,,,~:*£&@# #@&£*:~,,,
,,~:*£&@## ##@&£*:~,,
,,,~:*£&@# #@&£*:~,,,
,,,,~:*£&@ @&£*:~,,,,
,,,~:*£&@# #@&£*:~,,,
,,~:*£&@## # ##@&£*:~,,
,,,~:*£&@# ,lizardry #@&£*:~,,,
,,,,~:*£&@ ~ @ #@ ### ################## @&£*:~,,,,
,,,~:*£&@# ## the art of c,nnecting #@&£*:~,,,
,,~:*£&@## , with the old mind ##@&£*:~,,
,,,~:*£&@# #@&£*:~,,,
,,,,~:*£&@ my mind is being skewed. mi @&£*:~,,,,
,,,~:*£&@# skeleton is stringy and old and alien #@&£*:~,,,
,,~:*£&@## the situation is literally ##@&£*:~,,
,,,~:*£&@# pressed out through my eyes, it's #@&£*:~,,,
,,,,~:*£&@ echoing like @&£*:~,,,,
,,,~:*£&@# the sunset of the eternal #@&£*:~,,,
,,~:*£&@## ocean ##@&£*:~,,
,,,~:*£&@# persistently against my emulsion #@&£*:~,,,
,,,,~:*£&@ @&£*:~,,,,
,,,~:*£&@# it's ungraspable to me, what other #@&£*:~,,,
,,~:*£&@## humans are doing and abstracting, ##@&£*:~,,
,,,~:*£&@# and above all else, what time they use? #@&£*:~,,,
,,,,~:*£&@ how long a time has passed, for them? @&£*:~,,,,
,,,~:*£&@# , #@&£*:~,,,
,,~:*£&@## , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ##@&£*:~,,
,,,~:*£&@# continuously i'm crowding through #@&£*:~,,,
,,,,~:*£&@ , the fourth wall ,outwards is what , @&£*:~,,,,
,,,~:*£&@# ,, i'm thinking but it's wrong.. a new #@&£*:~,,,
,,~:*£&@## , , narrator is introduced, occasionally ##@&£*:~,,
,,,~:*£&@# , , aware of the previous one, deeper , #@&£*:~,,,
,,,,~:*£&@ , , down in the dragons throat. @&£*:~,,,,
,,,~:*£&@# , #@&£*:~,,,
,,~:*£&@## , ##@&£*:~,,
,,,~:*£&@# #@&£*:~,,,
,,,,~:*£&@ @&£*:~,,,,
,,,~:*£&@# #@&£*:~,,,
,,~:*£&@## ##@&£*:~,,
,,,~:*£&@# #@&£*:~,,,
,,,,~:*£&@ @&£*:~,,,,