.,,.,~==£@ @£==~,.,,.
.,-:=$£@## ##@£$=:-,.
,-«*=&§@¶# #¶@§&=*«-,
.^=†%$#@## ##@#$%†=^.
.,,.^:=%#£ £#%=:^.,,.
¨,,,.~^-^& statuette &^-^~.,,,¨
.~==^@£*££ ££*£@^==~.
,.~:†%@£## %£££§&$&£&%$%*§$~»--«-~~%££@%$$*§§&§&&§$ ##£@%†:~.,
,-=\†%§%&@ $&*§£%$§% @&%§%†\=-,
.¨.¨,,^=§£ £§=^,,¨.¨.
,,»††&§@## forests around my childhood home. thick ##@§&††»,,
,.¨,~:/§&@ pine arcades that were planted and @&§/:~,¨.,
¨^«;%$&@££ forgotten. wild boars roaming ££@&$%;«^¨
,.~†$&@@## underneath, sniffing at the ground. it ##@@&$†~.,
.¨¨~*;†^*@ is dark and moist, the canopy having @*^†;*~¨¨.
¨,,,.**\%& already soaked up all the sun. &%\**.,,,¨
,,~†$$£@## ##@£$$†~,,
..~^%%&@#@ there's a river passing by, from east @#@&%%^~..
,,»/**£@## to west, getting broader and deeper and ##@£**/»,,
¨:~†%§@### slower as it goes. equisetum grow just ###@§%†~:¨
,¨¨-,~;$£§ where the pine hands start to let §£$;~,-¨¨,
..,..-†:*& through light, horsemint on the rocky &*:†-..,..
,.¨.:.^§$# river bed. #$§^.:.¨.,
¨^=\†%£### ###£%†\=^¨
.:«*^¤#### † ####¤^*«:.
.-«\%££### ###££%\«-.
.¨,.~~*%#& the riverbanks reek of magic. tonight %*~~.,¨.
.,»/^&££## they had been a swampworld with sylvan ##££&^/»,.
,^«;^§##@# water, stone rings and floating moss. #@##§^;«^,
¨¨¨¨^~*$#& you could've found me wallowing around $*~^¨¨¨¨
,~«†$$§@## on the southern shores until i got ##@§$$†«~,
.¨..¨~*$¤@ bitten. @¤$*~¨..¨.
,^,-**%†@£ £@†%**-,^,
.-~^^$##@# but now i'm further back, on solid #@##$^^~-.
,~»^=*†*#@ ground, in shoulder-high grass, with an @#*†*=^»~,
¨,~==*¤£## orange tin radio and a translucent ##£¤*==~,¨
.,.,=\†:%@ umbrella which i'm sitting on. @%:†\=,.,.
.-=:=£@@## ##@@£=:=-.
..¨,:~==£@ : @£==~:,¨..
,-~:*§¤¶## ##¶¤§*:~-,
¨¨.~=~^§#¤ somethings moving in the grass. it's ¤#§^~=~.¨¨
.^~^%&§£## invisible to my eyes but i can feel ##£§&%^~^.
,-*$£¤@@## through the ground just how large it is. ##@@¤£$*-,
¨,«†*&§£&@ @&£§&*†«,¨
¨:«;*¤@# the soil is muddy. i slip when trying #@#&¤*;«:¨
,^=;*%££## to get up, still looking at the ##££%*;=^,
.^«=***^&£ direction of sound rather than at my £&^***=«^.
,,~:^¤¤### hands, who are busy putting things in ###¤¤^:~,,
¨,¨.¨.^%§# my pockets. #§%^.¨.¨,¨
..«^%$@%&@ @&%@$%^«..
,,~*§$&@## then i run east toward my home. ##@&$§*~,,
¨:-=^§@# #@#&§^=-:¨
,¨,¨,,=^¤# ^ #¤^=,,¨,¨,
¨.~;*£§@@# #@@§£*;~.¨
,~~-;*/†## i am not followed, and slow down in the ##†/*;-~~,
¨,«†^£¤£#@ clearing where you at first can spot @#£¤£^†«,¨
.~»»-~*/§& the house, not yet really in the &§/*~-»»~.
¨¨.,-»$@¤@ backyard. from my pockets i retrieve my @¤@$»-,.¨¨
,^-†%§&¶## radio (now dented) but also a small ##¶&§%†-^,
,.,»=:=*£# clay figure i've never seen before. it #£*=:=»,.,
,,~^*£¤##& must have been laying in the wet dirt, #¤£*^~,,
.-»/$¤¤§¤# and i must've picked it up with my #¤§¤¤$/»-.
.,»\%§¤¶## other belongings. ##¶¤§%\»,.
,-~^*$&@@# #@@&$*^~-,
..=/%##### it's a statuette of a girl laying naked #####%/=..
¨:=:§@**## on her stomach, feet in the air, ##**@§:=:¨
¨,~†%%@##@ roughly seven centimeters long. it's @##@%%†~,¨
..¨-:-%§¤@ freshly made, not yet completely dried. @¤§%-:-¨..
..=†%§¶@## ##@¶§%†=..
,,,,~/§¤¤¶ my mom is here now. i ask her for some ¶¤¤§/~,,,,
,-==$%£¶## particle board for it to dry on, but ##¶£%$==-,
¨..,¨:-^&£ she is worried and wants me to £&^-:¨,..¨
.¨¨,.,»†@# throw it away. #@†»,.,¨¨.
,,«†%£¤¶@@ @@¶¤£%†«,,
,.===&&¶#¶ ¶#¶&&===.,
,:~\†*¤§#£ £#§¤*†\~:,
¨,,::\*%@@ @@%*\::,,¨
,-~;%%§#@# #@#§%%;~-,
,.,:-~~§¤# #¤§~~-:,.,