&.&.&.&..& &.&.&&.&..
&.&.&.&.&. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. ###= =### &.&..&.&.&
&.&.&.&.&. # # &.&.&&.&..
&.&.&.&.&. # TELE MIGRAINE # &.&..&.&.&
&.&.&.&.&. # # &.&.&&.&..
&.&.&.&.&. ###= =### &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. THE SO CALLED "THIRD MIGRAINE". IT'S &.&..&.&.&
&.&.&.&.&. LIKE A REGULAR MIGRAINE BUT IT DOES NOT &.&.&&.&..
&.&.&.&.&. HURT THERE'S NO PAIN, THE COSMOS IS &.&..&.&.&
&.&.&.&.&. THERE AND IT'S DRAINING THE EVIL &.&.&&.&..
&.&.&.&.&. STRAIGHT OUT OF THE WOUND. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. IT'S MASSAGING YOUR TEMPLES, PIERCING &.&..&.&.&
&.&.&.&.&. YOU, ENTERING YOUR BLOOD, CRACKING THE &.&.&&.&..
&.&.&.&.&. SKULL OPEN. A PAW GRIPS YOUR BRAIN, &.&..&.&.&
&.&.&.&.&. PLAYS WITH IT, PULLS IT OUT INTO THE &.&.&&.&..
&.&.&.&.&. COSMOS. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. THERE'S COMETS! SPACE ODDITIES. &.&..&.&.&
&.&.&.&.&. SOLITARY OSCILLATIONS. CARRIER WAVE. &.&.&&.&..
&.&.&.&.&. BURNED AWAY BY THE SUNS RADIATION UNTIL &.&..&.&.&
&.&.&.&.&. ONLY THE FAINTEST TRACE REMAIN, &.&.&&.&..
&.&.&.&.&. EVENTUALLY CAUGHT IN THE GRAVITY WELL &.&..&.&.&
&.&.&.&.&. OF SOME SECOND RATE WATER PLANET. &.&.&&.&..
&.&.&.&.&. &.&..&.&.&
&.&.&.&.&. IT'S RAINING SAP. &.&.&&.&..
&.&.&.&.&. WE'RE GETTING SWEET AND WET &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. ###= =### &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. MY LUNCH BREAK IS OVER AND I NEED TO &.&..&.&.&
&.&.&.&.&. GET BACK TO THE SHOP. LYNNE IS THERE &.&.&&.&..
&.&.&.&.&. ALONE AND HASN'T EATEN YET. I TAKE THE &.&..&.&.&
&.&.&.&.&. BACK ROUTE UP FROM THE BEACH TO AVOID &.&.&&.&..
&.&.&.&.&. THE CROWD. SING A LITTLE TO MYSELF. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. LIFE GETS TO PROSPER OUTSIDE OF.@==== - &.&..&.&.&
&.&.&.&.&. SUDDENLY, AN ACID FLASHBACK: I STEP &.&.&&.&..
&.&.&.&.&. DOWN IN MY MIND (LIKE AN OPEN MIND / &.&..&.&.&
&.&.&.&.&. FRACTAL STINGER / BISMUTH STAIRCASE) &.&.&&.&..
&.&.&.&.&. AND WADE IN SHADOWS... SURROUNDED BY &.&..&.&.&
&.&.&.&.&. MEMORY NEGATIVES, &.&.&&.&..
&.&.&.&.&. LIKE UPROCESSED FILM.... &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. ###= =### &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. WE'RE CLOSING FOR THE EVENING. THE SHOP &.&..&.&.&
&.&.&.&.&. IS IN THE BOTTOM FLOOR OF A NARROW &.&.&&.&..
&.&.&.&.&. MUDBRICK BUILDING, PAINTED TEAL. WE &.&..&.&.&
&.&.&.&.&. LIVE ON THE SECOND FLOOR, TOGETHER WITH &.&.&&.&..
&.&.&.&.&. THE OWNER. AS I CLOSE THE METAL &.&..&.&.&
&.&.&.&.&. CURTAIN, BEHIND ITS CHARACTERISTIC &.&.&&.&..
&.&.&.&.&. SHARP RATTLING I CAN HEAR THE &.&..&.&.&
&.&.&.&.&. CURFEW SIRENS. &.&.&&.&..
&.&.&.&.&. &.&..&.&.&
&.&.&.&.&. WORMY STREET WOLVES OUTSIDE, CHASING &.&.&&.&..
&.&.&.&.&. ENTRANCES IN THE DARK ALLEYWAYS, &.&..&.&.&
&.&.&.&.&. WANTING IN, GETTING DESPERATE, LAPSING &.&.&&.&..
&.&.&.&.&. TO SEARCH HIGHER, ON ROOFS, CLIMBING ON &.&..&.&.&
&.&.&.&.&. BALCONIES. AND THERE'S BOUND TO BE SOME &.&.&&.&..
&.&.&.&.&. RECKLESS TOURIST WHO DIDN'T HEED THE &.&..&.&.&
&.&.&.&.&. WARNINGS, NEVER CLOSED THEIR WINDOWS... &.&.&&.&..
&.&.&.&.&. &.&..&.&.&
&.&.&.&.&. OR, IN SOME CASES, THE HOUSEOWNER HAD &.&.&&.&..
&.&.&.&.&. THE WINDOW BOLTS WEAKENED, AND WHEN &.&..&.&.&
&.&.&.&.&. CLEANING UP THE AFTERMATH WOULD POCKET &.&.&&.&..
&.&.&.&.&. THEIR BELONGINGS. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..
&.&.&.&.&. &.&..&.&.&
&.&.&.&.&. &.&.&&.&..