¨¨~«:§¤¤@# #@¤¤§:«~¨¨
,..,~^*§ #&§*^~,..,
,.~~;=§&£# #£&§=;~~.,
¨-~††&&¶## ##¶&&††~-¨
¨.-~*%%# ##&%%*~-.¨
..,~~:†&¤¶ statuette ¶¤&†:~~,..
¨¨,=^*¤§## ##§¤*^=,¨¨
.,»/%&## &¤££@*££$*&£%%££~~»~=«=~¤%§££&&£¤*$@&£$* ###&&%/»,.
..,-†%¤@## £§&@£¤£§$ ##@¤%†-,..
,,.-»=†£§# #§£†=»-.,,
.¨^~=§£¤¶# forests around my childhood home. thick #¶¤£§=~^¨.
..»*%*§### pine arcades that were planted and ###§*%*»..
,,--/%£@£# forgotten. wild boars roaming #£@£%/--,,
,¨.--=$&&£ underneath, sniffing at the ground. it £&&$=--.¨,
.,:-=$*### is dark and moist, the canopy having ###*$=-:,.
,^-\†$## already soaked up all the sun. ###&$†\-^,
,,^~/%@¤@# #@¤@%/~^,,
¨¨¨^~†^£&¶ there's a river passing by, from east ¶&£^†~^¨¨¨
¨,-~=*$¤¶# to west, getting broader and deeper and #¶¤$*=~-,¨
¨.-\^£¤£## slower as it goes. equisetum grow just ##£¤£^\-.¨
.,,«;*@&@# where the pine hands start to let #@&@*;«,,.
,,.,~:$¤#@ through light, horsemint on the rocky @#¤$:~,.,,
,¨~-^%§### river bed. ###§%^-~¨,
¨-~\§&££## ##££&§\~-¨
,¨,~\†£¤¶# ^ #¶¤£†\~,¨,
,,,,«/*£@£ £@£*/«,,,,
,..»*†¤### the riverbanks reek of magic. tonight ###¤†*»..,
.,»^%%¤@## they had been a swampworld with sylvan ##@¤%%^»,.
¨.,~/*¤# water, stone rings and floating moss. ##&¤*/~,.¨
¨.¨~~:=&§¶ you could've found me wallowing around ¶§&=:~~¨.¨
,..«†^%§£# on the southern shores until i got #£§%^†«..,
.,«\^¤#@## bitten. ##@#¤^\«,.
¨.~-†$$£## ##£$$†-~.¨
¨,.~»:%@¤# but now i'm further back, on solid #¤@%:»~.,¨
..:~;^%§@# ground, in shoulder-high grass, with an #@§%^;~:..
¨:~/§@§¶## orange tin radio and a translucent ##¶§@§/~:¨
¨¨:«^%££@# umbrella which i'm sitting on. #@££%^«:¨¨
,¨¨^~\%@£# #£@%\~^¨¨,
¨,~~:†&&@# \ #@&&†:~~,¨
¨^~/%£&@## ##@&£%/~^¨
.¨^«=%¤¤@# somethings moving in the grass. it's #@¤¤%=«^¨.
,.,.~=†*@£ invisible to my eyes but i can feel £@*†=~.,.,
.,-=†*£§@# through the ground just how large it is. #@§£*†=-,.
.^~;$£#@## ##@#£$;~^.
,¨^«==£§¶# the soil is muddy. i slip when trying #¶§£==«^¨,
,,¨,«=$%¤@ to get up, still looking at the @¤%$=«,¨,,
¨..~;*$¤@# direction of sound rather than at my #@¤$*;~..¨
¨~«\$£@¶## hands, who are busy putting things in ##¶@£$\«~¨
¨¨.~\*££## my pockets. ##££*\~.¨¨
.¨,.«*=£ #&£=*«.,¨.
.¨:~\%&££# then i run east toward my home. #££&%\~:¨.
.:~==*§@## ##@§*==~:.
,,--;*£#¶# ; #¶#£*;--,,
¨¨.~~;$@¤@ @¤@$;~~.¨¨
,,,~=$%# i am not followed, and slow down in the ##&%$=~,,,
.-~^%*£### clearing where you at first can spot ###£*%^~-.
.,^«:*$@£# the house, not yet really in the #£@$*:«^,.
..,:»==%§@ backyard. from my pockets i retrieve my @§%==»:,..
.,:-†$*£@# radio (now dented) but also a small #@£*$†-:,.
¨.»;**¤### clay figure i've never seen before. it ###¤**;».¨
¨¨.=:^*### must have been laying in the wet dirt, ###*^:=.¨¨
.¨.~~\%§¤# and i must've picked it up with my #¤§%\~~.¨.
,¨~»:%§# other belongings. ##&§%:»~¨,
.-«^=&¤¶## ##¶¤&=^«-.
¨¨.»\§¤§¶# it's a statuette of a girl laying naked #¶§¤§\».¨¨
¨¨.,-:^@¤@ on her stomach, feet in the air, @¤@^:-,.¨¨
,,:~:^§#@# roughly seven centimeters long. it's #@#§^:~:,,
,^»:^§#£## freshly made, not yet completely dried. ##£#§^:»^,
,¨.»†=%££# #££%=†».¨,
,.,:»:$&&¶ my mom is here now. i ask her for some ¶&&$:»:,.,
¨..~:=%### particle board for it to dry on, but ###%=:~..¨
¨,=/^### she is worried and wants me to ####&^/=,¨
,,,-^§@@## throw it away. ##@@§^-,,,
.,,,»=†$@@ @@$†=»,,,.
.¨,»;†¶# #¶#&†;»,¨.
.,«/%$&@## ##@&$%/«,.
.,^-;$$¤## ##¤$$;-^,.
¨,¨,«^$$§# #§$$^«,¨,¨
¨¨:»:*$§£# #£§$*:»:¨¨