.~:^~=^\$@ @$\^=~^:~.
¨-~/=%@¶¶£ £¶¶@%=/~-¨
..«/*@§### ###§@*/«..
¨:~^%%@£## ##£@%%^~:¨
,,..¨.~†&@ @&†~.¨..,,
¨,«^$@#@ statuette @#@#&$^«,¨
..~=§§¤### ###¤§§=~..
,¨--»^=¤¶# %*¤@*%%£&¤%§$£@*~~-=~~«»$$**&*@££@@£¤£&& #¶¤=^»--¨,
,,~=^¤¤@## %$%@§@%¤& ##@¤¤^=~,,
¨,,=\/;^## ##^;/\=,,¨
¨^~*^&£### forests around my childhood home. thick ###£&^*~^¨
,^~\§%¤#@# pine arcades that were planted and #@#¤%§\~^,
¨:«=§%=†¤& forgotten. wild boars roaming &¤†=%§=«:¨
,¨.,«/$@££ underneath, sniffing at the ground. it ££@$/«,.¨,
,,»=$&@### is dark and moist, the canopy having ###@&$=»,,
,.=:§¤@# already soaked up all the sun. #@#&¤§:=.,
¨,,...=;§@ @§;=...,,¨
¨,,.¨^-$## there's a river passing by, from east ##$-^¨.,,¨
¨,:«~/&¤&@ to west, getting broader and deeper and @&¤&/~«:,¨
,,~:/†=*¤& slower as it goes. equisetum grow just &¤*=†/:~,,
,-«:%&£@@# where the pine hands start to let #@@£&%:«-,
.-~†*%§#£# through light, horsemint on the rocky #£#§%*†~-.
¨.-^=@¤@## river bed. ##@¤@=^-.¨
.^-†*$§@@# #@@§$*†-^.
,,-=*@§¶## † ##¶§@*=-,,
,¨.,,,^$¤£ £¤$^,,,.¨,
,¨,,~^\¤*£ the riverbanks reek of magic. tonight £*¤\^~,,¨,
¨--//†^### they had been a swampworld with sylvan ###^†//--¨
¨.=;§%&@@@ water, stone rings and floating moss. @@@&%§;=.¨
,^=-^†\^@# you could've found me wallowing around #@^\†^-=^,
..::»*§£%¤ on the southern shores until i got ¤%£§*»::..
.,»†$@¶### bitten. ###¶@$†»,.
¨.»;*%&£ #&£&%*;».¨
,¨¨.¨=*£&@ but now i'm further back, on solid @&£*=¨.¨¨,
.,»†^¤&¶## ground, in shoulder-high grass, with an ##¶&¤^†»,.
¨.~/*§@#@@ orange tin radio and a translucent @@#@§*/~.¨
.,=***£¤¤# umbrella which i'm sitting on. #¤¤£***=,.
¨..«=»*£ #&£*»=«..¨
.,-^†§@£## * ##£@§†^-,.
¨^»**@¤#@# #@#¤@**»^¨
¨,«*&££@## somethings moving in the grass. it's ##@££&*«,¨
¨.-^†@#### invisible to my eyes but i can feel ####@†^-.¨
.:«\§£@#@# through the ground just how large it is. #@#@£§\«:.
,,..,.^=$£ £$=^.,..,,
,,¨¨¨^^^#@ the soil is muddy. i slip when trying @#^^^¨¨¨,,
.~~:*£## to get up, still looking at the ###&£*:~~.
¨...,«§$§¶ direction of sound rather than at my ¶§$§«,...¨
¨:«*†$¤¶## hands, who are busy putting things in ##¶¤$†*«:¨
,~~^%$@### my pockets. ###@$%^~~,
¨.«;^§§@## ##@§§^;«.¨
,^~/*%£@@# then i run east toward my home. #@@£%*/~^,
,:»*§$#### ####$§*»:,
,:=;%@@@## ; ##@@@%;=:,
,,-*$$@££# #££@$$*-,,
.,=*=§¤@¶¶ i am not followed, and slow down in the ¶¶@¤§=*=,.
¨~«*%%£@## clearing where you at first can spot ##@£%%*«~¨
,-~\*£§@## the house, not yet really in the ##@§£*\~-,
,~«:§£§### backyard. from my pockets i retrieve my ###§£§:«~,
¨--:$%£@@# radio (now dented) but also a small #@@£%$:--¨
,-~;*%%%§£ clay figure i've never seen before. it £§%%%*;~-,
.~»:§$&¶@# must have been laying in the wet dirt, #@¶&$§:»~.
,,~*%¤¤### and i must've picked it up with my ###¤¤%*~,,
,.¨..~~^¤@ other belongings. @¤^~~..¨.,
..»=%%$£¶# #¶£$%%=»..
.:-/%†$£¤# it's a statuette of a girl laying naked #¤£$†%/-:.
,,«\*££@@# on her stomach, feet in the air, #@@££*\«,,
,.»\=$#@@# roughly seven centimeters long. it's #@@#$=\».,
.¨,¨.~~§## freshly made, not yet completely dried. ##§~~.¨,¨.
.,~=*$&£@# #@£&$*=~,.
^~\*@¤£### my mom is here now. i ask her for some ###£¤@*\~^
,,~/†$## particle board for it to dry on, but ###&$†/~,,
¨,«;*$#### she is worried and wants me to ####$*;«,¨
¨,«:*@@##@ throw it away. @##@@*:«,¨
,,«††$£¶@# #@¶£$††«,,
.-«:*†$$@# #@$$†*:«-.
¨,,,^:./†# #†/.:^,,,¨
,,~\*%§### ###§%*\~,,
,,»\†¤£#@# #@#£¤†\»,,
,~:^§§@### ###@§§^:~,