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,¨.~%@£#@# #@#£@%~.¨,
,.»*%&@### ###@&%*».,
.,,~%%@#@# statuette #@#@%%~,,.
,~~=%¤@@## ##@@¤%=~~,
.¨^=^%&£## £*£$¤%*$££%$£¤££~~~~»«~=$£¤%%$¤££$$£§§§¤ ##£&%^=^¨.
.--*%£#### $¤*%%£%£$ ####£%*--.
,,^-*%#### ####%*-^,,
.,«=¤¤£@## forests around my childhood home. thick ##@£¤¤=«,.
,,:-§$£¶@# pine arcades that were planted and #@¶£$§-:,,
,,-%*#¶### forgotten. wild boars roaming ###¶#*%-,,
¨¨.«%£&@@# underneath, sniffing at the ground. it #@@&£%«.¨¨
¨,=%*§#### is dark and moist, the canopy having ####§*%=,¨
¨.~~§¤@### already soaked up all the sun. ###@¤§~~.¨
¨.«^%£#### ####£%^«.¨
¨,.~%&#@## there's a river passing by, from east ##@#&%~.,¨
,-=†$@¶### to west, getting broader and deeper and ###¶@$†=-,
¨¨.«%@§@## slower as it goes. equisetum grow just ##@§@%«.¨¨
.,«=*#£### where the pine hands start to let ###£#*=«,.
¨,~«%¤#### through light, horsemint on the rocky ####¤%«~,¨
,^«$@@£@## river bed. ##@£@@$«^,
..^=%%§¶## ##¶§%%=^..
¨^»%$¤£### = ###£¤$%»^¨
,,,~^¤£@## ##@£¤^~,,,
¨^~^&§@### the riverbanks reek of magic. tonight ###@§&^~^¨
..~==$#¶## they had been a swampworld with sylvan ##¶#$==~..
.,~*§#@### water, stone rings and floating moss. ###@#§*~,.
.,^»§$&£## you could've found me wallowing around ##£&$§»^,.
,^~*£##@## on the southern shores until i got ##@##£*~^,
,..-^*¤£@# bitten. #@£¤*^-..,
,-»^&¤@### ###@¤&^»-,
.¨,«§$¤@## but now i'm further back, on solid ##@¤$§«,¨.
,~»$@&#### ground, in shoulder-high grass, with an ####&@$»~,
.¨,~*¤§### orange tin radio and a translucent ###§¤*~,¨.
.,»%$&#### umbrella which i'm sitting on. ####&$%»,.
.¨^»=£§### ###§£=»^¨.
¨-~=*&@### / ###@&*=~-¨
¨,,~$$&@@# #@@&$$~,,¨
¨~=$@¤#@## somethings moving in the grass. it's ##@#¤@$=~¨
,¨,=§££@@# invisible to my eyes but i can feel #@@££§=,¨,
.:~%*@@### through the ground just how large it is. ###@@*%~:.
,.,~†£#### ####£†~,.,
,^~=@&£@## the soil is muddy. i slip when trying ##@£&@=~^,
¨¨^=§%£### to get up, still looking at the ###£%§=^¨¨
.~~%$##### direction of sound rather than at my #####$%~~.
.¨:«%*§¶## hands, who are busy putting things in ##¶§*%«:¨.
.-=$¤££### my pockets. ###££¤$=-.
.,,=§£§@## ##@§£§=,,.
.^»$$#@### then i run east toward my home. ###@#$$»^.
.,-«§$§£## ##£§$§«-,.
.,=^¤£@### ^ ###@£¤^=,.
.,.=†$§@## ##@§$†=.,.
¨:-†*#@@## i am not followed, and slow down in the ##@@#*†-:¨
..,=$%@@## clearing where you at first can spot ##@@%$=,..
¨.~=££#### the house, not yet really in the ####££=~.¨
,.,-†%¤¶## backyard. from my pockets i retrieve my ##¶¤%†-,.,
.~~*%@#@## radio (now dented) but also a small ##@#@%*~~.
¨¨,»%*£¶## clay figure i've never seen before. it ##¶£*%»,¨¨
.,»†$£#### must have been laying in the wet dirt, ####£$†»,.
¨,-~$$£¶@# and i must've picked it up with my #@¶£$$~-,¨
,~-$¤¤#@## other belongings. ##@#¤¤$-~,
,.,«*@§### ###§@*«,.,
,-=§*@#### it's a statuette of a girl laying naked ####@*§=-,
.,^-$*£@@# on her stomach, feet in the air, #@@£*$-^,.
.,~^££@### roughly seven centimeters long. it's ###@££^~,.
¨¨,~=$&### freshly made, not yet completely dried. ###&$=~,¨¨
.-«$@&#### ####&@$«-.
..,«$¤@¶## my mom is here now. i ask her for some ##¶@¤$«,..
.:»^£¤#### particle board for it to dry on, but ####¤£^»:.
..~«*%@#@# she is worried and wants me to #@#@%*«~..
¨:«^$¤¶### throw it away. ###¶¤$^«:¨
¨¨,«§$&@## ##@&$§«,¨¨
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¨,-~$@@### ###@@$~-,¨
¨^-^%&@@## ##@@&%^-^¨
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