.....^~/£@ @£/~^.....
......^/%& &%/^......
.^~/%£&@## ##@&£%/~^.
.^^^^~/%£@ @£%/~^^^^.
.^~/%£&&&& &&&&£%/~^.
.^~/%&@### £ DREAM PALACE £ ###@&%/~^.
...^^~/££@ ^ ----- ------ ^ @££/~^^...
.^~/%£&@## £ ..... ...... £ ##@&£%/~^.
...~~~%%&& / ..... ...... / &&%%~~~...
.^~/%%%£ ^ ..... ...... ^ #&£%%%/~^.
.^~/%£&@## ^ ..... ...... ^ ##@&£%/~^.
.^~/%£&@## . ..... ...... . ##@&£%/~^.
.^~////£@@ @@£////~^.
.^~/%%%££@ @££%%%/~^.
.^~/%£&@## NOT ACTUALLY A PALACE. A COTTAGE IN THE ##@&£%/~^.
.^~/%£&@## WOODS (TEMPERATE CLIMATE, RAINS EVERY ##@&£%/~^.
.^~/%£&@## OTHER DAY, SPRINGS AND STREAMS AND ##@&£%/~^.
.^~/%£## MYSTERIOUS IRON AND STONE ARTIFACTS, ###&£%/~^.
.^~/%£&@## BIRDLAND-ISH ETERNAL SPRING (LATE ##@&£%/~^.
.....^^/£@ SPRING)) @£/^^.....
.^~/%%£&&& &&&£%%/~^.
.^~/%£&@## ~ ##@&£%/~^.
....^~~%&@ @&%~~^....
.^~/%£&@## I WAKE UP EVERY MORNING AT SIX AM. IT'S ##@&£%/~^.
.^~/%£&@## DARK, AND THE STARS ARE OUT, BUT THE ##@&£%/~^.
.^~/%£&@## SUN IS ABOUT TO RISE. ITS A LONG DAY, ##@&£%/~^.
.^~/%%££ BEFORE IT FADES TO NIGHT AGAIN, AND #&££%%/~^.
.^~~~~~/%& THEN IT STAYS SO UNTIL I FALL ASLEEP. &%/~~~~~^.
.^~/%£&@## IT DOESN'T RISE UNLESS I'VE HAD MY ##@&£%/~^.
.^~/%&@### DREAMS. ###@&%/~^.
.^~/%£&@@@ @@@&£%/~^.
.^~/%£&@## % ##@&£%/~^.
.^~/%£## ###&£%/~^.
...^^~~%%& IN THIS COTTAGE THERE'S A LOT OF RADIO &%%~~^^...
.^~/%£&&@@ EQUIPMENT, SOUND STUFF, SYNTHS, TAPE @@&&£%/~^.
.^~/%£££&@ PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, @&£££%/~^.
.^~/%£&@## MIRRORS, PRISMS, AND VARIOUS THINGS TO ##@&£%/~^.
.^~/%£## DO ART WITH. THE FRIDGE IS FILLED WITH ###&£%/~^.
....^~/%&& DIFFERET FOODS, ALL OF THEM INTRIGUING, &&%/~^....
...^^//%&& SLIGHTLY WEIRD. &&%//^^...
.......~%& &%~.......
.....~%££& & &££%~.....
.^~/%£&@## ##@&£%/~^.
.^~/%&@### I HAVE FRIENDS - THERE'S A CAT, AND A ###@&%/~^.
.^~/%£&@## DOG (WHO IS RIDICOLOUSLY LARGE AND ##@&£%/~^.
.^~/%£&@## WANTS TO BE THE BIG SPOON). I LISTEN TO ##@&£%/~^.
.^~/%£&@## THE SHORTWAVE RADIO, AND TRANSMIT A BIT ##@&£%/~^.
^~/%£&@### MYSELF, SONGS AND POETRY, AND FOUND ###@&£%/~^
.^~/%£&@@@ SOUNDS FROM THE FOREST. THE OTHERS TELL @@@&£%/~^.
.^~/%£&&@@ OF THEIR LIVES, PLAY THE GUITAR FOR ME, @@&&£%/~^.
.^~/%£&&&@ AND TELL TALES OF THE OLD WORLD. I @&&&£%/~^.
.^~/%£&@## CONSIDER THEM FRIENDS AS WELL. ##@&£%/~^.
.^~////%£& &£%////~^.
.^~/%%£&&& @ &&&£%%/~^.
.^~/%£&@## ##@&£%/~^.
...^^~//£& MOST IMPORTANTLY, THERE'S A TWO SQUARE &£//~^^...
.^~/%£&@## METER AREA ON THE FLOOR WHERE I CAN ##@&£%/~^.
.....~~%&& "SAVE" THINGS. WHATEVER I PUT IN HERE &&%~~.....
.^~/%£&@## WILL NOT BE AFFECTED BY THE NIGHTLY ##@&£%/~^.
......~% RESET. EVERYTHING ELSE, HOWEVER, IS #&%~......
.^~/%%%%&@ COMPLETELY RESET OVERNIGHT: SYNTH @&%%%%/~^.
....^/%%&& PATCHES REMOVED, FOOD UNEATEN, WOUNDS &&%%/^....
.^~/%£## HEALED, AND WHEREVER AND WHENEVER I'D ###&£%/~^.
....^//£ FALL ASLEEP I'D ALWAYS WAKE UP FULLY #&£//^....
...^~%£&@# RESTED IN MY BED. SOMETIMES THERE'S #@&£%~^...
.^~/%£&@## ACCIDENTS WHERE I LOSE STUFF BY ##@&£%/~^.
...^~/%% FORGETTING TO PUT THEM IN THE SQUARE. #&%%/~^...
.^~/%%%££@ @££%%%/~^.
.^~/%£&@## . ##@&£%/~^.
....^//££@ @££//^....
.....^~%£& AT NIGHT, I HAVE DEMI-LUCID DREAMS &£%~^.....
.^~/%%£££@ WHERE THE SPIRITS OF THE FOREST AROUND @£££%%/~^.
.^~/%£&@## THE COTTAGE TRIES TO COMMUNICATE. HERE, ##@&£%/~^.
.^~%£&@### IT'S NOT ENDLESS BUT CONNECTED TO A ###@&£%~^.
......~%%& LARGE SPRAWLING CITY, WHERE MY RADIO &%%~......
.^~/%£## FRIENDS LIVE. WE GO EXPLORING TOGETHER ###&£%/~^.
.^~/%£&@## - THINGS ARE DEEP AND DARK - BUT UNLIKE ##@&£%/~^.
.^~//%%%£& ME, THEY NEVER REMEMBER DURING THE DAY. &£%%%//~^.
..^^^^/£&@ THIS IS A MYSTERY WE OFTEN DISCUSS. @&£/^^^^..
.^~/%£## ###&£%/~^.
.^~/%£&@## ##@&£%/~^.
....^~~/£@ @£/~~^....
.^~/%£&@## ##@&£%/~^.
.^~/%£&&&& &&&&£%/~^.
.^~/%£&&@@ @@&&£%/~^.