,,:~/%£¶## ##¶£%/~:,,
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.¨^~;§&£## ##£&§;~^¨.
,.¨:~\*£## ##£*\~:¨.,
,¨^~:=#### ####=:~^¨,
¨,-^§§#### statuette ####§§^-,¨
..^~;*#### ####*;~^..
.¨..»;$§## £%$¤@$&§&&&$£¤£*«~«=~~~~%¤@@§%@§£&§@$§¤$ ##§$;»..¨.
,.^~=%&@## *%£@£%%&@ ##@&%=~^.,
¨^=/^£¶### ###¶£^/=^¨
,,-»^=¤@## forests around my childhood home. thick ##@¤=^»-,,
,¨,^~=^### pine arcades that were planted and ###^=~^,¨,
,.,-/%&@## forgotten. wild boars roaming ##@&%/-,.,
,.~/*@#@## underneath, sniffing at the ground. it ##@#@*/~.,
¨¨:»**@@## is dark and moist, the canopy having ##@@**»:¨¨
...-«\*££# already soaked up all the sun. #££*\«-...
.,,-**¤### ###¤**-,,.
,,»=%£@### there's a river passing by, from east ###@£%=»,,
¨.:~:%@¶## to west, getting broader and deeper and ##¶@%:~:.¨
,.¨:~^$¤## slower as it goes. equisetum grow just ##¤$^~:¨.,
¨¨~»;%#£## where the pine hands start to let ##£#%;»~¨¨
¨.~*§@£### through light, horsemint on the rocky ###£@§*~.¨
,,,»:*¤£## river bed. ##£¤*:»,,,
,,¨:»/*&£@ @£&*/»:¨,,
.,--/%&@## \ ##@&%/--,.
¨^-^$¤@@## ##@@¤$^-^¨
¨,.=/%&@## the riverbanks reek of magic. tonight ##@&%/=.,¨
¨,.~-=%§## they had been a swampworld with sylvan ##§%=-~.,¨
.,,~*$¤#@# water, stone rings and floating moss. #@#¤$*~,,.
,^~;*§@### you could've found me wallowing around ###@§*;~^,
.¨~-=§£#@# on the southern shores until i got #@#£§=-~¨.
...^»=^&@# bitten. #@&^=»^...
,,:~:^¤### ###¤^:~:,,
,^~\§&£### but now i'm further back, on solid ###£&§\~^,
,¨,=^^££## ground, in shoulder-high grass, with an ##££^^=,¨,
,¨,-»*§@## orange tin radio and a translucent ##@§*»-,¨,
.,-=†=¤### umbrella which i'm sitting on. ###¤=†=-,.
.,»†%¤@### ###@¤%†»,.
,,:-=*¤¶## ; ##¶¤*=-:,,
¨.¨^~††£@# #@£††~^¨.¨
¨.-~*%#¶## somethings moving in the grass. it's ##¶#%*~-.¨
¨.==$&£### invisible to my eyes but i can feel ###£&$==.¨
.,~=^$£@## through the ground just how large it is. ##@£$^=~,.
,¨,.~*%### ###%*~.,¨,
,,.«;*@### the soil is muddy. i slip when trying ###@*;«.,,
,:~**&@### to get up, still looking at the ###@&**~:,
¨.,==$£¶@# direction of sound rather than at my #@¶£$==,.¨
,..~»;*&@@ hands, who are busy putting things in @@&*;»~..,
,.,«\^£@## my pockets. ##@£^\«,.,
..=^†¤@### ###@¤†^=..
,.:=^=£#@# then i run east toward my home. #@#£=^=:.,
¨.¨^«/%# ##&%/«^¨.¨
.,~~*$¤¶## † ##¶¤$*~~,.
.-~;*@@@## ##@@@*;~-.
¨,^~/=§@@# i am not followed, and slow down in the #@@§=/~^,¨
.,¨-~:*### clearing where you at first can spot ###*:~-¨,.
,..»=^#@## the house, not yet really in the ##@#^=»..,
.~~=†£#@## backyard. from my pockets i retrieve my ##@#£†=~~.
.,:~:†## radio (now dented) but also a small ###&†:~:,.
¨..,~^*§¶@ clay figure i've never seen before. it @¶§*^~,..¨
.¨~«\*#### must have been laying in the wet dirt, ####*\«~¨.
¨,=†$§¶### and i must've picked it up with my ###¶§$†=,¨
..,~†$££## other belongings. ##££$†~,..
,,,-«^§@@@ @@@§^«-,,,
.,-«*%¤#@# it's a statuette of a girl laying naked #@#¤%*«-,.
,:=;%&@### on her stomach, feet in the air, ###@&%;=:,
,,:-:%¤¶## roughly seven centimeters long. it's ##¶¤%:-:,,
,...»=*@@@ freshly made, not yet completely dried. @@@*=»...,
¨¨~~†%¤¶@# #@¶¤%†~~¨¨
.:«\§§@### my mom is here now. i ask her for some ###@§§\«:.
,.^»=†#@@# particle board for it to dry on, but #@@#†=»^.,
¨¨¨-~=^&¶# she is worried and wants me to #¶&^=~-¨¨¨
..:-:^§£## throw it away. ##£§^:-:..
,,~†%£@### ###@£%†~,,
,¨:«:*@# #@#&*:«:¨,
¨.¨~=^†&¶@ @¶&†^=~¨.¨
¨¨^~;§£### ###£§;~^¨¨
.:=**££@## ##@££**=:.
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