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.:«/$¤@@## ##@@¤$/«:.
.,^=:$$@## statuette ##@$$:=^,.
,,«*†§£@## ##@£§†*«,,
..^«/%%#¶# %%£§%$@%%*%&¤¤£¤--~----«¤£%¤&§$¤$$*£**£$ #¶#%%/«^..
.:=^**££## $$££*$@*£ ##££**^=:.
,¨,«;†$&@# #@&$†;«,¨,
,~»/$@@### forests around my childhood home. thick ###@@$/»~,
,¨^«^%%£## pine arcades that were planted and ##£%%^«^¨,
.~-=**§### forgotten. wild boars roaming ###§**=-~.
..~=;=@### underneath, sniffing at the ground. it ###@=;=~..
¨,~†§@§### is dark and moist, the canopy having ###§@§†~,¨
.,:~/*$£@# already soaked up all the sun. #@£$*/~:,.
¨,»†^@## ###&@^†»,¨
,,~»^§@#@# there's a river passing by, from east #@#@§^»~,,
¨,=/%£&¶## to west, getting broader and deeper and ##¶&£%/=,¨
,.^«*^@#@# slower as it goes. equisetum grow just #@#@^*«^.,
,:~\$&&£## where the pine hands start to let ##£&&$\~:,
..-~†§$#@# through light, horsemint on the rocky #@#$§†~-..
¨^=†$£§### river bed. ###§£$†=^¨
¨.^=\^%¤¶# #¶¤%^\=^.¨
.,«\^&£@## = ##@£&^\«,.
¨.~~^%@# #@#&%^~~.¨
¨,~\=£@### the riverbanks reek of magic. tonight ###@£=\~,¨
¨,,~;%$@## they had been a swampworld with sylvan ##@$%;~,,¨
.,~:$££@## water, stone rings and floating moss. ##@££$:~,.
..,«\^%&¶# you could've found me wallowing around #¶&%^\«,..
,^«;%%¤### on the southern shores until i got ###¤%%;«^,
,,~»;%$£@# bitten. #@£$%;»~,,
¨^-\=$££## ##££$=\-^¨
..,~:%$£¶# but now i'm further back, on solid #¶£$%:~,..
¨.~†*%£### ground, in shoulder-high grass, with an ###£%*†~.¨
,¨.~*=§@## orange tin radio and a translucent ##@§=*~.¨,
¨^~/$&§¶## umbrella which i'm sitting on. ##¶§&$/~^¨
,¨,=*^¤£@# #@£¤^*=,¨,
¨-~*^$¤@## ; ##@¤$^*~-¨
.¨.=:§££@# #@££§:=.¨.
,~~:%§§@## somethings moving in the grass. it's ##@§§%:~~,
..^«^%*#@# invisible to my eyes but i can feel #@#*%^«^..
¨-~:§£§@## through the ground just how large it is. ##@§£§:~-¨
,,-=\=%§@# #@§%=\=-,,
.,~†*%£@## the soil is muddy. i slip when trying ##@£%*†~,.
.¨~=;=£### to get up, still looking at the ###£=;=~¨.
.~~;*### direction of sound rather than at my ####&*;~~.
¨,.~/%@¤¶# hands, who are busy putting things in #¶¤@%/~.,¨
.^«^=$£¶## my pockets. ##¶£$=^«^.
¨.,»\%*£## ##£*%\»,.¨
.-«=†¤@£## then i run east toward my home. ##£@¤†=«-.
,,.»:$## ###&$:».,,
¨^~;§§#@## * ##@#§§;~^¨
.,~-^§*£@# #@£*§^-~,.
¨.-;*@£### i am not followed, and slow down in the ###£@*;-.¨
.,-~/%££@# clearing where you at first can spot #@££%/~-,.
.,~*§£££## the house, not yet really in the ##£££§*~,.
.¨,~^†§¤¶# backyard. from my pockets i retrieve my #¶¤§†^~,¨.
¨~»\§%@@## radio (now dented) but also a small ##@@%§\»~¨
..,~/*¤¤@# clay figure i've never seen before. it #@¤¤*/~,..
¨~~=§£§@## must have been laying in the wet dirt, ##@§£§=~~¨
..~«†§$££# and i must've picked it up with my #££$§†«~..
,.~;*£¤¶## other belongings. ##¶¤£*;~.,
.,.=**$&£# #£&$**=.,.
..=:%¤§### it's a statuette of a girl laying naked ###§¤%:=..
,,^~^†@#@# on her stomach, feet in the air, #@#@†^~^,,
¨-»\%$¤@## roughly seven centimeters long. it's ##@¤$%\»-¨
¨.:~/†*&¶# freshly made, not yet completely dried. #¶&*†/~:.¨
,,~**$#@## ##@#$**~,,
,,,-:%%¤£# my mom is here now. i ask her for some #£¤%%:-,,,
¨,«/*$§¶## particle board for it to dry on, but ##¶§$*/«,¨
..:~;*%#¶# she is worried and wants me to #¶#%*;~:..
,-~;*&§@## throw it away. ##@§&*;~-,
,.:»^%$### ###$%^»:.,
.:«:**¤### ###¤**:«:.
,.:=/^$£@# #@£$^/=:.,
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