.,~=$*@@#@ @#@@*$=~,.
.,.¨¨-^*§¤ ¤§*^-¨¨.,.
¨-~\=¤£¶## ##¶£¤=\~-¨
.--^*%##££ ££##%*^--.
,-~=†£## ###&£†=~-,
,¨,,.»†@%# statuette #%@†».,,¨,
¨^~:$£#£## ##£#£$:~^¨
,¨,¨,.»§$@ $%£¤$§§$@%$$%§$@»«~»»~»«£&@£§$$££$$*$@%% @$§».,¨,¨,
¨-»^%$&¶## £@$£@¤$§¤ ##¶&$%^»-¨
,^«\†&&@## ##@&&†\«^,
.^«/:§*£## forests around my childhood home. thick ##£*§:/«^.
,.~:%$§¶@# pine arcades that were planted and #@¶§$%:~.,
,.==*%#### forgotten. wild boars roaming ####%*==.,
.,~=†§¤¶#@ underneath, sniffing at the ground. it @#¶¤§†=~,.
.¨..,«=£¶# is dark and moist, the canopy having #¶£=«,..¨.
.~~/=&£§§£ already soaked up all the sun. £§§£&=/~~.
¨.»/*£§### ###§£*/».¨
.~=†*£¤@## there's a river passing by, from east ##@¤£*†=~.
¨-~\*£&££@ to west, getting broader and deeper and @££&£*\~-¨
,.¨,^=~*§@ slower as it goes. equisetum grow just @§*~=^,¨.,
,¨,,.==£¤# where the pine hands start to let #¤£==.,,¨,
.,-/*%@¶## through light, horsemint on the rocky ##¶@%*/-,.
.¨,¨~,;£§# river bed. #§£;,~¨,¨.
,:»:*£@### ###@£*:»:,
,,~^*%#### † ####%*^~,,
¨,~:==@$@@ @@$@==:~,¨
¨^~^†¤@@## the riverbanks reek of magic. tonight ##@@¤†^~^¨
¨,.¨,,;$*# they had been a swampworld with sylvan #*$;,,¨.,¨
,^«^*%@¶@@ water, stone rings and floating moss. @@¶@%*^«^,
¨,.,,,:\§@ you could've found me wallowing around @§\:,,,.,¨
,^-^$$#### on the southern shores until i got ####$$^-^,
¨.=;†§#¶## bitten. ##¶#§†;=.¨
,-~^$£¤#@# #@#¤£$^~-,
.,-/†%@¶@# but now i'm further back, on solid #@¶@%†/-,.
,.,,~*/%%# ground, in shoulder-high grass, with an #%%/*~,,.,
¨:=:%£@#@# orange tin radio and a translucent #@#@£%:=:¨
¨~.-,=-\£# umbrella which i'm sitting on. #£\-=,-.~¨
,:,~=\:§£# #£§:\=~,:,
.,»/*§@£@# ^ #@£@§*/»,.
,..,^-*^$@ @$^*-^,..,
.-~/†@£@@# somethings moving in the grass. it's #@@£@†/~-.
¨-=;$$¤@## invisible to my eyes but i can feel ##@¤$$;=-¨
.^==%%@@@# through the ground just how large it is. #@@@%%==^.
,^=\%%&¶@# #@¶&%%\=^,
.:==$£#@## the soil is muddy. i slip when trying ##@#£$==:.
¨..,^«%%£# to get up, still looking at the #£%%«^,..¨
¨¨¨.^-=:@£ direction of sound rather than at my £@:=-^.¨¨¨
,.¨¨¨,-†%# hands, who are busy putting things in #%†-,¨¨¨.,
¨^«==*¤# my pockets. ##&¤*==«^¨
..~:*§###@ @###§*:~..
.,=*$%§@@# then i run east toward my home. #@@§%$*=,.
¨.,,,~-~%& &%~-~,,,.¨
.~-*^§§### ; ###§§^*-~.
,.~=^%£@## ##@£%^=~.,
,:~:^%&@@# i am not followed, and slow down in the #@@&%^:~:,
,,=*=$@### clearing where you at first can spot ###@$=*=,,
.~«^%%@#@# the house, not yet really in the #@#@%%^«~.
,.,¨.~~-*£ backyard. from my pockets i retrieve my £*-~~.¨,.,
,^~/§*§### radio (now dented) but also a small ###§*§/~^,
.:~:¤¤#### clay figure i've never seen before. it ####¤¤:~:.
,-=/%¤#### must have been laying in the wet dirt, ####¤%/=-,
¨:»/§@#@ and i must've picked it up with my @#@#&§/»:¨
¨..,,~%£## other belongings. ##£%~,,..¨
¨,~;$$#§@# #@§#$$;~,¨
¨¨¨.¨:=%¤# it's a statuette of a girl laying naked #¤%=:¨.¨¨¨
¨,«\^%££## on her stomach, feet in the air, ##££%^\«,¨
,¨¨-~.«%&§ roughly seven centimeters long. it's §&%«.~-¨¨,
,,=\**@### freshly made, not yet completely dried. ###@**\=,,
¨¨.,-†/$#@ @#$/†-,.¨¨
.,~†££#@## my mom is here now. i ask her for some ##@#££†~,.
.:»=$%## particle board for it to dry on, but ###&%$=»:.
¨..,~.†:†£ she is worried and wants me to £†:†.~,..¨
.,=/%£&@## throw it away. ##@&£%/=,.
¨.,»^%*^¤@ @¤^*%^»,.¨
.,~\*%##¶# #¶##%*\~,.
.^=»\*†*#£ £#*†*\»=^.
.^«;=%#¶## ##¶#%=;«^.
,,-:†§@#@@ @@#@§†:-,,
¨.»*%%§££@ @££§%%*».¨