¨~»**£§@#@ @#@§£**»~¨
,.~/^%*$@# #@$*%^/~.,
¨,..,¨-†@# #@†-¨,..,¨
¨^»†$*§### ###§*$†»^¨
,,-=%¤£¤£¶ ¶£¤£¤%=-,,
,^~/†§£@@# statuette #@@£§†/~^,
¨~~;*@&¶@@ @@¶&@*;~~¨
,.^.:†:\%@ $¤£££§@¤£$$$§£%%~~--~»»«£$§¤£%*£*%£¤£§££ @%\:†:.^.,
..~;*§#£## ¤££$£&@$& ##£#§*;~..
.¨.:=††=†§ §†=††=:.¨.
,.-*$@@&@¤ forests around my childhood home. thick ¤@&@@$*-.,
.,=$¤££@## pine arcades that were planted and ##@££¤$=,.
.:~††§## forgotten. wild boars roaming ###&§††~:.
...,,.†$## underneath, sniffing at the ground. it ##$†.,,...
,:~*§¤¶### is dark and moist, the canopy having ###¶¤§*~:,
..,,:~%@ already soaked up all the sun. @#&%~:,,..
,:»^=@§### ###§@=^»:,
.¨,~*^%£¤@ there's a river passing by, from east @¤£%^*~,¨.
.-~=%§¤@@# to west, getting broader and deeper and #@@¤§%=~-.
,:«†*$#£## slower as it goes. equisetum grow just ##£#$*†«:,
¨~»/†¤&@## where the pine hands start to let ##@&¤†/»~¨
¨..,,-/%## through light, horsemint on the rocky ##%/-,,..¨
,,»=^%&@## river bed. ##@&%^=»,,
,,»/§%§### ###§%§/»,,
,-~†%§&@## ^ ##@&§%†~-,
.,=\=*##@# #@##*=\=,.
,:-;*$#£## the riverbanks reek of magic. tonight ##£#$*;-:,
¨:=;%&@¶## they had been a swampworld with sylvan ##¶@&%;=:¨
,,~^§%#@## water, stone rings and floating moss. ##@#%§^~,,
,.¨~*:†§£# you could've found me wallowing around #£§†:*~¨.,
,:»^%¤¤¶## on the southern shores until i got ##¶¤¤%^»:,
,^»;*%@&@# bitten. #@&@%*;»^,
¨:~;§*§### ###§*§;~:¨
¨.~:=%#### but now i'm further back, on solid ####%=:~.¨
¨,¨¨¨,*%§# ground, in shoulder-high grass, with an #§%*,¨¨¨,¨
..¨¨.^†=*# orange tin radio and a translucent #*=†^.¨¨..
.-«^^%§#¶¶ umbrella which i'm sitting on. ¶¶#§%^^«-.
,~-=*$¤£## ##£¤$*=-~,
¨~-:*%@@@# : #@@@%*:-~¨
.¨,,=**### ###**=,,¨.
¨^~;†$@¶## somethings moving in the grass. it's ##¶@$†;~^¨
..=;*§£#¶¶ invisible to my eyes but i can feel ¶¶#£§*;=..
¨,-*$%#&¤@ through the ground just how large it is. @¤%$*-,¨
,,.,,,,*%@ @%*,,,,.,,
,^«*=@#@@@ the soil is muddy. i slip when trying @@@#@=*«^,
¨¨..¨=;%@¶ to get up, still looking at the ¶@%;=¨..¨¨
.~~;§£#@## direction of sound rather than at my ##@#£§;~~.
,,~†*%&@## hands, who are busy putting things in ##@&%*†~,,
¨.~/§*¤#@# my pockets. #@#¤*§/~.¨
,~«^†£¤£@# #@£¤£†^«~,
.:»=^£@@## then i run east toward my home. ##@@£^=»:.
.,«/%££##@ @##££%/«,.
¨.¨.,^;§£@ † @£§;^,.¨.¨
..¨,«§%@ @#&%§«,¨..
.:«;†*£¤¤@ i am not followed, and slow down in the @¤¤£*†;«:.
¨.,.=;\%%& clearing where you at first can spot &%%\;=.,.¨
,^~==%¤### the house, not yet really in the ###¤%==~^,
¨~»==*@### backyard. from my pockets i retrieve my ###@*==»~¨
.:~;^§&£@# radio (now dented) but also a small #@£&§^;~:.
,~«^*£¤#@# clay figure i've never seen before. it #@#¤£*^«~,
.~-^§¤£### must have been laying in the wet dirt, ###£¤§^-~.
.^-~/*;%@@ and i must've picked it up with my @@%;*/~-^.
,,~\$$£#@@ other belongings. @@#£$$\~,,
,¨,¨,~=@#@ @#@=~,¨,¨,
¨.«^$§## it's a statuette of a girl laying naked ###&§$^«.¨
,.,,~~\&¶# on her stomach, feet in the air, #¶&\~~,,.,
.^~*%%§@## roughly seven centimeters long. it's ##@§%%*~^.
,,.,~»«=%¤ freshly made, not yet completely dried. ¤%=«»~,.,,
.~=%$#@### ###@#$%=~.
,^»^*$#£## my mom is here now. i ask her for some ##£#$*^»^,
,^~=$¤@##@ particle board for it to dry on, but @##@¤$=~^,
,^^~~†$%#@ she is worried and wants me to @#%$†~~^^,
,~«^*%**§£ throw it away. £§**%*^«~,
,,¨«=%†§£# #£§†%=«¨,,
.,»=†£§¤@# #@¤§£†=»,.
,:«^$*&£#@ @#£&*$^«:,
¨,,,-=**££ ££**=-,,,¨
¨-«*§§¤¶¶# #¶¶¤§§*«-¨
,,»;*@¤##@ @##¤@*;»,,