¨,~=%$@### ###@$%=~,¨
¨¨:»*^@# #@#&^*»:¨¨
¨,¨^~;^%#£ £#%^;~^¨,¨
.,:-*^£§## ##§£^*-:,.
.:~;†§@### ###@§†;~:.
..^«†^@§## statuette ##§@^†«^..
,¨,,«**££# #££**«,,¨,
,,:-:*¤#@# *¤£%%$£&§*%%%§££»~-«»«-«&§£$£%%¤%%&&$$@£ #@#¤*:-:,,
..~/%§#¶## ¤£%$£$£§$ ##¶#§%/~..
.,.«*†£§£# #£§£†*«.,.
¨.,--:$*@£ forests around my childhood home. thick £@*$:--,.¨
¨¨~==%*¤@# pine arcades that were planted and #@¤*%==~¨¨
¨-=^*££@## forgotten. wild boars roaming ##@££*^=-¨
,¨:«\^*§## underneath, sniffing at the ground. it ##§*^\«:¨,
¨¨,.~:†*## is dark and moist, the canopy having ##*†:~.,¨¨
¨.,~=*@£@# already soaked up all the sun. #@£@*=~,.¨
,-«;†%§¶## ##¶§%†;«-,
¨.~«*%%§¶# there's a river passing by, from east #¶§%%*«~.¨
¨,.~»†%$£@ to west, getting broader and deeper and @£$%†»~.,¨
..-==%@&£# slower as it goes. equisetum grow just #£&@%==-..
,-=^*$@¶## where the pine hands start to let ##¶@$*^=-,
..~~==&¤## through light, horsemint on the rocky ##¤&==~~..
¨,¨,«=*£ river bed. £#&*=«,¨,¨
..:=:§¤§## ##§¤§:=:..
.,-/*$#£## : ##£#$*/-,.
.,~~^%%§@# #@§%%^~~,.
,¨.-«;%%@¶ the riverbanks reek of magic. tonight ¶@%%;«-.¨,
,¨,~^*@# they had been a swampworld with sylvan ##&@*^~,¨,
.,-**$#### water, stone rings and floating moss. ####$**-,.
.,:~:$@#£# you could've found me wallowing around #£#@$:~:,.
¨..-~==&£¶ on the southern shores until i got ¶£&==~-..¨
¨,:«/%¤@¶# bitten. #¶@¤%/«:,¨
,^~/$$§@## ##@§$$/~^,
,.-~/*£¤## but now i'm further back, on solid ##¤£*/~-.,
,..-~/$£@¶ ground, in shoulder-high grass, with an ¶@£$/~-..,
.¨-=†^£#£# orange tin radio and a translucent #£#£^†=-¨.
¨,=††£§@## umbrella which i'm sitting on. ##@§£††=,¨
,¨,»:=££## ##££=:»,¨,
¨,¨-~:*£## * ##£*:~-¨,¨
,¨.~;*&¤¶# #¶¤&*;~.¨,
,~«\§&§@## somethings moving in the grass. it's ##@§&§\«~,
..-»\**&@# invisible to my eyes but i can feel #@&**\»-..
.,,,==†*#@ through the ground just how large it is. @#*†==,,,.
..-«**$&£# #£&$**«-..
,-«;%§££## the soil is muddy. i slip when trying ##££§%;«-,
,,,=:%§§@# to get up, still looking at the #@§§%:=,,,
,,¨,===§£# direction of sound rather than at my #£§===,¨,,
.,.»:%§#£# hands, who are busy putting things in #£#§%:».,.
.--\%$£@## my pockets. ##@£$%\--.
¨.^~*%£# ##&£%*~^.¨
,.¨-~=%%¤¶ then i run east toward my home. ¶¤%%=~-¨.,
,¨.«/†£§## ##§£†/«.¨,
,-==*%&¶## ^ ##¶&%*==-,
.¨.~^^%£## ##£%^^~.¨.
,,¨,-:^%#@ i am not followed, and slow down in the @#%^:-,¨,,
.¨,«*§%#@# clearing where you at first can spot #@#%§*«,¨.
..«:=$&@## the house, not yet really in the ##@&$=:«..
¨.~~:*¤¤## backyard. from my pockets i retrieve my ##¤¤*:~~.¨
.,,,==^$§# radio (now dented) but also a small #§$^==,,,.
¨,:=†*§¤¶# clay figure i've never seen before. it #¶¤§*†=:,¨
.,-*%*§### must have been laying in the wet dirt, ###§*%*-,.
...~†%%¤@# and i must've picked it up with my #@¤%%†~...
,,,,~;$$£@ other belongings. @£$$;~,,,,
,¨.=/=$&@# #@&$=/=.¨,
,,=/*£&@## it's a statuette of a girl laying naked ##@&£*/=,,
...«*%£¤## on her stomach, feet in the air, ##¤£%*«...
..¨^-:%¤ roughly seven centimeters long. it's #&¤%:-^¨..
.¨,~\=£¤## freshly made, not yet completely dried. ##¤£=\~,¨.
.,»*%$&@## ##@&$%*»,.
¨,.«†=*§## my mom is here now. i ask her for some ##§*=†«.,¨
..,^~:=%§¶ particle board for it to dry on, but ¶§%=:~^,..
.,,«*%$£@# she is worried and wants me to #@£$%*«,,.
,,=/*@#### throw it away. ####@*/=,,
¨,.»†*§#£# #£#§*†».,¨
,.¨-==$£§£ £§£$==-¨.,
¨,:»=†@# #@#&†=»:,¨
,.-;*@&¶## ##¶&@*;-.,
¨.,=/%&£## ##£&%/=,.¨
.,.,«^$£## ##£$^«,.,.