&@,¨§@¨¨,, ¨¨.,.,,,#¤
£.,,,¨¨£@¨ .¤#£##§.,§
.¨¤¤#§¨¨.. ,.££§¤¨,..
&,,#¤¨¨§&. @¨.¤£.,&&¤
¨,..,...,. ¨¨.,..¨¨§§
.§@@@¤£££¨ statuette ,#££¤.,,
,.#££@@@¨. ¨,&@¤£.¨§@
.¨.§&§#,,, ¤%§£%£$@&§&£§%%$»-=«~=»«£$&@&$$%*@$*@%§¤ §.,#&,¨.¨,
,.#§.,&¤ *%@$&$£*$ ¨.¨¨..@£¤§
£.¨.,.,.¨. .§§&§¨¨§¤£
..¤§§@§§£# forests around my childhood home. thick ¨.¤@.¨¨.¤£
¨,.@#@¤££§ pine arcades that were planted and &,¨.,@£,.¨
##¨¨##@¤&§ forgotten. wild boars roaming ¨.§¤¨.,,£&
¤..,,§¤&££ underneath, sniffing at the ground. it #,..,£#¨¨#
,.&¤¨.&¤#£ is dark and moist, the canopy having ¨.#§¨¨..,.
¤¨¨.¨..@@£ already soaked up all the sun. @.¨.¨¤¤£§¤
¨.@#§§¨,## ..££¨,&@¤£
¨,,§£.,¨,@ there's a river passing by, from east &..,,,,#@,
@§.¨¨.#§¨¨ to west, getting broader and deeper and ..§£§£,.,¨
,..£&,,¨¨¨ slower as it goes. equisetum grow just ,¨¨§#,,#@.
¤§,,¨.£¤¤# where the pine hands start to let ¤@¨,,,.¨,.
¨,¨£&.,@ through light, horsemint on the rocky £..¤&@&@#,
§#¨,,.¨,#£ river bed. ¨,..££#¤¨,
,¨.¤&&£,,. @£¤,.#@,¨.
£¤¨,@§.,££ ^ ¤#..,¨¨¨##
¤¨¨,,,.,¨. ,¨,§@@#..&
¨.#@&&@¤ the riverbanks reek of magic. tonight ¤@.¨@&.,,,
@,¨@¤£§§&£ they had been a swampworld with sylvan .¨,¨...§##
,,,¨#§£@§# water, stone rings and floating moss. #£¤#¤#,¨§§
,££,.&@¤## you could've found me wallowing around £@¤¤@,..¨,
¨.,,¨,§£¤# on the southern shores until i got §§#&¨.§@£&
.#§@&¨.§#¨ bitten. ,§@,,¨¨#£,
.,£¤.,,,,, ...,££¨¨¨¨
¤,,¨¨@££§, but now i'm further back, on solid #&£,.¨¨@##
.¨@§,¨££,¨ ground, in shoulder-high grass, with an ¤&¨.££.,@§
..¨,,.¨,¨¨ orange tin radio and a translucent .,....,,,.
@@@#£&¤¤ umbrella which i'm sitting on. £&¤@@£££@@
¤@£@@£££ &£¤#§&@££@
¤##¤§§£@ \ ¤##&@&&@@@
§¤&¤@§§& @&¤@#¤¤&£¤
#@@#@¤§#&& somethings moving in the grass. it's ¤¤£#£££&£¤
&¤¤&@§¤¤@¤ invisible to my eyes but i can feel @§&@&§#£
&§&¤&&£¤&§ through the ground just how large it is. ¤&@¤§##&£@
@#@@££§@@§ &&£§£§@¤
§@&§§£@¤£& the soil is muddy. i slip when trying #££££&§§&¤
@@¤§§§¤@@¤ to get up, still looking at the ££@&@@§¤
&¤¤@§§£§&¤ direction of sound rather than at my &§¤@@&¤@¤&
¤¤¤@§§¤&§£ hands, who are busy putting things in #@@£@@&@§#
&§§£#¤@#&@ my pockets. ¤&¤&§#§@
£§§£@£&&&¤ &£#@§@£§¤&
#¤§@#£#£## then i run east toward my home. &&§£#¤¤§@@
@#£¤£#§£#§ #¤##&£@@&£
&£##£&&@£# \ ##&£@@¤&§§
@£###¤£#@@ &¤§¤@¤&§
§£#§¤@££¤@ i am not followed, and slow down in the #§@¤¤&¤££#
§£&§&¤§§#& clearing where you at first can spot &&¤&§£@§£&
¤§§£&&@¤ the house, not yet really in the #£#£¤¤@£§&
£#&@#£&&¤@ backyard. from my pockets i retrieve my ¤&¤§#£&£
#&@£££¤£ radio (now dented) but also a small £&£§£#@@£@
§§@#£@£§@§ clay figure i've never seen before. it #§#£&£@#¤£
§#§¤#@@@ must have been laying in the wet dirt, @£££§&¤&§¤
£#§##@££@# and i must've picked it up with my @£&¤¤£@##¤
&¤¤#@@¤¤ other belongings. @&&&§&¤#@§
§£@§££#¤@# §#@¤##¤&&§
¤&@¤##¤& it's a statuette of a girl laying naked ¤#¤£§££&&£
@#@&@@§#@& on her stomach, feet in the air, @¤¤##@§#@#
#££§§@##&& roughly seven centimeters long. it's #&¤¤#¤£&@§
@£#§@§££## freshly made, not yet completely dried. &@£@£##§&§
@§¤&£¤#@ ¤&£&¤#££¤#
¤&&¤£&@¤§@ my mom is here now. i ask her for some ¤#@&@££§££
&&§£¤£¤§@# particle board for it to dry on, but &£#@§¤&§&£
&¤§&@§£@@@ she is worried and wants me to @§@¤#¤¤@§§
#¤#¤¤¤§& throw it away. §#§§§@£#£§
@§¤£@@£@#¤ ¤§¤£@#@§@¤
#¤§§§@&& £@£@&@&@#@
§§£¤#§£@£@ ###&@£@§§£
@£#£¤@@#¤# @¤#¤§¤§&§#
£@¤@@£&¤§@ ¤&¤¤@§@£§£
§¤@£¤¤¤#&& ££@&¤££§¤#