@@@@£$\~~. .~~\$£@@@@
###@£$\~~. .~~\$£@###
@@$~~..... .....~~$@@
@@$\~~.... ....~~\$@@
@@$$\~~~~. .~~~~\$$@@
@@$~~..... @ .....~~$@@
#@#@£$\~~. .LIZARDRY .~~\$£@#@#
@£\~~..... ~ # @# @@@ @@@@@@@@@@@@@@@@@@ .....~~\£@
@££$$~.... @@ THE ART OF C~NNECTING ....~$$££@
#@#@£$\~~. . WITH THE OLD MIND .~~\$£@#@#
#@#@£$\~~. .~~\$£@#@#
@££$~..... MY MIND IS BEING SKEWED. MI .....~$££@
#@#@£$\~~. SKELETON IS STRINGY AND OLD AND ALIEN .~~\$£@#@#
#@#@£$\~~. THE SITUATION IS LITERALLY .~~\$£@#@#
@$~~...... PRESSED OUT THROUGH MY EYES, IT'S ......~~$@
##@@£$\~~. ECHOING LIKE .~~\$£@@##
#@#@£$\~~. THE SUNSET OF THE ETERNAL .~~\$£@#@#
#@#@£$\~~. OCEAN .~~\$£@#@#
@££\~~.... PERSISTENTLY AGAINST MY EMULSION ....~~\££@
##@#@$\~~. .~~\$@#@##
@£\\\\~~.. IT'S UNGRASPABLE TO ME, WHAT OTHER ..~~\\\\£@
@££$$$\~~. HUMANS ARE DOING AND ABSTRACTING, .~~\$$$££@
#@#@£$\~~. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .~~\$£@#@#
##@@£$\~~. HOW LONG A TIME HAS PASSED, FOR THEM? .~~\$£@@##
#@#@£$\~~. . .~~\$£@#@#
@$~~~~~... . ... . ................ ####### ...~~~~~$@
##@#£$\~~. CONTINUOUSLY I'M CROWDING THROUGH .~~\$£#@##
@£$\\~~... . THE FOURTH WALL ~OUTWARDS IS WHAT . ...~~\\$£@
#£\\\\~... .. I'M THINKING BUT IT'S WRONG.. A NEW ...~\\\\£#
@##@£$\~~. . . NARRATOR IS INTRODUCED, OCCASIONALLY .~~\$£@##@
#@#@£$\~~. ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . .~~\$£@#@#
#@#@£$\~~. ~ ~ DOWN IN THE DRAGONS THROAT. .~~\$£@#@#
#@#@£$\~~. ~ .~~\$£@#@#
#@#@£$\~~. ~ .~~\$£@#@#
###@£$\~~. .~~\$£@###
@£$~...... ......~$£@
##@#£$\~~. .~~\$£#@##
@@@££$\~~. .~~\$££@@@
#£\~...... ......~\£#
@$$~~..... .....~~$$@