¨,~;%£#@## ##@#£%;~,¨
.,=;=$#@## ##@#$=;=,.
¨:-*†%£* #&*£%†*-:¨
..,=**§&@@ @@&§**=,..
¨~~:%*†§$& &$§†*%:~~¨
¨~~^%£#### statuette ####£%^~~¨
.,»:*%$¤&§ §&¤$%*:»,.
.~»/=*¤@#@ $%§$£§%¤&@&*&§§%-~~»=~»-$§%&@§*@&$£@$§$% @#@¤*=/»~.
¨^«:=%§##@ %$%£§%$@% @##§%=:«^¨
.~~:$$#£@@ @@£#$$:~~.
,.¨..^;$@@ forests around my childhood home. thick @@$;^..¨.,
¨¨,,.:^%§@ pine arcades that were planted and @§%^:.,,¨¨
,,,-«-~/%# forgotten. wild boars roaming #%/~-«-,,,
¨¨..,^†=@& underneath, sniffing at the ground. it &@=†^,..¨¨
¨:/$@@@@## is dark and moist, the canopy having ##@@@@$/:¨
¨¨.^-†$*@# already soaked up all the sun. #@*$†-^.¨¨
,-~/%*§#@# #@#§*%/~-,
¨.¨¨¨«=£## there's a river passing by, from east ##£=«¨¨¨.¨
.-«:=£#@## to west, getting broader and deeper and ##@#£=:«-.
¨.,,:~=§&& slower as it goes. equisetum grow just &&§=~:,,.¨
.-«*§^**#£ where the pine hands start to let £#**^§*«-.
¨,~**£@£## through light, horsemint on the rocky ##£@£**~,¨
.¨¨.^»«%§§ river bed. §§%«»^.¨¨.
¨.¨-/\\*%# #%*\\/-¨.¨
,¨..»^¤§@@ * @@§¤^»..¨,
.¨¨,~,.=*@ @*=.,~,¨¨.
¨-~*%¤§@@# the riverbanks reek of magic. tonight #@@§¤%*~-¨
,,.¨,^~$£# they had been a swampworld with sylvan #£$~^,¨.,,
.--\†%££@# water, stone rings and floating moss. #@££%†\--.
,--/^¤## you could've found me wallowing around ###&¤^/--,
¨:-^=§#¤&@ on the southern shores until i got @&¤#§=^-:¨
.~«^$£%@@¶ bitten. ¶@@%£$^«~.
¨~-;$§#@## ##@#§$;-~¨
.,¨,-,=$¤§ but now i'm further back, on solid §¤$=,-,¨,.
¨,.,,,~§§@ ground, in shoulder-high grass, with an @§§~,,,.,¨
.:-:%%&@@@ orange tin radio and a translucent @@@&%%:-:.
¨¨...~§@£¶ umbrella which i'm sitting on. ¶£@§~...¨¨
,,=\%^¤§£# #£§¤^%\=,,
.,~/^%#¶## † ##¶#%^/~,.
.,,.-%*¤## ##¤*%-.,,.
¨,«;$%£##@ somethings moving in the grass. it's @##£%$;«,¨
,~«†=£§¶## invisible to my eyes but i can feel ##¶§£=†«~,
.¨,:«~§= through the ground just how large it is. #&=§~«:,¨.
.,,,,~-%&@ @&%-~,,,,.
¨--:%£@£## the soil is muddy. i slip when trying ##£@£%:--¨
,.-«=†%£$@ to get up, still looking at the @$£%†=«-.,
.,»/=££@@# direction of sound rather than at my #@@££=/»,.
,^«/%¤§### hands, who are busy putting things in ###§¤%/«^,
¨,«†§£@### my pockets. ###@£§†«,¨
.,«;*%%*%¶ ¶%*%%*;«,.
,^~*$¤#@## then i run east toward my home. ##@#¤$*~^,
¨-~\§$&@## ##@&$§\~-¨
.,~^§*&@## / ##@&*§^~,.
,^-†*$§§## ##§§$*†-^,
¨.,.~~=#@# i am not followed, and slow down in the #@#=~~.,.¨
.,«=§@£@@# clearing where you at first can spot #@@£@§=«,.
¨,«:§&§£&@ the house, not yet really in the @&£§&§:«,¨
.,~*†@¶### backyard. from my pockets i retrieve my ###¶@†*~,.
,.¨¨..^=§& radio (now dented) but also a small &§=^..¨¨.,
¨:==^¤¤@@# clay figure i've never seen before. it #@@¤¤^==:¨
.~«*$%&@## must have been laying in the wet dirt, ##@&%$*«~.
,.~:=@¤##@ and i must've picked it up with my @##¤@=:~.,
.-~:%$§&§¶ other belongings. ¶§&§$%:~-.
,,,,,:~%§§ §§%~:,,,,,
¨,~\%¤*$ it's a statuette of a girl laying naked #&$*¤%\~,¨
..¨-«$%#§@ on her stomach, feet in the air, @§#%$«-¨..
,.,¨,«\&@¤ roughly seven centimeters long. it's ¤@&\«,¨,.,
¨~~;%*#£## freshly made, not yet completely dried. ##£#*%;~~¨
,-==**¤%¤# #¤%¤**==-,
.,~;§%¤@@@ my mom is here now. i ask her for some @@@¤%§;~,.
¨,~^*@£#@# particle board for it to dry on, but #@#£@*^~,¨
..¨,¨.~^§@ she is worried and wants me to @§^~.¨,¨..
¨,===§£@## throw it away. ##@£§===,¨
,^=;=@£@@# #@@£@=;=^,
.^-=$&¤@## ##@¤&$=-^.
.,»†=†%&@# #@&%†=†»,.
.^=\%%¤¶@# #@¶¤%%\=^.
,¨,-»=»§§¤ ¤§§»=»-,¨,
.¨.¨.-\$¤# #¤$\-.¨.¨.