¨¨,.,,,.,. .¨,¨§..¨.¨
¤£§£¤¤@¤@£ ,£¤.,,&£&@
§¤¤£§&&@¤£ .,,,#¨,@&&
&&&££@¤¤¤# ,§£¨.,,¨&@
¤#¤¤#¤¤¤£¨ ,,.,@¤¤,¨@
£#§#@¤£&¨. statuette ¨@§,.@,¨..
,§¤¤£@#,.¤ ¨,¨,¨¨.&£¨
¨.&@@£¨,,, &*$£&@$*$*%§££&*»=»=-=-~£$§£%*&%$%@£§$$* ¤§&§#§¨.¨,
&,,&§¨,¤#& $%**££%£§ @@£££..@&@
.¨¨.¨,,.&¤ @§§@,,¨,#§
,¤#§#¨¨§ forests around my childhood home. thick §£&.,£@,¨.
¨,#&£#,,,, pine arcades that were planted and @§..,¨¨¨@¤
,.,@&.,##@ forgotten. wild boars roaming #¨¨£§¤£¨¨.
£§..,¨,,@£ underneath, sniffing at the ground. it ¨,¨.&@¨,¤&
¤¨,£#@¤¨,§ is dark and moist, the canopy having &@¤.,¨¨¨.§
¨¨.,££¨.¨, already soaked up all the sun. ##¨.&§#&.¨
¤§&,¨¨,@§, &,,.¨§@..@
&¤,.,.,¨ there's a river passing by, from east ,¨@&.,,,,,
,.,¨.,.@@£ to west, getting broader and deeper and #,¨¨,£@##.
&&@&,.£§ slower as it goes. equisetum grow just ,,£@¨.¤@.¨
.£@#¤..¨.@ where the pine hands start to let ..,¨,..,.¨
,¨£¤.,£¤,¨ through light, horsemint on the rocky §£#@£@¤¤&@
.,¨¨,¨¨,.# river bed. ,&§§@¤£#£,
¤£#&@§@§¨, ,.&¤@&@&.,
.¤£@£#&.¨. † ,..#¤¨¨,
..#§¨.&£ @&,.#£,,§§
,,.¨,,.& the riverbanks reek of magic. tonight ¤¨,,.,,..¨
#§,,¨¨#£¨, they had been a swampworld with sylvan ¨.£#@#§¤§&
¤,.#¤.¨¨,¨ water, stone rings and floating moss. &.,§§¤&@§@
,¨,,¨,££¤& you could've found me wallowing around ¨¨.,&@&£#&
,§@§#.¨&@, on the southern shores until i got ¨&&..¤#@@,
.¨@£.,.¨¨¨ bitten. ..,¨¨¨§#,¨
#¨,¨.§¤¤£# §¤§..,¨§
¨¨#£¨.#¤#¤ but now i'm further back, on solid @@#¤.¨@¤¨¨
&,.,,..#¤. ground, in shoulder-high grass, with an ,£§¨¨¨..,@
¨,@##£,,,. orange tin radio and a translucent ¨,..#££&,,
&.¨§£.,#§, umbrella which i'm sitting on. ¨&¤¨.£&.,¤
,¨¨¨,,.,.¨ ,,,¨.,..,¨
£§@¤@¤@&¤£ ^ ¤§£@£¤@¤§¤
#§&§@&£@ ¤§§§&&&&¤¤
&@¤@¤¤@¤&& somethings moving in the grass. it's #@&@¤&&¤¤&
&¤¤£§&¤&@£ invisible to my eyes but i can feel §@#@§¤¤££@
¤@¤§@§¤£ through the ground just how large it is. £#§&@£@#@¤
&§#@¤&§&¤& ¤¤§&#£
##&££&££§£ the soil is muddy. i slip when trying £#¤£¤#¤§##
£&£¤£&@¤@§ to get up, still looking at the £§@@@£@££&
@¤§#&§##£& direction of sound rather than at my @@@@&@@¤¤&
£&&&£§&£&§ hands, who are busy putting things in £¤&£&&§&¤@
¤&&§&@@§¤& my pockets. §&§§¤£#@£#
@#¤@#¤#£ #@£@££¤@&§
£§§#¤@¤#¤# then i run east toward my home. §§&@&&#@
@##&&¤§£&§ @#&@£¤@@
&@&§#§@§#§ ; @&££§@#¤@§
&&@@¤£§&§¤ §§¤&@@&@¤¤
§##§§£@#££ i am not followed, and slow down in the £¤&@¤§@@@£
§#@¤@£¤&£§ clearing where you at first can spot #£££&@@&§§
§#£&@£§£ the house, not yet really in the &¤&§£@¤£¤¤
#¤£¤£¤¤£§§ backyard. from my pockets i retrieve my §¤§&&¤##§#
§§¤#§#§£&¤ radio (now dented) but also a small £§@&¤§&£@&
#&¤§§£§¤¤£ clay figure i've never seen before. it #&£¤§¤§§#@
¤#£@&§#&@@ must have been laying in the wet dirt, @#@&£§#§@§
@£§§§@@@¤£ and i must've picked it up with my ¤@&££##&¤¤
@#§@£#§§§¤ other belongings. @#&§£§££
§#¤@#£§§@# §#£#&¤¤&§§
§¤¤@#§£&§@ it's a statuette of a girl laying naked @¤£¤@§##@£
@¤§#§@#§@@ on her stomach, feet in the air, @#@¤¤@
¤££@¤£@£ roughly seven centimeters long. it's &@¤§¤#§¤¤#
£@@§@#&§§£ freshly made, not yet completely dried. &¤@@¤¤@§&&
¤@£¤#££# @§@£§&¤#@§
@#@@@##@&@ my mom is here now. i ask her for some &£@@&@#¤£¤
¤@&&£¤#@¤& particle board for it to dry on, but ¤§§£#@#@§#
#£§££¤£§§& she is worried and wants me to @#@#&¤§@§&
£#¤&¤@#¤ throw it away. §§#¤£¤&£##
&¤&£#§#£&£ §@&@@¤£#¤&
£§¤##¤£#@# #££#§¤¤§@£
@#&¤£##¤£# £#@#&@&£&¤
&&&@@&@&@@ #§@@£@
£#§£#£§§§@ ¤£§@#@#&£&
@##@§£¤§ £££@¤¤§@#§