.¨¨...,:£& &£:,...¨¨.
,,«::\%&@@ @@&%\::«,,
.¨..,^:@## ##@:^,..¨.
,.»;*§#### ####§*;».,
.,«;\§§#§§ §§#§§\;«,.
.~-:†%&@@# statuette #@@&%†:-~.
.,»:%£&@@# #@@&£%:»,.
¨~~;$&¤### £¤%$%§§££*£*£@&*~««==~»~@&£££%§£&%¤§$££¤ ###¤&$;~~¨
¨,»†%%¤@@# $£§@$$£%§ #@@¤%%†»,¨
¨:~;%$§@## ##@§$%;~:¨
.-=\%¤@£## forests around my childhood home. thick ##£@¤%\=-.
¨,»/^%@##@ pine arcades that were planted and @##@%^/»,¨
.--:%%@### forgotten. wild boars roaming ###@%%:--.
.¨..¨¨-*%£ underneath, sniffing at the ground. it £%*-¨¨..¨.
,:~=§£§### is dark and moist, the canopy having ###§£§=~:,
.,=;%*&£## already soaked up all the sun. ##£&*%;=,.
.,-††&## ###&&††-,.
¨,¨,.«†*%¤ there's a river passing by, from east ¤%*†«.,¨,¨
¨~~†=@£### to west, getting broader and deeper and ###£@=†~~¨
...,¨..:*¤ slower as it goes. equisetum grow just ¤*:..¨,...
,^~†$&§¶## where the pine hands start to let ##¶§&$†~^,
..¨,.=~$%£ through light, horsemint on the rocky £%$~=.,¨..
¨:«*%§*†£& river bed. &£†*§%*«:¨
.,~†*¤## ###&¤*†~,.
¨.«:*£§#@# † #@#§£*:«.¨
,^~=%&¤£## ##£¤&%=~^,
,-=\%£@### the riverbanks reek of magic. tonight ###@£%\=-,
,:«/%%#@@@ they had been a swampworld with sylvan @@@#%%/«:,
,--»=%$§#@ water, stone rings and floating moss. @#§$%=»--,
¨¨.¨=/¤¤£# you could've found me wallowing around #£¤¤/=¨.¨¨
¨,,..,«/$£ on the southern shores until i got £$/«,..,,¨
.^-/*%§@## bitten. ##@§%*/-^.
,.¨,^,*%&& &&%*,^,¨.,
¨^=\%$@@@# but now i'm further back, on solid #@@@$%\=^¨
¨¨,¨,..†%@ ground, in shoulder-high grass, with an @%†..,¨,¨¨
¨..¨..»$%¤ orange tin radio and a translucent ¤%$»..¨..¨
,:~††*^%§# umbrella which i'm sitting on. #§%^*††~:,
,¨,,^†$@ @#&$†^,,¨,
¨.~/^£@@@# : #@@@£^/~.¨
,,=^=£@&@@ @@&@£=^=,,
.,«^†\^£@¶ somethings moving in the grass. it's ¶@£^\†^«,.
¨:»/*$§#@# invisible to my eyes but i can feel #@#§$*/»:¨
¨^~**&§@@# through the ground just how large it is. #@@§&**~^¨
,.=†*@@# #@#&@*†=.,
.~=/%¤£### the soil is muddy. i slip when trying ###£¤%/=~.
..=/§§###@ to get up, still looking at the @###§§/=..
¨.«†^£§£## direction of sound rather than at my ##£§£^†«.¨
¨.¨¨,-»:¤@ hands, who are busy putting things in @¤:»-,¨¨.¨
¨,~†*%¤### my pockets. ###¤%*†~,¨
¨~~/†%¤@## ##@¤%†/~~¨
.,~=†£££@# then i run east toward my home. #@£££†=~,.
¨--\*§¤¶## ##¶¤§*\--¨
¨~~=/=%£#£ ; £#£%=/=~~¨
¨,.¨,~\£#@ @#£\~,¨.,¨
¨,=:†£¤@## i am not followed, and slow down in the ##@¤£†:=,¨
,...,-^@£# clearing where you at first can spot #£@^-,...,
,~=\†%&¶## the house, not yet really in the ##¶&%†\=~,
¨,~=^£@£ backyard. from my pockets i retrieve my £@#&£^=~,¨
¨:==%*%£## radio (now dented) but also a small ##£%*%==:¨
,.-^**¤@¶@ clay figure i've never seen before. it @¶@¤**^-.,
¨,..-†*§££ must have been laying in the wet dirt, ££§*†-..,¨
.,,=~«;†=£ and i must've picked it up with my £=†;«~=,,.
,~»†*%#@## other belongings. ##@#%*†»~,
,-~=*@£¶## ##¶£@*=~-,
,.,,.~†*$£ it's a statuette of a girl laying naked £$*†~.,,.,
¨,.¨^»*# on her stomach, feet in the air, ##&*»^¨.,¨
.,~†=%#¶## roughly seven centimeters long. it's ##¶#%=†~,.
¨,¨,^\*%*§ freshly made, not yet completely dried. §*%*\^,¨,¨
¨,«†*%@# #@#&%*†«,¨
,.«=%*@#@# my mom is here now. i ask her for some #@#@*%=«.,
¨.~\*$¤### particle board for it to dry on, but ###¤$*\~.¨
,.,.~:*=*¤ she is worried and wants me to ¤*=*:~.,.,
,..¨¨:\*£# throw it away. #£*\:¨¨..,
,¨.,--\**# #**\--,.¨,
,...,«*%§§ §§%*«,...,
¨¨,,¨¨,«%¤ ¤%«,¨¨,,¨¨
,~«†§%#¶## ##¶#%§†«~,
.¨¨,:«==†& &†==«:,¨¨.
..»*^£## ###&£^*»..