...^=^*&£@ @£&*^=^...
....^=^*&£ £&*^=^....
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......^=^* ....**## VäXJö ##**.... *^=^......
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....^=^*&£ THE APARTMENT SMELLS OF OLD COFFEE AND £&*^=^....
...^=^*&£@ SWEETENERS. I DON'T KNOW HOW I LET IT @£&*^=^...
..^=^*&£@# GET LIKE THIS. IT'S NOT INTENTIONAL. #@£&*^=^..
.^=^*&£@## ##@£&*^=^.
..^=^*&£@# I WEAR YELLOW TINTED GLASSES. THE ROOM #@£&*^=^..
...^=^*&£@ CHANGES SHAPE A LOT. RIGHT NOW THERE'S @£&*^=^...
....^=^*&£ A BLUE SOFA WITH YELLOW SEAMS. I £&*^=^....
.....^=^*& EXPERIMENT WITH DIFFERENT COLORED &*^=^.....
......^=^* LIGHTS. I'M LEARNING THINGS. *^=^......
.......^=^ ^=^.......
......^=^* MY THOUGHTS ARE REVOLVING AROUND TIME, *^=^......
.....^=^*& AND THE PERCEPTION OF IT. CAN I MAKE IT &*^=^.....
....^=^*&£ RIGID? IF I REALLY WANT TO, CAN I MAKE £&*^=^....
...^=^*&£@ IT FEEL LIKE THERE IS ENOUGH OF IT? @£&*^=^...
..^=^*&£@# ALSO, AND MAYBE, ULTIMATELY, MORE #@£&*^=^..
.^=^*&£@## IMPORTANT - CAN I MAKE IT FEEL LIKE IT ##@£&*^=^.
..^=^*&£@# DOESN'T MATTER? #@£&*^=^..
...^=^*&£@ @£&*^=^...
....^=^*&£ £&*^=^....
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