,.~†*£££@@                                          @@£££*†~.,
,.~†*£££££                                          £££££*†~.,
,.~†*£@£##                                          ##£@£*†~.,
,,,,.~~*££                                          ££*~~.,,,,
,.~†*£@£££                                          £££@£*†~.,
,,,,~††*@£  opposer.dream                           £@*††~,,,,
,,,,.~~*@@ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ @@*~~.,,,,
,.~†****@@                                          @@****†~.,
,.~†*£@£##  intrinsically weaved within the space   ##£@£*†~.,
,.~†*£@£## between  what  the brain constructs  and ##£@£*†~.,
,,,,..~*@@ the  real,  the space  which we  usually @@*~..,,,,
,.~†*£@£##      call the aether, distortions,       ##£@£*†~.,
,,,,.~†£££       anomalies, can appear under        £££†~.,,,,
,,,,,,~†*@  circumstances, peculiar ones, folded in @*†~,,,,,,
,.~†*£@£## like  liquid  crystals, appearing as  if ##£@£*†~.,
,.~†*£@£## you  suddenly rotate your  head  in some ##£@£*†~.,
.~†*£@£### fourth dimension  (usually  more or less ###£@£*†~.
,.~†*££###              uncomfortable)              ###££*†~.,
,,,,,,~*£@                                          @£*~,,,,,,
,.~†*£@£## the opposer looks like a  concave square ##£@£*†~.,
,.~†*£@£## balancing   on  a  corner,  with   round ##£@£*†~.,
,.~†*£@£## cutouts  along its edges  making it look ##£@£*†~.,
,.~†*£@£## like a pointy  cross, or  something from ##£@£*†~.,
,,,,~~*£££                  twewy                   £££*~~,,,,
,,,..††£££                                          £££††..,,,
,.~†*£££@@ it's  hostile,  maybe not conscious  but @@£££*†~.,
,,,,~†£@@£    active, perceiving, alive in some     £@@£†~,,,,
,.~†††††££ sense. but i feel as if that  might be a ££†††††~.,
,,,,,~†£@£   reduction, that i'm interpreting the   £@£†~,,,,,
,.~†*£@£## tip of something  much  larger and alien ##£@£*†~.,
,.~†*£@£## to   me.  maybe  not  alive,  then,  but ##£@£*†~.,
,,,,,..†£@             something worse.             @£†..,,,,,
,,,.~***@@                                          @@***~.,,,
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,,,,..~*£@        ~~        @@@@~          ~,       @£*~..,,,,
,.~~~~†*££        ,~       †@@@@@@         ,        ££*†~~~~.,
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,.~†*£@£##        ~~~@@@††††*###*   †@†~~~~~.       ##£@£*†~.,
,,,,.††£££    ...~£££@@††   *####†††††@@£££***†...  £££††.,,,,
,,,.~†***@            ~      †#†       @£~~~.       @***†~.,,,
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,,,,~††£@£        ,~       †@@@@@†                  £@£††~,,,,
,,,,~~**££        ~~        ~@@@@£         ~,       ££**~~,,,,
,,,.~††*££       ,~~,         £££          ~~,      ££*††~.,,,
,.~†*£@###       ~~~~,,,,     **~      ,,~~~~~~     ###@£*†~.,
,,,,.~†££@                    ††           ,,,,,    @££†~.,,,,
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,.~†*£@£##                    .                     ##£@£*†~.,
,.~†*£@£##                                          ##£@£*†~.,
,.~†*£@£##         various forms like these         ##£@£*†~.,
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,.~†*£@£##                    *#*                   ##£@£*†~.,
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,,,,,..†£@                   .££.                   @£†..,,,,,
,,,,,.†£@£    ,            ,†@##@†,            ,    £@£†.,,,,,
,,,,.~~*@£  *#£*~.,, .,,.~*£######£*~.,, .,,.~*£#*  £@*~~.,,,,
,.~†*£@£## *##£*~.,,. ,,.~*£######£*~.,,. ,,.~*£##* ##£@£*†~.,
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,.~†*£@£##                   *#*                    ##£@£*†~.,
,..~††*£££                                          £££*††~..,
,.~~††*@££                it morphs                 ££@*††~~.,
,.~†*£@£##                                          ##£@£*†~.,
,.~†*£@£##                    #                     ##£@£*†~.,
,,,,,..†£@                    #                     @£†..,,,,,
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,,,,,,~†£@               ~@£~££~~@~                 @£†~,,,,,,
,.~†*£@£##              ~~   **  ~~~                ##£@£*†~.,
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,.~†*£@£##       †~       ,.....,      £~~          ##£@£*†~.,
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,.~†£@£### **##££@££~...~..,, ,,..~...*££@@££####** ###£@£†~.,
,.~†*£@@£#    ††£†        ,.....,      ~~@£††**     #£@@£*†~.,
,.~†**£££#       †         ,~~~~       £~           #£££**†~.,
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,,,,.~**@#              ££~  *   ~££~               #@**~.,,,,
,.~††††*@@               ~££~£~£££~                 @@*††††~.,
,,,,~†££@#                 †@@@@†                   #@££†~,,,,
,.~†£@£###                  †£££                    ###£@£†~.,
,,,,,,~†££                   ##                     ££†~,,,,,,
,.~†*£@££#                    #                     #££@£*†~.,
,.~†*£@£##                                          ##£@£*†~.,
,.~†*£@£##   it appears in it's truest false form   ##£@£*†~.,
,,,,,,.†££  inscribed all over your vision, in the  ££†.,,,,,,
,,,,~†**@# case of nightmares, evil meditation, or  #@**†~,,,,
,,,,..†£@#   drug-induced transcendental states.    #@£†..,,,,
,,,,,~*@@£ living behind the curtain, so to speak,  £@@*~,,,,,
,.~†*£@###  in the liquid between you and the world ###@£*†~.,
,,,,~†*£££                you're in.                £££*†~,,,,
,,,.~††*@#                                          #@*††~.,,,
,,,.~†*@££   but even in calmer times, it's never   ££@*†~.,,,
,,,,,,~*@@  too far away, and you can find yourself @@*~,,,,,,
,.~†*£@£##    transfixed by floor tiles, jewelry    ##£@£*†~.,
,.~†*£@£##    (totems? charms?), trees, and other   ##£@£*†~.,
,.~†*£@###              such things...              ###@£*†~.,
,,,.~~~*£@                                          @£*~~~.,,,
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