@@¨,.¨¨#@¤ ,.,@#,,¨,.
¨..###,.§§ #§,.¨,@&£,
#§,¨£..¨,. £¨.£¤.,#,.
.,.,,.#££# .¨¨,.,,,.¨
§@##£,¨##, ,@£¤§@§¤¤£
##@@¨,.,,. statuette ,.&&¤@@&££
§§@¨,¤£@¤. #.¨&&¤§§£§
@@¨¨.¨@#¨. ££%%%£*$£¤££$&£%»~~~=-=-£%$%£%*£%£@$¤§%$ ..,.@£¤@@#
£,.§£,.,¨, %£&££¤$$% @¤§¨,&@£#§
¨¨¨,¨¨£¤@§ #@,.,¨§@¤§
¨¤#..#£, forests around my childhood home. thick #¨,§#.,&£¨
¨.#§¨.,¨¨. pine arcades that were planted and ..,,,,.¨¨.
¤¨¨.,££&§. forgotten. wild boars roaming ¤§§#@££&¤¤
.,££,,£#.¨ underneath, sniffing at the ground. it §¤¤#@§#£&@
¨¨.,.,¨,,£ is dark and moist, the canopy having @@¤£§#@@#¨
#§&@&¤¤§¨¨ already soaked up all the sun. ##&&§#@£,.
.¤#&¤#§¨,§ ,¤#§#¤@,.¨
,.&£&¤¨,,, there's a river passing by, from east ¨,£#¤&¨¨#@
..¨¤¤..&¤, to west, getting broader and deeper and ¨¨.£§.,,.,
§¤¨,¨,.,.. slower as it goes. equisetum grow just @£.¨¨.££¤¤
&.,¤£&&¤&@ where the pine hands start to let .,.##¨,§#@
...,§&@#££ through light, horsemint on the rocky &&.,,,..@§
.££.,§¤§§£ river bed. .,,#&@¤¨.,
¨,¨,¨,£@#¤ £§,.@@,.§¤
,£§#£¨.##& ^ ¨,¨.¨¨.¨¨.
¨,@#¨.,.§¨ &¤¤¤¤&&§#¤
...¨.&&,,. the riverbanks reek of magic. tonight ,§§£§£@£&.
§£¨,,,£& they had been a swampworld with sylvan ¨¨¤§§¤#¤,¨
.§@,¨@&,.@ water, stone rings and floating moss. @¨,£&&§,..
¨,.,¨¨,,,¨ you could've found me wallowing around ,...&§,.#&
,¤@&&£&¨ on the southern shores until i got @#§¨¨.,,.¨
¨.¤££#£§,, bitten. &£,,§@£#¤#
,¨,§£.¨. ¤,.,¨§#,
§£.¨¤¤,¨£§ but now i'm further back, on solid .¨#@,¨¤§,.
,¨.,..,.., ground, in shoulder-high grass, with an ,.¨,,¨,,.,
§§@¤§¤§@&§ orange tin radio and a translucent §§#¤¤§£&@¤
§#&@¤¤£¤¤# umbrella which i'm sitting on. §§&¤£@@&£¤
@#@¤§§&£#& &££#&@¤&£§
#&£#&&§§## * #§&@@§§¤£@
@&#¤¤@ ££@@@@£§
££&&¤£§#§£ somethings moving in the grass. it's £@¤§&&§¤£¤
¤&¤§§££@ invisible to my eyes but i can feel £#&£&£@¤
§£#££§£¤@# through the ground just how large it is. §@¤&&&§§&@
£¤§§#£¤# £@§§§@¤@§§
££@£#@£@¤£ the soil is muddy. i slip when trying @¤¤&£#@£
£@#£&¤@£ to get up, still looking at the &¤§£@¤#£¤@
£&@¤&&¤@£¤ direction of sound rather than at my #¤#£§£¤#
@£@¤#¤£#&§ hands, who are busy putting things in £&@#@¤&@§&
§#§@&@¤@&£ my pockets. ¤#&&&@£¤£§
§&§£¤§§¤ £@&§££@§&¤
@#¤@§£#&§¤ then i run east toward my home. ¤#@§@§§£
@¤¤#&@#£## ##£#&@
¤&§&&&§§§@ ^ @#¤@@¤@@
¤@#&§£§¤§& ££##@&£¤@#
&£&@££&¤ i am not followed, and slow down in the §@#@&&§#¤£
@¤¤¤@£#@@# clearing where you at first can spot &¤#§&§#&
£@@§£§#& the house, not yet really in the #@§§@&&@@¤
@@@#£¤#¤@§ backyard. from my pockets i retrieve my §¤#&&§##§&
¤£@&&¤@§¤@ radio (now dented) but also a small @&@§¤§&&¤£
@&£&&&¤£§& clay figure i've never seen before. it ££¤£#£#§#£
#££¤¤#@¤ must have been laying in the wet dirt, &§@#§#£#@¤
¤¤@§&@§£&£ and i must've picked it up with my £¤@§§§£&¤@
¤@¤¤#@#@#@ other belongings. ¤&##§£
##££¤@#¤@§ @§@£&&&¤££
§££#£@¤£#& it's a statuette of a girl laying naked §@@@££&@#§
£§¤&¤¤§& on her stomach, feet in the air, #@§#§#&@@¤
§£&¤#§#£ roughly seven centimeters long. it's @£@@£¤@&
@#§&&££§££ freshly made, not yet completely dried. §£@@&@¤£&£
@¤#§£¤¤£@£ #&£§@@&&@#
@##&&£&& my mom is here now. i ask her for some &¤&§&¤&£¤¤
¤@#£#§#¤@& particle board for it to dry on, but #@¤¤££§£¤@
¤@&£@§§@&§ she is worried and wants me to £&£@§#@¤#¤
¤¤#¤£&§£ throw it away. ¤£&¤@@¤&£¤
¤&@§#§¤¤#@ &£#§£££&¤¤
#£#&@¤&@§§ £¤§¤£#@¤
¤#£#§&&&&¤ &&&¤&§¤§@§
£§£#@£¤@#§ #§##@#§§#§
§@#¤££§£@§ §£@££§#¤@§
¤¤&@#§@¤¤# £¤¤§¤##¤¤¤