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##£&£%†~:¨ ##      THE ART OF C:NNECTING            ¨:~†%£&£##
#£&£%†~:¨¨        ¨    WITH THE OLD MIND            ¨¨:~†%£&£#
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&£%†~:¨¨¨¨             MY MIND IS BEING SKEWED. MI  ¨¨¨¨:~†%£&
£%†~:¨¨¨¨¨  SKELETON IS STRINGY AND OLD AND ALIEN   ¨¨¨¨¨:~†%£
%†~:¨¨¨¨¨¨             THE SITUATION IS LITERALLY   ¨¨¨¨¨¨:~†%
†~:¨¨¨¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S        ¨¨¨¨¨¨¨:~†
~:¨¨¨¨¨¨¨¨ ECHOING LIKE                             ¨¨¨¨¨¨¨¨:~
:¨¨¨¨¨¨¨¨¨             THE SUNSET OF THE ETERNAL    ¨¨¨¨¨¨¨¨¨:
¨¨¨¨¨¨¨¨¨¨ OCEAN                                    ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨         PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
:¨¨¨¨¨¨¨¨¨    IT'S UNGRASPABLE TO ME, WHAT OTHER    ¨¨¨¨¨¨¨¨¨:
~:¨¨¨¨¨¨¨¨   HUMANS ARE DOING AND ABSTRACTING,      ¨¨¨¨¨¨¨¨:~
†~:¨¨¨¨¨¨¨  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨¨¨¨¨:~†
%†~:¨¨¨¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM?    ¨¨¨¨¨¨:~†%
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£&£%†~:¨¨¨   CONTINUOUSLY I'M CROWDING THROUGH      ¨¨¨:~†%£&£
#£&£%†~:¨¨ ¨ THE FOURTH WALL  :OUTWARDS IS WHAT   ¨ ¨¨:~†%£&£#
##£&£%†~:¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW   ¨:~†%£&£##
#£&£%†~:¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨:~†%£&£#
£&£%†~:¨¨¨ :  : AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨:~†%£&£
&£%†~:¨¨¨¨ :   : DOWN IN THE DRAGONS THROAT.        ¨¨¨¨:~†%£&
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