,,»:**¤@## ##@¤**:»,,
.:=†^$@&$# #$&@$^†=:.
¨¨¨,.=%$%& &%$%=.,¨¨¨
,:-;*£¤£## ##£¤£*;-:,
,~~:%$§### ###§$%:~~,
¨,-=%%#@@# statuette #@@#%%=-,¨
.¨¨¨,~~~§§ §§~~~,¨¨¨.
,.,..,=%£# &¤££@£$@$%*%£$%£»-~-=~«~§¤§*££¤$&¤@$%¤$$ #£%=,..,.,
¨.~^§%#### £@¤@&@$¤& ####%§^~.¨
,~~;%&§¶## ##¶§&%;~~,
.,..,..=^£ forests around my childhood home. thick £^=..,..,.
¨~»^=&@@## pine arcades that were planted and ##@@&=^»~¨
...«=*%@@# forgotten. wild boars roaming #@@%*=«...
,,~;$&#@ underneath, sniffing at the ground. it @##&&$;~,,
.:~=*§&£## is dark and moist, the canopy having ##£&§*=~:.
.--*%^§£¤# already soaked up all the sun. #¤£§^%*--.
.:-/=@&¶@# #@¶&@=/-:.
¨^-**§@### there's a river passing by, from east ###@§**-^¨
.:-;*§@### to west, getting broader and deeper and ###@§*;-:.
.:~\$$@@## slower as it goes. equisetum grow just ##@@$$\~:.
..¨,.::*&& where the pine hands start to let &&*::.,¨..
,¨,¨.¨,;§¤ through light, horsemint on the rocky ¤§;,¨.¨,¨,
,.¨,~-«;§¤ river bed. ¤§;«-~,¨.,
¨.=*=%%##£ £##%%=*=.¨
.~-:$@¤@#@ \ @#@¤@$:-~.
..-;*§§¶@# #@¶§§*;-..
¨-»\%¤#£@# the riverbanks reek of magic. tonight #@£#¤%\»-¨
,¨,¨»»**## they had been a swampworld with sylvan ##**»»¨,¨,
¨~-*§$¤#@# water, stone rings and floating moss. #@#¤$§*-~¨
.,~:**§¶@# you could've found me wallowing around #@¶§**:~,.
¨,»$¤### on the southern shores until i got ####&¤$»,¨
,-«:§§&£## bitten. ##£&§§:«-,
,.»/$¤@### ###@¤$/».,
¨:«;/\%£@# but now i'm further back, on solid #@£%\/;«:¨
,~»*=%¤### ground, in shoulder-high grass, with an ###¤%=*»~,
,^«/=%¤@## orange tin radio and a translucent ##@¤%=/«^,
,,,,,-==## umbrella which i'm sitting on. ##==-,,,,,
,:~^†%^*$# #$*^%†^~:,
¨,-††£&@#@ † @#@&£††-,¨
.-~=%§@### ###@§%=~-.
..«/*£&@## somethings moving in the grass. it's ##@&£*/«..
.^«^$£¤@## invisible to my eyes but i can feel ##@¤£$^«^.
,-~:*$&@§§ through the ground just how large it is. §§@&$*:~-,
¨¨..~*†%*@ @*%†*~..¨¨
.-«\%@§### the soil is muddy. i slip when trying ###§@%\«-.
.,,.-^^*## to get up, still looking at the ##*^^-.,,.
,-~††£&@## direction of sound rather than at my ##@&£††~-,
.,~\*§£### hands, who are busy putting things in ###£§*\~,.
,,:»«-~†@# my pockets. #@†~-«»:,,
,¨.,~†:† #&†:†~,.¨,
¨^=†§@£@@# then i run east toward my home. #@@£@§†=^¨
¨,,..**@#@ @#@**..,,¨
,~«;%$&@## † ##@&$%;«~,
..¨,¨::&£@ @£&::¨,¨..
.,..,^,*¤@ i am not followed, and slow down in the @¤*,^,..,.
¨-~*%$£§£@ clearing where you at first can spot @£§£$%*~-¨
.,«\†@@@## the house, not yet really in the ##@@@†\«,.
..¨.,\%†¤¤ backyard. from my pockets i retrieve my ¤¤†%\,.¨..
,.:»;=§$@# radio (now dented) but also a small #@$§=;»:.,
,^~=†£§¶@# clay figure i've never seen before. it #@¶§£†=~^,
..,,,.††&& must have been laying in the wet dirt, &&††.,,,..
,.¨,¨¨~»=# and i must've picked it up with my #=»~¨¨,¨.,
¨,=;^*@£## other belongings. ##£@*^;=,¨
,^~†*§$= #&=$§*†~^,
,-~^§@&@## it's a statuette of a girl laying naked ##@&@§^~-,
¨^-^%&@@## on her stomach, feet in the air, ##@@&%^-^¨
.,,,»*/%$# roughly seven centimeters long. it's #$%/*»,,,.
,.,,:-;%£# freshly made, not yet completely dried. #£%;-:,,.,
..«;%&££@# #@££&%;«..
..»^%%££## my mom is here now. i ask her for some ##££%%^»..
,,»\£@¶### particle board for it to dry on, but ###¶@£\»,,
¨--^*£§### she is worried and wants me to ###§£*^--¨
¨.~\^@#¶## throw it away. ##¶#@^\~.¨
,,«^%@&¶## ##¶&@%^«,,
,,~*%££@@# #@@££%*~,,
¨.,¨.~~*#@ @#*~~.¨,.¨
.,.,.,.†$& &$†.,.,.,.
,¨¨,.^;*§@ @§*;^.,¨¨,
,,~:$$¤¶@# #@¶¤$$:~,,