#@#@&%*~:. .:~*%&@#@#
#@#@&%*~:. .:~*%&@#@#
#@#@&%*~:. .:~*%&@#@#
#@#@&%*~:. .:~*%&@#@#
#@@&&%*~:. .:~*%&&@@#
#@#@&%*~:. @ .:~*%&@#@#
#@#@&%*~:. .LIZARDRY .:~*%&@#@#
##@#@%*~:. ~ # @# @@@ @@@@@@@@@@@@@@@@@@ .:~*%@#@##
@&&&&%*~:. @@ THE ART OF C:NNECTING .:~*%&&&&@
@@&%%*~... . WITH THE OLD MIND ...~*%%&@@
##@#@&%*~. .~*%&@#@##
@@%~:::... MY MIND IS BEING SKEWED. MI ...:::~%@@
@@#@&%*~:. SKELETON IS STRINGY AND OLD AND ALIEN .:~*%&@#@@
#@#@&%*~:. THE SITUATION IS LITERALLY .:~*%&@#@#
@@&%%~:... PRESSED OUT THROUGH MY EYES, IT'S ...:~%%&@@
@%~~::::.. ECHOING LIKE ..::::~~%@
@@@@&%*~:. THE SUNSET OF THE ETERNAL .:~*%&@@@@
#@#@&%*~:. OCEAN .:~*%&@#@#
@&&%~:.... PERSISTENTLY AGAINST MY EMULSION ....:~%&&@
@@@%~::... ...::~%@@@
@#@@&%*~:. IT'S UNGRASPABLE TO ME, WHAT OTHER .:~*%&@@#@
@@#@&%*~:. HUMANS ARE DOING AND ABSTRACTING, .:~*%&@#@@
#&%%*~:... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...:~*%%&#
@&&*:..... HOW LONG A TIME HAS PASSED, FOR THEM? .....:*&&@
#@%~~..... . .....~~%@#
##@&%%*~:. . ... . ................ ####### .:~*%%&@##
###@&%*~:. CONTINUOUSLY I'M CROWDING THROUGH .:~*%&@###
@&**~~:... . THE FOURTH WALL :OUTWARDS IS WHAT . ...:~~**&@
#&&&%*~::. .. I'M THINKING BUT IT'S WRONG.. A NEW .::~*%&&&#
@&**~..... . . NARRATOR IS INTRODUCED, OCCASIONALLY .....~**&@
@@#@&%*~:. : : AWARE OF THE PREVIOUS ONE, DEEPER . .:~*%&@#@@
#@&&&%*~:. : : DOWN IN THE DRAGONS THROAT. .:~*%&&&@#
@&&%~:.... : ....:~%&&@
@&*~:..... : .....:~*&@
#&%*~~.... ....~~*%&#
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