roaming #@£@;«=¨¨.
,:^:.~«$*@ underneath, sniffing at the ground. it @*$«~.:^:,
¨¨.^^,\%¤# is dark and moist, the canopy having #¤%\,^^.¨¨
¨:~/$$¤@## already soaked up all the sun. ##@¤$$/~:¨
¨^=»»;$*£§ §£*$;»»=^¨
.¨¨:-;=$@# there's a river passing by, from east #@$=;-:¨¨.
.,~†=£§¶## to west, getting broader and deeper and ##¶§£=†~,.
,.,,.,«;%¤ slower as it goes. equisetum grow just ¤%;«,.,,.,
,..,.-«^@§ where the pine hands start to let §@^«-.,..,
¨,«/**£### through light, horsemint on the rocky ###£**/«,¨
.,,=»==&£@ river bed. @£&==»=,,.
¨:~\†%££## ##££%†\~:¨
.,-†$†*%*@ = @*%*†$†-,.
.-~\%$£@@@ @@@£$%\~-.
¨¨¨.:^\*£@ the riverbanks reek of magic. tonight @£*\^:.¨¨¨
¨:=\%$£##@ they had been a swampworld with sylvan @##£$%\=:¨
¨-«»«%%§£@ water, stone rings and floating moss. @£§%%«»«-¨
.:~:%$§£@# you could've found me wallowing around #@£§$%:~:.
¨--;*### on the southern shores until i got ####&*;--¨
¨,»††^*&@# bitten. #@&*^††»,¨
.,»†§&§### ###§&§†»,.
¨,~/%¤#£## but now i'm further back, on solid ##£#¤%/~,¨
.¨¨==^**@# ground, in shoulder-high grass, with an #@**^==¨¨.
¨:-†%¤¤### orange tin radio and a translucent ###¤¤%†-:¨
¨.¨¨¨:;†*£ umbrella which i'm sitting on. £*†;:¨¨¨.¨
...,,:\=¤# #¤=\:,,...
,¨¨.¨«:@¤¤ : ¤¤@:«¨.¨¨,
..-~^§$¤@# #@¤$§^~-..
,,\^@§#### somethings moving in the grass. it's ####§@^\,,
,¨,,~=£&§¶ invisible to my eyes but i can feel ¶§&£=~,,¨,
,,-:†@## through the ground just how large it is. ##@#&†:-,,
.^«=§&¤&§¶ ¶§&¤&§=«^.
,^~\*£@#@# the soil is muddy. i slip when trying #@#@£*\~^,
¨,==†^*%@@ to get up, still looking at the @@%*^†==,¨
¨-«/^@&@¶# direction of sound rather than at my #¶@&@^/«-¨
¨:~;$£§¶@# hands, who are busy putting things in #@¶§£$;~:¨
.¨¨,¨.^/%£ my pockets. £%/^.¨,¨¨.
¨:==*&&@## ##@&&*==:¨
,,~:%$#£@# then i run east toward my home. #@£#$%:~,,
¨.~:*££@## ##@££*:~.¨
¨:~=§££¶## = ##¶££§=~:¨
..~«~*§%¶¶ ¶¶%§*~«~..
.,»\$£#¶@# i am not followed, and slow down in the #@¶#£$\»,.
¨-»:†¤¤@## clearing where you at first can spot ##@¤¤†:»-¨
,..,»*=£@# the house, not yet really in the #@£=*»,..,
.,.,-†/*£# backyard. from my pockets i retrieve my #£*/†-,.,.
,.«†%@£@## radio (now dented) but also a small ##@£@%†«.,
¨.=†%§£¤¶@ clay figure i've never seen before. it @¶¤£§%†=.¨
,,,...,=¤# must have been laying in the wet dirt, #¤=,...,,,
,-»*%§@### and i must've picked it up with my ###@§%*»-,
¨.-,~~.:%# other belongings. #%:.~~,-.¨
.:»=§#¶@## ##@¶#§=»:.
.~~**¤## it's a statuette of a girl laying naked ###&¤**~~.
,-~\%%¤¶## on her stomach, feet in the air, ##¶¤%%\~-,
,:~;£@£### roughly seven centimeters long. it's ###£@£;~:,
¨,~\†&§¶## freshly made, not yet completely dried. ##¶§&†\~,¨
,,-^=&@@## ##@@&=^-,,
,^»†=£#### my mom is here now. i ask her for some ####£=†»^,
.-«/*$£### particle board for it to dry on, but ###£$*/«-.
,~~/%*#£@# she is worried and wants me to #@£#*%/~~,
,-«;§¤¤£#@ throw it away. @#£¤¤§;«-,
,~=†$@##@# #@##@$†=~,
,¨,~-=%£@# #@£%=-~,¨,
..~^†%¤¶## ##¶¤%†^~..
,,~*§§@@## ##@@§§*~,,
.:=/*£§@## ##@§£*/=:.
,¨¨¨--:££@ @££:--¨¨¨,