¨.-^$*&£## ##£&*$^-.¨
¨.-^$*&### ###&*$^-.¨
¨.-^$*&£## ##£&*$^-.¨
¨.-^$*&£££ £££&*$^-.¨
¨.-^$$$&&& &&&$$$^-.¨
¨¨¨¨¨¨.^$& ###- -### &$^.¨¨¨¨¨¨
¨.-^$***&# # # #&***$^-.¨
¨¨¨¨¨.^*£# # TELE MIGRAINE # #£*^.¨¨¨¨¨
¨¨¨¨-$*&&£ # # £&&*$-¨¨¨¨
¨.-^$*&£## ###- -### ##£&*$^-.¨
¨.-^$*&£## ##£&*$^-.¨
¨.-^$*&£## THE SO CALLED "THIRD MIGRAINE". IT'S ##£&*$^-.¨
¨¨¨¨¨-$$$& LIKE A REGULAR MIGRAINE BUT IT DOES NOT &$$$-¨¨¨¨¨
¨.-^$*£### HURT THERE'S NO PAIN, THE COSMOS IS ###£*$^-.¨
¨.-^$*&£## THERE AND IT'S DRAINING THE EVIL ##£&*$^-.¨
¨¨¨.-$$*&& STRAIGHT OUT OF THE WOUND. &&*$$-.¨¨¨
¨¨¨¨¨..-$& &$-..¨¨¨¨¨
¨¨.-^^*&&# IT'S MASSAGING YOUR TEMPLES, PIERCING #&&*^^-.¨¨
¨...^^**&& YOU, ENTERING YOUR BLOOD, CRACKING THE &&**^^...¨
¨.-^$*&£## SKULL OPEN. A PAW GRIPS YOUR BRAIN, ##£&*$^-.¨
¨¨¨¨¨-$&&& PLAYS WITH IT, PULLS IT OUT INTO THE &&&$-¨¨¨¨¨
¨.-^$*&### COSMOS. ###&*$^-.¨
¨...-^$&£# #£&$^-...¨
¨.-^$*&£## THERE'S COMETS! SPACE ODDITIES. ##£&*$^-.¨
¨¨¨¨¨.^*&# SOLITARY OSCILLATIONS. CARRIER WAVE. #&*^.¨¨¨¨¨
¨.-^$$$*&# BURNED AWAY BY THE SUNS RADIATION UNTIL #&*$$$^-.¨
¨.-^^$**&£ ONLY THE FAINTEST TRACE REMAIN, £&**$^^-.¨
¨..---$*&& EVENTUALLY CAUGHT IN THE GRAVITY WELL &&*$---..¨
¨.-^^^$&&# OF SOME SECOND RATE WATER PLANET. #&&$^^^-.¨
¨¨¨¨.^$$*£ £*$$^.¨¨¨¨
¨¨¨.^$**£# IT'S RAINING SAP. #£**$^.¨¨¨
¨.-^$*&£## WE'RE GETTING SWEET AND WET ##£&*$^-.¨
¨.-^$$**££ ££**$$^-.¨
¨¨¨¨-^^$*& ###- -### &*$^^-¨¨¨¨
¨.-^$*&£## ##£&*$^-.¨
¨.-^$*&£## MY LUNCH BREAK IS OVER AND I NEED TO ##£&*$^-.¨
¨.-^$*&£## GET BACK TO THE SHOP. LYNNE IS THERE ##£&*$^-.¨
¨.-^$*&£## ALONE AND HASN'T EATEN YET. I TAKE THE ##£&*$^-.¨
¨.-^$*&### BACK ROUTE UP FROM THE BEACH TO AVOID ###&*$^-.¨
¨¨...^*&&& THE CROWD. SING A LITTLE TO MYSELF. &&&*^...¨¨
¨.-^$*&£## ##£&*$^-.¨
¨¨¨¨¨-$$$& LIFE GETS TO PROSPER OUTSIDE OF¨£^--- - &$$$-¨¨¨¨¨
¨.-^$*£### SUDDENLY, AN ACID FLASHBACK: I STEP ###£*$^-.¨
¨¨¨¨¨.^^*& DOWN IN MY MIND (LIKE AN OPEN MIND / &*^^.¨¨¨¨¨
¨...--^$&& FRACTAL STINGER / BISMUTH STAIRCASE) &&$^--...¨
¨.-^$$$**£ AND WADE IN SHADOWS... SURROUNDED BY £**$$$^-.¨
¨¨¨.--^^$& MEMORY NEGATIVES, &$^^--.¨¨¨
¨.-^$$$*&& LIKE UPROCESSED FILM.... &&*$$$^-.¨
¨¨¨¨..-^$& &$^-..¨¨¨¨
¨.-^$*&£## ###- -### ##£&*$^-.¨
¨.-^$*&£## ##£&*$^-.¨
¨.-^$***&£ WE'RE CLOSING FOR THE EVENING. THE SHOP £&***$^-.¨
¨¨¨¨¨¨-$&& IS IN THE BOTTOM FLOOR OF A NARROW &&$-¨¨¨¨¨¨
¨¨¨.^^$$*£ MUDBRICK BUILDING, PAINTED TEAL. WE £*$$^^.¨¨¨
¨.-^$*&£## LIVE ON THE SECOND FLOOR, TOGETHER WITH ##£&*$^-.¨
¨.-^$*&£## THE OWNER. AS I CLOSE THE METAL ##£&*$^-.¨
¨.-^$***&& CURTAIN, BEHIND ITS CHARACTERISTIC &&***$^-.¨
¨¨¨..^**&# SHARP RATTLING I CAN HEAR THE #&**^..¨¨¨
¨.-^$*&£££ CURFEW SIRENS. £££&*$^-.¨
¨.-^$*&£## ##£&*$^-.¨
¨.-^$*&£## WORMY STREET WOLVES OUTSIDE, CHASING ##£&*$^-.¨
¨-^$*&£### ENTRANCES IN THE DARK ALLEYWAYS, ###£&*$^-¨
¨¨¨¨..^$$& WANTING IN, GETTING DESPERATE, LAPSING &$$^..¨¨¨¨
¨¨¨¨¨-$&££ TO SEARCH HIGHER, ON ROOFS, CLIMBING ON ££&$-¨¨¨¨¨
¨.-^$*&£## BALCONIES. AND THERE'S BOUND TO BE SOME ##£&*$^-.¨
¨.-^$*&£## RECKLESS TOURIST WHO DIDN'T HEED THE ##£&*$^-.¨
¨.-^$$$**£ WARNINGS, NEVER CLOSED THEIR WINDOWS... £**$$$^-.¨
¨¨¨¨¨.-^*& &*^-.¨¨¨¨¨
¨.-^$*&£## OR, IN SOME CASES, THE HOUSEOWNER HAD ##£&*$^-.¨
¨.-^$*&£## THE WINDOW BOLTS WEAKENED, AND WHEN ##£&*$^-.¨
¨.-^$*£### CLEANING UP THE AFTERMATH WOULD POCKET ###£*$^-.¨
¨.-^$*&£## THEIR BELONGINGS. ##£&*$^-.¨
¨.-^$*&£## ##£&*$^-.¨
¨...-$$*££ ££*$$-...¨
¨¨¨¨¨-^$*£ £*$^-¨¨¨¨¨
¨.-^$*&£## ##£&*$^-.¨
¨.-^^$$*&£ £&*$$^^-.¨