¨¨.~^*=$£¶ ¶£$=*^~.¨¨
¨.,¨.~*§££ ££§*~.¨,.¨
¨¨,,-«/§*¤ ¤*§/«-,,¨¨
..,.,\%§¶# #¶§%\,.,..
¨:~^^$¤@## ##@¤$^^~:¨
,-«^*$¤¶## statuette ##¶¤$*^«-,
,,«*%§&£## ##£&§%*«,,
¨,¨~-§¤§@@ @%%%%££%%$@££££%»~«~-~==§&£%££%&£&$$$§££ @@§¤§-~¨,¨
¨-»--«;§£@ $££*$%*@% @£§;«--»-¨
¨,-:†£##§# #§##£†:-,¨
.-«/*@#£@# forests around my childhood home. thick #@£#@*/«-.
.^~\†%@##@ pine arcades that were planted and @##@%†\~^.
,~«;§@@@## forgotten. wild boars roaming ##@@@§;«~,
.,«/*£££¶@ underneath, sniffing at the ground. it @¶£££*/«,.
¨^~^%$@# is dark and moist, the canopy having #@#&$%^~^¨
¨¨.¨~=^^£@ already soaked up all the sun. @£^^=~¨.¨¨
,-,~=-:%§# #§%:-=~,-,
,¨.,,,-~=§ there's a river passing by, from east §=~-,,,.¨,
.,.,../*#@ to west, getting broader and deeper and @#*/..,.,.
¨^»=†;*&£# slower as it goes. equisetum grow just #£&*;†=»^¨
¨,.»«†%%*# where the pine hands start to let #*%%†«».,¨
.-~:*%#£@# through light, horsemint on the rocky #@£#%*:~-.
.~-**%## river bed. ###&%**-~.
.-\%¤@## ##@#&¤%\-.
¨~~^**@&¶@ ^ @¶&@**^~~¨
¨:-;*§#### ####§*;-:¨
.,¨::**%## the riverbanks reek of magic. tonight ##%**::¨,.
,.¨~*;£¤@# they had been a swampworld with sylvan #@¤£;*~¨.,
,^»†%¤@### water, stone rings and floating moss. ###@¤%†»^,
,-~^†@@@@# you could've found me wallowing around #@@@@†^~-,
.,.~^*%§## on the southern shores until i got ##§%*^~.,.
.=\=£#@@## bitten. ##@@#£=\=.
.^«:%&¤### ###¤&%:«^.
.,,~\†$¤§# but now i'm further back, on solid #§¤$†\~,,.
.:-†^§*£## ground, in shoulder-high grass, with an ##£*§^†-:.
,:«:=§¤££# orange tin radio and a translucent #££¤§=:«:,
¨-~\*%#£## umbrella which i'm sitting on. ##£#%*\~-¨
.:-^†§#£ £##&§†^-:.
,,~*§%§¶## ^ ##¶§%§*~,,
:~=^£@@### ###@@£^=~:
¨¨¨¨.«†@£# somethings moving in the grass. it's #£@†«.¨¨¨¨
,.=;*£¤#@# invisible to my eyes but i can feel #@#¤£*;=.,
.,,.,†/§#@ through the ground just how large it is. @#§/†,.,,.
,~»††%§@## ##@§%††»~,
¨-»/§££$¶# the soil is muddy. i slip when trying #¶$££§/»-¨
,^»:*¤§@## to get up, still looking at the ##@§¤*:»^,
¨,=**@¤#@# direction of sound rather than at my #@#¤@**=,¨
¨,-:%%£### hands, who are busy putting things in ###£%%:-,¨
,,.,†%^£@¶ my pockets. ¶@£^%†,.,,
¨:-/§¤¤@## ##@¤¤§/-:¨
.,,¨¨«;¤$# then i run east toward my home. #$¤;«¨¨,,.
.¨,.,.=^£# #£^=.,.,¨.
¨-~=$££¶@# / #@¶££$=~-¨
,«*=&### ####&&=*«,
.,»\%%@@@# i am not followed, and slow down in the #@@@%%\»,.
..»*§£#### clearing where you at first can spot ####£§*»..
,¨¨¨...»^& the house, not yet really in the &^»...¨¨¨,
¨¨,,,-%£#§ backyard. from my pockets i retrieve my §#£%-,,,¨¨
¨,,..«=^&§ radio (now dented) but also a small §&^=«..,,¨
¨,~\*$@@## clay figure i've never seen before. it ##@@$*\~,¨
¨.-;*¤£### must have been laying in the wet dirt, ###£¤*;-.¨
¨,^-~~§$@¶ and i must've picked it up with my ¶@$§~~-^,¨
.~»\*£¤@## other belongings. ##@¤£*\»~.
.:-:^%£@@# #@@£%^:-:.
¨^«=^$¤£#@ it's a statuette of a girl laying naked @#£¤$^=«^¨
¨:=:§=§§#@ on her stomach, feet in the air, @#§§=§:=:¨
,,¨,,-\^#£ roughly seven centimeters long. it's £#^\-,,¨,,
.:~*§%§¶## freshly made, not yet completely dried. ##¶§%§*~:.
¨^~««\§$†# #†$§\««~^¨
¨:«*$§## my mom is here now. i ask her for some ###&§$*«:¨
.=**%££### particle board for it to dry on, but ###££%**=.
.,»;%§#¶## she is worried and wants me to ##¶#§%;»,.
¨,~;$§&¶## throw it away. ##¶&§$;~,¨
¨.¨.¨^~=§§ §§=~^¨.¨.¨
,,~*†¤£¤£@ @£¤£¤†*~,,
,^«^§§£@## ##@£§§^«^,
¨,«*%£$¤£# #£¤$£%*«,¨
¨~«»^=^££§ §££^=^»«~¨
.,.,~*=§## ##§=*~,.,.