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,,~;*%£¶## ##¶£%*;~,,
,,«=^$§### ###§$^=«,,
,.~/^¤¶### statuette ###¶¤^/~.,
.,»\^$@# #@#&$^\»,.
.:-**%%%#£ £%§££*%%£%@¤%*&*«~-»~~~~$%&%**%**@$&%&$% £#%%%**-:.
..,¨¨¨»:*£ &*%&@¤@@£ £*:»¨¨¨,..
¨.«;$$#### ####$$;«.¨
¨-~;§@&@## forests around my childhood home. thick ##@&@§;~-¨
¨,.¨,»$£§@ pine arcades that were planted and @§£$»,¨.,¨
,,~†*£££@@ forgotten. wild boars roaming @@£££*†~,,
.-«=%$@£@# underneath, sniffing at the ground. it #@£@$%=«-.
,~\^$§£### is dark and moist, the canopy having ###£§$^\~,
¨,...:$%§# already soaked up all the sun. #§%$:...,¨
,-»/%$###@ @###$%/»-,
¨.«/=@#### there's a river passing by, from east ####@=/«.¨
,:-/^$#@## to west, getting broader and deeper and ##@#$^/-:,
,,»/^££### slower as it goes. equisetum grow just ###££^/»,,
,^~~=\*$£# where the pine hands start to let #£$*\=~~^,
,.¨.,.;£¤£ through light, horsemint on the rocky £¤£;.,.¨.,
¨.¨^-«~:§§ river bed. §§:~«-^¨.¨
,:~:%*@¶@# #@¶@*%:~:,
¨.=^§#@@## / ##@@#§^=.¨
¨,¨,»^%£*£ £*£%^»,¨,¨
,.~~\$^*§# the riverbanks reek of magic. tonight #§*^$\~~.,
,~»;§£@### they had been a swampworld with sylvan ###@£§;»~,
,¨,=»»*§£@ water, stone rings and floating moss. @£§*»»=,¨,
.:~†*&££## you could've found me wallowing around ##££&*†~:.
.~-\%§@@@# on the southern shores until i got #@@@§%\-~.
¨¨,~~«†% bitten. #&%†«~~,¨¨
,:-=†£§@## ##@§£†=-:,
.^«/%$££## but now i'm further back, on solid ##££$%/«^.
,,=*%%¶@## ground, in shoulder-high grass, with an ##@¶%%*=,,
....,¨.-§¤ orange tin radio and a translucent ¤§-.¨,....
¨.=;%$&@@# umbrella which i'm sitting on. #@@&$%;=.¨
.¨¨¨,«†^%& &%^†«,¨¨¨.
¨,»:=$£¤@@ \ @@¤£$=:»,¨
,-=†%&@##@ @##@&%†=-,
¨--††*§¶## somethings moving in the grass. it's ##¶§*††--¨
,:«;***£¤# invisible to my eyes but i can feel #¤£***;«:,
,¨.,¨,~†@£ through the ground just how large it is. £@†~,¨,.¨,
,¨¨.»==£## ##£==».¨¨,
¨..¨,»*££# the soil is muddy. i slip when trying #££*»,¨..¨
,,«†=£@### to get up, still looking at the ###@£=†«,,
,¨,..=^†%£ direction of sound rather than at my £%†^=..,¨,
.-~/%£¤¶@# hands, who are busy putting things in #@¶¤£%/~-.
,.»=*&§### my pockets. ###§&*=».,
.~=~/;;^&£ £&^;;/~=~.
~«^%$##@## then i run east toward my home. ##@##$%^«~
,:«/§@§### ###§@§/«:,
.,¨...-=*¤ * ¤*=-...¨,.
,,¨:»%*$@£ £@$*%»:¨,,
.~-/%%*££# i am not followed, and slow down in the #££*%%/-~.
,¨¨..««§§# clearing where you at first can spot #§§««..¨¨,
¨,»^%£§### the house, not yet really in the ###§£%^»,¨
¨:«*=$¤#@# backyard. from my pockets i retrieve my #@#¤$=*«:¨
.:-†%$&£## radio (now dented) but also a small ##£&$%†-:.
¨~~:$&£@## clay figure i've never seen before. it ##@£&$:~~¨
..,,.~%&£# must have been laying in the wet dirt, #£&%~.,,..
¨,.¨,~»†$# and i must've picked it up with my #$†»~,¨.,¨
¨:«:%££### other belongings. ###££%:«:¨
,,,==;@&@@ @@&@;==,,,
¨...~-\§#@ it's a statuette of a girl laying naked @#§\-~...¨
¨^«/§£#### on her stomach, feet in the air, ####£§/«^¨
.,~:†£&@#@ roughly seven centimeters long. it's @#@&£†:~,.
....=;::£@ freshly made, not yet completely dried. @£::;=....
,~-^^@£@## ##@£@^^-~,
,^-;†§¤£@# my mom is here now. i ask her for some #@£¤§†;-^,
.¨.¨.,-%£¶ particle board for it to dry on, but ¶£%-,.¨.¨.
,:=^%$££## she is worried and wants me to ##££$%^=:,
.,=^†§#@## throw it away. ##@#§†^=,.
¨^=**£§@## ##@§£**=^¨
,¨.,¨:^%&¤ ¤&%^:¨,.¨,
,¨¨^=%%*¤¤ ¤¤*%%=^¨¨,
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