##@¤§%*=-. .-=*%§¤@##
#¤¤%=..... .....=%¤¤#
¤¤%%%=-... ...-=%%%¤¤
@¤%*=-.... ....-=*%¤@
###@§%*=-. .-=*%§@###
@§§%==-... # ...-==%§§@
¤§*=...... .lizardry ......=*§¤
@§§*-..... = @ #@ ### ################## .....-*§§@
##@¤§%*=-. ## the art of c-nnecting .-=*%§¤@##
@@§§*=--.. . with the old mind ..--=*§§@@
#¤%%=..... .....=%%¤#
¤%*-...... my mind is being skewed. mi ......-*%¤
##@¤§%*=-. skeleton is stringy and old and alien .-=*%§¤@##
#¤§§%%*=-. the situation is literally .-=*%%§§¤#
##@¤§%*=-. pressed out through my eyes, it's .-=*%§¤@##
##@¤§%*=-. echoing like .-=*%§¤@##
##@¤§%*=-. the sunset of the eternal .-=*%§¤@##
##@¤§%*=-. ocean .-=*%§¤@##
¤¤¤¤§%*=-. persistently against my emulsion .-=*%§¤¤¤¤
###@§%*=-. .-=*%§@###
¤§§§§%*=-. it's ungraspable to me, what other .-=*%§§§§¤
###¤§%*=-. humans are doing and abstracting, .-=*%§¤###
##@¤§%*=-. and above all else, what time they use? .-=*%§¤@##
##@¤§%*=-. how long a time has passed, for them? .-=*%§¤@##
###@§%*=-. . .-=*%§@###
##@¤§%*=-. . ... . ................ @@@@@@@ .-=*%§¤@##
##@¤§%*=-. continuously i'm crowding through .-=*%§¤@##
¤§*=...... . the fourth wall -outwards is what . ......=*§¤
¤§***=.... .. i'm thinking but it's wrong.. a new ....=***§¤
@§%*=-.... . . narrator is introduced, occasionally ....-=*%§@
##@¤§%*=-. - - aware of the previous one, deeper . .-=*%§¤@##
##@¤§%*=-. - - down in the dragons throat. .-=*%§¤@##
##@¤§%*=-. - .-=*%§¤@##
##@¤§%*=-. - .-=*%§¤@##
#¤%*-..... .....-*%¤#
¤§§*-..... .....-*§§¤
##@¤§%*=-. .-=*%§¤@##
@¤§%*-.... ....-*%§¤@
##@¤§%*=-. .-=*%§¤@##
##@¤§%*=-. .-=*%§¤@##