.^.^-:$§££ ££§$:-^.^.
¨¨,..*%%¤§ §¤%%*..,¨¨
¨.»**§£@#¶ ¶#@£§**».¨
¨.«/§%## ###&%§/«.¨
.¨¨¨.=;§&£ £&§;=.¨¨¨.
.^~=^¤#@@# statuette #@@#¤^=~^.
,:~:=*@### ###@*=:~:,
.¨,,,~*=#§ £&$$%%%§@£$*&$@$»«»~~»~~£§$%§§&$£$%%§$$$ §#=*~,,,¨.
¨~«^^$§### ¤$¤$*£¤§@ ###§$^^«~¨
,.-^=%£¶## ##¶£%=^-.,
:«^†$§#### forests around my childhood home. thick ####§$†^«:
.,.¨.~~%£# pine arcades that were planted and #£%~~.¨.,.
,,~=†$££#¶ forgotten. wild boars roaming ¶#££$†=~,,
,,«\%£@£@# underneath, sniffing at the ground. it #@£@£%\«,,
,:-^^¤¤@@# is dark and moist, the canopy having #@@¤¤^^-:,
,,¨,~^*†£& already soaked up all the sun. &£†*^~,¨,,
,-~\*%&@@# #@@&%*\~-,
¨,»=†$## there's a river passing by, from east ###&$†=»,¨
..»**$@### to west, getting broader and deeper and ###@$**»..
.~,»«†%%@£ slower as it goes. equisetum grow just £@%%†«»,~.
¨:-=§$¶### where the pine hands start to let ###¶$§=-:¨
.~«/^@£#@@ through light, horsemint on the rocky @@#£@^/«~.
..¨¨¨.~»*& river bed. &*»~.¨¨¨..
~-^*£¤#### ####¤£*^-~
,,~\&§@### = ###@§&\~,,
,,-*%$¤@## ##@¤$%*-,,
.--/%%£#@# the riverbanks reek of magic. tonight #@#£%%/--.
.,=;^*£### they had been a swampworld with sylvan ###£*^;=,.
,^-/%§¤£@# water, stone rings and floating moss. #@£¤§%/-^,
,-/=%§@@## you could've found me wallowing around ##@@§%=/-,
.^«;%@¤@## on the southern shores until i got ##@¤@%;«^.
¨,~;†%¤£## bitten. ##£¤%†;~,¨
,.¨~^,*§§£ £§§*,^~¨.,
..~:^%£##@ but now i'm further back, on solid @##£%^:~..
,.¨,==*%£¤ ground, in shoulder-high grass, with an ¤£%*==,¨.,
.¨¨.~:@£#¶ orange tin radio and a translucent ¶#£@:~.¨¨.
¨,-*=@@@## umbrella which i'm sitting on. ##@@@=*-,¨
,.¨¨,-^:§# #§:^-,¨¨.,
.,»^%@£§£@ = @£§£@%^»,.
,,-;$@¤@@# #@@¤@$;-,,
,,~;†%@### somethings moving in the grass. it's ###@%†;~,,
¨^-~\†%£¶# invisible to my eyes but i can feel #¶£%†\~-^¨
¨-==/*$&&@ through the ground just how large it is. @&&$*/==-¨
¨.,:=-$¤£@ @£¤$-=:,.¨
,,-^*£#### the soil is muddy. i slip when trying ####£*^-,,
.^-\*¤£@## to get up, still looking at the ##@£¤*\-^.
,^»*%¤£@## direction of sound rather than at my ##@£¤%*»^,
,~«:%£&¶@# hands, who are busy putting things in #@¶&£%:«~,
.,»:§*§@## my pockets. ##@§*§:»,.
¨~-:$@¤### ###¤@$:-~¨
.,¨-~=*$@# then i run east toward my home. #@$*=~-¨,.
~»*^£&@@## ##@@&£^*»~
.~~;$$@@@# : #@@@$$;~~.
...=~\=*¤@ @¤*=\~=...
,,,.,-=$§§ i am not followed, and slow down in the §§$=-,.,,,
¨--/*$¶### clearing where you at first can spot ###¶$*/--¨
¨^»/*£¤@@# the house, not yet really in the #@@¤£*/»^¨
,~»;§$@@## backyard. from my pockets i retrieve my ##@@$§;»~,
,¨¨~^*§&¶@ radio (now dented) but also a small @¶&§*^~¨¨,
.,=/%$£### clay figure i've never seen before. it ###£$%/=,.
¨~»\=*£#£# must have been laying in the wet dirt, #£#£*=\»~¨
,,~:=£*¤%# and i must've picked it up with my #%¤*£=:~,,
,..¨,^†=%@ other belongings. @%=†^,¨..,
¨^«;%*£### ###£*%;«^¨
,~=\†$&@## it's a statuette of a girl laying naked ##@&$†\=~,
¨¨.,.~\^@£ on her stomach, feet in the air, £@^\~.,.¨¨
,,~^$$£### roughly seven centimeters long. it's ###£$$^~,,
¨¨¨,.~«*%¤ freshly made, not yet completely dried. ¤%*«~.,¨¨¨
.¨,.,^.:%@ @%:.^,.,¨.
.:~*§%¤@## my mom is here now. i ask her for some ##@¤%§*~:.
¨-=:^£## particle board for it to dry on, but ###&£^:=-¨
,,/^%&£@## she is worried and wants me to ##@£&%^/,,
,:»:=%&@## throw it away. ##@&%=:»:,
¨,«^*$¤### ###¤$*^«,¨
,,~†=%¤@@# #@@¤%=†~,,
.-~;%$&¶## ##¶&$%;~-.
¨,=:§£#@## ##@#£§:=,¨
,.~††@@¶#@ @#¶@@††~.,
,,..¨,¨~=§ §=~¨,¨..,,