.^~/%£#@## ##@#£%/~^.
,.:~*=§#@# #@#§=*~:.,
,-=^*§@@## ##@@§*^=-,
..:-\%##@# #@##%\-:..
,~»;%@## ##@#&%;»~,
¨.-~*%@# statuette #@#&%*~-.¨
.,-=*¤£### ###£¤*=-,.
¨.--=%§@## ¤¤¤¤%%£@&$%%%£§¤=-»-=««~&¤$%££%$§$%££@¤% ##@§%=--.¨
¨,~/^§#### $££&§&$££ ####§^/~,¨
.¨-«^=##@# #@##=^«-¨.
,-~^†£@### forests around my childhood home. thick ###@£†^~-,
¨¨,~=^@¶## pine arcades that were planted and ##¶@^=~,¨¨
.^-:%&£### forgotten. wild boars roaming ###£&%:-^.
¨.~~**¤@## underneath, sniffing at the ground. it ##@¤**~~.¨
¨,»^§@£### is dark and moist, the canopy having ###£@§^»,¨
,¨^~;$@#@# already soaked up all the sun. #@#@$;~^¨,
,.=;§@¶### ###¶@§;=.,
,,-~;*@£@# there's a river passing by, from east #@£@*;~-,,
¨,«;=#¶### to west, getting broader and deeper and ###¶#=;«,¨
.¨.==$¤### slower as it goes. equisetum grow just ###¤$==.¨.
,,=:^§#### where the pine hands start to let ####§^:=,,
,¨.~:*£#@# through light, horsemint on the rocky #@#£*:~.¨,
,^~==£¶### river bed. ###¶£==~^,
,.--=%¤¶## ##¶¤%=--.,
,.«/†@#### = ####@†/«.,
,¨^~*†&@@# #@@&†*~^¨,
.,«**##### the riverbanks reek of magic. tonight #####**«,.
.¨.»**## they had been a swampworld with sylvan ###&**».¨.
¨-=^*¤@@## water, stone rings and floating moss. ##@@¤*^=-¨
.,--^$@£## you could've found me wallowing around ##£@$^--,.
.^-=†##### on the southern shores until i got #####†=-^.
,.^=^%¤£@# bitten. #@£¤%^=^.,
.~=/$&£### ###£&$/=~.
,,:»†=£@@# but now i'm further back, on solid #@@£=†»:,,
.,»;$£¶@## ground, in shoulder-high grass, with an ##@¶£$;»,.
,¨^~\^§¶## orange tin radio and a translucent ##¶§^\~^¨,
.:«\†&£### umbrella which i'm sitting on. ###£&†\«:.
..,-^^££## ##££^^-,..
.~«†$&@@## ; ##@@&$†«~.
..:-^=££## ##££=^-:..
.,«=*§#### somethings moving in the grass. it's ####§*=«,.
¨,:-;*§### invisible to my eyes but i can feel ###§*;-:,¨
.:-=$§£@## through the ground just how large it is. ##@£§$=-:.
,.,~;%#### ####%;~,.,
.^~;*@#### the soil is muddy. i slip when trying ####@*;~^.
.,,~/$#### to get up, still looking at the ####$/~,,.
,:=^†£#### direction of sound rather than at my ####£†^=:,
.¨~~=%££## hands, who are busy putting things in ##££%=~~¨.
¨,-†=@¶### my pockets. ###¶@=†-,¨
,¨,~/†§### ###§†/~,¨,
,^«*^¤#### then i run east toward my home. ####¤^*«^,
..,~=§££## ##££§=~,..
¨,=††§#@## ; ##@#§††=,¨
...-/^£### ###£^/-...
¨,~\=#@### i am not followed, and slow down in the ###@#=\~,¨
.,:-^^&@## clearing where you at first can spot ##@&^^-:,.
,^~*%### the house, not yet really in the ####&%*~^,
.¨-=**§### backyard. from my pockets i retrieve my ###§**=-¨.
¨.-=$£#### radio (now dented) but also a small ####£$=-.¨
,¨,»;*## clay figure i've never seen before. it ###&*;»,¨,
¨~-*†£@@## must have been laying in the wet dirt, ##@@£†*-~¨
,,.»;$¤@@# and i must've picked it up with my #@@¤$;».,,
.,~=%&¶### other belongings. ###¶&%=~,.
¨,,~†=##@# #@##=†~,,¨
,~-^=@¶### it's a statuette of a girl laying naked ###¶@=^-~,
,¨^~^^§¶## on her stomach, feet in the air, ##¶§^^~^¨,
,.=;=@@### roughly seven centimeters long. it's ###@@=;=.,
,,^»^§@@## freshly made, not yet completely dried. ##@@§^»^,,
,^«;*#@### ###@#*;«^,
¨..»;$#### my mom is here now. i ask her for some ####$;»..¨
,:«;^§@### particle board for it to dry on, but ###@§^;«:,
.,,~†%## she is worried and wants me to ###&%†~,,.
¨:~*%&£@## throw it away. ##@£&%*~:¨
.,.~/§§¶## ##¶§§/~.,.
¨.-\%¤#### ####¤%\-.¨
..:«;^§@## ##@§^;«:..
.-«\%@#### ####@%\«-.
.,--;*§@## ##@§*;--,.
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