.-=\§%@£## ##£@%§\=-.
.«=%%¤@### ###@¤%%=«.
¨-~*^%#@@# #@@#%^*~-¨
¨,,~;=@¤¶# #¶¤@=;~,,¨
.,»**£&@## ##@&£**»,.
,«\%§@£### statuette ###£@§%\«,
.:~=†£§@## ##@§£†=~:.
..~~^$£@## %%&@¤£@$&§$§£%$%=~-~~-==¤&¤%&§$$£$%$%&%¤ ##@£$^~~..
¨^»††¤§@## %%%*§§@£$ ##@§¤††»^¨
~«^%£§#### ####§£%^«~
,~»:§§#@## forests around my childhood home. thick ##@#§§:»~,
,,~=^*%### pine arcades that were planted and ###%*^=~,,
..«*^$£@## forgotten. wild boars roaming ##@£$^*«..
~»\^&££### underneath, sniffing at the ground. it ###££&^\»~
.^~†%&@£@# is dark and moist, the canopy having #@£@&%†~^.
,.~~=$¤@£# already soaked up all the sun. #£@¤$=~~.,
.,-*$£&¶## ##¶&£$*-,.
,~*§$##### there's a river passing by, from east #####$§*~,
,,«;*$¤£@# to west, getting broader and deeper and #@£¤$*;«,,
...-†=%§¶# slower as it goes. equisetum grow just #¶§%=†-...
.:-\§$&@@# where the pine hands start to let #@@&$§\-:.
,~†^@@¶@## through light, horsemint on the rocky ##@¶@@^†~,
.^«*$§£@## river bed. ##@£§$*«^.
,.-~†*%&£# #£&%*†~-.,
¨^~\†$£#@# † #@#£$†\~^¨
^=^$¤£¶### ###¶£¤$^=^
,,=\†£¤@@# the riverbanks reek of magic. tonight #@@¤£†\=,,
.¨~=/§$@#@ they had been a swampworld with sylvan @#@$§/=~¨.
.:»^%£#@@# water, stone rings and floating moss. #@@#£%^»:.
.=^§¤&@### you could've found me wallowing around ###@&¤§^=.
¨:=:*@## on the southern shores until i got ###&@*:=:¨
..,~:%*£¶# bitten. #¶£*%:~,..
¨~==*££¶## ##¶££*==~¨
^«^§£@## but now i'm further back, on solid ##@#&£§^«^
,:»\%£¤#@# ground, in shoulder-high grass, with an #@#¤£%\»:,
,.^«=*$§£@ orange tin radio and a translucent @£§$*=«^.,
¨,«;=*@£## umbrella which i'm sitting on. ##£@*=;«,¨
.»**$§#### ####§$**».
¨~=†%£#£## ^ ##£#£%†=~¨
.¨.-=%@§## ##§@%=-.¨.
,,~†=@£@## somethings moving in the grass. it's ##@£@=†~,,
,~^*$##### invisible to my eyes but i can feel #####$*^~,
¨^~^=£@### through the ground just how large it is. ###@£=^~^¨
.¨^~*$*### ###*$*~^¨.
¨.~=*@¤@@# the soil is muddy. i slip when trying #@@¤@*=~.¨
.«:$%@@### to get up, still looking at the ###@@%$:«.
..~=*%#£## direction of sound rather than at my ##£#%*=~..
,,:«**%£¶@ hands, who are busy putting things in @¶£%**«:,,
¨-«*%¤#@@# my pockets. #@@#¤%*«-¨
:-=%$#@@## ##@@#$%=-:
¨~-/$*¤@## then i run east toward my home. ##@¤*$/-~¨
¨¨-»\%&££# #££&%\»-¨¨
,~~/†%#¶## ; ##¶#%†/~~,
~«†*£¤£### ###£¤£*†«~
,^»;%*££@# i am not followed, and slow down in the #@££*%;»^,
.,:~^*$&@@ clearing where you at first can spot @@&$*^~:,.
,^~=†¤§### the house, not yet really in the ###§¤†=~^,
.»;*£#£### backyard. from my pockets i retrieve my ###£#£*;».
¨^~:$£@¶## radio (now dented) but also a small ##¶@£$:~^¨
,¨^«=%&¤@@ clay figure i've never seen before. it @@¤&%=«^¨,
.~~\$£@@@# must have been laying in the wet dirt, #@@@£$\~~.
~~^^¤¤£### and i must've picked it up with my ###£¤¤^^~~
.^~†=§&£## other belongings. ##£&§=†~^.
.¨-~\†*### ###*†\~-¨.
¨.~^^%@£@# it's a statuette of a girl laying naked #@£@%^^~.¨
~~*=@@@### on her stomach, feet in the air, ###@@@=*~~
.^=:%%¤@@# roughly seven centimeters long. it's #@@¤%%:=^.
..,»**$#£@ freshly made, not yet completely dried. @£#$**»,..
.,=^†§§£@# #@£§§†^=,.
-«/§$§£@## my mom is here now. i ask her for some ##@£§$§/«-
¨,»;*$£### particle board for it to dry on, but ###£$*;»,¨
,¨,~=*¤# she is worried and wants me to ##&¤*=~,¨,
¨:=†^§&¶## throw it away. ##¶&§^†=:¨
-~†*%##@## ##@##%*†~-
.:«;$&&@## ##@&&$;«:.
..:~†%§£@# #@£§%†~:..
,^=^^££¶@# #@¶££^^=^,
.«;$¤§£### ###£§¤$;«.
.,=^*%#### ####%*^=,.