,:-\%@#### ####@%\-:,
¨~-/§*## ###&*§/-~¨
,-~/^§## ###&§^/~-,
.~^%*@¶### ###¶@*%^~.
,^«/**###@ @###**/«^,
¨¨¨..,.-*£ statuette £*-.,..¨¨¨
¨,.¨,.,»*£ £*»,.,¨.,¨
,.===†&§## £&%£@*¤§%£¤££&*§=~«~~~~~£**@$$§£§§%$%%%£ ##§&†===.,
.^-/^%@¶@# $@&£%%§&$ #@¶@%^/-^.
,,.,¨~;£## ##£;~¨,.,,
,:-;$*&¶## forests around my childhood home. thick ##¶&*$;-:,
¨,==^%@#¶@ pine arcades that were planted and @¶#@%^==,¨
.^«=*$&££@ forgotten. wild boars roaming @££&$*=«^.
¨,=^§&¤### underneath, sniffing at the ground. it ###¤&§^=,¨
¨,¨..,†%## is dark and moist, the canopy having ##%†,..¨,¨
..,^,»^$$¶ already soaked up all the sun. ¶$$^»,^,..
¨-«\*=§££# #££§=*\«-¨
¨^~^^%§### there's a river passing by, from east ###§%^^~^¨
,,~:*@#@## to west, getting broader and deeper and ##@#@*:~,,
,,-«:$&¤§£ slower as it goes. equisetum grow just £§¤&$:«-,,
..«;^@#@## where the pine hands start to let ##@#@^;«..
.,=:\§**¤# through light, horsemint on the rocky #¤**§\:=,.
,:~†%@#@@# river bed. #@@#@%†~:,
..~/^$¤### ###¤$^/~..
,~-~«:*¤#@ ^ @#¤*:«~-~,
¨¨,,,:/¤¤# #¤¤/:,,,¨¨
¨,»/*$%£§@ the riverbanks reek of magic. tonight @§£%$*/»,¨
.,=†^&§¶## they had been a swampworld with sylvan ##¶§&^†=,.
,,»/†%@£## water, stone rings and floating moss. ##£@%†/»,,
¨^~†*£#@## you could've found me wallowing around ##@#£*†~^¨
,,,=\^=#@# on the southern shores until i got #@#=^\=,,,
.-»;%*§@@# bitten. #@@§*%;»-.
¨.,,.~\*@# #@*\~.,,.¨
.-~\**#@## but now i'm further back, on solid ##@#**\~-.
,...,»*$£# ground, in shoulder-high grass, with an #£$*»,...,
,-==†%£¶## orange tin radio and a translucent ##¶£%†==-,
.-»:%%#### umbrella which i'm sitting on. ####%%:»-.
,--/§*§£@# #@£§*§/--,
,,«^=%&£## : ##£&%=^«,,
¨.~;†&@### ###@&†;~.¨
¨,,¨,»-:¤¶ somethings moving in the grass. it's ¶¤:-»,¨,,¨
¨~«^%*£@## invisible to my eyes but i can feel ##@£*%^«~¨
¨:~*§$#@## through the ground just how large it is. ##@#$§*~:¨
.¨¨^:†$#£# #£#$†:^¨¨.
,.¨,-:@¤¤# the soil is muddy. i slip when trying #¤¤@:-,¨.,
,:-;†*£### to get up, still looking at the ###£*†;-:,
¨~~†*££### direction of sound rather than at my ###££*†~~¨
.,-††*&@£@ hands, who are busy putting things in @£@&*††-,.
¨:~†%&§£## my pockets. ##£§&%†~:¨
¨.-%£§#### ####§£%-.¨
¨¨.«~$**£& then i run east toward my home. &£**$~«.¨¨
,.,,=†*$#¶ ¶#$*†=,,.,
¨:~=^$@# \ ##&@$^=~:¨
,.¨,=§&¤#@ @#¤&§=,¨.,
¨.,^~»$*@¤ i am not followed, and slow down in the ¤@*$»~^,.¨
,,~/%@@¶ clearing where you at first can spot ¶@#&@%/~,,
.-~;†*¤#@# the house, not yet really in the #@#¤*†;~-.
¨¨..~~=*$@ backyard. from my pockets i retrieve my @$*=~~..¨¨
¨^«†*@@### radio (now dented) but also a small ###@@*†«^¨
,,«*=$#£@# clay figure i've never seen before. it #@£#$=*«,,
¨,=†*$§$#¶ must have been laying in the wet dirt, ¶#$§$*†=,¨
..¨,~%%%#£ and i must've picked it up with my £#%%%~,¨..
¨^~=**§@## other belongings. ##@§**=~^¨
¨,-*%%§¶## ##¶§%%*-,¨
,,¨,¨,^^*£ it's a statuette of a girl laying naked £*^^,¨,¨,,
,,»;^%#### on her stomach, feet in the air, ####%^;»,,
¨,¨.»=*¤#@ roughly seven centimeters long. it's @#¤*=».¨,¨
¨,,.~-%@££ freshly made, not yet completely dried. ££@%-~.,,¨
.¨¨..~:*%@ @%*:~..¨¨.
,..~.;†§§# my mom is here now. i ask her for some #§§†;.~..,
,^»††%## particle board for it to dry on, but ###&%††»^,
¨¨.,--*£ she is worried and wants me to #&£*--,.¨¨
.,.^»*¤@§§ throw it away. §§@¤*»^.,.
,,~:=§#@## ##@#§=:~,,
¨:~;*&¤### ###¤&*;~:¨
¨~=\§@#@## ##@#@§\=~¨
¨,~^%£@¶@# #@¶@£%^~,¨
¨.,.¨::§$@ @$§::¨.,.¨
.,=^*%#¶## ##¶#%*^=,.