..@@@@@@.@ ..@..@@@.@
.@.....@@. .@@.@..@@@
@@....@.@@ @.@@@.@..@
.@...@@@.@ @@..@@@.@.
@@..@..@@@ .@.@..@@@.
.@.@@.@..@ .. »»»»»»» »»»»»»» »»»»»»» .. @@@@.@..@@
@@@.@@@.@@ NICK WILDE IS A RED FOX AND A CONMAN. ...@@@.@.@
..@@..@@.@ .. »»»»»»» »»»»»»» »»»»»»» .. ..@..@@@@.
.@.@.@.@@. .@@.@...@.
@@@@@@@.@. HE'S NOT ABOVE PETTY CRIME, BUT HE @.@@@..@@.
......@@@. KNOWS THAT IF HE PUTS IN A BIT OF WORK, @@..@.@.@@
.....@..@@ HE WILL FIND MUCH MORE LUCRATIVE .@.@@@@@.@
....@@.@.. REWARDS. @@@....@@@
...@.@@@.. ..@...@..@
..@@@..@.. AND THUS HE'S CURRENTLY WORKING .@@..@@.@@
.@..@.@@.@ ALONGSIDE HATSUNE MIKU FOR A COMPANY @.@.@.@@.@
@@.@@@.@@. THAT MAKES SYNTHETIC MEAL REPLACEMENTS. @@@@@@.@@@
.@@..@@.@@ HE'S GOT A VAGUE OUTLINE OF A PLAN, TO .....@@...
@.@.@.@@.@ SCATTER WITH SOME PRODUCT, OR EVEN ....@.@...
@@@@@@.@@@ BETTER, SOME FORMULA? THESE THINGS ARE ...@@@@..@
.....@@..@ WORTH A LOT TO A COMPETITOR. ..@...@.@.
....@.@.@. .@@..@@@@.
...@@@@@@. HE'S BEEN LUCKY; THE PLACE IS @.@.@...@.
..@.....@@ SURPRISINGLY UNGUARDED. ONCE HE'S GOT @@@@@..@@.
.@@....@.@ HIS PAWS ON SOMETHING WORTHWHILE, IT'LL ....@.@.@.
@.@...@@@. BE EASY TO JUST WALTZ OUT. UNTIL THEN, ...@@@@@@.
@@@..@..@@ KEEP DOING THE WORK... ..@.....@@
..@.@@.@.@ .@@....@..
.@@@.@@@@. COME TO THINK OF IT, THE PLACE IS @.@...@@..
@..@@...@@ ALMOST EERILY EMPTY. THERE ARE FEW @@@..@.@..
@.@.@..@.@ COWORKERS. (IN FACT THE COMPANY IS ..@.@@@@.@
@@@@@.@@@@ AI-RUN AND ONLY A FEW KEY ROLES ARE .@@@...@@.
....@@...@ FILLED BY ACTUAL PEOPLE. @..@..@.@@
...@.@..@. @.@@.@@@.@
..@@@@.@@. NONE OF THE EMPLOYEES KNOW THIS.) @@.@@..@@@
.@...@@.@. .@@.@.@..@
@@..@.@@@. »»» »»» @.@@@@@.@@
.@.@@@..@. »»» »»» »»» @@....@@..
@@@..@.@@@ »»» »»» .@...@.@..
..@.@@@... @@..@@@@.@
.@@@..@..@ NICK AND MIKU ARE BOTH STATIONED IN .@.@...@@@
@..@.@@.@. EARLY PROCESSING, HOUSED IN A STATE OF @@@@..@..@
@.@@@.@@@@ THE ART FACTORY CLOSE TO THE DOCKS. ...@.@@.@.
@@..@@...@ THEY CREATE THE EARLY BUILDING BLOCKS ..@@@.@@@@
.@.@.@..@. THAT ARE LATER COMBINED INTO THE MEALS .@..@@....
@@@@@@.@@. THAT'S SOLD TO CUSTOMERS. @@.@.@....
.....@@.@. .@@@@@...@
....@.@@@. THE BASES ARE MOSTLY SLUDGES @....@..@@
...@@@..@@ OR PASTES, SUCH AS: @...@@.@.@
..@..@.@.@ @..@.@@@@@
.@@.@@@@@. †» PLANT MATTER @.@@@....@
@.@@....@@ †» BLOOD COLONY @@..@...@@
@@.@...@.. (MADE WITH A TYPE OF BACTERIA) .@.@@..@..
.@@@..@@.. †» WILD FLESH @@@.@.@@.@
@..@.@.@.@ (FREE ROAMING ANIMALS) ..@@@@.@@@
@.@@@@@@@@ †» ORGANS .@...@@...
@@........ (TAKEN FROM A LIVING HUMAN THAT @@..@.@..@
.@........ IS WILLING TO SELL) .@.@@@@.@.
@@........ †» MINERALS @@@...@@@.
.@........ †» BLOOD COLONY TWO ..@..@..@@
@@........ †» INSECTS .@@.@@.@.@
.@.......@ (WHICH ARE MAINLY USED FOR THEIR @.@@.@@@@.
@@......@. BRAIN, WHICH IS USED TO EXTRACT @@.@@...@.
.@.....@@. RECEPTORS THAT DETECT PHEROMONES) .@@.@..@@@
@@....@.@@ @.@@@.@..@
.@...@@@.@ »»» »»» @@..@@@.@.
@@..@..@@@ »»» »»» »»» .@.@..@@@.
.@.@@.@..@ »»» »»» @@@@.@..@@
@@@.@@@.@@ ...@@@.@.@
..@@..@@.@ MIKU IS IN CHARGE OF THE BLOOD ..@..@@@@.
.@.@.@.@@. COLONIES. THERE'S LARGE VATS OF THE .@@.@...@.
@@@@@@@.@. ORIGINAL CULTURE WHICH IS FED BLOOD @.@@@..@@.
......@@@. MEAL, BONE MEAL, WHAT DOESN'T QUALIFY @@..@.@.@@
.....@..@@ TO GO IN THE "WILD FLESH" PASTE, AND .@.@@@@@.@
....@@.@.. SOME PROCESSING CHEMICALS. ALL THESE @@@....@@@
...@.@@@.. INGREDIENTS HAVE AN EFFECT ON THE BLOOD ..@...@..@
..@@@..@.. WHICH IN TURN AFFECTS MIKU. .@@..@@.@@
.@..@.@@.@ @.@.@.@@.@
@@.@@@.@@. THERE IS A LARGE TANK BEHIND THE @@@@@@.@@@
.@@..@@.@@ FACTORY THAT CONTAINS A VAST NUMBER OF .....@@...
@.@.@.@@.@ AUXILLIARY BLOOD COLONIES. MIKU WATCHES ....@.@...
@@@@@@.@@@ OVER THESE AS WELL. THEIR PURPOSE IS ...@@@@..@
.....@@..@ UNCLEAR. ..@...@.@.
....@.@.@. .@@..@@@@.
...@@@@@@. THE FACTORY IS SURROUNDED BY THE BLOOD @.@.@...@.
..@.....@@ MEAL FARMS. THERE IS A CONSTANT @@@@@..@@.
.@@....@.@ EXCHANGE OF BLOOD AND BLOOD MEAL. THIS ....@.@.@.
@.@...@@@. PROVIDES TWO OF THE MAJOR MATERIALS FOR ...@@@@@@.
@@@..@..@@ BOTH THE COLONIES AND MIKU. ..@.....@@
..@.@@.@.@ .@@....@..
.@@@.@@@@. »»» »»» @.@...@@..
@..@@...@@ »»» »»» »»» @@@..@.@..
@.@.@..@.@ »»» »»» ..@.@@@@.@
@@@@@.@@@@ .@@@...@@.
....@@...@ NICK IS UNCOMFORTABLE AROUND @..@..@.@@
...@.@..@. THE "WILD FLESH" VATS. @.@@.@@@.@
..@@@@.@@. @@.@@..@@@
.@...@@.@. .@@.@.@..@
@@..@.@@@. @.@@@@@.@@
.@.@@@..@. @@....@@..
@@@..@.@@@ .@...@.@..