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#&$$=..... ########&¤$*=-. geometry .-=*$¤####### .....=$$
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###&¤$*=-. # the name is a little mis- # .-=*$¤##
###&¤$*=-. = giving, because of course there is = .-=*$¤##
##¤$*=-... no real geometry in the caves. you may ...-=*$¤##
###&¤$*=-. feel as if you are venturing into some .-=*$¤##
&&$=...... vast structure, but you are in fact ......=$&&
&¤¤$*-.... leaving any such thing at the entrance. ....-*$¤¤&
###&¤$*=-. .-=*$¤##
###&¤$*=-. leaving physical tethers behind, .-=*$¤##
#&¤¤$**=-. submitting to an inescapable darkness, .-=**$¤¤
###&¤$*=-. the world around you becomes more of a .-=*$¤##
###&¤$*=-. manifestation of your mind, or a .-=*$¤##
####&¤$*=- collective mind, with a shape and a -=*$¤###
#&&$$$*=-. direction and a taste. .-=*$$$&
##&$*--... ...--*$#
###&¤$*=-. inescapeable darkness, because if you .-=*$¤##
#&¤¤$$*=-. bring a candle or mount electrical .-=*$$¤¤
&$*-...... lights, the walls only serves as ......-*$&
###&¤$*=-. markers to where the tiny spatial .-=*$¤##
###&¤$*=-. existence ends and the darkness beneath .-=*$¤##
###&¤$*=-. it begins. .-=*$¤##
###&¤$*=-. .-=*$¤##
###&¤$*=-. like an inverted mandelbrot, the real .-=*$¤##
###&¤$*=-. cave is actually not the pockets, but .-=*$¤##
###&¤$*=-. the black around them. keep that in .-=*$¤##
###&¤$*=-. mind. .-=*$¤##
####&¤*=-. .-=*¤###
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#¤¤*-..... the moisture that permeates any cave .....-*¤¤#
###&¤$*=-. worth it's name... it's the water the .-=*$¤##
####&$*=-. world rose from. it's the water you .-=*$###
#&$=...... drown in, in your dreams. ......=$
###&¤$*=-. .-=*$¤##
#¤¤¤$$*=-. the only sounds in the cave are those .-=*$$¤¤¤#
#&¤*==-... that you make yourselves. they may be ...-==*¤
###&¤$*=-. distorted by the stone structure, and .-=*$¤##
&¤*-...... amplified by your mind. try not to be ......-*¤&
&¤**===--. alarmed, try to remember the persons .--===**¤&
####&¤$*=. and objects around you, and you can .=*$¤###
###&¤$*=-. discern a mirage from a friend. .-=*$¤##
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