¨:-=^§£¶## ##¶£§^=-:¨
¨:-=^§£¶## ##¶£§^=-:¨
¨¨¨¨¨¨-^^£ £^^-¨¨¨¨¨¨
¨¨¨¨:-^£¶# #¶£^-:¨¨¨¨
¨:-=^§£¶¶¶ ¶¶¶£§^=-:¨
¨¨¨¨¨:=§£¶ THE SKYSCRAPER THAT MOVES ¶£§=:¨¨¨¨¨
¨:-=^§£¶## ##¶£§^=-:¨
¨¨¨¨¨:==§£ TAINARON IS A BUILDING OWNED AND £§==:¨¨¨¨¨
¨¨¨¨¨:=^§£ OPERATED BY AMATA TEXNOLOGIYASI PLACED £§^=:¨¨¨¨¨
¨¨¨¨¨-=§¶# CLOSED TO THE HARBOR IN MALMÖ. IT'S #¶§=-¨¨¨¨¨
¨:-=^§£¶¶¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶¶¶£§^=-:¨
¨:-=^§£¶## UNKNOWN), DARK BLUE AND COMPLETELY ##¶£§^=-:¨
¨:-=^§£¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶£§^=-:¨
¨:-=^^^§§¶ LIGHTS, OR ORNAMENTS, APART FROM A ¶§§^^^=-:¨
¨:-=^§£¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶£§^=-:¨
¨:-=^§£¶## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¶£§^=-:¨
¨¨¨¨-=^§£# #£§^=-¨¨¨¨
¨:-=^§£¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶£§^=-:¨
¨:-=^§£¶## SIGNATURE FOG ROLLING IN FROM THE SEA, ##¶£§^=-:¨
¨:-=^§£¶## THE BUILDING COMES TO LIFE: IT MOVES ON ##¶£§^=-:¨
¨:-=^§£¶## A THOUSAND ROBOTIC LEGS TO ANOTHER ##¶£§^=-:¨
¨:-=^§£### (SECRET) PART OF TOWN, OR PERHAPS OUT ###£§^=-:¨
¨:-=^§£¶## TO SEA. THIS SIGNALS A NEW AND MORE ##¶£§^=-:¨
¨¨:--=^££¶ VISCIOUS PHASE OF THE TAINARON ¶££^=--:¨¨
¨:-=^^§££# ECOSYSTEM. #££§^^=-:¨
¨:-=^§£¶¶¶ ¶¶¶£§^=-:¨
¨:-=^§£¶## THE GUESTS ARRIVING DURING THE EARLY ##¶£§^=-:¨
¨¨¨¨:-=§¶¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶¶§=-:¨¨¨¨
¨¨:--=^^^£ LIVE MUSIC, BEATUTIFUL VIEWS, AND A £^^^=--:¨¨
¨¨¨¨:=^£¶# COMFORTABLE BUT MAZE-LIKE INTERIOR #¶£^=:¨¨¨¨
¨:-=^§£¶## STRUCTURE (THE BUILDING FEATURES A ##¶£§^=-:¨
¨¨¨¨¨:-=^£ MULTITUDE OF STAIRWELLS AND ELEVATORS, £^=-:¨¨¨¨¨
¨¨¨¨¨-=§£# PLACED SEEMINGLY AT RANDOM, NONE GOING #£§=-¨¨¨¨¨
¨:-=^§¶### FURTHER THAN A FEW FLOORS). ###¶§^=-:¨
¨¨¨¨:-^§¶¶ ¶¶§^-:¨¨¨¨
¨:-=^§£¶## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##¶£§^=-:¨
¨:-=^§£££# UNTIL THE AIR INSIDE HAS TAKEN ON THE #£££§^=-:¨
¨¨::==^§¶¶ SAME QUALITY AS THE SURROUNDING MIST: ¶¶§^==::¨¨
¨¨¨---^^£# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #£^^---¨¨¨
¨¨¨¨¨--=§¶ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¶§=--¨¨¨¨¨
¨¨¨:-=§§§£ IF YOU WOULD LOOK THROUGH THE WINDOWS £§§§=-:¨¨¨
¨¨¨¨:=^§§£ YOU WOULD SEE THE MIST ROLLING BY, AND £§§^=:¨¨¨¨
¨:-=^§£¶## PERHAPS THE OUTLINE OF SOME OTHER ##¶£§^=-:¨
¨:-=^§§§£¶ BUILDING, FAR BELOW. ¶£§§§^=-:¨
¨:-=^§£### ###£§^=-:¨
¨:-=^§£¶## DURING THE NIGHT, AFTER TAINARON HAS ##¶£§^=-:¨
¨:-=^§£¶## STARTED MOVING, THE LOWER FLOORS ARE ##¶£§^=-:¨
¨:-=^§£¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶£§^=-:¨
¨:-=^§§££# THE GUESTS. FOOD IS NO LONGER SERVED, #££§§^=-:¨
¨:-=^§£¶## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##¶£§^=-:¨
¨¨¨¨¨¨-=^£ IT'S AT THIS POINT THAT THE SECOND SET £^=-¨¨¨¨¨¨
¨¨¨¨¨¨:-^£ OF GUEST ARRIVES, VIA HELICOPTER - £^-:¨¨¨¨¨¨
¨:-=^§£¶## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##¶£§^=-:¨
¨:-=^§§§§¶ ¶§§§§^=-:¨
¨¨¨¨¨¨:=§¶ ----- ¶§=:¨¨¨¨¨¨
¨:-=^§£¶## ##¶£§^=-:¨
¨¨¨¨:=^^^£ IN MY DREAM I AM INVITED AS A FRIEND OF £^^^=:¨¨¨¨
¨¨¨::-^£¶¶ ONE OF THE SERVERS, AND THUS SAFE. WE ¶¶£^-::¨¨¨
¨¨¨¨::==§£ SIT IN ONE OF THE LARGE WINDOWS, £§==::¨¨¨¨
¨:-=^§£¶## LOOKING THROUGH THE MIST FOR ANY ##¶£§^=-:¨
¨:-=^§§§¶# LANDMARKS TO PIERCE THROUGH THE MIST. #¶§§§^=-:¨
¨:-=^§£¶## SHE TELLS ME THAT APART FROM COMING AND ##¶£§^=-:¨
¨:-=^£¶### GOING FROM WORK, SHE'S NEVER SEEN THE ###¶£^=-:¨
¨:-=^§£¶## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¶£§^=-:¨
¨¨¨::=§§££ ££§§=::¨¨¨
¨:-=^§£¶## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¶£§^=-:¨
¨¨:-===^£¶ DEMONSTRATION OF THE EXOBUBBLE. ¶£^===-:¨¨
¨:-=^§£¶## ##¶£§^=-:¨
¨:-==^^^^£ £^^^^==-:¨
¨:-=^§§§§£ £§§§§^=-:¨
¨¨¨::=^§§¶ ¶§§^=::¨¨¨
¨:-=^§£¶## ##¶£§^=-:¨