##@¤§$:»:, ,:»:$§¤@##
@§::»»,,,, ,,,,»»::§@
##@¤§$:»:, ,:»:$§¤@##
##@¤§$:»:, ,:»:$§¤@##
##@¤§$:»:, ,:»:$§¤@##
#@@¤§$:»:, # ,:»:$§¤@@#
##@¤§$:»:, ,LIZARDRY ,:»:$§¤@##
@¤$»:,,,,, » @ #@ ### ################## ,,,,,:»$¤@
##@¤§$:»:, ## THE ART OF C:NNECTING ,:»:$§¤@##
¤$:»:,,,,, , WITH THE OLD MIND ,,,,,:»:$¤
##@¤§$:»:, ,:»:$§¤@##
¤§:::::,,, MY MIND IS BEING SKEWED. MI ,,,:::::§¤
¤¤¤$»,,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,»$¤¤¤
##@¤§$:»:, THE SITUATION IS LITERALLY ,:»:$§¤@##
##@¤§$:»:, PRESSED OUT THROUGH MY EYES, IT'S ,:»:$§¤@##
¤$::,,,,,, ECHOING LIKE ,,,,,,::$¤
###@¤§:»:, THE SUNSET OF THE ETERNAL ,:»:§¤@###
¤¤$$:»»»:, OCEAN ,:»»»:$$¤¤
###@§$:»:, PERSISTENTLY AGAINST MY EMULSION ,:»:$§@###
@¤¤§§$:»:, ,:»:$§§¤¤@
¤$»,,,,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,,,,»$¤
#@§§:::,,, HUMANS ARE DOING AND ABSTRACTING, ,,,:::§§@#
¤¤§$$$:»:, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,:»:$$$§¤¤
@¤§$»:::,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,:::»$§¤@
¤§$:»»»,,, , ,,,»»»:$§¤
###@§$:»:, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,:»:$§@###
¤$»,,,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,,,»$¤
¤§$»:,,,,, , THE FOURTH WALL :OUTWARDS IS WHAT , ,,,,,:»$§¤
##@¤§$:»:, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,:»:$§¤@##
##@¤§$:»:, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,:»:$§¤@##
##@¤§$:»:, : : AWARE OF THE PREVIOUS ONE, DEEPER , ,:»:$§¤@##
##@¤§$:»:, : : DOWN IN THE DRAGONS THROAT. ,:»:$§¤@##
¤¤§::::,,, : ,,,::::§¤¤
##@¤§$:»:, : ,:»:$§¤@##
@@§§§$:»:, ,:»:$§§§@@
@§:::»»:,, ,,:»»:::§@
##@¤§$:»:, ,:»:$§¤@##
##@¤§$:»:, ,:»:$§¤@##
##@¤§$:»:, ,:»:$§¤@##
##@¤§$:»:, ,:»:$§¤@##