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.@.@@.@.@. if you follow a dirt road north just .@.@@.@.@@
.@..@.@.@. within the second ring, and navigate .@..@.@..@
.@.@@.@.@. the overgrown maze of the north-eastern .@.@@.@.@@
.@..@.@.@. residential district, eventually you .@..@.@..@
.@.@@.@.@. arrive at what looks like a large .@.@@.@.@@
.@..@.@.@. fenced-in grove of bird cherry and .@..@.@..@
.@.@@.@.@. juniper. it's quite large, .@.@@.@.@@
.@..@.@.@. and will take a while to circle, .@..@.@..@
.@.@@.@.@. especially since it's got gardens and .@.@@.@.@@
.@..@.@.@. walls sticking out of it in more than a .@..@.@..@
.@.@@.@.@. few places. but keep going, and .@.@@.@.@@
.@..@.@.@. eventually there'll be lilacs, and a .@..@.@..@
.@.@@.@.@. hole in the fence. .@.@@.@.@@
.@..@.@.@. .@..@.@..@
.@.@@.@.@. go inside. well, it's hollow, and hides .@.@@.@.@@
.@..@.@.@. a pale swamp (herons, mosquitos). it's .@..@.@..@
.@.@@.@.@. brighter here, and the sounds of the .@.@@.@.@@
.@..@.@.@. city seem distant. but there's a second .@..@.@..@
.@.@@.@.@. grove inside. zig zag between puddles .@.@@.@.@@
.@..@.@.@. and sinking shipping containers, .@..@.@..@
.@.@@.@.@. because toward the inner treeline the .@.@@.@.@@
.@..@.@.@. ground becomes solid again. .@..@.@..@
.@.@@.@.@. .@.@@.@.@@
.@..@.@.@. go inside. this time there's a cracked .@..@.@..@
.@.@@.@.@. parking lot, with sprinkled dandelions, .@.@@.@.@@
.@..@.@.@. lined by wisteria. east of it is an .@..@.@..@
.@.@@.@.@. abandoned building, what used to house .@.@@.@.@@
.@..@.@.@. an old restaurant. the paint is .@..@.@..@
.@.@@.@.@. chipping, some windows are broken, but .@.@@.@.@@
.@..@.@.@. the signage is still there: .@..@.@..@
.@.@@.@.@. .@.@@.@.@@
.@..@.@.@. "indian palace". .@..@.@..@
.@.@@.@.@. .@.@@.@.@@
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