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...¨.,»%£& &£%»,.¨...
.~;*$##@## ##@##$*;~.
,-~\=*$†¤£ £¤†$*=\~-,
,:»;*&&&§£ £§&&&*;»:,
,~†^$##@## statuette ##@##$^†~,
¨,.,~«=$#£ £#$=«~,.,¨
¨.¨.-\:%¤@ &£%%$%£@£§§$@%@*~«~~===»%*%§@@&¤&@§$££¤£ @¤%:\-.¨.¨
¨.~*%%@#@# £@$@££$$§ #@#@%%*~.¨
.,~:*¤¤£## ##£¤¤*:~,.
,-~^*@§### forests around my childhood home. thick ###§@*^~-,
.^-:†§£### pine arcades that were planted and ###£§†:-^.
,-.«~~%# forgotten. wild boars roaming ##&%~~«.-,
..~:*%§§ underneath, sniffing at the ground. it #&§§%*:~..
,,«;†%§### is dark and moist, the canopy having ###§%†;«,,
¨,»:^%&£## already soaked up all the sun. ##£&%^:»,¨
.,=:=&§### ###§&=:=,.
.,~*^$#### there's a river passing by, from east ####$^*~,.
,,~^^¤£#@# to west, getting broader and deeper and #@#£¤^^~,,
¨¨,^-\%£&£ slower as it goes. equisetum grow just £&£%\-^,¨¨
,-~\§%££@@ where the pine hands start to let @@££%§\~-,
¨.»†%*¤### through light, horsemint on the rocky ###¤*%†».¨
,«/†*@## river bed. ##@#&*†/«,
¨:~†%&£@## ##@£&%†~:¨
¨~«/$%@### ^ ###@%$/«~¨
.¨¨.,^/%£¶ ¶£%/^,.¨¨.
,.,:^,~†¤¶ the riverbanks reek of magic. tonight ¶¤†~,^:,.,
,.«\†%#@@# they had been a swampworld with sylvan #@@#%†\«.,
,-«\†&£### water, stone rings and floating moss. ###£&†\«-,
¨¨.¨=~\^¤# you could've found me wallowing around #¤^\~=¨.¨¨
,^~=:^^&£@ on the southern shores until i got @£&^^:=~^,
.:»\=%@#@# bitten. #@#@%=\»:.
.,=/§$@@@# #@@@$§/=,.
,¨,,:=^$#@ but now i'm further back, on solid @#$^=:,,¨,
,.,.--*=&¶ ground, in shoulder-high grass, with an ¶&=*--.,.,
¨.,,.~;¤¤£ orange tin radio and a translucent £¤¤;~.,,.¨
,-~†*$¤¶## umbrella which i'm sitting on. ##¶¤$*†~-,
¨,-==^*%§¤ ¤§%*^==-,¨
¨.,¨,=\††§ * §††\=,¨,.¨
¨.~;*@#### ####@*;~.¨
,-»\$¤¤¶## somethings moving in the grass. it's ##¶¤¤$\»-,
,,~;§¤¤¶## invisible to my eyes but i can feel ##¶¤¤§;~,,
..~:%$**## through the ground just how large it is. ##**$%:~..
.¨.¨,.-;%@ @%;-.,¨.¨.
¨..,,~~†¤@ the soil is muddy. i slip when trying @¤†~~,,..¨
.-~/†§*$££ to get up, still looking at the ££$*§†/~-.
¨,«†%$$¤¤£ direction of sound rather than at my £¤¤$$%†«,¨
.¨¨,«**§@@ hands, who are busy putting things in @@§**«,¨¨.
.-»†%@#@## my pockets. ##@#@%†»-.
,¨,,.,.~$¤ ¤$~.,.,,¨,
.:~^*$#£## then i run east toward my home. ##£#$*^~:.
..¨^,~=*¤@ @¤*=~,^¨..
,,»;$%¤@## * ##@¤%$;»,,
..,¨,-=$## ##$=-,¨,..
,~~==£¤¶@# i am not followed, and slow down in the #@¶¤£==~~,
,.,,=~«†§£ clearing where you at first can spot £§†«~=,,.,
,^«;*§#### the house, not yet really in the ####§*;«^,
,~«=*$## backyard. from my pockets i retrieve my ###&$*=«~,
,.-/§&£@## radio (now dented) but also a small ##@£&§/-.,
¨¨¨~«†$=¤# clay figure i've never seen before. it #¤=$†«~¨¨¨
¨...-^==§# must have been laying in the wet dirt, #§==^-...¨
,¨^,†††*¤# and i must've picked it up with my #¤*†††,^¨,
¨,«^=&£@## other belongings. ##@£&=^«,¨
¨:«†$&§### ###§&$†«:¨
¨,=^%¤¤#¶£ it's a statuette of a girl laying naked £¶#¤¤%^=,¨
:«^§*¤#@## on her stomach, feet in the air, ##@#¤*§^«:
¨¨¨,~^*§#& roughly seven centimeters long. it's §*^~,¨¨¨
,~»/**£#@# freshly made, not yet completely dried. #@#£**/»~,
.,.¨.¨~%## ##%~¨.¨.,.
.¨,¨.«/^§@ my mom is here now. i ask her for some @§^/«.¨,¨.
,:«==%£#@# particle board for it to dry on, but #@#£%==«:,
¨-»=^£#### she is worried and wants me to ####£^=»-¨
,,=/†¤@### throw it away. ###@¤†/=,,
¨~~†*@¤##¶ ¶##¤@*†~~¨
,¨-~;/:^*& &*^:/;~-¨,
¨,.,,~,=§& &§=,~,,.,¨
,-=^=%¤@## ##@¤%=^=-,
¨,~/§¤#### ####¤§/~,¨
¨:«/*$## ###&$*/«:¨