§§.,¨¨,, ,¨.,.¨.,¨.
¨£#,.§#§&§ #£@§¤¤£&£,
,¨¨,,.&# @@&@@#£@.,
@¤§§§..¤§@ ,@##§£¤¨.£
¤§¤@.,,. .,#§@@.¨,,
¨¤£¨,£@¨.¨ statuette .,.§@..@§.
¨,¨.,¨.,£@ &¤¨,.,...¨
¤§@@§..¤ %§$£$@&&¤%§$%£$&~««=~~»=@££%¤¤£%$&£¤£*¤* £,.¤#§@@&£
§#@&¨,., £&*$%$%@% ¨.,.§&¤§
£§¤§@¨¨@&@ ,@£,¨@@@¤£
&@¤§.,.¨@§ forests around my childhood home. thick .,¨,.,&§#£
£¤¤..§#¨,¤ pine arcades that were planted and £££§§.,£§@
¤#..,¨¨,.. forgotten. wild boars roaming #§§@,¨.,&&
#,¨£¤£#&§. underneath, sniffing at the ground. it .£@.¨££¨.£
.¨¨¨£#££,¨ is dark and moist, the canopy having ,,¨..¨,.,,
&£@,¨§¤¨,@ already soaked up all the sun. ,¤&§#£@#&&
¤#.,¨..¨.. ,.&£#@£#&¤
¤,.@&§@# there's a river passing by, from east ¨,¨§¤#£§##
¨,,,#@§#§¤ to west, getting broader and deeper and £@¨,@§@§@¤
,£@¨¨¤£¤¤& slower as it goes. equisetum grow just @..¨,¤¤¤¤,
,.,...¤&@§ where the pine hands start to let ¨¨§¤.,£¤.¨
¤§@##¨¨£#. through light, horsemint on the rocky £.,,.¨,,¨£
§§#&,..¨., river bed. ¨,##¤¤&£.¨
.@¤,¨¤§£§£ ¨¨.#§&§..,
,¨¨¨.,&@&¤ ; &¤¨¨¤§¨.¤#
.§§£#¨¨¤#¨ §,,..¨¨,¨¨
,.§£...¨., the riverbanks reek of magic. tonight ,,&¤##¤££¤
.,¨.,&@&¤# they had been a swampworld with sylvan &¨¨£&§£¨
§@§@¨¨@£#¤ water, stone rings and floating moss. .¨¨¨£&£§¨.
¨§&.,¨.&@. you could've found me wallowing around §¤£,,#&.,,
,,..¤@¨.,¨ on the southern shores until i got §@.,¨,¨¨@#
,¤§..¨.¤&¨ bitten. @¨.£&&£¨.¨
¨,.¨§§,¨., ,...@§¨¨&§
.@&,,¨¨£#, but now i'm further back, on solid .&@....,¨¨
¨¨,,§§,,.. ground, in shoulder-high grass, with an ,,¨¨§£@#@#
,§£.¨¨¨¤&¨ orange tin radio and a translucent .#§¨¨@#¤&,
¨.,¨£§¨.,, umbrella which i'm sitting on. ,,¨,,¨#§¨¨
£§&¨.¨¨&¤§ ¨&@¤@,.,.@
&§¨,§¤,.£& \ ¨¨£§..&&,.
.,¨,...,.¨ ¨..,,..¨..
#£¤&§@£&§# somethings moving in the grass. it's ££§¤&££¤¤#
###@§&&£ invisible to my eyes but i can feel ¤§&&¤¤£@@@
£¤£¤@¤##§£ through the ground just how large it is. §£§§#@#&¤£
&&§&¤¤ #¤¤§@@£#@&
¤£££#### the soil is muddy. i slip when trying &@#&§@@@§§
¤&£#¤§@#¤£ to get up, still looking at the §£&@¤&¤¤§&
#¤&&£&#§ direction of sound rather than at my ¤#¤¤£##§&£
#&@&£&&£§@ hands, who are busy putting things in §&££&@¤£§£
£&&@¤£#£§¤ my pockets. @§##¤£§@£&
£&&¤&@&¤ ¤£§¤@¤#¤#£
§£&§#@&§ then i run east toward my home. §#£@§££¤§@
§§§¤@##§¤# ##¤&&£@¤
£§&£#£@¤¤¤ / £##@£¤¤§@£
&§#¤¤&£&&& &§&£§¤¤§£¤
#@¤¤£@£&¤¤ i am not followed, and slow down in the @@£§@§&@
¤£##&§£##& clearing where you at first can spot ¤§#@£§#@¤@
@#@&§#£@¤@ the house, not yet really in the ¤&¤§¤§#§¤§
£&£&&£&£&& backyard. from my pockets i retrieve my £¤&@§##&§§
&¤&§#¤§¤#@ radio (now dented) but also a small ##§@§@#£§&
¤#@¤&¤#& clay figure i've never seen before. it #££#@£@§£§
@##§§¤&¤&£ must have been laying in the wet dirt, §§§#@¤£¤
¤##£@¤@£&§ and i must've picked it up with my @#¤&§#§¤¤§
#¤&&§&¤¤§£ other belongings. §£@@#¤##§£
&&&£¤@££§& @¤§#@¤££#&
£¤@£#£##§& it's a statuette of a girl laying naked ¤&&@§¤£##@
£@#§&¤&£&& on her stomach, feet in the air, ££@&¤#@¤§&
§@@§#£¤@#£ roughly seven centimeters long. it's §§¤§&@&§#§
¤#&@@#£@&¤ freshly made, not yet completely dried. £££#§¤##&¤
§#§£&@¤#@& ¤£&¤¤§¤#
#§@#&§§&@& my mom is here now. i ask her for some @££¤¤#§¤¤¤
&§§@#¤§&§§ particle board for it to dry on, but &&§@@#§£
£@¤£@§@§@£ she is worried and wants me to &§§#§@¤@#£
£##@¤£¤@££ throw it away. @@@£&§&@#¤
¤@@¤§@@¤#& #§@#&¤&@##
§¤£§@&@¤## #@@¤¤§¤##£
¤@#@¤¤£@ £§@#¤¤@@
§@#@§£@£&@ £§##£§££&&
£¤£#&&&¤&£ &&&£&££§¤&
#£¤@£¤§# &@£¤#&£#§§