,~=:*£@### ###@£*:=~,
,,,,~:**@# #@**:~,,,,
,~=:*£@### ###@£*:=~,
,=:*£@#### ####@£*:=,
,~=:*£@### ###@£*:=~,
,~=:*£@### if you follow a dirt road north just ###@£*:=~,
,~=:*£@### within the second ring, and navigate ###@£*:=~,
,~=:*£@### the overgrown maze of the north-eastern ###@£*:=~,
,~=:*£@### residential district, eventually you ###@£*:=~,
,,,,,=**£@ arrive at what looks like a large @£**=,,,,,
,~=:*£@### fenced-in grove of bird cherry and ###@£*:=~,
,,,~~~:*£# juniper. it's quite large, #£*:~~~,,,
,,,,,,~:*@ and will take a while to circle, @*:~,,,,,,
,~=:*£@### especially since it's got gardens and ###@£*:=~,
,~=:*£@### walls sticking out of it in more than a ###@£*:=~,
,,,,,~~:£@ few places. but keep going, and @£:~~,,,,,
,~=:*£@### eventually there'll be lilacs, and a ###@£*:=~,
,~=:*£@### hole in the fence. ###@£*:=~,
,,,~~~=*£# #£*=~~~,,,
,~~~=:*£@# go inside. well, it's hollow, and hides #@£*:=~~~,
,~=:*£@### a pale swamp (herons, mosquitos). it's ###@£*:=~,
,~=:*£@### brighter here, and the sounds of the ###@£*:=~,
,~=:*££@## city seem distant. but there's a second ##@££*:=~,
,~=:*£@@## grove inside. zig zag between puddles ##@@£*:=~,
,~=:*£@### and sinking shipping containers, ###@£*:=~,
,~=:*£@### because toward the inner treeline the ###@£*:=~,
,~=:**£@@@ ground becomes solid again. @@@£**:=~,
,,~=:**£## ##£**:=~,,
,~=:*£@### go inside. this time there's a cracked ###@£*:=~,
,~=:*£@### parking lot, with sprinkled dandelions, ###@£*:=~,
,~=:*£@### lined by wisteria. east of it is an ###@£*:=~,
,,,,~:***@ abandoned building, what used to house @***:~,,,,
,~=:*£@### an old restaurant. the paint is ###@£*:=~,
,~=:*£@### chipping, some windows are broken, but ###@£*:=~,
,~=:*£@### the signage is still there: ###@£*:=~,
,~=:*£@### ###@£*:=~,
,,,~::*££# "indian palace". #££*::~,,,
,,,,,,,=*@ @*=,,,,,,,
,~=:*£@### ###@£*:=~,
,,,,,,=*@@ @@*=,,,,,,
,,,,,,=*@@ @@*=,,,,,,
,,,,=:££@# #@££:=,,,,