###&&^*~-, ,-~*^&##
#&^^~-,,,, ,,,,-~^^
###&&^*~-, ,-~*^&##
&^~-,,,,,, ,,,,,,-~^&
&&&**--,,, ,,,--**&&&
#&&*--,,,, #&#&#&#&#&#&#&#&#&#& ,,,,--*&
##&&*-,,,, & BUILDINGS, TOWERS IN THE "GOLDEN & ,,,,-*&#
&^*~-,,,,, & BAY" (EVERYTHING MADE OF SANDSTONE). & ,,,,,-~*^&
&&^^*~,,,, # FIVE PARTICULAR HOUSES FOURTY # ,,,,~*^^&&
#&^*-,,,,, # STORIES TALL, HUNDRED METERS APART, # ,,,,,-*^
###&&^*~-, & IN A SLIGHT ARC INWARDS. & ,-~*^&##
&&**-,,,,, & & ,,,,,-**&&
&&^~,,,,,, # BETWEEN TWO MOUNTAINS; TO THE RIGHT # ,,,,,,~^&&
&^*~~~~,,, # AND LEFT THE CITY CLIMBS QUICKLY. # ,,,~~~~*^&
####&&^*~, & THE RIGHT PLATEAU HOSTS A LUSH AND & ,~*^&###
###&&^*~-, & SHADED GARDEN WHICH MORPHS INTO A & ,-~*^&##
###&&^*~-, # TERRACE OVERLOOKING THE SEA AND # ,-~*^&##
&^^^^^*~-, # THE BUILDINGS. # ,-~*^^^^^&
###&&^*~-, & & ,-~*^&##
###&&^*~-, & TO THE LEFT THE HOUSES CLIMB & ,-~*^&##
##&&*~~-,, # SIMILARLY BUT A LOT OF TUNNELS AND # ,,-~~*&#
&^*~~~--,, # HALLS HAVE BEEN DUG FROM THE # ,,--~~~*^&
###&&^*~-, & MOUNTAIN. SOME HOUSES STAND & ,-~*^&##
###&&^*~-, & COMPLETELY "INSIDE". BECAUSE OF CAVE & ,-~*^&##
####&^*~-, # CONDITIONS THE LOWER FLOORS HERE # ,-~*^###
#&&^~~,,,, # ARE COVERED IN DARK ALGAE THAT THE # ,,,,~~^&
#&^^~-,,,, & CITY LONG AGO STOPPED TRYING TO & ,,,,-~^^
#&&**~,,,, & REMOVE. ESTABLISHMENTS USE NEON & ,,,,~**&
###&&^*~-, # SIGNS AS AN ACCENT TO THE DARK. # ,-~*^&##
###&&^*~-, # THERE'S A CASINO. # ,-~*^&##
###&&^*~-, & THERE'S AN INTERNET CAFE. & ,-~*^&##
#&^^^~--,, & & ,,--~^^^
###&&^*~-, # MOST PEOPLE LIVING HERE HAVE LONG # ,-~*^&##
####&&^~-, # SNOUTS AND BIG EARS. ALL SPACE IS # ,-~^&###
####&^*~-, & SHARED (FEW ROOMS HAVE LOCKS OR & ,-~*^###
####&&*~-, & EVEN DOORS). INTERIOR DESIGN IS & ,-~*&###
##&&*-,,,, # MOSTLY ART NOUVEAU AND MADE # ,,,,-*&#
###&&^*~-, # OUT OF COPPER. # ,-~*^&##
####&&*~-, &#&#&#&#&###&#&#&#&#&& ,-~*&###
&&&^**~,,, ,,,~**^&&&
###&&^*~-, ,-~*^&##
##&*-,,,,, ,,,,,-*#
###&&^*~-, ,-~*^&##
###&&^*~-, ,-~*^&##